Blood Fire Death | ||||
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Studio album by | ||||
Released | 17 October 1988 [1] | |||
Recorded | February 1988 | |||
Studio | Heavenshore Studio, Stockholm, Sweden | |||
Genre | ||||
Length | 45:41 | |||
Label | Black Mark/Tyfon (Sweden and Germany) Under One Flag (UK) Kraze (US) | |||
Producer | Boss Forsberg and Quorthon | |||
Bathory chronology | ||||
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Blood Fire Death is the fourth studio album by Swedish extreme metal band Bathory. It was released in October 1988, through Music for Nations sublabel, Under One Flag. The album, although mostly black metal, includes some of the first examples of Viking metal. [2] According to the book Black Metal: Evolution of the Cult by Dayal Patterson, Blood Fire Death began a second trilogy, an era Quorthon described as the "pre-Christian Swedish Viking Era".
The lyrics to "For All Those Who Died" were taken from a poem by Erica Jong, first published in her book Witches (1981), [3] while the first three verses of "A Fine Day to Die" are taken from "Cassilda's Song" of Robert W. Chambers' The King in Yellow .
The front cover comes from the painting The Wild Hunt of Odin (1872) by Peter Nicolai Arbo. The painting as well as the opening track "Oden's Ride Over Nordland" use the Wild Hunt motif from folklore. Blood Fire Death established this motif in metal culture, where it since has become popular with a number of bands and event organizers. [4]
Review scores | |
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Source | Rating |
AllMusic | [2] |
Collector's Guide to Heavy Metal | 6/10 [5] |
In 2009, IGN included Blood Fire Death in their "10 Great Black Metal Albums" list. [6]
All tracks are written by Quorthon
No. | Title | Length |
---|---|---|
1. | "Odens Ride Over Nordland" | 2:59 |
2. | "A Fine Day to Die" | 8:35 |
3. | "The Golden Walls of Heaven" | 5:22 |
4. | "Pace 'Till Death" | 3:39 |
5. | "Holocaust" | 3:25 |
No. | Title | Length |
---|---|---|
6. | "For All Those Who Died" | 4:57 |
7. | "Dies Irae" | 5:11 |
8. | "Blood Fire Death" | 10:28 |
9. | "Outro" | 0:58 |
Note: The "Outro" is not listed on the cover and is not included on the cassette release.
Viking metal is a subgenre of heavy metal music characterized by a lyrical and thematic focus on Norse mythology, Norse paganism, and the Viking Age. Viking metal is quite diverse as a musical style, to the point where some consider it more a cross-genre term than a genre, but it is typically seen as black metal with influences from Nordic folk music. Common traits include a slow-paced and heavy riffing style, anthemic choruses, use of both sung and harsh vocals, a reliance on folk instrumentation, and often the use of keyboards for atmospheric effect.
The Wild Hunt is a folklore motif occurring across various northern, western and eastern European societies, appearing in the religions of the Germans, Celts, and Slavs. Wild Hunts typically involve a chase led by a mythological figure escorted by a ghostly or supernatural group of hunters engaged in pursuit. The leader of the hunt is often a named figure associated with Odin in Germanic legends, but may variously be a historical or legendary figure like Theodoric the Great, the Danish king Valdemar Atterdag, the dragon slayer Sigurd, the Welsh psychopomp Gwyn ap Nudd, biblical figures such as Herod, Cain, Gabriel, or the Devil, or an unidentified lost soul. The hunters are generally the souls of the dead or ghostly dogs, sometimes fairies, valkyries, or elves.
Bathory was a Swedish black metal band formed in Vällingby in March 1983. Named after Hungarian countess Elizabeth Báthory, they are considered pioneers of black metal and Viking metal. The book Lords of Chaos described Bathory's first four albums as "the blueprint for Scandinavian black metal."
Thomas Börje Forsberg, better known by the stage name Quorthon, was a Swedish musician. He was one of the founders, as well as the sole songwriter, of the band Bathory, which pioneered the black metal genre and is credited with creating the Viking metal style. A multi-instrumentalist, Quorthon wrote the music and lyrics on all of Bathory's albums and performed vocals and guitars.
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Peter Nicolai Arbo was a Norwegian historical painter, who specialized in portraits and allegorical scenes from Norwegian history and the Norse mythology. He is most noted for The Wild Hunt of Odin, a dramatic motif based on the Wild Hunt legend and Valkyrie, which depicts a female figure from Norse mythology.
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Twilight of the Gods is the sixth studio album by Swedish extreme metal band Bathory. It continues the exploration of the newly created Viking metal style, and also displays heavy epic doom and classical influences; it is titled after an opera by Wagner. It is a mid-tempo, more acoustic album than previous Bathory releases, though it follows on from Hammerheart. Of significance is Quorthon's total control of the album, playing all electric and acoustic guitar, keyboards, bass, and drum programming. The background vocals are a particular feature of the album, with Quorthon multi-tracking himself, as he did on Hammerheart, though on this album he sounds more like a chorus than previously.
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The Wild Hunt of Odin is an 1872 painting by Peter Nicolai Arbo. It depicts the Wild Hunt from Scandinavian folklore and is based on a poem by Johan Sebastian Welhaven. The painting is in the collection of the National Museum of Art, Architecture and Design in Oslo.