| Nu gaze | |
|---|---|
| Years active | 2000s |
| Location | Europe, North America |
| Influences | Shoegaze |
Nu gaze (also typeset as nu-gaze and sometimes known as second-wave shoegaze) was an international movement of shoegaze that took place during the 2000s. The movement was influenced by the original shoegaze movement but embraced a more diverse array of influences, particularly from electronic music. Often, bands in the movement were faster and included cleaner production than those in shoegaze's first-wave.
Nu gaze began around 2000, with England's My Vitriol, Sweden's the Radio Dept. and France's M83. The 2003 soundtrack for the film Lost in Translation helped accelerate the revival when Deerhunter, Maps and Asobi Seksu began to gain attention. The movement had declined by 2013, succeeded by a separate shoegaze revival including DIIV, Cheatahs and Wild Nothing. During the 2020s, nu gaze's name was adopted for a separate genre: those merging elements of shoegaze and nu metal.
Pitchfork described nu-gaze as a diverse spectrum of bands from around the world who incorporated both analog and digital production in their shoegaze-adjacent sound and approach. [1] In nu gaze, tempos were often faster than traditional shoegaze, and vocals were mixed more prominently. [2] Often, bands showed an influence from 1990s shoegaze, blending jangly indie with layers of distortion. [3]
As early as 2001, My Vitriol vocalist Som Wardner had identified his band using the name "nu-gaze". [4] By 2005, it had been used to describe Ambulance LTD, [5] and by 2006 to describe the Morning After Girls. [6] In 2007, Jude Rogers of the Guardian noted the name as being used interchangeably with "stargaze" and "shoetronica", crediting their popularity as due to a stigma around the name "shoegaze". [3]
In a 2009 editorial for Drowned in Sound , Cramp dismissed nu-gaze as a "bad pun", emphasizing that it was not a distinct music scene but rather a renewed interest in shoegaze. [7] By the 2010s, nu gaze was largely used synonymously with the phrase "second-wave shoegaze". [8] [1]
Eli Enis, former editor of Revolver , noted in a 2024 article that during the 2020s, the term "nu-gaze" evolved from referring to this second-wave of shoegaze, to referring to a specific fusion of shoegaze and nu metal. He noted this fusion as largely descending from the shoegaze-influenced sound of Deftones, listing examples of this style as Narrow Head, Wisp, Loathe, Fleshwater, Trauma Ray, Trxy and Leaving Time. [8] This definition has been stated by Stereogum , [9] Ultimate Guitar, [10] and Epitaph Records. [11]
An article by Splice specified that this definition is explicitly hyphanated as "nu-gaze", while the tradition definition is unhyphanated as "nu gaze". [12]
According to Claudio Lancia of the Italian magazine Ondarock , the 2020s definition of nu-gaze has a subgenre called zoomergaze, which is defined by being played by generation Z. [13] In 2025, a few prominent American news outlets referred to Wisp and her debut album If Not Winter as "nu-gaze". [14] [15]
Around 2000, an international wave of bands taking influence from shoegaze began to take shape with England's My Vitriol, Sweden's the Radio Dept. and France's M83. Following the release of their debut EP Finelines (2001), My Vitriol experienced a sudden rise in notoriety, its single "Always: Your Way" entering the UK's top 40 charts, leading them to perform at Top Of The Pops, Glastonbury Festival and Reading Festival. The following year the band went on hiatus, leading to the rise in popularity of the Radio Dept. and M83. [4]
The 2003 release of Sofia Coppola's film Lost in Translation helped accelerate the revival, due to its soundtrack being curated by My Bloody Valentine's Kevin Shields. By 2007, the movement had led to an increased notoriety of contemporary albums by artists including Maps, Blonde Redhead, Mahogany, Deerhunter, Asobi Seksu, and Ulrich Schnauss. [3] Other notable acts in the movement included Autolux, [16] Silversun Pickups, Amusement Parks on Fire and Film School. [2]
Nu-gaze had declined by 2013, succeeded by a separate shoegaze revival including DIIV, Cheatahs, Wild Nothing, Younghusband, Echo Lake, Teen and Melody's Echo Chamber. [17]