Pagan metal | |
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Stylistic origins | |
Cultural origins | Early 1990s, Northern Europe |
Other topics | |
Pagan metal is a genre of heavy metal music which fuses extreme metal with "the pre-Christian traditions of a specific culture or region" through thematic concept, rustic melodies, unusual instruments or archaic languages, [1] [2] usually referring to folk metal or black metal. The Norwegian band In the Woods... was one of the first bands commonly viewed as pagan metal. [3] [4] Metal Hammer author Marc Halupczok wrote that Primordial's song "To Enter Pagan" from the band's demo "Dark Romanticism" contributed to defining the genre. [5]
Pagan metal is "more of an idea than a genre" and consequently bands tend to be "wildly different" from one another. [1] Bassist Jarkko Aaltonen of the band Korpiklaani notes that bands singing about "Vikings or other ancient tribes of people are all labelled as pagan", regardless of whether they use folk instruments. [6] Heri Joensen expressed a similar description of pagan metal as bands that sing about "pre-Christian, European traditions, be they historical or mythological" and notes that it is "musically extremely diverse because it is more about the lyrics than the music". [7] Some bands are known to be "sprightly and spirited" while others are "bleak and doomy". Vocal styles range from "melodic chanting to unearthly growling" and while some acts sing in their native language, others sing in English. [1]
Pagan metal bands are often associated with Viking metal and folk metal. Bands such as Moonsorrow and Kampfar have been identified as fitting within all three of those genres. [8] [9]
Led Zeppelin and Manowar had already explored pagan themes in the 1970s and 1980s though pagan metal bands share few if any similarities, preferring instead to credit the influence of bands such as Bathory, Enslaved, Amorphis, and Skyclad. [1] Bathory and Enslaved are also known as Viking metal bands [10] [11] while Amorphis and Skyclad are also known as folk metal bands. [12] [13]
Jarkko Aaltonen notes that Black Sabbath "was quite pagan" as well but of "the current metal scene", he credits Skyclad as starting "the mix of traditional folk-rock music with mythology-concentrated lyrics". [6] Chrigel Glanzmann of Eluveitie similarly credits Skyclad as the first pagan metal band, remarking that the band had mixed heavy metal music with Celtic folk music "in a way that was really inspiring". [14] The author Ian Christe has also identify Skyclad as the pioneers of pagan metal. [15] In contrast, Heri Joensen credits Bathory as the first pagan metal act instead, noting that Bathory had gotten "tired of the childishness of satanic lyrics, so they added some cultural weight by going to Nordic mythology". [7] Alan A. Nemtheanga of Primordial remarks that one "can see the formation of pagan metal" in Bathory's 1988 album Blood Fire Death . He also contends that Bathory "were copying Manowar, which most people don't like to admit". [16] Mathias Nygård of Turisas identified Amorphis as the first pagan metal band for playing "a huge role in guiding us in the direction we are now". [17]
In April 2008, performers on the folk and pagan metal festival Paganfest were subject to accusations of being neo-Nazis and fascists from the Berliner Institut für Faschismusforschung. [18] Ville Sorvali of Moonsorrow and Heri Joensen of Týr issued a joint video statement to refute these accusations, noting that "one of the biggest issues seems to be that we use ancient Scandinavian symbols in our imagery like the S in the Moonsorrow logo and the T in the Týr logo [even though] that is how the S and the T runes have been written for thousands of years". [19] Moonsorrow has also issued a written statement in response to the controversy [20] while Týr notes on their official website that they "got the idea for the rune logo" from the Black Sabbath album of the same name. [21] Other pagan metal bands such as Skyforger have also disassociated themselves from Nazism, fascism or racism. [22] Skyforger went as far as to add the words 'No Nazi Stuff Here!' on the back of their album covers. [23]
As of 2009, the genre has become something of a phenomenon. [1] Mikael Karlbom of Finntroll feels that pagan metal has become something of a trend. [24] Jarkko Aaltonen of Korpiklaani expresses a similar opinion and laments the number of people "jumping on a bandwagon". [2] Johan Hegg of Amon Amarth has distanced his band from the trend, stating that "We don’t really see ourselves as one of those bands doing pagan folklore music." [25]
Eine der ersten Gruppen, die übereinstimmend als Pagan Metal-Band bezeichnet wurde, waren bekanntlich In The Woods...
1992 gegründet, wurden In The Woods... als eine der ersten Bands überhaupt als reine Pagan-Band bezeichnet oder dem Black Metal zugerechnet.
Mit 'To Enter Pagan' vom Demo DARK ROMANTICISM definierten sie ein ganzes Genre mit.
Celtic metal is a subgenre of folk metal that developed in the 1990s in Ireland. The genre is a fusion of heavy metal and Celtic rock. The early pioneers of the genre were the Irish bands Cruachan, Primordial and Waylander. The genre has since expanded beyond Irish shores and is known to be performed today by bands from numerous other countries.
Viking metal is a subgenre of heavy metal music characterized by a lyrical and thematic focus on Norse mythology, Norse paganism, and the Viking Age. Viking metal is quite diverse as a musical style, to the point where some consider it more a cross-genre term than a genre, but it is typically seen as black metal with influences from Nordic folk music. Common traits include a slow-paced and heavy riffing style, anthemic choruses, use of both sung and harsh vocals, a reliance on folk instrumentation, and often the use of keyboards for atmospheric effect.
Folk metal is a fusion genre of heavy metal music and traditional folk music that developed in Europe during the 1990s. It is characterised by the widespread use of folk instruments and, to a lesser extent, traditional singing styles. It also sometimes features soft instrumentation influenced by folk rock.
Amorphis is a Finnish heavy metal band founded by Jan Rechberger, Tomi Koivusaari, and Esa Holopainen in 1990. Initially, the band was a death metal act, but on later albums they evolved into playing other genres, including progressive metal and folk metal. They frequently use the Kalevala, the epic poem of Finland, as a source for their lyrics.
Moonsorrow is a Finnish pagan metal band formed in Helsinki in 1995. Musically, the band incorporates elements of black metal and folk metal in their sound. The band call their sound "epic heathen metal" and try to distance themselves from the term "Viking metal". They have distanced themselves from other folk metal bands, emphasising that their music is pagan and spiritual and is challenging for its listeners, rather than happy or danceable. The band members have varying levels of pagan belief but they draw on pagan spirituality for lyrics and inspiration.
Ensiferum is a Finnish folk metal band from Helsinki. The members of the band label themselves as "melodic folk metal".
Týr is a Faroese folk metal band. They have been characterised as one of "the islands' two most successful metal bands". Their subject matter revolves almost entirely around Viking lore, mythology, and history, taking their name from Týr, the god of war in Norse religion.
Korpiklaani is a Finnish folk metal band from Lahti that was formerly known as Shamaani Duo and Shaman.
How Far to Asgaard is the debut studio album by Faroese folk metal band Týr. It was released in January 2002 by Tutl Records.
Heri Joensen is a Faroese musician, notable for being the vocalist for the folk metal band Týr. Heri was born in the Faroe Islands capital of Tórshavn which has had an influence on his song writing. As well as Týr, he has recorded a solo album titled Heljareyga.
Summer Breeze Open Air is an annual German heavy metal music festival. It was first held in 1997. The festival had been held in Abtsgmünd until 2006 when it was moved to its new location of Dinkelsbühl, Bavaria. The festival draws around 40,000 attendees annually.
Ragnarök Festival is a pagan metal festival held annually in Germany since 2004 founded by Ivo Raab. It started out as a small, one-night festival with only regional bands in the town hall of Hollfeld. In 2005 it was decided to go for a festival featuring mostly Viking and pagan metal with the booking of bands like Månegarm, Menhir, Eisregen and Equilibrium. From 2006 on the festival took place in the significantly bigger town hall of Lichtenfels, Bavaria.
Dong Open Air is a heavy metal music festival held annually in Neukirchen-Vluyn, Germany since 2001.
Karkelo is the sixth studio album by Finnish folk metal band Korpiklaani. The title is the Finnish interpretation of the word "party", or otherwise meaning loosely "having fun" or to "frolic".
Ukon Wacka is the seventh studio album by Finnish folk metal band Korpiklaani. It was released on 4 February 2011 through Nuclear Blast. The title refers to an ancient pagan sacrificial feast, dedicated to Ukko. The album is sung in their native language.
Hamferð is a Faroese doom metal band from Tórshavn, Faroe Islands, which formed in 2008.
Manala is the eighth studio album by Finnish folk metal band Korpiklaani. It was released on August 3, 2012 through Nuclear Blast. "Manala" translated from Finnish to English is "Underworld".
Kulkija is the tenth studio album by Finnish folk metal band Korpiklaani. Released on 7 September 2018, it features themes like travelling, nostalgia and homesickness. It is the band's longest studio album at 71 minutes and 20 seconds, thus beating 2008's Korven Kuningas by almost a minute. The album reached the top 30 chart positions in Finland and Switzerland.