Viking metal is a subgenre of heavy metal music characterized by a lyrical and thematic focus on Norse mythology, Norse paganism, and the Viking Age. Viking metal is quite diverse as a musical style, to the point where some consider it more a cross-genre term than a genre, but it is typically seen as black metal with influences from Nordic folk music. Common traits include a slow-paced and heavy riffing style, anthemic choruses, use of both sung and harsh vocals, a reliance on folk instrumentation, and often the use of keyboards for atmospheric effect.
Bathory was a Swedish black metal band formed in Vällingby in March 1983. Named after Hungarian countess Elizabeth Báthory, they are considered pioneers of black metal and Viking metal. The book Lords of Chaos described Bathory's first four albums as "the blueprint for Scandinavian black metal." Acts influenced by their early records include Mayhem, Burzum, Darkthrone, Gorgoroth, Satyricon, Emperor, Dark Funeral, Enslaved, Marduk, Moonsorrow and Dimmu Borgir.
Thomas Börje Forsberg, better known by the stage name Quorthon, was a Swedish musician. He was one of the founders, as well as the sole songwriter, of the band Bathory, which pioneered the black metal genre and is credited with creating the Viking metal style. A multi-instrumentalist, Quorthon wrote the music and lyrics on all of Bathory's albums and performed vocals and guitars.
Falkenbach is a viking metal group from Germany that is signed to Prophecy Productions. The name means "Falconbrook" in German.
Blood on Ice is the ninth studio album by Swedish extreme metal band Bathory. It was released on 27 May 1996, through Black Mark Production. It is a concept album.
Peter Nicolai Arbo was a Norwegian historical painter, who specialized in portraits and allegorical scenes from Norwegian history and the Norse mythology. He is most noted for The Wild Hunt of Odin, a dramatic motif based on the Wild Hunt legend and Valkyrie, which depicts a female figure from Norse mythology.
Under the Sign of the Black Mark is the third studio album by Swedish extreme metal band Bathory. It was recorded in September 1986 and released on 11 May 1987 through New Renaissance Records and Under One Flag. It was a key album in the development of the black metal genre, and greatly influenced the Norwegian black metal scene that emerged in the early 1990s.
The Return…… is the second studio album by Swedish extreme metal band Bathory. It was released on 27 May 1985, through Black Mark in Sweden and Combat Records in the US. The Return…… had a significant influence on developing the black metal and death metal genres.
Bathory is the debut studio album by Swedish extreme metal band Bathory. It was released in October 1984, through Tyfon Grammofon. It is considered by fans and critics to be one of the contenders for the first black metal record.
Hammerheart is the fifth studio album by Swedish extreme metal band Bathory. It continued the previous album Blood Fire Death's transition away from black metal to what became recognized as Viking metal, and is considered a cornerstone work of the genre. A music video was made for "One Rode to Asa Bay."
Twilight of the Gods is the sixth studio album by Swedish extreme metal band Bathory. It continues the exploration of the newly created Viking metal style, and also displays heavy epic doom and classical influences; it is titled after an opera by Wagner. It is a mid-tempo, more acoustic album than previous Bathory releases, though it follows on from Hammerheart. Of significance is Quorthon's total control of the album, playing all electric and acoustic guitar, keyboards, bass, and drum programming. The background vocals are a particular feature of the album, with Quorthon multi-tracking himself, as he did on Hammerheart, though on this album he sounds more like a chorus than previously. The song "Hammerheart" is based on a melody from Gustav Holst's The Planets; specifically, it is Quorthon's own rearrangement of the middle section of the fourth movement, Jupiter.
Nordland I is the eleventh studio album by Swedish extreme metal band Bathory. It was released on 18 November 2002 through Black Mark Production. It is a return to the Viking metal of Bathory's middle period, and features songs mainly concerning Norse mythology.
Nordland II is the twelfth and final studio album by Swedish extreme metal band Bathory. It is the successor to Nordland I. It was released on 31 March 2003, through Black Mark Production.
Destroyer of Worlds is the tenth studio album by Swedish extreme metal band Bathory. It was released on 9 October 2001, through Black Mark Production.
Requiem is the seventh studio album by Swedish extreme metal band Bathory. It eschews the Viking metal style of Bathory's three previous releases for a thrash metal style that recalls many of the bands that initially influenced Bathory. This album marks the return of Bathory after Quorthon put the band on hold to record his first solo album.
Octagon is the eighth studio album by Swedish extreme metal band Bathory. It was released on 17 October 1995 through Black Mark Production. It continues the retro thrash metal style of the previous album, Requiem. It was reissued in 2003, with the first two tracks combined and "Winds of Mayhem" outro added.
In Memory of Quorthon is a box set of three audio CDs and one DVD with remastered material from Bathory, Quorthon's solo efforts, and the Jennie Tebler project.
Umskiptar is the ninth studio album by the Norwegian one-man band Burzum, released on 21 May 2012 through Byelobog Productions. It has been described by Varg Vikernes as a "return to the roots", with a priority on atmosphere. The album's lyrics are taken from an Old Norse poem entitled Völuspá. The album was leaked two months before its release date, due, according to Vikernes, to a former PR agent of his having "sent promotional copies of the entire album to left wing extremist magazines" without his knowledge or consent.
C. Dean Andersson was an American writer of fantasy fiction and horror novels since 1981, both under his own name and under the pseudonym Asa Drake.
The Wild Hunt of Odin is an 1872 painting by Peter Nicolai Arbo. It depicts the Wild Hunt from Scandinavian folklore and is based on a poem by Johan Sebastian Welhaven. The painting is in the collection of the National Museum of Art, Architecture and Design in Oslo.
