Spy vs Spy | ||||
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Studio album by | ||||
Released | 1989 | |||
Recorded | August 1988 | |||
Studio | Power Station, New York City | |||
Genre | ||||
Length | 40:32 | |||
Label | Elektra/Musician | |||
Producer | John Zorn | |||
John Zorn chronology | ||||
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Spy vs Spy: The Music of Ornette Coleman is the fifth studio album by American composer and alto saxophonist/multi-instrumentalist John Zorn, featuring the compositions of Ornette Coleman performed in the brief, intense style of Zorn's hardcore miniatures. Alongside Zorn are fellow alto saxophonist Tim Berne, bassist Mark Dresser and drummers Joey Baron and Mike Vatcher.
The liner notes thank Ornette and Denardo Coleman, Mick Harris (of Napalm Death), Ted Epstein (of Blind Idiot God), Pil (of Lip Cream- a Japanese thrashcore group), The Accused, Craig Flanagan, DRI, CBGB, and "the New York-London-Tokyo Hardcore Triangle". [1] The cover artwork was created by indie comics artist Mark Beyer (of Amy and Jordan fame). The album itself approaches “free” jazz from the perspective of hardcore punk, particularly taking note of the contemporary innovations of thrashcore and grindcore. Zorn would later pursue these preoccupations in the thrash jazz group Naked City.
Like some classic free jazz albums ( Free Jazz , Ascension , Archie Shepp's Mama Too Tight ), different saxophonists improvise simultaneously in stereo. Tim Berne appears on the left stereo channel, while John Zorn is represented on the right channel. [1]
Review scores | |
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Source | Rating |
AllMusic | [2] |
The Penguin Guide to Jazz | [3] |
The AllMusic review by Scott Yanow stated: "The performances are concise with all but four songs being under three minutes and seven under two, but the interpretations are unremittingly violent. The lack of variety in either mood or routine quickly wears one out". [2]
The album was included in the book 1001 Albums You Must Hear Before You Die . [4]
All compositions by Ornette Coleman.
No. | Title | Length |
---|---|---|
1. | "W.R.U." | 2:38 |
2. | "Chronology" | 1:08 |
3. | "Word for Bird" | 1:14 |
4. | "Good Old Days" | 2:44 |
5. | "The Disguise" | 1:18 |
6. | "Enfant" | 2:37 |
7. | "Rejoicing" | 1:38 |
8. | "Blues Connotation" | 1:05 |
9. | "C. & D." | 3:05 |
10. | "Chippie" | 1:08 |
11. | "Peace Warriors" | 1:20 |
12. | "Ecars" | 2:28 |
13. | "Feet Music" | 4:45 |
14. | "Broad Way Blues" | 3:42 |
15. | "Space Church" | 2:28 |
16. | "Zig Zag" | 2:54 |
17. | "Mob Job" | 4:24 |
Tim Berne is an American avant-garde jazz saxophonist and record label owner. His primary instruments are the alto and baritone saxophones.
Naked City is an album by John Zorn, released on Elektra Nonesuch in February 1990. The band assembled by Zorn for the album would later be known as Naked City. The album is characterized by its covers of movie themes and its fusion of various musical genres.
Change of the Century is a studio album by jazz saxophonist Ornette Coleman. It was released through Atlantic Records in May 1960. It sold very well from soon after its release. Recording sessions for the album took place on October 8 and 9, 1959, in New York City.
Free Jazz: A Collective Improvisation is an album by the jazz saxophonist and composer Ornette Coleman. It was released through Atlantic Records in September 1961: the fourth of Coleman's six albums for the label. Its title named the then-nascent free jazz movement. The recording session took place on December 21, 1960, at A&R Studios in New York City. The sole outtake from the album session, "First Take," was later released on the 1971 compilation Twins and subsequent CD reissues of Free Jazz.
The Big Gundown is the third studio album by American composer and saxophonist/multi-instrumentalist John Zorn. It comprises radically reworked covers of tracks by the Italian film composer Ennio Morricone.
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