| Kristallnacht | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1993 | |||
| Recorded | November 9 & 10, 1992 | |||
| Genre | Avant-garde | |||
| Length | 42:44 | |||
| Label | Eva, Tzadik | |||
| Producer | John Zorn | |||
| John Zorn chronology | ||||
| ||||
Kristallnacht is the seventh studio album by John Zorn first released in 1993 on the Japanese Eva label and subsequently in 1995 on Zorn's own Tzadik Records label. [1]
Zorn's compositions for the album were based around the events before, during, and following the infamous Night of Broken Glass and represented his first musical exploration of his Jewish cultural heritage. [2]
Zorn has stated:
It’s tied together with passion and research. Every Jew has to come to grips with the holocaust in some kind of way and that was my statement, that’s how I did it. I do not need to do it again (…) it meant a lot to me. It was like a whole lifetime of denying my Jewish heritage coming out in one piece -- "John Zorn on BBC Jazz File," July 2000.
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [4] |
| The Penguin Guide to Jazz | () [5] |
The AllMusic review by Joslyn Layne stated: "John Zorn has created a musical work that powerfully represents the different stages of this historical event... Zorn's forceful undertaking is realized through the expert and passionate musicianship". [4] The Penguin Guide to Jazz said "Here are the seeds of what was to be a wholesale engagement - or re-engagement - with Jewish musical culture, most clearly represented in the Masada project of future years, but retroactively evident throughout the work of the previous decade and more. A key moment, even if the man himself wasn't playing". [5]
| No. | Title | Length |
|---|---|---|
| 1. | "Shtetl (Ghetto Life)" | 5:55 |
| 2. | "Never Again" | 11:46 |
| 3. | "Gahelet (Embers)" | 3:27 |
| 4. | "Tikkun (Rectification)" | 3:02 |
| 5. | "Tzfia (Looking Ahead)" | 8:49 |
| 6. | "Barzel (Iron Fist)" | 2:02 |
| 7. | "Gariin (Nucleus - The New Settlement)" | 7:59 |
Bar Kokhba is a double album by John Zorn, recorded between 1994 and 1996. It features music from Zorn's Masada project, rearranged for small ensembles. It also features the original soundtrack from The Art of Remembrance – Simon Wiesenthal, a film by Hannah Heer and Werner Schmiedel (1994–95).
John Zorn is an American composer, conductor, saxophonist, arranger and producer who "deliberately resists category". His avant-garde and experimental approaches to composition and improvisation are inclusive of jazz, rock, hardcore, classical, contemporary, surf, metal, soundtrack, ambient, and world music. In 2013, Down Beat described Zorn as "one of our most important composers" and in 2020 Rolling Stone noted that "[alt]hough Zorn has operated almost entirely outside the mainstream, he's gradually asserted himself as one of the most influential musicians of our time".
Masada is a musical group with rotating personnel led by American saxophonist and composer John Zorn since the early 1990s.
The Cracow Klezmer Band was a Polish jazz quartet formed by accordionist and composer Jarosław Bester in 1997 in the city of Kraków, and recorded for Tzadik Records. The group performed at Jewish Culture festivals in Hungary, Finland, Poland, Prague, and the Czech Republic. Its sound was different from what most people would consider to be traditional klezmer music — instead of danceable versions of traditional Yiddish songs, and free-form fantasies, and laments, The Cracow Klezmer Band played often dark and brooding but soulful and dynamic original virtuoso compositions instead in the klezmer form. Some songs could be considered dance pieces, but there were none of the traditional Bulgars, Freylekhs or Horas.
Naked City is an album by John Zorn, released on Elektra Nonesuch in February 1990. The band assembled by Zorn for the album would later be known as Naked City. The album is characterized by its covers of movie themes and its fusion of various musical genres.
The Big Gundown is the third studio album by American composer and saxophonist/multi-instrumentalist John Zorn. It comprises radically reworked covers of tracks by the Italian film composer Ennio Morricone.
Daniel Zamir is an Israeli saxophonist and singer. Having started on alto saxophone, Zamir is mainly known for his soprano playing.
Filmworks 1986–1990 features the first released film scores of John Zorn. The album was originally released on the Japanese labels Wave and Eva in 1990, on the Nonesuch Records label in 1992, and subsequently re-released on Zorn's own label, Tzadik Records, in 1997 after being out of print for several years.
"For Zorn, filmscores have always been a place to experiment, and the FilmWorks Series is in many ways a microcosm of his prodigious output. This original installment of the FilmWorks Series presents three scores ranging from punk-rockabilly ; a jazzy Bernard Herrmann fantasy; to a quirky classical/improv/world music amalgam for Raul Ruiz's bizarre film The Golden Boat. Zorn's infamous one-minute arrangement of Morricone's classic The Good, The Bad and The Ugly, is included as a bonus track. This is the place where it all began."
Anthony Coleman is an avant-garde jazz pianist. During the 1980s and 1990s he worked with John Zorn on Cobra, Kristallnacht, The Big Gundown, Archery, and Spillane and helped push modern Jewish music into the 21st century.
The Circle Maker is a double album by John Zorn featuring Zorn's Masada compositions performed by the Masada String Trio and the Bar Kokhba Sextet which was released in 1998 on the Tzadik label.
The Gift is an album by John Zorn released in 2001 on the Tzadik label as the third volume of his Music Romance Series and described as an album "for lovers only".
Pool is an album by John Zorn featuring his early "game piece" composition of the same name which was first released on vinyl on Parachute Records in 1980 as a double album including the composition "Hockey". The album was released on CD on Tzadik Records with an additional bonus track featuring a test recording of Archery as part of The Parachute Years Box Set in 1997 and as a single CD in 2000. The album was the first released solely under Zorn's name following his collaboration with Eugene Chadbourne, School (1978).
Locus Solus is an album of improvisations by John Zorn and other musicians. Originally released as a double vinyl album on Rift records in 1983 it was re-released as a CD with additional tracks on Eva/Wave in 1990 and on Zorn's Tzadik Records label in 1997.
The Classic Guide to Strategy is a compilation album by John Zorn featuring his two early solo records The Classic Guide to Strategy Volume One (1983), (tracks 1-2) and the Classic Guide to Strategy Volume Two (1986), (tracks 3-8). The albums were first released on vinyl on Lumina Records in and later re-released on Tzadik Records in 1996 as a single CD. The second track is inspired by the work of Carl Stalling and tracks 3-8 are named after avant-garde Japanese artists. The Classic Guide to Strategy Volume Two also contained the track "Yano Akiko" (5:20) which does not appear on the CD re-release.
Ganryu Island is an collaborative album by John Zorn and Michihiro Sato. The album was first released on vinyl LP on Yukon Records in 1984 and later re-released on Tzadik Records as a CD with five additional tracks in 1998.
Masada Anniversary Edition Vol. 4: Masada Recital is the fourth album in a series of five releases celebrating the 10th anniversary of John Zorn's Masada songbook project. It features 12 Masada songs performed by Sylvie Courvoisier on piano and Mark Feldman on violin. It was released in 2004 on Zorn's Tzadik Records as part of the Radical Jewish Culture Series.
The Parachute Years: 1977–1981 is a compilation album 7-CD box set by John Zorn. It features recordings of Zorn's game pieces originally released as self-produced albums on the Parachute label as well as previously unreleased performances. All of the discs in this box set have been subsequently given their own releases on Zorn's Tzadik label.
Adramelech: Book of Angels Volume 22 is the second album by Zion80, a musical ensemble led by guitarist Jon Madof, which was released in 2014 on John Zorn's Tzadik Records. It is part of the Zorn's Book of Angels Series, a songbook of Zorn compositions performed by a wide range of performers.
Light Upon Light is a studio album by American jazz trumpeter Wadada Leo Smith which was released in 1999 on the Tzadik Records' Composer Series. The album includes a composition for chamber ensemble and gamelan quartet, a solo piece for viola, a bass concerto written for Bert Turetzky and two electronic pieces.
Blues for Falasha is a posthumously released album by saxophonist Glenn Spearman. It was recorded on June 8, 1997, at Bay Recording in Berkeley, California, and was released in 1999 by Tzadik Records as part of their Radical Jewish Culture series. On the album, Spearman is joined by saxophonist Larry Ochs, pianist Chris Brown, bassist Lisle Ellis, and percussionists Donald Robinson and William Winant.
