|Cultural origins||Early 1980s, United States|
Thrashcore (also known as fastcore) is a fast tempo subgenre of hardcore punk that emerged in the early 1980s. Thrashcore is essentially sped-up hardcore, often using blast beats. Songs can be very brief, and thrashcore is in many ways a less dissonant, less metallic forerunner of grindcore. The genre is sometimes associated with skateboarder subculture.
Thrashcore is often confused with crossover thrash and sometimes thrash metal.Further confusion is added by the fact that many crossover bands, such as D.R.I., began as influential thrashcore bands. Throughout the '80s, the term "thrash" was in use as a synonym for hardcore punk (as in the New York Thrash compilation of 1982). It eventually came to be used for the faster, more intense style of hardcore punk. The term thrashcore is of recent vintage but dates from at least 1993. The "-core" suffix is necessary to distinguish it from the thrash metal scene, which is also referred to as "thrash" by fans. Still more confusingly, the term "thrashcore" is occasionally used by the music press to refer to thrash metal-inflected metalcore.
Just as hardcore punk groups distinguished themselves from their punk rock predecessors by their greater intensity and aggression, thrashcore groups (often identified simply as "thrash") sought to play at breakneck tempos that would radicalize the innovations of hardcore. Early American thrashcore groups included Cryptic Slaughter (Santa Monica), D.R.I. (Houston), HYPE (Toronto Canada), Septic Death (Boise, Idaho) and Siege (Weymouth, Massachusetts). The British Electro Hippies, the Dutch Lärm, the Italian Raw Power, and the Japanese S.O.B. also practiced important examples of the style. Some of Negative Approach's later work was influential on the scene.
The powerviolence scene grew out of thrashcore as an American counterpart to the British grindcore scene, which had emerged from crust punk, with bands such as Septic Death, Infest and Siege being the first to move towards the style.Powerviolence groups saw themselves as distinct from grindcore because of the increasing proximity of grindcore groups to the death metal being performed in Florida, Sweden, and Brazil. Powerviolence groups wished to avoid the association with heavy metal music and culture that crossover thrash, thrash metal, and grindcore had made, while also incorporating "tempo changes with droney and sludgey down tempo parts". As well as from thrashcore, powerviolence groups also took inspiration from crust punk, and eventually from noise music. Main groups associated with powerviolence included No Comment, Hellnation, Man Is The Bastard, Crossed Out, Charles Bronson, Spazz and Rorschach.
Thrashcore groups such as S.O.B.,Cryptic Slaughter, Siege and Deep Wound were major influences on early grindcore acts such as Napalm Death, Carcass and Repulsion, however grindcore is considered to be more metallic, due to its influence from crust punk.
The '90s saw a revival of the thrashcore style, as groups that had previously been associated with powerviolence or grindcore began to explore their debt to this earlier form of extreme rock music. This was sometimes referred to as "bandanna thrash", in reference to the headgear preferred by many of the performers.Prominent '90s thrashcore groups included Refused, Code 13, MK-ULTRA, Guyana Punch Line, What Happens Next? and R.A.M.B.O. (from the United States), Vitamin X (from the Netherlands), Vivisick (from Japan), and Voorhees (from the UK). These groups sometimes felt a greater association with other elements of '80s hardcore punk, such as straight edge, anarcho-punk, youth crew, or crust punk, than most initial thrashcore groups did.
Some prominent American thrashcore groups of the 21st century include Limp Wrist, Das Oath and Trash Talk.
Grindcore is an extreme fusion genre of heavy metal and hardcore punk that originated in the mid-1980s, drawing inspiration from abrasive-sounding musical styles, such as: thrashcore, crust punk, hardcore punk, extreme metal, and industrial. Grindcore is considered a more noise-filled style of hardcore punk while using hardcore's trademark characteristics such as heavily distorted, down-tuned guitars, grinding overdriven bass, high speed tempo, blast beats, and vocals which consist of growls and high-pitched shrieks. Early groups like Napalm Death are credited with laying the groundwork for the style. It is most prevalent today in North America and Europe, with popular contributors such as Brutal Truth and Nasum. Lyrical themes range from a primary focus on social and political concerns, to gory subject matter and black humor.
A blast beat is a drum beat that originated in hardcore punk and grindcore, and is often associated with certain styles of extreme metal, namely black metal and death metal, and occasionally in metalcore. In Adam MacGregor's definition, "the blast-beat generally comprises a repeated, sixteenth-note figure played at a very fast tempo, and divided uniformly among the bass drum, snare, and ride, crash, or hi-hat cymbal." Blast beats have been described by PopMatters contributor Whitney Strub as, "maniacal percussive explosions, less about rhythm per se than sheer sonic violence".
The 'original' or traditional blastbeat is a single-stroke roll played between your cymbal and snare, with your kick playing simultaneously with every cymbal hit.
Hardcore punk is a punk rock music genre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Southern California which arose as a reaction against the still predominant hippie cultural climate of the time. It was also inspired by New York punk rock and early proto-punk. New York punk had a harder-edged sound than its San Francisco counterpart, featuring anti-art expressions of masculine anger, energy, and subversive humor. Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of mainstream rock" and often addresses social and political topics with "confrontational, politically-charged lyrics."
A number of heavy metal genres have developed since the emergence of heavy metal during the late 1960s and early 1970s. At times heavy metal genres may overlap or are difficult to distinguish, but they can be identified by a number of traits. They may differ in terms of: instrumentation, tempo, song structure, vocal style, lyrics, guitar playing style, drumming style, and so on.
Crust punk is a form of music influenced by English punk rock and extreme metal. The style, which evolved in the early-1980s in England, often has songs with dark and pessimistic lyrics that linger on political and social ills. The term "crust" was coined by Hellbastard on their 1986 Ripper Crust demo.
Extreme metal is a loosely defined umbrella term for a number of related heavy metal music subgenres that have developed since the early 1980s. It has been defined as a "cluster of metal subgenres characterized by sonic, verbal, and visual transgression".
Siege is an American hardcore punk band from Weymouth, Massachusetts. Formed in 1981, they were active in the Boston hardcore scene from 1984 to 1985, and reunited briefly in 1991. Guitarist Kurt Habelt and drummer Rob Williams reformed the band in 2016.
Discharge are an English hardcore punk band formed in 1977 in Stoke-on-Trent by Terence "Tezz" Roberts and Royston "Rainy" Wainwright. While the band has undergone several line-up changes throughout its history, the classic line-up from the early 1980s featured bassist Wainwright, drummer Gary Maloney, Anthony "Bones" Roberts playing guitar, and vocalist Kelvin "Cal" Morris.
D-beat is a style of hardcore punk, developed in the early 1980s by imitators of Discharge, after whom the genre is named, as well as a drum beat characteristic of this subgenre. D-beat is known for its "grinding, distorted and brutally political" sound. Discharge may have themselves inherited the beat from Motörhead and the Buzzcocks. D-beat is closely associated with crust punk, which is a heavier, more complex variation. The style was particularly popular in Sweden, and developed there by groups such as Crude SS, Anti Cimex, Mob 47, and Driller Killer. Other D-beat groups include Doom and the Varukers from the UK; Disclose from Japan; Crucifix and Final Conflict from the U.S.; Ratos de Porão from Brazil; and MG15 from Spain. While the style initially developed in the early 1980s, a number of new groups working within the subgenre emerged in the mid-1990s. These include the Swedish groups Wolfbrigade, Totalitär, Avskum, Skitsystem, and Disfear.
Septic Death was a thrashcore band fronted by artist Brian "Pushead" Schroeder on vocals. Septic Death's music became a major influence on bands like Integrity, Von, Citizens Arrest, Infest, Rorschach and many other bands tied to the hardcore punk and extreme metal scenes.
Crossover thrash is a fusion genre of thrash metal and hardcore punk. The genre lies on a continuum between heavy metal and hardcore punk. Other genres on the same continuum, such as metalcore and grindcore, may overlap with crossover thrash.
Powerviolence is an extremely dissonant and fast subgenre of hardcore punk which is closely related to thrashcore and grindcore. In contrast with grindcore, which is a "crossover" idiom containing musical aspects of heavy metal, powerviolence is just an augmentation of the most challenging qualities of hardcore punk. Like its predecessors, it is usually socio-politically charged and iconoclastic.
I Shot Cyrus was a Brazilian hardcore punk band from São Paulo that existed from 1997 until 2009.
Kevin J. Mahoney was an American singer. He is best remembered as the vocalist of Siege, a pioneering Massachusetts-based hardcore punk band whose speed and discord influenced the formation of the grindcore and powerviolence subgenres of punk rock and heavy metal. Mahoney's incongruous lead vocal style also influenced the development of these genres.
Septic Tank are a British punk rock band formed out of Coventry doom metal band Cathedral. The band was originally formed in 1994, while Cathedral were on tour, and later reformed in 2013 after Cathedral's breakup. Once the band reunited, producer and former member of the UK band Trouble, Jaime "Gomez" Arellano, replaced drummer Barry Stern, due to his death in 2005. The band have currently released one self-titled EP and one full-length album, entitled "Rotting Civilisation".
Straight Ahead was an American straight edge hardcore punk band formed in Queens, New York in 1984, by drummer and vocalist Tommy Carroll, guitarist Gordon Ancis and bassist Tony Marc Shimkin.
Grindcore in Indonesia refers to a regional scene of Grindcore music that originated during the early 2000s. Prominent bands include Noxa, Funeral Inception, and JASAD. Indonesian grindcore retains a number of a influences from both foreign grindcore bands, such as Napalm Death, and other genres.