| Elegy | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1992 | |||
| Recorded | November 1991, Different Fur Studios, San Francisco | |||
| Length | 29:22 | |||
| Label | Eva, Tzadik TZ 7302 | |||
| Producer | John Zorn | |||
| John Zorn chronology | ||||
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Elegy is the sixth studio album by John Zorn, which was dedicated to Jean Genet, featuring four "file card" compositions titled after colors and arranged in the style of chamber music. [1]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [2] |
| Guy's Music Review |    [3] |
| The Penguin Guide to Jazz |  [4] |
The Allmusic review by Blake Butler awarded the album 4½ stars describing it as "Another smeared blossoming testament to the off-color and highly obtuse genius of John Zorn. A mostly minimalist and sparse landscape of sheer terror and spine-ripping controlled noise explosion". [2] Guy Peters stated "some moments come close to chamber music, but others employ the cut up-techniques or seem to function as an imaginary soundtrack. Another option is that you consider it an experiment in aural terror and not because it's a very alienating, extreme or demanding album throughout, but because it skilfully uses mood and shifts to hook you up with a feeling of unease". [3]
Bar Kokhba is a double album by John Zorn, recorded between 1994 and 1996. It features music from Zorn's Masada project, rearranged for small ensembles. It also features the original soundtrack from The Art of Remembrance – Simon Wiesenthal, a film by Hannah Heer and Werner Schmiedel (1994–95).
John Zorn is an American composer, conductor, saxophonist, arranger and producer who "deliberately resists category". His avant-garde and experimental approaches to composition and improvisation are inclusive of jazz, rock, hardcore, classical, contemporary, surf, metal, soundtrack, ambient, and world music. In 2013, Down Beat described Zorn as "one of our most important composers" and in 2020 Rolling Stone noted that "[alt]hough Zorn has operated almost entirely outside the mainstream, he's gradually asserted himself as one of the most influential musicians of our time".
Filmworks 1986–1990 features the first released film scores of John Zorn. The album was originally released on the Japanese labels Wave and Eva in 1990, on the Nonesuch Records label in 1992, and subsequently re-released on Zorn's own label, Tzadik Records, in 1997 after being out of print for several years.
"For Zorn, filmscores have always been a place to experiment, and the FilmWorks Series is in many ways a microcosm of his prodigious output. This original installment of the FilmWorks Series presents three scores ranging from punk-rockabilly ; a jazzy Bernard Herrmann fantasy; to a quirky classical/improv/world music amalgam for Raul Ruiz's bizarre film The Golden Boat. Zorn's infamous one-minute arrangement of Morricone's classic The Good, The Bad and The Ugly, is included as a bonus track. This is the place where it all began."
Naked City Live is a live album recorded by Naked City in 1989 and released on John Zorn's Tzadik label in 2002. All of the songs, with the exception of "Erotico", "The Way I Feel" and "Skate Key", were later recorded in the studio for the band's debut album. To date it is the only official live release by the band.
John Zorn's Cobra: Live at the Knitting Factory is an album of a performance of John Zorn's improvisational game piece, Cobra, performed at the Knitting Factory in 1992. The album resembles the missing link between John Zorn's work with Masada and Naked City. It also had a major impact on the electronic scene of New York.
Music for Children is the first release in John Zorn's Music Romance Series and features three Naked City compositions performed by Zorn with the band Prelapse; a 20-minute composition for wind machines and controlled feedback systems dedicated to Edgar Varese, and a classical chamber music piece for violin, percussion and piano performed by the Abel-Steinberg-Winant Trio framed by a poly-rhythmic etude for percussion and celeste and a lullaby for music box.
The Gift is an album by John Zorn released in 2001 on the Tzadik label as the third volume of his Music Romance Series and described as an album "for lovers only".
Archery is an album by John Zorn featuring his early "game piece" composition of the same name. The album was released by Parachute Records in 1982.
The Classic Guide to Strategy is a compilation album by John Zorn featuring his two early solo records The Classic Guide to Strategy Volume One (1983), (tracks 1-2) and the Classic Guide to Strategy Volume Two (1986), (tracks 3-8). The albums were first released on vinyl on Lumina Records in and later re-released on Tzadik Records in 1996 as a single CD. The second track is inspired by the work of Carl Stalling and tracks 3-8 are named after avant-garde Japanese artists. The Classic Guide to Strategy Volume Two also contained the track "Yano Akiko" (5:20) which does not appear on the CD re-release.
The Bribe: variations and extensions on Spillane is the ninth studio album by American composer and saxophonist/multi-instrumentalist John Zorn, consisting of music created for three half-hour radio plays produced by Mabou Mines theater company in 1986. It utilizes compositional techniques, source material, and personnel that are similar to Zorn's Spillane.
More News for Lulu is the second album of hard bop compositions performed by John Zorn, George Lewis, and Bill Frisell. Like the previous News for Lulu it features tunes by Kenny Dorham, Hank Mobley, Freddie Redd and Sonny Clark but also contains with one tune each by Misha Mengelberg and Big John Patton. The album was recorded live in Paris and Basel. It was released in 1992 on the Swiss Hathut Record label.
Masada: Dalet, also known as ד or Masada 4, is a 1995 EP by American composer and saxophonist John Zorn. It is the fourth album of Masada recordings. The original pressing of this album was never available for retail sale as it was given away by DIW in exchange of the proof of buying the first three Masada albums up to June 1995. It was reissued in 1997 as a regular release.
Masada Anniversary Edition Vol. 4: Masada Recital is the fourth album in a series of five releases celebrating the 10th anniversary of John Zorn's Masada songbook project. It features 12 Masada songs performed by Sylvie Courvoisier on piano and Mark Feldman on violin. It was released in 2004 on Zorn's Tzadik Records as part of the Radical Jewish Culture Series.
Rituals is an album of contemporary classical music by American avant-garde composer John Zorn. The piece takes the form of an opera in five parts and was premiered at the Bayreuth Opera Festival in 1998.
Mysterium is an album of contemporary classical music by New York avant-garde composer John Zorn.
Chimeras is an album of contemporary classical music by American composer John Zorn featuring a 12 part piece inspired by Arnold Schoenberg's atonal composition "Pierrot Lunaire". In 2010 the album was revised and re-recorded, with an additional "Postlude".
Harras is an album of improvised music by Derek Bailey, John Zorn & William Parker. The album was released by the Japanese Avant label in 1996. Towards the end of the track "Evening Harras" there is 10 minutes of silence followed by a Bailey solo. "According to Derek Bailey, the abrupt cutoff was planned. Derek wanted to end it "on a high". The Bailey solo material appended after the silence was apparently Zorn's idea."
Yankees is an album of improvised music by Derek Bailey, John Zorn & George Lewis. The album was released as an LP by Celluloid in 1983 and was reissued on CD by Celluloid and Charly. It was the first recorded meeting of John Zorn and Derek Bailey. The two men would later release the album, Harras, with William Parker in 1993. Zorn and Lewis would collaborate further on News for Lulu (1988) and More News for Lulu (1993) with Bill Frisell.
Masada Anniversary Edition Volume 2: Voices in the Wilderness is the second album in a series of five releases celebrating the 10th anniversary of John Zorn's Masada songbook project. It features 24 compositions by Zorn, each performed by different ensembles.
Dreamachines is an album by John Zorn recorded in New York City in April 2013 and released on the Tzadik label in July 2013. The album is inspired by the works of William S. Burroughs and Brion Gysin.
