 | This article possibly contains original research .(December 2013) |
| Pagan rock | |
|---|---|
| Stylistic origins | |
| Cultural origins | 1989 in London, United Kingdom |
| Other topics | |
Pagan rock is a genre of rock music created by adherents of neopagan traditions. It emerged as a distinct genre from gothic rock in the 1980s. Bands in this genre will often use pagan and occult imagery and deal with pagan themes. In some cases the definition is stretched to include rock bands embraced by modern Pagans.
Pagan rock as a more distinct genre emerged in the United Kingdom in 1980s, in particular from gothic rock and related post-punk genres. Gothic rock had become popular among younger pagans as an alternative to the singer-songwriter style established by pagans from the baby-boom generation, which dominated the neopagan institutions in the 1980s and 1990s. [1] One of the first bands to be labeled as Pagan rock by the press was Inkubus Sukkubus, founded in 1989, who have Wiccan members [2] and whose songs use pagan imagery and pagan themes. After Inkubus Sukkubus had some mainstream success with their debut album in 1993, many gothic rock and darkwave bands emerged with neopagan members and lyrical themes. [3] By the mid-2000s, pagan rock had become fully integrated into the mainstream of neopagan events and institutions. [1]
The term "Pagan rock" differentiates the genre from new-age music, and from the traditional folk music found at many Neopagan events and gatherings. While many bands under this loose category do incorporate rock and roll styles, one can also find bands inspired by gothic rock, medieval music, the darker elements of traditional and folk music, Celtic music, neofolk and neo-classical, darkwave, ethereal, ambient, industrial and experimental music.
In many ways, the label of "Pagan rock" carries with it the same complexities and problems as Christian rock. Like contemporary Christian music, it is more an umbrella term than a cohesive musical genre. The Pagan rock label can include bands like Inkubus Sukkubus and The Moon and the Nightspirit who explicitly state their allegiance to Neopaganism; bands like Abney Park who have Neopagans in the band but do not label themselves as pagan rock, and bands like Unto Ashes who sing songs involving occult and Neopagan themes but avoid publicly labeling their personal belief systems.
Goth is a subculture that began in the United Kingdom during the early 1980s. It was developed by fans of gothic rock, an offshoot of the post-punk music genre. Post-punk artists who anticipated the gothic rock genre and helped develop and shape the subculture include Siouxsie and the Banshees, Bauhaus, the Cure and Joy Division.
Viking metal is a subgenre of heavy metal music characterized by a lyrical and thematic focus on Norse mythology, Norse paganism, and the Viking Age. Viking metal is quite diverse as a musical style, to the point where some consider it more a cross-genre term than a genre, but it is typically heard as black metal with influences from Nordic folk music. Common traits include a slow-paced and heavy riffing style, anthemic choruses, use of both sung and harsh vocals, a reliance on folk instrumentation, and often the use of keyboards for atmospheric effect.
Gothic rock is a style of rock music that emerged from post-punk in the United Kingdom in the late 1970s. The first post-punk bands which shifted toward dark music with gothic overtones include Siouxsie and the Banshees, Joy Division, Bauhaus, and the Cure.
Deathrock is a rock music subgenre that merges punk rock and post-punk with gothic and glam rock visuals and elements of horror film scores. Often overlapping with, and sometimes considered a subgenre of, gothic rock, the genre was pioneered by bands from the early 1980s Los Angeles punk scene, including Christian Death, Kommunity FK, 45 Grave and the Super Heroines. By the middle of the decade, the genre had begun to interact with the United Kingdom's gothic rock scene, leading to the formation of English deathrock bands like Rudimentary Peni, Sex Gang Children and Alien Sex Fiend. However, soon after the genre declined in popularity, and its name largely fell out of use. In the late 1990s, a revival of the genre began, in which groups like Bloody Dead and Sexy, the Phantom Limbs and Tragic Black expanded the scope of the genre to including elements of psychobilly, electronic body music and futurepop.
Gothic fashion is a clothing style worn by members of the goth subculture. A dark, sometimes morbid, fashion and style of dress, typical gothic fashion includes black dyed hair and black clothes. Both male and female goths can wear dark eyeliner, dark nail polish and lipstick, and dramatic makeup. Styles are often borrowed from the Elizabethans and Victorians. BDSM imagery and paraphernalia are also common. Gothic fashion is sometimes confused with heavy metal fashion and emo fashion.
Dark wave, or darkwave, is a music genre that emerged from the new wave and post-punk movement of the late 1970s. Dark wave compositions are largely based on minor key tonality and introspective lyrics and have been perceived as being dark, romantic and bleak, with an undertone of sorrow. Common features include the use of chordophones such as electric and acoustic guitar, violin and piano, as well as electronic instruments such as synthesizer, sampler and drum machine. Like new wave, dark wave is not considered an "unified genre but rather an umbrella term" that encompasses a variety of musical styles, including cold wave, ethereal wave, gothic rock, neoclassical dark wave and neofolk.
Horror punk is a music genre that mixes punk rock and 1950s-influenced doo-wop and rockabilly sounds with morbid and violent imagery and lyrics which are often influenced by horror films and science fiction B-movies. The genre was pioneered by the Misfits in the late 1970s and early 1980s. Subsequent bands formed in the Misfits' wake like Mourning Noise, the Undead and Samhain, solidifying horror punk's first wave. In the late 1990s and early 2000s the genre gained attention through the reunion of the Misfits and success of groups like AFI, Son of Sam and the Murderdolls. This popularity continued to the modern day with Blitzkid, Calabrese and Creeper.
Pagan metal is a genre of heavy metal music which fuses extreme metal with "the pre-Christian traditions of a specific culture or region" through thematic concept, rustic melodies, unusual instruments or archaic languages, usually referring to folk metal or black metal. The Norwegian band In the Woods... was one of the first bands commonly viewed as pagan metal. Metal Hammer author Marc Halupczok wrote that Primordial's song "To Enter Pagan" from the band's demo "Dark Romanticism" contributed to defining the genre.
A rivethead or rivet head is a person associated with the industrial dance music scene. In stark contrast to the original industrial culture, whose performers and heterogeneous audience were sometimes referred to as "industrialists", the rivethead scene is a coherent youth culture closely linked to a discernible fashion style. The scene emerged in the late 1980s on the basis of electro-industrial, EBM, and industrial rock music. The associated dress style draws on military fashion and punk aesthetics with hints of fetish wear, mainly inspired by the scene's musical protagonists.
Inkubus Sukkubus are an English goth and pagan rock band, formed in 1989 by Candia Ridley, Tony McKormack and Adam Henderson, who have been described as one of the most enduringly popular underground Goth bands in the UK. They also have been described by Mick Mercer as a "zombie version of Fleetwood Mac" in his book Hex Files: The Goth Bible.
Neofolk, also known as apocalyptic folk, is a form of music blending elements of folk and industrial music, which emerged in punk rock circles in the 1980s. Neofolk may either be solely acoustic or combine acoustic folk instrumentation with various other sounds.
Rock music has been performed and heard in Lithuania since the mid-1960s. At first, repression by the Soviet authorities meant that rock was performed only at illegal gatherings, while music from the West was available on Radio Luxembourg or smuggled records. As pressure eased somewhat, rock musicals began to be released, such as Velnio nuotaka and Ugnies medžioklė su varovais.
Martial industrial is a syncretic offshoot of industrial music characterized by noise, dark ambient atmospheres, neofolk melodies, dark wave tunes and neoclassical orchestrations as well as the incorporation of audio from military marches, historical speeches and political, apolitical or metapolitical lyrics. Unlike other post-industrial genres, martial industrial is typically interested more in a particular worldview or philosophy than pure experimentalism.
Dark cabaret is a musical genre that draws on the aesthetics of burlesque, vaudeville and Weimar-era cabaret, with live performances that borrow from the stylings of goth and punk.
Ataraxia is an Italian neoclassical dark wave band founded in 1985. Fronted by vocalist Francesca Nicoli, it combines modern technology with archaic instrumentation. Its lyrical themes are frequently drawn from nature and ancient cultures.
Dark culture, also called dark alternative scene, is a mixture of thematically related subcultures including the goth and dark wave subculture, the dark neoclassical/dark ambient scene, parts of the post-industrial scene parts of neofolk and the early gothic metal scene. Dark culture's origin lies in followers of dark wave and independent music, but over the decades it has developed to a social network held together by a common concept of aesthetics, self-representation, and individualism. The musical preferences of the dark scene are characterized by a mix of styles ranging from gothic metal, to industrial dance music and dark ambient, to dark neoclassical, neo-medieval and dark folk music, to gothic rock, dark wave and post-punk, the darker ends of electropop.
Ethereal wave, also called ethereal darkwave, ethereal goth or simply ethereal, is a subgenre of dark wave music that is variously described as "gothic", "romantic", and "otherworldly". Developed in the early 1980s in the UK as an outgrowth of gothic rock, ethereal wave was mainly represented by 4AD bands such as Cocteau Twins, This Mortal Coil, and early guitar-driven Dead Can Dance.
The Trisol Music Group, GmbH, is a German business group and record label headquartered in Dieburg. Owning multiple sublabels, they specialize in producing musical works pertaining to darkwave, dark folk, gothic rock, deathrock, ethereal wave and other gothic genres of music. In general they are considered a major European label for works within the realm of Dark Alternative music.
Modern pagan music or neopagan music is music created for or influenced by modern Paganism. Music produced in the interwar period include efforts from the Latvian Dievturība movement and the Norwegian composer Geirr Tveitt. The counterculture of the 1960s established British folk revival and world music as influences for American neopagan music. Second-wave feminism created women's music which includes influences from feminist versions of neopaganism. The United States also produced Moondog, a Norse neopagan street musician and composer. The postwar neopagan organisations Ásatrúarfélagið in Iceland and Romuva in Lithuania have been led by musicians.
