Noise pop | |
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Stylistic origins | |
Cultural origins | Mid-1980s, United Kingdom and United States |
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Noise pop is a subgenre of alternative and indie rock that developed in the mid-1980s in the United Kingdom and United States. It is defined by its mixture of dissonant noise or feedback with the songcraft more often found in pop music. [1] Shoegaze, another noise-based genre that developed in the 1980s, drew from noise pop.
Noise pop has been described by AllMusic as "the halfway point between bubblegum and the avant-garde"; the combination of conventional pop songwriting with experimental sounds of white noise, distorted guitars and drones. Accordingly, the style "often has a hazy, narcotic feel, as melodies drift through the swirling guitar textures. But it can also be bright and lively, or angular and challenging." [1] AllMusic cites the Velvet Underground as the earliest roots of the genre, with their experiments with feedback and distortion on their early albums. [1]
Early American alternative rock bands like Sonic Youth, Yo La Tengo, Hüsker Dü, R.E.M., The Replacements and Dinosaur Jr., who mixed pop song structures with extreme guitar distortion and feedback, [2] were immediate forerunners. The Jesus and Mary Chain's 1985 debut, Psychocandy , is considered by AllMusic to be the archetype for the noise pop genre ("pretty much birthed the style"). [1] Kareem Estefan of Stylus Magazine cited the album for "transforming the use of distortion in indie rock with its screeching abrasion, yet managing to feature some of the catchiest melodies of the 80s." [3]
Later in the 1980s, noise pop was a major inspiration for the British shoegazing movement. [1] Influenced by The Jesus and Mary Chain, My Bloody Valentine started to experiment with a fusion of 1960s pop music and noise on their EP, The New Record by My Bloody Valentine , paving way to their forthcoming shoegazing sound. [4] Noise pop continued to be influential in the indie rock scene into the 1990s. [1] [5]
My Bloody Valentine are an Irish-English alternative rock band formed in Dublin in 1983 and consisting since 1987 of founding members Kevin Shields and Colm Ó Cíosóig, with Bilinda Butcher and Debbie Googe (bass). Their work is characterized by warped, distorted guitar textures, subdued androgynous vocals, and unorthodox production techniques. They are widely cited as a pioneering act in the shoegaze genre.
Alternative rock is a category of rock music that evolved from the independent music underground of the 1970s. Alternative rock acts achieved mainstream success in the 1990s with the likes of the grunge subgenre in the United States, and the Britpop and shoegaze subgenres in the United Kingdom and Ireland. During this period, many record labels were looking for "alternatives", as many corporate rock, hard rock, and glam metal acts from the 1980s were beginning to grow stale throughout the music industry. The emergence of Generation X as a cultural force in the 1990s also contributed greatly to the rise of alternative rock.
Shoegaze is a subgenre of indie and alternative rock characterized by its ethereal mixture of obscured vocals, guitar distortion and effects, feedback, and overwhelming volume. It emerged in Ireland and the United Kingdom in the late 1980s among neo-psychedelic groups who usually stood motionless during live performances in a detached, non-confrontational state. The name comes from the heavy use of effects pedals, as the performers were often looking down at their pedals during concerts.
Dream pop is a subgenre of alternative rock and neo-psychedelia that emphasizes atmosphere and sonic texture as much as pop melody. Common characteristics include breathy vocals, dense productions, and effects such as reverb, echo, tremolo, and chorus. It often overlaps with the related genre of shoegaze, and the two genre terms have at times been used interchangeably.
Audio feedback is a positive feedback situation that may occur when an acoustic path exists between an audio output and its audio input. In this example, a signal received by the microphone is amplified and passed out of the loudspeaker. The sound from the loudspeaker can then be received by the microphone again, amplified further, and then passed out through the loudspeaker again. The frequency of the resulting howl is determined by resonance frequencies in the microphone, amplifier, and loudspeaker, the acoustics of the room, the directional pick-up and emission patterns of the microphone and loudspeaker, and the distance between them. The principles of audio feedback were first discovered by Danish scientist Søren Absalon Larsen, hence it is also known as the Larsen effect.
Loveless is the second studio album by the Irish-English rock band My Bloody Valentine. It was released on 4 November 1991 in the United Kingdom by Creation Records and in the United States by Sire Records. The album was recorded between February 1989 and September 1991, with vocalist and guitarist Kevin Shields leading sessions and experimenting with guitar vibrato, non standard tunings, digital sampling, and meticulous production methods. The band recorded at nineteen different studios and hired several engineers during the album's prolonged recording, with its final production cost rumoured to have reached £250,000.
Kevin Patrick Shields is an Irish musician, best known as the vocalist, guitarist and primary songwriter of My Bloody Valentine, a band influential in alternative rock as their studio albums Isn't Anything (1988) and Loveless (1991) pioneered a subgenre known as shoegaze. Shields's texturised guitar sound and his experimentation with his guitars' tremolo systems resulted in the creation of the "glide guitar" technique, which became a recognisable aspect of My Bloody Valentine's sound, along with his meticulous production techniques.
Noise rock is a noise-oriented style of experimental rock that spun off from punk rock in the 1980s. Drawing on movements such as minimalism, industrial music, and New York hardcore, artists indulge in extreme levels of distortion through the use of electric guitars and, less frequently, electronic instrumentation, either to provide percussive sounds or to contribute to the overall arrangement.
Band of Susans was an American alternative rock No Wave band formed in New York City in 1986 and active until 1996. It originally consisted of Robert Poss (guitar/vocals), Susan Stenger (bass/vocals), Ron Spitzer (drums), with Susan Lyall (guitar), Susan Tallman (guitar), and Alva Rogers (vocals). The band would undergo several permutations over the years, usually involving three guitarists. Poss, Stenger, and Spitzer were the band's core members throughout its duration. They originated in the New York No Wave noise rock scene, but due to their layered guitar sound were sometimes seen as the American counterparts to the UK shoegazing bands. Like Sonic Youth, they drew influence from noise music experimental composers for the electric guitar Rhys Chatham and Glenn Branca.
Psychocandy is the debut studio album by Scottish rock band the Jesus and Mary Chain. It was released in November 1985 on Blanco y Negro Records. The album is considered a landmark recording: its combination of guitar feedback and noise with traditional pop melody and structure proved influential on the forthcoming shoegaze genre and alternative rock in general.
Isn't Anything is the debut studio album by Irish-English rock band My Bloody Valentine, released on 21 November 1988 by Creation Records. Its innovative guitar and production techniques consolidated the experimentation of the band's preceding EPs and would make the album a pioneering work of the subgenre known as shoegazing. Upon its release, the album received rave critical reviews and reached No. 1 on the UK Independent Albums Chart.
This Is Your Bloody Valentine is the debut mini album by the Irish-English alternative rock band My Bloody Valentine, released in January 1985 on Tycoon Records. Recorded in West Berlin, Germany, it features the band's early gothic rock and post-punk sound, which contrasts the shoegaze sound with which My Bloody Valentine are associated.
The New Record by My Bloody Valentine is the second EP by the Irish-English alternative rock band My Bloody Valentine, released in September 1986 on Kaleidoscope Sound. Recorded at Alaska Studios in London, the EP's sound is influenced by C86, a brand of indie pop, and diverges from the band's earlier post-punk sound.
You Made Me Realise is the third EP by alternative rock band My Bloody Valentine, released on 8 August 1988 through Creation Records. It was their first record for Creation.
Ecstasy is the second mini album by the alternative rock band My Bloody Valentine, released on 23 November 1987 on Lazy Records. Released in a limited edition of 3,000 copies, it was the band's final release for Lazy Records and second to feature vocalist and guitarist Bilinda Butcher, who was recruited in April 1987 following the departure of original My Bloody Valentine vocalist David Conway. Ecstasy followed the noise pop and twee pop standards of My Bloody Valentine's earlier releases for the label, drawing influence from various artists including The Jesus and Mary Chain, Love and The Byrds, and the album distanced the band further from their earlier post-punk and gothic rock sound.
Ethereal wave, also called ethereal darkwave, ethereal goth or simply ethereal, is a subgenre of dark wave music that is variously described as "gothic", "romantic", and "otherworldly". Developed in the early 1980s in the UK as an outgrowth of gothic rock, ethereal wave was mainly represented by 4AD bands such as Cocteau Twins, This Mortal Coil, and early guitar-driven Dead Can Dance.
69 is the debut album by British band A.R. Kane, released in 1988 on Rough Trade Records and produced by the band with additional co-production from Ray Shulman. Following the release of their acclaimed Lollita and Up Home! EPs, 69 developed the experimental "dream pop" style named and pioneered by the duo, blending elements of dub, psychedelia, noise, jazz, and pop.
Classic alternative is a radio format focusing on alternative music from the late 1970s to early 1990s, with particular focus on the early days of MTV.
Dråpe ("drop"), formerly Takk, is a Norwegian shoegaze/noise pop band established in summer of 2010 in Oslo, Norway. The band signed its first record deal with Riot Factory in autumn 2011 and released its first EP Dråpe EP. In 2012 it made agreements with Danish and Japanese companies and released its debut album, Canicular Days on April 19, 2013. Dråpe have played several festivals in Norway as well as various missions abroad. They won the Norwegian Untouched award in October 2010.
Beautiful Noise is a 2014 American music documentary film, written and directed by Eric Green. The film documents three rock bands—Cocteau Twins, The Jesus and Mary Chain, and My Bloody Valentine—and their influence on shoegazing and other alternative rock genres. Beautiful Noise features extracts from over 50 interviews with bands and artists, as well as archival footage and music videos.
Drawing on the 1980s legacy of groups like Sonic Youth, experiments with noise were by no means confined to Yo La Tengo and My Bloody Valentine, and were central to the work of many indie groups during the 1990s.