Blackened death metal | |
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Stylistic origins | |
Cultural origins | Early-to-mid-1990s, |
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Blackened death metal (also known as black death metal) is an extreme subgenre of heavy metal that fuses elements of black metal and death metal. [1] [2]
The genre emerged in early 1990s when black metal bands began incorporating elements of death metal and vice versa. The genre typically employs death growls, tremolo picking, blast beats, and Satanic lyrics and imagery. Bands of the genre typically employ corpse paint, which was adapted from black metal.
The genre is commonly death metal that incorporates musical, lyrical or ideological elements of black metal, such as an increased use of tremolo picking, anti-Christian or Satanic lyrical themes and chord progressions similar to those used in black metal. [3] Blackened death metal bands are also more likely to wear corpse paint and suits of armour, than bands from other styles of death metal. [4] Lower range guitar tunings, death growls and abrupt tempo changes are common in the genre. [5] Some blackened death metal bands, such as Goatwhore and Angelcorpse, even take significant influence from thrash metal. [5]
Both black metal and death metal evolved out of the same crop of early extreme metal bands such as Dark Angel, Possessed, Kreator, Sodom, Venom, Celtic Frost and Bathory, [6] [7] [8] leading to common elements between the genres being in place. Early death metal groups possessing certain elements in common with black metal include early Sepultura, Morbid Angel, and Deicide. John McEntee, guitarist and vocalist of death metal band Incantation, has noted that he and his band draw influence from black metal. [5] Seminal black metal band Darkthrone began playing death metal before evolving into the style they would primarily become known for. [9]
Blasphemy crossed death metal and black metal on their debut album Fallen Angel of Doom , giving way to the development of war metal. [9] Dissection evolved out of the Gothenburg melodic death metal scene, embracing black metal influences into their music and helping create melodic black-death thanks to their 1993 album The Somberlain . [10]
The year 1998 saw the release of Behemoth's album Pandemonic Incantations , striking a stylistic change in the sound of the band's output from a traditional black metal style with generally pagan lyrical themes into a more death metal influenced sound with lyrics about the occult and Satan. [11] After continuing this style, their 2000 album Thelema.6 peaked at number 31 on the Polish Albums Charts. [12] Many of Behemoth's subsequent albums would continue to chart, with Demigod peaking at number 15, [13] The Apostasy at number 9, [14] and Evangelion and The Satanist both at number one, [15] [16] with multiple albums charting worldwide. [17] [18] [19] [20] American band Skeletonwitch's third, fourth and fifth albums peaked at numbers 151, 153 and 62, respectively, on the Billboard 200 charts. [21]
Thy Art Is Murder, a band which previously played deathcore, moved into a style more similar to blackened death metal on their fourth album Dear Desolation , [22] [23] charting in eight different territories, including a peak at number five on the Australian Albums Charts and number seven on the New Zealand Heatseekers Albums. [24] [25] Similarly, New Jersey's Lorna Shore also began to tread into blackened death metal territory with their sophomore album "Flesh Coffin". [26]
Melodic black-death | |
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Stylistic origins | |
Cultural origins | Early to mid-1990s, Scandinavia (particularly Sweden) |
Melodic black-death [27] (also known as blackened melodic death metal or melodic blackened death metal) [10] is a genre of extreme metal that describes the style created when melodic death metal bands began being inspired by black metal and European romanticism. However, unlike most other black metal, this take on the genre incorporates an increased sense of melody and narrative. [10] Some bands who have played this style include Dissection, [10] [27] [28] Sacramentum, [10] [27] Naglfar, [10] Dawn, [10] Unanimated, [10] Thulcandra, [27] [10] Skeletonwitch, [29] and Cardinal Sin. [27]
Sweden's Dissection evolved alongside melodic death metal bands such as At the Gates and In Flames, by building upon the musical foundation laid by death metal and incorporating guitar melodies and harmonies amongst the standard brutality of the genre. However, unlike the other bands, Dissection began incorporating influences from black metal into their music, [30] which lead to their debut album The Somberlain influencing a plethora of subsequent bands and Metal Injection dubbing them "one of the most important extreme metal bands of all time". [10] Sacramentum's debut and second albums Far Away from the Sun and The Coming of Chaos would then continue Dissection's style of black metal-infused melodic death metal, based around middle of the neck guitar riffing and howling vocals, while Vinterland would lean even more upon their black metal predecessors like Norway's Emperor. [10] Naglfar would base their sound primarily within that of Gothenburg metal bands like In Flames and Dark Tranquility, by taking a brighter and thrashier take on the style. [10]
War metal | |
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Other names |
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Stylistic origins | |
Cultural origins | Late 1980s to early 1990s, Brazil, Canada, Finland |
War metal [31] [32] [33] (also known as war black metal [32] or bestial black metal) [33] is a genre derived primarily from first wave black metal, [31] [32] while incorporating elements of death metal and grindcore. [31] [32] It is aggressive, [32] cacophonous [31] and chaotic [31] [32] and includes musical characteristics including tremolo picking, blast beats, growled or screamed vocals and lo-fi production. [34]
Academic Nicolae Sfetcu credited the earliest releases in the style as being released by Brazilian bands Sepultura, Holocausto and Sarcófago, while also citing Canadian band Blasphemy and their 1990 debut album Fallen Angel of Doom as the "starting point" of the genre. [35] Kansas City, Missouri band Order from Chaos and many of the acts on the record label Ross Bay Cult were also an early proponents in the genre. [36] The genre quickly developed a scene in Australia, with Sadistik Exekution and Bestial Warlust. [34] It was the members of Bestial Warlust who coined the name "war metal". [37] At this time, the Finnish scene was home to war metal bands Archgoat and Beherit. [36] According to Invisible Oranges , some see the genre as having been begun with the 1996 formation of the Canadian band Conqueror, and as having concluded with the band's 1997 disbandment. [36]
Other notable acts in the genre include Revenge, Diocletian, Teitanblood, Black Witchery, Axis of Advance, [38] Impiety, [32] In Battle [39] and Zyklon-B. [40]
Black metal is an extreme subgenre of heavy metal music. Common traits include fast tempos, a shrieking vocal style, heavily distorted guitars played with tremolo picking, raw (lo-fi) recording, unconventional song structures, and an emphasis on atmosphere. Artists often appear in corpse paint and adopt pseudonyms.
Death metal is an extreme subgenre of heavy metal music. It typically employs heavily distorted and low-tuned guitars, played with techniques such as palm muting and tremolo picking; deep growling vocals; aggressive, powerful drumming, featuring double kick and blast beat techniques; minor keys or atonality; abrupt tempo, key, and time signature changes; and chromatic chord progressions. The lyrical themes of death metal may include slasher film-style violence, political conflict, religion, nature, philosophy, true crime and science fiction.
Grindcore is an extreme fusion genre of heavy metal and hardcore punk that originated in the mid-1980s, drawing inspiration from abrasive-sounding musical styles, such as thrashcore, crust punk, hardcore punk, extreme metal, and industrial. Grindcore is considered a more noise-filled style of hardcore punk while using hardcore's trademark characteristics such as heavily distorted, down-tuned guitars, grinding overdriven bass, high-speed tempo, blast beats, and vocals which consist of growls, shouts and high-pitched shrieks. Early groups such as England's Napalm Death are credited with laying the groundwork for the style. It is most prevalent today in North America and Europe, with popular contributors such as Brutal Truth and Nasum. Lyrical themes range from a primary focus on social and political concerns, to gory subject matter and black humor.
Doom metal is an extreme subgenre of heavy metal music that typically uses slower tempos, low-tuned guitars and a much "thicker" or "heavier" sound than other heavy metal genres. Both the music and the lyrics are intended to evoke a sense of despair, dread, and impending doom. The genre is strongly influenced by the early work of Black Sabbath, who formed a prototype for doom metal. During the first half of the 1980s, a number of bands such as Witchfinder General and Pagan Altar from England, American bands Pentagram, Saint Vitus, the Obsessed, Trouble, and Cirith Ungol, and Swedish band Candlemass defined doom metal as a distinct genre. Pentagram, Saint Vitus, Trouble and Candlemass have been referred to as "the Big Four of Doom Metal".
Swedish death metal is a death metal music scene developed in Sweden. Many Swedish death metal bands are associated with the melodic death metal movement, thus giving Swedish death metal a different sound from other variations of death metal. Unlike American death metal groups, the first Swedish bands were rooted in hardcore punk. Gothenburg has a large melodic death metal scene while Stockholm is known for its more raw death metal scene.
A number of heavy metal genres have developed since the emergence of heavy metal during the late 1960s and early 1970s. At times, heavy metal genres may overlap or are difficult to distinguish, but they can be identified by a number of traits. They may differ in terms of instrumentation, tempo, song structure, vocal style, lyrics, guitar playing style, drumming style, and so on.
Crust punk is a subgenre of punk rock influenced by the English punk scene as well as extreme metal. The style, which evolved in the early 1980s in England, often has songs with dark and pessimistic lyrics that linger on political and social ills. The term "crust" was coined by Hellbastard on their 1986 Ripper Crust demo.
Melodic death metal is a subgenre of death metal that employs highly melodic guitar riffs, often borrowing from traditional heavy metal. The genre features the heaviness of death metal but with highly melodic or harmonized guitar riffs and solos, and often features high-pitched shrieked vocals alongside the low-pitched growls commonly featured in traditional death metal. Pioneered by the English heavy metal band Carcass with their 1993 album Heartwork, melodic death metal developed further in Sweden in the mid-1990s. The Swedish death metal scene did much to popularise the style, soon centering in the "Gothenburg metal" scene. At the Gates' Slaughter of the Soul, Dark Tranquillity's The Gallery, and In Flames' The Jester Race, all released in the mid-1990s, were highly influential albums in melodic death metal, with At the Gates and In Flames being the two most common influences on North American 2000s heavy metal bands. Many American heavy metal bands emulated At the Gates' sound, resulting in the usage of the phrase "At the Gates worship".
Extreme metal is a loosely defined umbrella term for a number of related heavy metal music subgenres that have developed since the early 1980s. It has been defined as a "cluster of metal subgenres characterized by sonic, verbal, and visual transgression".
Dissection was a Swedish extreme metal band from Strömstad, formed in 1989 by guitarist, vocalist and main songwriter Jon Nödtveidt and bassist Peter Palmdahl. Despite a number of lineup changes, Dissection released The Somberlain in 1993 and Storm of the Light's Bane in 1995, before splitting up in 1997 due to Nödtveidt's imprisonment for complicity in the murder of Josef Meddour.
Discharge are an English hardcore punk band formed in 1977 in Stoke-on-Trent, Staffordshire. The band is known for influencing several sub-genres of extreme music and their songs have been covered by some of the biggest names in heavy metal and other genres. The musical sub-genre of D-beat is named after Discharge and the band's distinctive drumbeat.
Storm of the Light's Bane is the second full-length studio album by Swedish black metal band Dissection, released on 17 November 1995 by Nuclear Blast Records.
Cardinal Sin are an extreme metal band formed in 1995 by ex-Dissection member John Zwetsloot. In 1996, they released a 4-track EP called Spiteful Intents, which featured a trademark classical composition by Zwetsloot. Having disbanded after the EP, they reformed in 2003 with a partially new lineup, but have yet to release anything beyond Spiteful Intents.
Death-doom is an extreme subgenre of heavy metal. It combines the slow tempos and pessimistic or depressive mood of doom metal with the deep growling vocals and double kick drumming of death metal. The genre emerged in the late-1980s and gained a certain amount of popularity during the 1990s, but had become less common by the turn of the 21st century. In turn, death-doom gave rise to the closely related genre of funeral doom as well as to the more melodic, gloomy and romantic gothic metal.
Bestial Warlust is an Australian extreme metal band formed in Melbourne in 1990. They achieved underground cult status as a war metal band.
Melodic metalcore is a fusion genre, incorporating elements of melodic death metal and metalcore; it has a heavy emphasis on melodic instrumentation, distorted guitar tones, palm muting, double bass drumming, blast beats, metalcore-stylized breakdowns, and vocals that range from aggressive screaming and death growls to clean singing. The genre has seen commercial success for employing a more accessible sound at times compared to other forms of extreme music. Many notable melodic metalcore bands have been influenced by At the Gates and In Flames.
Australian thrash metal is a regional scene of thrash metal music that originated during the late 1980s.
Far Away from the Sun is the debut studio album by Swedish black metal band Sacramentum, released through Adipocere Records on 15 May 1996.
Crescent is a blackened death metal band from Cairo, Egypt, founded in 1998. Crescent formed in 1998 as a black metal band, making it one of the oldest extreme metal bands in Egypt and the region. It was the first to perform at Wacken Open Air and many other festivals and countries. Crescent headlined numerous gigs and concerts in their homeland – Egypt, such as in El Sawy Culture Wheel, Bibliotheca Alexandrina, Swiss Club, Azhar Park and many other small venues.
Bands such as Bestial Warlust (formerly Corpse Molestation), Deströyer 666 and Sadistik Exekution were notable proponents of this style-short, fast songs, 'chaotic' sounds (heavy distortion, rapid tremolo picking, blast beats and growled or screeched vocals), and low-quality production are all generic conventions. This combination of thrash and death metal influences with the lyrical themes common to early black metal is regarded as a 'particularly Australian one' (Phillipov, 2008: 219).
Though Blasphemy are commonly referred to as the first War Metal band, the style was portrayed in the mid to later 1980's by bands such as Sarcofago and the first albums by Sepultura and Holocausto. Blasphemy's 1990 debut album Fallen Angel of Doom is considered the starting point of this sub-genre and has been expanded on and changed quite dramatically by bands such as The Meads of Asphodel, Bestial Warlust, Conqueror and Axis of Advance/Sacramentary Abolishment.