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This is a list of bands that are considered part of the second wave of punk rock, beginning in the early- (mid-) to late 1980s.
Punk rock is a music genre that emerged in the mid-1970s. Rooted in 1950s rock and roll and 1960s garage rock, punk bands rejected the corporate nature of mainstream 1970s rock music. They typically produced short, fast-paced songs with hard-edged melodies and singing styles with stripped-down instrumentation. Lyricism in punk typically revolves around anti-establishment and anti-authoritarian themes. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through independent labels.
Hardcore punk is a punk rock subgenre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Southern California which arose as a reaction against the still predominant hippie cultural climate of the time. It was also inspired by Washington, D.C., and New York punk rock and early proto-punk. Hardcore punk generally eschews commercialism, the established music industry and "anything similar to the characteristics of mainstream rock" and often addresses social and political topics with "confrontational, politically charged lyrics".
Epitaph Records is an American independent record label owned by Bad Religion guitarist Brett Gurewitz. A large portion of the record label, known as Hellcat Records, is owned by Tim Armstrong, frontman of the punk rock band Rancid. Several sister labels also exist, such as ANTI-, Burning Heart Records, Hellcat Records, and Heart & Skull Records that have signed other types of bands.
Pop-punk is a rock music fusion genre that combines elements of punk rock with power pop or pop. It is defined by its fast-paced, energetic tempos, and emphasis on classic pop songcraft, as well as adolescent and anti-suburbia themes. It is distinguished from other punk-variant genres by drawing more heavily from 1960s bands such as the Beatles, the Kinks, and the Beach Boys. The genre has evolved throughout its history, absorbing elements from new wave, college rock, ska, hip hop, emo, boy band pop and even hardcore punk and metalcore. It is sometimes considered interchangeable with power pop and skate punk.
Skate punk is a skater subculture and punk rock subgenre that developed in the 1980s. Originally a form of hardcore punk that had been closely associated with skate culture, skate punk evolved into a more melodic genre of punk rock in the 1990s similar to pop punk. Since then, it has predominately featured fast tempos, lead guitar playing, fast drumming, and singing. Occasionally, skate punk also combines the fast tempos of hardcore punk and melodic hardcore with the catchy hooks of pop-punk.
Punk-O-Rama is the title given to a series of ten compilation albums published by Epitaph Records. The first volume was released in 1994, the second in 1996, and the rest annually from 1998 to 2005. The albums included artists from Epitaph's roster as well as from its subsidiary label ANTI- and its partnership labels Hellcat Records and Burning Heart Records. In total the series included 257 songs contributed by 88 different artists.
The Dickies are an American punk rock band formed in the San Fernando Valley, Los Angeles, in 1977. One of the longest tenured punk rock bands, they have been in continuous existence for over 40 years. They have consistently balanced catchy melodies, harmony vocals, and pop song structures, with a speedy punk guitar attack. This musical approach is paired with a humorous style and has been labelled "pop-punk" or "bubble-gum punk". The band have sometimes been referred to as "the clown princes of punk".
MDC is an American punk rock band formed in 1979 in Austin, Texas, subsequently based in San Francisco, and currently Portland, Oregon. Among the first wave of bands to define the sound and style of American hardcore punk, MDC originally formed as The Stains; they have periodically changed the meaning of "MDC", the most frequent being Millions of Dead Cops. The band's lyrical content expresses radical left political views and has proven influential within the punk subculture.
This is a timeline of punk rock, from its beginnings in the 1960s to the present day. Bands or albums listed either side of 1976 are of diverse genres and are retrospectively called by their genre name that was used during the era of their release.
Punk ideologies are a group of varied social and political beliefs associated with the punk subculture and punk rock. It is primarily concerned with concepts such as mutual aid, against selling out, hierarchy, white supremacy, authoritarianism, eugenics, class and classism, while supporting anti-consumerism, anti-corporatism, anti-war, anti-imperialism, leftism, anti-globalization, anti-gentrification, anti-racism, anti-sexism, gender equality, anti-homophobia, racial equality, animal rights, free-thought and non-conformity. One of its main tenets is a rejection of mainstream, corporate mass culture and its values. It continues to evolve its ideology as the movement spreads throughout North America from its origins in England and New York and embraces a range of anti-racist and anti-sexist belief systems. Punk does not necessarily lend itself to any particular political ideology as it is primarily anti-establishment although leftist punk is more common due to the prevalence of liberal and conservative ideologies in the status-quo.
Punk's Not Dead is a 2007 documentary film directed by Susan Dynner, an American hardcore punk fan. The filmmakers infiltrate American clubs, malls, recording studios, etc. where they set out to claim hardcore punk and pop punk music is "thriving" from an American perspective. Its content features performances largely from 1980s hardcore bands and MTV skate punk and pop punk/rock acts. It also includes various interviews and behind-the-scenes footage with the bands, labels and fans.
The Blasting Room is a recording studio in Fort Collins, Colorado. Founded by members of the punk rock band All in 1994, it is owned and operated by musician Bill Stevenson and Jason Livermore. The studio is known for recording and producing many punk rock bands, with Stevenson and Livermore serving as in-house audio engineers and record producers.
Blanks 77 is an American punk rock band active from 1990 to 2001, and again from 2004 onward. Originally based in Hillside, New Jersey, they have since relocated to Denville.
Since the mid-1970s, California has had thriving regional punk rock movements. It primarily consists of bands from the Los Angeles, Orange County, Ventura County, San Diego, San Fernando Valley, San Francisco, Fresno, Bakersfield, Alameda County, Sacramento, Lake Tahoe, Oakland and Berkeley areas.
Captain Oi! Records is a punk rock and Oi! record label based in High Wycombe, England. The company has released over 300 albums by many notable punk and Oi! bands of the late 1970s and 1980s. The label was set up by Mark Brennan, former bassist of The Business, who had previously co-run Link Records and the Dojo subsidiary of Castle Records. Brennan's inspiration had been Ace Records, with Captain Oi! targeted at being "the Ace Records of retro punk rock", reissuing material by classic punk bands.
Street punk is an urban working class-based subgenre of punk rock, which emerged as a rebellion against the perceived artistic pretensions of the first wave of British punk. The earliest street punk songs emerged in the late 1970s by bands including Sham 69, the U.K. Subs and Cockney Rejects. By 1982, bands such as Discharge, GBH and the Exploited had pushed this sound to become faster and more abrasive, while also embracing the influence of heavy metal music. In the 1990s and 2000s, a street punk revival began with bands such as the Casualties, Rancid and the Analogs.