New wave of American heavy metal

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The new wave of American heavy metal (also known as NWOAHM and new wave of American metal) was a heavy metal music movement that originated in the United States during the early–mid 1990s [1] [2] and expanded most in the early to mid-2000s. Some of the bands considered part of the movement had formed as early as the late 1980s, but did not become influential or reach popular standing until the following decade. [1] [2] The term itself borrows from the new wave of British heavy metal dating to 1979. [2] NWOAHM includes a wide variety of styles, including alternative metal, groove metal, industrial metal, nu metal and metalcore. The term was reportedly coined by Mark Hunter, vocalist of the American metalcore band Chimaira, in 2001. [3] [4]

Contents

Although the term is used by the media with increasing frequency, the definition has not been finished completely. [2] This is due in part to the growing addition of bands that assimilate to common styles in NWOAHM (as defined below), yet have not differentiated greatly enough as to garner a new genre moniker. [5] One description by longtime metal author Garry Sharpe-Young helps classify the NWOAHM as a "marriage of European-style riffing and throaty vocals". [5] Several of the bands within the NWOAHM are credited with bringing heavy metal back into the mainstream. [1] [6]

History

Machine Head performing in 2007 Machine Head Live Zurich.jpg
Machine Head performing in 2007

The new wave of American heavy metal has its origins in a group of post-grunge acts from the 1990s that brought heavy metal "back to its core brutality" and drawing not from the traditional blues formula but from thrash metal and punk. [2] In the book The Next Generation of Rock & Punk, Joel McIver acknowledged Korn as the pioneers of the new wave of American heavy metal, and also credits them as the first band labeled as nu metal. [7] The nu metal genre was popular in the late 1990s and early 2000s. Other roots of NWOAHM are attributed to bands such as Pantera, Biohazard, and Machine Head. [8]

Lamb of God performing in 2009 Lamb of God 09.jpg
Lamb of God performing in 2009

The producers behind the 2005 documentary Metal: A Headbanger's Journey have written of the NWOAHM: "In essence, NWOAHM can embody the seething aggression of the 'hardcore' hormone, but play a type of acrobatic, precise, technical thrash/death metal synthesis regularly touched by the melody of traditional metal, but often just briefly. Vocally, these bands huddle around Pantera-derived roar, leaning toward a death metal bark, but often with 'clean' or 'sung' vocals as ear candy, sometimes from a member of the band who is not the front man." [9] They also reference Unearth, Shadows Fall, and Lamb of God as "leaders of the pack". [9]

In the book New Wave of American Heavy Metal, when listing the wave's most popular contributors, Garry Sharpe-Young stated: "...the groups that broke the metal scene into new territory after grunge [were] Pantera, Biohazard, and Machine Head. From there it gets really diverse, crossing the spectrum from melodic death metal to progressive metal and everything in between." [2] Sharpe-Young described bands such as Pantera, Biohazard and Machine Head as neo-metal, writing that the band Pantera started a new time period of heavy metal that involved both Biohazard and Machine Head. [5] Sharpe-Young lists the broad range of styles in the new wave of American heavy metal movement as ranging from the Christian metalcore scene, the 1970s-inspired progressive rock of Coheed and Cambria, melodic death metal, and the screamo and "sub-Gothique" emocore of Alkaline Trio and My Chemical Romance. [2] Beyond this, the genre encompasses a number of different styles including alternative metal, groove metal, hardcore punk and metalcore, [2] [6] [10] despite the fact that metalcore and hardcore punk pre-date NWOAHM by almost twenty years.

List of key artists

Related Research Articles

Death metal is an extreme subgenre of heavy metal music. It typically employs heavily distorted and low-tuned guitars, played with techniques such as palm muting and tremolo picking; deep growling vocals; aggressive, powerful drumming, featuring double kick and blast beat techniques; minor keys or atonality; abrupt tempo, key, and time signature changes; and chromatic chord progressions. The lyrical themes of death metal may include slasher film-style violence, political conflict, religion, nature, philosophy, true crime and science fiction.

Nu metal is a subgenre of alternative metal that combines elements of heavy metal music with elements of other music genres such as hip hop, funk, industrial, and grunge. Nu metal rarely features guitar solos or other displays of musical technique, and emphasizes rhythm with instrumentation that is heavily syncopated. Nu metal guitarists typically use seven-string guitars that are down-tuned to produce a heavier sound. Vocal styles are often rhythmic and influenced by hip hop, and include singing, rapping, screaming and sometimes growling. DJs are occasionally featured to provide instrumentation such as sampling, turntable scratching and electronic background music. Nu metal is one of the key genres of the new wave of American heavy metal.

Thrash metal is an extreme subgenre of heavy metal music characterized by its overall aggression and fast tempo. The songs usually use fast percussive beats and low-register guitar riffs, overlaid with shredding-style lead guitar work.

<span class="mw-page-title-main">Power metal</span> Subgenre of heavy metal

Power metal is a subgenre of heavy metal combining characteristics of traditional heavy metal with speed metal, often within a symphonic context. Generally, power metal is characterized by a faster, lighter, and more uplifting sound, in contrast with the heaviness and dissonance prevalent in, for example, extreme metal. Power metal bands usually have anthemic songs with fantasy-based subject matter and strong choruses, thus creating a theatrical, dramatic and emotionally "powerful" sound.

Alternative metal is a genre of heavy metal music that combines heavy metal with influences from alternative rock and other genres not normally associated with metal. Alternative metal bands are often characterized by heavily downtuned, mid-paced guitar riffs, a mixture of accessible melodic vocals and harsh vocals and sometimes sounds that are unconventional within other heavy metal styles. The term has been in use since the 1980s, although it came into prominence in the 1990s.

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Melodic death metal is a subgenre of death metal that employs highly melodic guitar riffs, often borrowing from traditional heavy metal. The genre features the heaviness of death metal but with highly melodic or harmonized guitar riffs and solos, and often features high-pitched shrieked vocals alongside the low-pitched growls commonly featured in traditional death metal. Pioneered by the English heavy metal band Carcass with their 1993 album Heartwork, melodic death metal developed further in Sweden in the mid-1990s. The Swedish death metal scene did much to popularise the style, soon centering in the "Gothenburg metal" scene. At the Gates' Slaughter of the Soul, Dark Tranquillity's The Gallery, and In Flames' The Jester Race, all released in the mid-1990s, were highly influential albums in melodic death metal, with At the Gates and In Flames being the two most common influences on North American 2000s heavy metal bands. Many American heavy metal bands emulated At the Gates' sound, resulting in the usage of the phrase "At the Gates worship".

Extreme metal is a loosely defined umbrella term for a number of related heavy metal music subgenres that have developed since the early 1980s. It has been defined as a "cluster of metal subgenres characterized by sonic, verbal, and visual transgression".

Metalcore is a broadly defined fusion genre combining elements of extreme metal and hardcore punk, that originated in the late 1980s. Metalcore is noted for its use of breakdowns, which are slow, intense passages conducive to moshing, while other defining instrumentation includes heavy and percussive pedal point guitar riffs and double bass drumming. Vocalists in the genre typically perform screaming; more popular bands often combine this with the use of standard singing, usually during the bridge or chorus of a song. However, the death growl is also a popular technique within the genre.

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Groove metal, sometimes also called neo-thrash or post-thrash, is a subgenre of heavy metal music that began in the early 1990s. The genre is primarily derived from thrash metal, but played in slower tempos, and making use of rhythmic guitar parts. It was pioneered in the late 1980s by groups like Exhorder, Prong and Bad Brains, and then popularized by the commercial success of Pantera, White Zombie, Machine Head and Sepultura. The genre went on to be influential in the development of the new wave of American heavy metal, nu metal and metalcore, and continued to gain traction in the 2000s with Lamb of God, DevilDriver and Five Finger Death Punch, and 2010s with Killer Be Killed and Bad Wolves.

<span class="mw-page-title-main">Melodic hardcore</span> Music genre

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<i>Metal: A Headbangers Journey</i> 2005 film by Sam Dunn

Metal: A Headbanger's Journey is a 2005 documentary film directed by Sam Dunn with Scot McFadyen and Jessica Wise. The film follows 31-year-old Dunn, a Canadian anthropologist, who has been a heavy metal fan since the age of 12. Dunn sets out across the world to uncover the various opinions on heavy metal music, including its origins, culture, controversy, and the reasons it is loved by so many people. The film made its debut at the 2005 Toronto International Film Festival, and was released as a two-disc special edition DVD in the US on 19 September 2006.

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Nu metalcore is a fusion genre that combines elements of nu metal and metalcore. The genre often makes use of a combination of screamed and sung vocals, in addition to breakdowns, hip hop-influenced drum beats and electronic music elements.

Beatdown hardcore is a subgenre of hardcore punk which incorporates elements of thrash metal and hip hop. The genre features aggressive vocals, heavy, palm muted guitar riffs and breakdowns. The genre has its origins in late 1980s tough guy hardcore bands such as Breakdown, Killing Time, and Madball, and was pioneered in the mid-1990s by bands like Bulldoze, Terror Zone, and Neglect. The definition of the genre has expanded over time to incorporate artists increasingly indebted to metal, notably Xibalba, Sunami, and Knocked Loose. Later acts also feature slam death metal riffs.

References

  1. 1 2 3 James Edward. "The Ghosts of Glam Metal Past". Lamentations of the Flame Princess. Archived from the original on January 8, 2011. Retrieved April 27, 2008.
  2. 1 2 3 4 5 6 7 8 Sharpe-Young, Garry (November 1, 2005). New Wave of American Heavy Metal. New Plymouth, New Zealand: Zonda Books Limited. ISBN   978-0-9582684-0-0 . Retrieved May 17, 2016.
  3. Millspublished, Matt (October 31, 2022). ""The New Wave Of American Heavy Metal was a marketing trick": Chimaira's Mark Hunter looks back on the NWOAHM'S glory days". louder. Retrieved May 28, 2023.
  4. MetalSucks (August 6, 2020). "Did Chimaira Coin the Phrase "New Wave of American Heavy Metal"?". MetalSucks . Retrieved May 28, 2023.
  5. 1 2 3 Sharpe-Young, Garry (2007). Metal: A Definitive Guide. New Plymouth: Jawbone. ISBN   978-1-906002-01-5.
  6. 1 2 Adrien Begrand. "BLOOD AND THUNDER: Regeneration". PopMatters . Retrieved May 14, 2008.
  7. McIver, Joel (2002). "How Did We Get to Nu-Metal From Old Metal?". Nu-Metal: The Next Generation of Rock & Punk. Omnibus Press. pp. 10, 12. ISBN   0-7119-9209-6.
  8. Shadows, Em (October 27, 2022). "The 15 Best Songs of the New Wave of American Heavy Metal". MetalSucks. Retrieved September 6, 2023.
  9. 1 2 Metal: A Headbanger's Journey (2005, Director: Sam Dunn), Disc Two: "Metal Genealogy Chart"
  10. "NWOAHM – New Frontier Or Well Worn Path?". Maximum Metal. Retrieved May 18, 2008.