Heavy metal guitar (or simply metal guitar) is the use of highly-amplified electric guitar in heavy metal. [1] Heavy metal guitar playing is rooted in the guitar playing styles developed in 1960s-era blues rock and psychedelic rock, and folk harmonic traditions [2] and it uses a massive sound, characterized by highly amplified distortion, extended guitar solos and overall loudness. The electric guitar and the sonic power that it projects through amplification has historically been the key element in heavy metal. [3] The heavy metal guitar sound comes from a combined use of high volumes and heavy distortion. [4]
Heavy metal bands often have two electric guitarists, with one guitarist playing rhythm guitar and one guitarist playing lead guitar. The rhythm guitar player is part of the rhythm section of the band, along with the bass guitarist and the drummer. The lead guitarist plays guitar solos, instrumental melody lines and melodic fill passages. In power trios, which consist of a guitarist, bassist and drummer, with one or more members singing lead vocals, the single guitarist will switch between rhythm guitar and lead guitar roles as needed.
The rhythm guitar player is part of the rhythm section of the band, along with the bass guitarist and drummer (and in some bands, a keyboard player). The rhythm guitarist typically plays power chords and riffs using an electric guitar that is plugged into a guitar amplifier, with either the amplifier and/or a distortion effect pedal creating a thick, heavy, distorted sound. The rhythm guitar player plays chords and riffs that create, along with the bass and drums, the rhythmic sound of a metal song. The rhythm guitar also plays the chord progression of a song, along with the bass player (and, if the band has one, the keyboard player).
In 1966, the British company Marshall Amplification began producing the Marshall 1963, a guitar amplifier capable of producing the distorted "crunch" that rock musicians were starting to seek. [5] [6] With rhythm guitar parts, the "heavy crunch sound in heavy metal...[is created by] palm muting" the strings with the picking hand and using distortion. [7] Palm muting creates a tighter, more precise sound and it emphasizes the low end. [8]
Some rhythm guitarists sing lead vocals or backup vocals simultaneously as they play guitar.
The lead guitarist plays guitar solos, instrumental melody lines and melodic fill passages. Guitar solos are "...an essential element of the heavy metal code ... that underscores the significance of the guitar" to the genre. [9] Most heavy metal songs "... featur[e] at least one guitar solo", [10] which is "... a primary means through which the heavy metal performer expresses virtuosity". [11] One exception is nu metal bands, which tend to omit guitar solos. [12]
Shred guitar or "shredding" is a virtuoso lead guitar solo playing style for the electric guitar that is used in a number of metal genres. Shredding uses a range of fast playing techniques, such as "sweep-picked arpeggios, diminished and harmonic minor scales, finger-tapping, [13] fast scale and arpeggio runs and special effects such as tremolo bar "dive bombs". Metal guitarists playing in a "shred" style use the electric guitar with a guitar amplifier and a range of electronic effects such as distortion, which create a more sustained guitar tone and facilitate guitar feedback effects.
In 1978, a "heretofore unknown guitarist named Eddie Van Halen" from Los Angeles released "'Eruption', a blistering aural assault of solo electric guitar" which featured rapid "tapping", which "had rarely been heard in a rock context before". Chris Yancik argues that it is this "record, above any other, that spawned the genre of Shred". [14]
Some lead guitarists sing lead vocals or backup vocals when they are not playing guitar solos.
Shred guitar players often use electric solid-body guitars such as Ibanez, Gibson, Fender, Kramer, Kiesel/Carvin, Jackson, Charvel, Schecter and ESP. Some shred guitarists use elaborately-shaped models by B.C. Rich or Dean, as well as modern versions of classic-radical designs like Gibson's Flying V and Explorer models. Tremolo bars (also known as "whammy bars"), which are hinged bridges that can be bent down or up in pitch, are an important part of shred playing, as they permit the "dive bombing" effect and many sounds which are not possible with a fixed-bridge instrument.
Guitars with double-cutaways give performers easier access to the higher frets. Many guitar makers are now making a "scalloped cutaway" which was popularized by Irron R. Collins IV. This removes material on the backside of the "horn" allowing extended room for the fretting hand to get extended reach onto the higher notes of the fretboard. Some shred guitarists, such as Scorpions' Ulrich Roth, have used custom-made tremolo bars and developed modified instruments, such as Roth's "Sky Guitar, that would greatly expand his instrumental range, enabling him to reach notes previously reserved in the string world for cellos and violins." [13]
Some shred guitar players use seven or eight string guitars to allow a greater range of notes, such as Steve Vai. [15] Most shred guitar players use a range of effects such as distortion and audio compression units, both of which increase sustain and facilitate the performance of shred techniques such as tapping, hammer-ons, and pull-offs. These and other effects units, such as delay effects are also used to create a unique tone. Shred-style guitarists often use high-gain vacuum tube amplifiers such as Marshall, Carvin, Peavey, Mesa Boogie, ENGL, Laney, Hughes & Kettner and Randall. To facilitate the use of audio feedback effects with the guitar, shred guitarists use high gain settings, distortion pedals and high on-stage volume.
Electric guitarists in metal use large, powerful guitar amplifiers, typically with multiple large speaker cabinets. Some metal guitarists use 18 or more speaker cabinets, with each cabinet containing four 10" speakers. Following the lead set by Jimi Hendrix, Cream and The Who, early heavy metal acts such as Blue Cheer set new benchmarks for volume. As Blue Cheer's Dick Peterson put it, "All we knew was we wanted more power." [16] A 1977 review of a Motörhead concert noted how "excessive volume in particular figured into the band's impact". [17] Weinstein states that powerful sound, timbre, and volume are the key elements of metal. She argues that the loudness is designed to "sweep the listener into the sound" and to provide a "shot of youthful vitality". [3]
In relation to the gender composition of heavy metal bands, it has been said that "[h]eavy metal performers are almost exclusively male" [18] "...[a]t least until the mid-1980s" [19] apart from "... exceptions such as Girlschool". [18] However, "...now [in the 2010s] maybe more than ever–strong metal women have put up their dukes and got down to it", [20] "carv[ing] out a considerable place for [them]selves". [21] Given that most heavy metal musicians are male, most metal guitarists are male. Almost all of the most well-known metal guitarists in major bands are male.
Women have less roles in rock music genres like metal because the "... rebellion of rock music was largely a male rebellion". [22] Philip Auslander says that "Although there were many women in rock by the late 1960s, most performed only as singers, a traditionally feminine position in popular music". Though some women played instruments in American all-female garage rock bands, none of these bands achieved more than regional success. So they "did not provide viable templates for women's on-going participation in rock". [23] : 2–3
Notable women metal guitarists include Lita Ford, The Great Kat, and Morgan Lander.
An effects unit, effects processor, or effects pedal is an electronic device that alters the sound of a musical instrument or other audio source through audio signal processing.
An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar. It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities from that of an acoustic guitar via amplifier settings or knobs on the guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz, rock and heavy-metal guitar-playing. Designs also exist combining attributes of the electric and acoustic guitars: the semi-acoustic and acoustic-electric guitars.
Heavy metal is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. With roots in blues rock, psychedelic rock and acid rock, heavy metal bands developed a thick, monumental sound characterized by distorted guitars, extended guitar solos, emphatic beats and loudness.
Jazz guitar may refer to either a type of electric guitar or a guitar playing style in jazz, using electric amplification to increase the volume of acoustic guitars.
In music performances, rhythm guitar is a technique and role that performs a combination of two functions: to provide all or part of the rhythmic pulse in conjunction with other instruments from the rhythm section ; and to provide all or part of the harmony, i.e. the chords from a song's chord progression, where a chord is a group of notes played together. Therefore, the basic technique of rhythm guitar is to hold down a series of chords with the fretting hand while strumming or fingerpicking rhythmically with the other hand. More developed rhythm techniques include arpeggios, damping, riffs, chord solos, and complex strums.
A power trio is a rock and roll band format having a lineup of electric guitar, bass guitar and drum kit, leaving out a dedicated vocalist or an additional rhythm guitar or keyboard instrument that are often used in other rock music bands that are quartets and quintets. Larger rock bands often use one or more additional rhythm sections to fill out the sound with chords and harmony parts.
The palm mute is a technique for guitar and bass guitar known for its muted sound. It is performed by placing the side of the picking hand across the guitar's strings, very close to the bridge, while picking. The name is a misnomer as the muting is not performed using the player's palm.
An instrument amplifier is an electronic device that converts the often barely audible or purely electronic signal of a musical instrument into a larger electronic signal to feed to a loudspeaker. An instrument amplifier is used with musical instruments such as an electric guitar, an electric bass, electric organ, electric piano, synthesizers and drum machine to convert the signal from the pickup or other sound source into an electronic signal that has enough power, due to being routed through a power amplifier, capable of driving one or more loudspeaker that can be heard by the performers and audience.
A guitar amplifier is an electronic device or system that strengthens the electrical signal from a pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which are typically housed in a wooden cabinet. A guitar amplifier may be a standalone wood or metal cabinet that contains only the power amplifier circuits, requiring the use of a separate speaker cabinet–or it may be a "combo" amplifier, which contains both the amplifier and one or more speakers in a wooden cabinet. There is a wide range of sizes and power ratings for guitar amplifiers, from small, lightweight "practice amplifiers" with a single 6-inch speaker and a 10-watt amp to heavy combo amps with four 10-inch or four 12-inch speakers and a 100-watt amplifier, which are loud enough to use in a nightclub or bar performance.
Lead guitar is a musical part for a guitar in which the guitarist plays melody lines, instrumental fill passages, guitar solos, and occasionally, some riffs and chords within a song structure. The lead is the featured guitar, which usually plays single-note-based lines or double-stops. In rock, heavy metal, blues, jazz, punk, fusion, some pop, and other music styles, lead guitar lines are usually supported by a second guitarist who plays rhythm guitar, which consists of accompaniment chords and riffs.
A guitar solo is a melodic passage, instrumental section, or entire piece of music, pre-written to be played on a classical, electric, or acoustic guitar. In 20th and 21st century traditional music and popular music such as blues, swing, jazz, jazz fusion, rock and heavy metal, guitar solos often contain virtuoso techniques and varying degrees of improvisation. Guitar solos on classical guitar, which are typically written in musical notation, are also used in classical music forms such as chamber music and concertos.
A rhythm section is a group of musicians within a music ensemble or band that provides the underlying rhythm, harmony and pulse of the accompaniment, providing a rhythmic and harmonic reference and "beat" for the rest of the band. The rhythm section is often contrasted with the roles of other musicians in the band, such as the lead guitarist or lead vocals whose primary job is to carry the melody.
Shred guitar or shredding is a virtuoso style of playing the electric guitar, based on various advanced and complex playing techniques, particularly rapid passages and advanced performance effects. Shred guitar includes fast alternate picking, sweep-picked arpeggios, diminished and harmonic scales, finger-tapping and whammy bar use. It is commonly used in heavy metal, where guitarists use the electric guitar with a guitar amplifier and a range of electronic effects such as distortion, which create a more sustained guitar tone and facilitate guitar feedback effects.
A bass amplifier is a musical instrument electronic device that uses electrical power to make lower-pitched instruments such as the bass guitar or double bass loud enough to be heard by the performers and audience. Bass amps typically consist of a preamplifier, tone controls, a power amplifier and one or more loudspeakers ("drivers") in a cabinet.
A guitar technician is a member of a music ensemble's road crew who maintains and sets up the musical equipment for one or more guitarists. Depending on the type and size of band, the guitar tech may be responsible for stringing, tuning, and adjusting electric guitars and acoustic guitars, and maintaining and setting up guitar amplifiers and other related electronic equipment such as effect pedals.
Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone. Distortion is most commonly used with the electric guitar, but may also be used with other electric instruments such as electric bass, electric piano, synthesizer and Hammond organ. Guitarists playing electric blues originally obtained an overdriven sound by turning up their vacuum tube-powered guitar amplifiers to high volumes, which caused the signal to distort. While overdriven tube amps are still used to obtain overdrive, especially in genres like blues and rockabilly, a number of other ways to produce distortion have been developed since the 1960s, such as distortion effect pedals. The growling tone of a distorted electric guitar is a key part of many genres, including blues and many rock music genres, notably hard rock, punk rock, hardcore punk, acid rock, and heavy metal music, while the use of distorted bass has been essential in a genre of hip hop music and alternative hip hop known as "SoundCloud rap".
This is a glossary of jazz and popular music terms that are likely to be encountered in printed popular music songbooks, fake books and vocal scores, big band scores, jazz, and rock concert reviews, and album liner notes. This glossary includes terms for musical instruments, playing or singing techniques, amplifiers, effects units, sound reinforcement equipment, and recording gear and techniques which are widely used in jazz and popular music. Most of the terms are in English, but in some cases, terms from other languages are encountered.
Heavy metal bass is the use of the bass guitar in the rock music genres of heavy metal and hard rock. The bassist is part of the rhythm section in a heavy metal band, along with the drummer, rhythm guitarist and, in some bands, a keyboard player. The prominent role of the bass is key to the metal sound, and the interplay of bass and distorted electric guitar is a central element of metal. The bass guitar provides the low-end sound crucial to making the music "heavy". The bass plays a crucial role in heavy metal and a more important role than in traditional rock."
A rock band or pop band is a small musical ensemble that performs rock music, pop music, or a related genre. A four-piece band is the most common configuration in rock and pop music. In the early years, the configuration was typically two guitarists, a bassist, and a drummer. Another common formation is a vocalist who does not play an instrument, electric guitarist, bass guitarist, and a drummer. Instrumentally, these bands can be considered as trios. Sometimes, in addition to electric guitars, electric bass, and drums, also a keyboardist plays.
Heavy metal drumming is a style of rock music drum kit playing that developed in the late 1960s and early 1970s, largely in the United States and the United Kingdom. With roots in blues rock and psychedelic/acid rock drum playing, heavy metal drummers play with emphatic beats, and overall loudness using an aggressive performing style. Heavy metal drumming is traditionally characterized by emphatic rhythms and dense bass guitar-and-drum sound.
The death of the guitar solo[:] In its efforts to tune down and simplify riffs, nu-metal effectively drove a stake through the heart of the guitar solo