Deathcore

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Deathcore is an extreme metal subgenre that combines death metal with metalcore. [1] [2] [3] [4] [5] The genre consists of death metal guitar riffs, blast beats, and metalcore breakdowns. [6] [7] While there are some precursors to the concept of death metal fused with metalcore/hardcore elements seen in the 1990s, deathcore itself emerged in the early 2000s and gained prominence beginning in the mid-2000s within the southwestern United States, especially Arizona and inland southern California, which are home to many notable bands and various festivals. [8] [9] [10]

Contents

Some of the genre's earliest examples include Antagony, Despised Icon, and the Red Chord. Deathcore's expansion in the mid-2000s saw bands like All Shall Perish, Through the Eyes of the Dead, Bring Me the Horizon, Suicide Silence, Carnifex, Job for a Cowboy, Chelsea Grin and Whitechapel taking off. In the 2010s, deathcore bands began experimenting with an eclectic selection of other genres.

The genre is noted for its criticism from longtime fans of heavy metal music, usually for its frequent use of breakdowns. Some musicians classified as deathcore have rejected the label.

Characteristics

Deathcore combines death metal characteristics such as blast beats, down-tuned guitars, tremolo picking, and growled vocals with metalcore characteristics such as breakdowns.[ citation needed ] The genre is usually defined by breakdowns and death metal riffs or metalcore riffs played in the usual death metal tuning. [6] [11] Like in other extreme metal fusion genres, deathcore guitarists down-tune their guitars to give their music a heavier sound. Deathcore bands may also employ guitar solos as well. [12] [13] [14] [15] [16] [17]

Low growls and shrieked screams are common types of vocals in deathcore. [6] [18] Some other techniques that deathcore vocalists have used include what is known as pig squeals. [19] [20] [21] [22] [23] Sung vocals in the genre are rare and most bands seldom if ever use them, but the idea has been experimented with by a few bands such as All Shall Perish (in the song "Awaken the Dreamers") and Oceano (in the song "Incisions"). [24]

History

Predecessors (1990s)

Death metal band Suffocation Suffocation Summer Breeze Open Air 2017 27.jpg
Death metal band Suffocation

The term "deathcore" has had convoluted uses on-and-off in various metal/hardcore scenes far before it was considered an established or recognized genre. The earliest known use of "deathcore" as a word was by New York band N.Y.C. Mayhem, a self-description for their merger of hardcore punk and thrash metal. [25] Outside of the US however, there also existed some early exampled uses; a German deathgrind band named Deathcore existed in the mid 1980s, and another German deathgrind band Blood, used the word as the title for a demo put out in 1986. [26] However it wasn't until 1996 that "deathcore" eventually began gaining traction to describe a musical style; Nick Terry of Terrorizer magazine that year publicized: "We're probably going to settle on the term deathcore to describe the likes of Earth Crisis (as well as the more NYHC-ish but still as deathly Merauder)." [27] Embrace the Eternal (1998) by Embodyment, Yesterday Is Time Killed (1999) by Eighteen Visions, and Rain in Endless Fall (1999) by Prayer for Cleansing are early examples of albums that feature a metalcore sound combined with death metal influences, [28] [29] [30] in 2019 music site The New Fury has even gone on record to credit Embodyment as "[pioneers] of the deathcore genre" due to their performance on Embrace the Eternal. [31] [32] Decibel magazine wrote that death metal band Suffocation were one of the main inspirations for the genre's emergence by writing: "One of Suffocation's trademarks, breakdowns, has spawned an entire metal subgenre: deathcore." [33]

The Belgian H8000 music scene was also influential to the development of the sound, with bands like Deformity, and Liar helping to pioneer a prototype for the genre in the late–1990s and early–2000s. [34] When writing about deathcore pioneers Despised Icon, Dom Lawson of Metal Hammer wrote: "blending death metal with hardcore was by no means a new thing when Despised Icon emerged." [35] Suffocation bassist Derek Boyer says Suffocation "were influenced by many early metal and hardcore bands". [35] Death metal bands like Dying Fetus, Suffocation, and Internal Bleeding were influential on deathcore due to their use of "crushing, mid-paced grooves and breakdowns", according to Lawson. [35]

Despised Icon 20160422 Oberhausen Impericon Festival Despised Icon 0085.jpg
Despised Icon

Origins (early–mid 2000s)

Despite a few earlier metalcore/death metal hybridizations, Antagony [36] [37] and Despised Icon are considered to be the true pioneers of deathcore, [38] [39] however both bands have rejected the label. [37] [40] Antagony founder and frontman Nick Vasallo is credited as being the "father of deathcore" due to his work in the band. [41] The Red Chord is referenced as an early influential source for the genre due to their hybridization of metalcore and death metal sounds (among other genres). [42] New Hampshire band Deadwater Drowning and Californian group All Shall Perish are also seen as notable early entries of the genre. Deadwater Drowning's 2003 EP was remarked as "basically the blueprint for every current deathcore band out today," [43] while All Shall Perish's debut album Hate, Malice, Revenge (2003) "never got tied down to [simply] death metal or metalcore." [44]

In the mid 2000s, deathcore spiked in popularity shortly after Job for a Cowboy released their EP Doom in 2005, which is heavily credited as one of deathcore's most significant and influential releases for the genre. [45] The genre saw an increase in popularity even further when English band Bring Me the Horizon released their deathcore debut full-length Count Your Blessings in 2006. The band were presented the 2006 Kerrang! Award for "Best British Newcomer" shortly after the album's release, [46] however the band abandoned the deathcore genre soon thereafter. [47]

Expansion (late 2000s and 2010s)

Mitch Lucker of Suicide Silence Suicide Silence @ Arena Joondalup (12 12 2010) (5273245862).jpg
Mitch Lucker of Suicide Silence

Deathcore began to gain further popularity in the mid to late 2000s and early 2010s. Suicide Silence's No Time to Bleed (2009) peaked at number 32 on the Billboard 200, number 12 on the Rock Albums Chart and number 6 on the Hard Rock Albums Chart, [48] while their album The Black Crown peaked at number 28 on the Billboard 200, number 7 on the Rock Albums Chart and number 3 on the Hard Rock Albums Chart. [48] Whitechapel's album This Is Exile sold 5,900 in copies, which made it enter the Billboard 200 chart at position 118. [49] Their self-titled album peaked at number 65 on the Canadian Albums Chart [50] and also at number 47 on the Billboard 200. [51] Their third album A New Era of Corruption sold about 10,600 copies in the United States in its first week of being released and peaked at position number 43 on the Billboard 200 chart. [52]

San Diego natives Carnifex witnessed success with their first album Dead in My Arms (2007), selling 5,000 copies with little publicity. On top of their non-stop touring, the band's methodical songwriting resulted in Carnifex quickly getting signed to label Victory Records. [53] Australian deathcore band Thy Art Is Murder debuted at number 35 on the ARIA Charts with their album Hate (2012), [54] making them the first extreme metal band to ever reach the Top 40 of this chart. [55] Russian deathcore group Slaughter to Prevail reportedly reached over 3.5 million streams on music services for their song "Hell" (2015); the band also performed a line of sold-out shows in China, which made the group the only foreign metal band to perform a sold-out concert in the country in all of 2020. [56] [57] Lorna Shore's 2021 song "To the Hellfire", saw the band gain significant attention, primarily through videos shared on TikTok , to the extent that in a 2022 article by Revolver , writer Eli Enis called the band "the new faces of deathcore". [58]

Fusion with other genres

A variety of deathcore bands experimented with other genres into their music as influence and time progressed. Emmure has been credited to be heavily influenced by nu metal [59] and was described as "the new Limp Bizkit". [60] Suicide Silence's 2011 album The Black Crown is a deathcore album with some nu metal influences. [61] Other examples of nu metal-inspired deathcore bands include Here Comes the Kraken's later material. [61] The early 2010s saw bands fusing the genre with influences from djent and progressive metal, which began to achieve underground popularity. Examples of the aforementioned include Veil of Maya, [62] [63] Born of Osiris, [64] [65] and After the Burial. [66] Some bands, such as Make Them Suffer and Winds of Plague, mix deathcore with symphonic/classical elements. [67] [68] [69] French band Betraying the Martyrs has been described as "[the] punishing brutality of deathcore with melodic flourishes pulled from symphonic and progressive metal, giving it a theatricality that feels distinctly European." [70]

Criticism

Deathcore has been criticized, especially by longtime fans of other heavy metal subgenres, often because of its fusion of death metal with metalcore and use of breakdowns. [22] [23] [71] [72]

In addition to this, members of certain deathcore bands do not take a liking to being labeled "deathcore". In an interview with vocalist Vincent Bennett of The Acacia Strain about the deathcore label, he said "Deathcore is the new nu-metal. [...] It sucks. And if anyone calls us 'deathcore' then I might do something very bad to them." [73] While in an interview with Justin Longshore from Through the Eyes of the Dead about the deathcore label, he said, "You know, I really hate that term. I know we've been labeled as that but I think there's so much more to our music than just a mixture of death metal and hardcore ([ sic ]) even though we incorporate those elements in our music. To me it seems that is just the new and fresh thing that kids are following." [74]

In November 2013, Terrorizer wrote, "The term 'deathcore' is usually seen as a dirty word in metal circles" while interviewing vocalist Bryce Lucien of the Texas-based metal band Seeker. Lucien then stated: [75]

Much like what became of metalcore in the mid-2000s, deathcore is an often maligned term that can instantly diminish a bands credibility. What once conjured images of ridiculously brutal, unapologetically heavy bands like Ion Dissonance and The Red Chord now brings to mind bands full of twenty-year-olds sporting throat tattoos, matching black T-shirts, and trying desperately hard to look tough while they jump in sync onstage.

In contrast, some bands appear to be more lighthearted and less concerned over being described as deathcore. Scott Lewis of the San Diego-based deathcore band Carnifex stated, "We're not one of those bands trying to escape the banner of deathcore. I know a lot of bands try and act like they have a big problem with that, but if you listen to their music, they are very 'deathcore.' I know that there is a lot of resentment towards deathcore and kind of younger bands." [76] In a 2012 interview, former Chelsea Grin guitarist Jake Harmond said, "Everyone likes to flap their jaw and voice their own opinion how 'embarrassing' it is to be in a band that can be labeled 'deathcore,' but honestly we have never given a fuck". [77]

See also

Related Research Articles

Death metal is an extreme subgenre of heavy metal music. It typically employs heavily distorted and low-tuned guitars, played with techniques such as palm muting and tremolo picking; deep growling vocals; aggressive, powerful drumming, featuring double kick and blast beat techniques; minor keys or atonality; abrupt tempo, key, and time signature changes; and chromatic chord progressions. The lyrical themes of death metal may include slasher film-style violence, political conflict, religion, nature, philosophy, true crime and science fiction.

<span class="mw-page-title-main">Suffocation (band)</span> American death metal band

Suffocation is an American death metal band formed in 1988 in Centereach, New York, currently consisting of lead guitarist Terrance Hobbs, bassist Derek Boyer, rhythm guitarist Charlie Errigo, drummer Eric Morotti, and vocalist Ricky Myers. The band rose to prominence with their 1991 debut album Effigy of the Forgotten, which became a blueprint for death metal in the 1990s. Since then, Suffocation has recorded eight albums. These feature growled vocals with downtuned guitars, fast and complex guitar riffs and drumming, open chord notes and occasional breakdowns.

Melodic death metal is a subgenre of death metal that employs highly melodic guitar riffs, often borrowing from traditional heavy metal. The genre features the heaviness of death metal but with highly melodic or harmonized guitar riffs and solos, and often features high-pitched shrieked vocals alongside the low-pitched growls commonly featured in traditional death metal. Pioneered by the English heavy metal band Carcass with their 1993 album Heartwork, melodic death metal developed further in Sweden in the mid-1990s. The Swedish death metal scene did much to popularise the style, soon centering in the "Gothenburg metal" scene. At the Gates' Slaughter of the Soul, Dark Tranquillity's The Gallery, and In Flames' The Jester Race, all released in the mid-1990s, were highly influential albums in melodic death metal, with At the Gates and In Flames being the two most common influences on North American 2000s heavy metal bands. Many American heavy metal bands emulated At the Gates' sound, resulting in the usage of the phrase "At the Gates worship".

Extreme metal is a loosely defined umbrella term for a number of related heavy metal music subgenres that have developed since the early 1980s. It has been defined as a "cluster of metal subgenres characterized by sonic, verbal, and visual transgression".

Metalcore is a fusion genre combining elements of extreme metal and hardcore punk, that originated in the late 1980s. Metalcore is noted for its use of breakdowns, which are slow, intense passages conducive to moshing, while other defining instrumentation includes heavy guitar riffs often utilizing percussive pedal tones and double bass drumming. Vocalists in the genre typically perform screaming, more popular bands often combine this with the use of standard singing, usually during the bridge or chorus of a song. However, the death growl is also a popular technique within the genre.

<span class="mw-page-title-main">The Black Dahlia Murder (band)</span> American melodic death metal band

The Black Dahlia Murder is an American melodic death metal band from Waterford, Michigan, formed in 2001. Their name is derived from the 1947 unsolved murder of Elizabeth Short, often referred to as Black Dahlia. Currently, the band consists of lead vocalist Brian Eschbach, bassist Max Lavelle, drummer Alan Cassidy, and guitarists Brandon Ellis and Ryan Knight. The Black Dahlia Murder has undergone various lineup changes, with Trevor Strnad and Eschbach remaining the only constant members, until the former's death in 2022, which then saw Eschbach take over lead vocals and Knight replacing him on rhythm guitar.

Melodic metalcore is a fusion genre, incorporating elements of melodic death metal and metalcore; it has a heavy emphasis on melodic instrumentation, distorted guitar tones, palm muting, double bass drumming, blast beats, metalcore-stylized breakdowns, and vocals that range from aggressive screaming and death growls to clean singing. The genre has seen commercial success for employing a more accessible sound at times compared to other forms of extreme music. Many notable melodic metalcore bands have been influenced by At the Gates and In Flames.

<span class="mw-page-title-main">Whitechapel (band)</span> American deathcore band

Whitechapel is an American deathcore band from Knoxville, Tennessee. The band is named after the Whitechapel district in East London, England, where Jack the Ripper committed a series of murders. The group comprises vocalist Phil Bozeman, lead guitarist Ben Savage, rhythm guitarist Alex Wade, bassist Gabe Crisp and third guitarist Zach Householder. Founded in 2006 by Bozeman and Savage, the band has released eight studio albums and fourteen music videos, and it's currently signed to Metal Blade Records. Whitechapel's 2010 album A New Era of Corruption, sold around 10,600 copies in the United States in its first week of release and debuted at position No. 43 on the Billboard 200 chart. The band's self-titled fourth album was released in 2012 and debuted at No. 47 on the Billboard 200, selling roughly 9,200 copies in its first week. In 2014 the band released their fifth full-length album, Our Endless War to generally positive reviews. The album sold roughly 16,000 copies in its first week and debuted at No. 10 on the Billboard 200. They released their sixth full-length album Mark of the Blade in 2016 to greater critical acclaim, selling roughly 8,000 copies in the first week of its release. In 2019, Whitechapel released their seventh album, The Valley, which debuted at No. 143 on the Billboard 200 also to critical acclaim. Their newest album, Kin, was released on October 29, 2021.

<span class="mw-page-title-main">Carnifex (band)</span> American deathcore band

Carnifex is an American deathcore band from San Diego County, California. Formed in 2005, they are currently signed to Nuclear Blast after having been signed to Victory Records. They have released nine studio albums and three EPs. Since 2022, the band has consisted of founding members, lead vocalist Scott Ian Lewis and drummer Shawn Cameron, along with rhythm guitarist Cory Arford, bassist Fred Calderon and lead guitarist Neal Tiemann.

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Oceano is an American deathcore band from Cook County, Illinois. Formed in 2006, the band signed to Earache Records and released their debut album, Depths, on April 7, 2009. Their second album, Contagion, was released on November 9, 2010. Their fourth album Ascendants was released March 23, 2015. Their most recent album Revelation was released on May 19, 2017. It was their first release with their new label, Sumerian Records.

<span class="mw-page-title-main">Veil of Maya</span> American metalcore band

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Antagony is an American deathcore/metalcore band from the Bay Area of California, United States, formed in 1998, disbanded in 2009, and reformed in 2019. The group are noted for combining their metalcore style with a remarkable amount of death metal influence, which has led to the group to being considered one of the pioneers of the deathcore genre. Antagony has released three albums, each on a different record label. Members of Antagony have gone on to form bands such as Oblivion, All Shall Perish.

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<span class="mw-page-title-main">Betraying the Martyrs</span> French metalcore band

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<span class="mw-page-title-main">Here Comes the Kraken</span> Mexican band

Here Comes the Kraken is a Mexican deathcore band from Aguascalientes, formed in 2007. They have released three full-length studio albums, two extended plays, and one demo.

<span class="mw-page-title-main">Lorna Shore</span> American deathcore band

Lorna Shore is an American deathcore band formed in New Jersey in 2009. The group currently consists of lead guitarist Adam De Micco, drummer Austin Archey, rhythm guitarist Andrew O'Connor, vocalist Will Ramos, and bassist Michael Yager. The band is most known for their 2021 single "To the Hellfire". They have released four studio albums Psalms (2015), Flesh Coffin (2017), Immortal (2020), and Pain Remains (2022). The band has also released four EPs. Since 2017, no original members remain in the band.

<i>Beating a Dead Horse</i> (album) 2015 studio album by Jarrod Alonge

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<span class="mw-page-title-main">Shadow of Intent</span> American deathcore band

Shadow of Intent is an American deathcore band from Connecticut. They formed in 2013 as a Halo-themed studio project by Ben Duerr and Chris Wiseman. The band's name is a reference to a Covenant ship in the Halo series. They are not signed to a label and have released their albums independently. They have released four studio albums to date, along with two instrumental versions of previous releases, and a deluxe album. Their fourth studio album entitled Elegy was released independently on January 14, 2022.

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