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| Moroccan pop | |
|---|---|
| Stylistic origins | |
| Cultural origins | 2000s |
| Typical instruments | Electric guitar, bass guitar, drum machine, keyboard |
| Other topics | |
| Arabic music, Moroccan culture | |
| Music of Morocco |
| Genres |
|---|
| Specific forms |
| Regional music |
Moroccan pop or abbreviated as Morocco-pop music is a genre of the new Moroccan music generation along the hip hop, rap music in Morocco. [1]
West Coast hip-hop is a regional genre of hip-hop music that encompasses any artists or music that originated in the West Coast of the United States. West Coast hip-hop began to dominate from a radio play and sales standpoint during the early to-mid 1990s with the birth of G-funk and the emergence of record labels such as Suge Knight and Dr. Dre's Death Row Records, Ice Cube's Lench Mob Records, the continued success of Eazy-E's Ruthless Records, Dr. Dre's Aftermath Entertainment, and others.
Hip hop music has been popular in Africa since the early 1980s due to widespread African American influence. In 1985, hip hop reached Senegal, a French-speaking country in West Africa. Some of the first Senegalese rappers were Munyaradzi Nhidza Lida, M.C. Solaar, and Positive Black Soul.
Taiwanese hip hop music started in the early 1990s, popularized by the early hip hop trio L.A. Boyz. A distinctive style of rap emerged using Taiwanese Hokkien as opposed to the Mandarin Chinese used in Mandopop, which before democratization the regime actively promote the use of Mandarin and suppressing the use of Taigi.
Korean hip-hop, also known as K-hip-hop or K-rap, is a subgenre of the South Korean popular music.
Azerbaijani hip hop is the musical genre which became popular in Azerbaijan in mid-1990s. It's a mix of native meykhana genre of Azerbaijani music with Western hip hop.
The Malaysian hip hop is a hip hop music performed in Malaysia. Many of Malaysian hip hop artistes performed songs mostly in English, but also rhymed in their native Malay language for a wider reach as the Malaysian music market is fragmented by language.
Pop rap is a genre of music fusing the rhythm-based lyricism of hip hop with pop's preference for melodic vocals, catchy hooks, and positive lyrics on pop-like productions and structure. This genre gained mainstream popularity during the 1990s, though the influences and roots of pop rap can trace back to late-1980s hip-hop artists such as Run-DMC, LL Cool J, and Beastie Boys.
Arabic hip-hop is a segment of hip hop music performed in the Arabic-speaking world. Due to variety of dialects and local genres which exist in the localities, Arabic hip-hop music may appear very diverse depending on the country of the song. Like most artists of the genre, the hip-hop artists from the Arabic-speaking world are highly influenced by American hip-hop.
Asian hip hop is a heterogeneous musical genre that covers all hip hop music as recorded and produced by artists of Asian origin.
Moroccan rap music is a Moroccan musical style related to rap and hip hop culture.
Pakistani hip hop is a music genre in Pakistan, influenced heavily from merging American hip hop style beats with Pakistani poetry. The genre was initially dominated in English and Punjabi, but in recent years has expanded to Urdu, Sindhi, Pashto, and Balochi.
Hip-hop or hip hop, formerly known as disco rap, is a genre of popular music,that emerged in the late 1960s and early 1970s primarily from African American, Afro-Latin, and Afro-Caribbean musical aesthetics practiced by youth in the South Bronx. Hip-hop music originated as an anti-drug and anti-violence social movement led by the Afrika Bambaataa and the Universal Zulu Nation. The genre is characterized by stylized rhythmic sounds—often built around disco grooves, electronic drum beats, and rapping, a percussive vocal delivery of rhymed poetic speech as consciousness-raising expression. The music developed as part of the broader hip-hop culture, a subculture defined by four key stylistic elements: MCing/rapping, DJing/scratching with turntables, breakdancing, and graffiti art or writing. Knowledge is sometimes described as a fifth element, underscoring its role in shaping the values and promoting empowerment and consciousness-raising through music. In 1999, emcee KRS-One, often referred to as "The Teacher," elaborated on this framework in a Harvard lecture, identifying additional elements that extend beyond the basic four. These include self-expression, street fashion, street language, street knowledge, and street entrepreneurialism, which remain integral to hip-hop's musical expression, entertainment business, and sound production. Girls’ double-dutch was also recognized as a key stylistic component of breakdancing, according to KRS. While often used to refer solely to rapping and rap music, "hip-hop" more properly denotes the practice(s) of the entire subculture. The term hip-hop music is sometimes used synonymously with the term rap music, though rapping may not be the focus of hip-hop music. The genre also centers DJing, turntablism, scratching, beatboxing, and instrumental tracks.
Alternative hip hop is a subgenre of hip hop music that encompasses a wide range of styles that are not typically identified as mainstream. AllMusic defines it as comprising "hip hop groups that refuse to conform to any of the traditional stereotypes of rap, such as gangsta, bass, hardcore, and party rap. Instead, they blur genres drawing equally from funk and pop/rock, as well as jazz, soul, reggae, and even folk."
"Pop That" is a song by Moroccan-American rapper French Montana featuring Canadian rapper Drake and fellow American rappers Rick Ross and Lil Wayne. Released as the lead single from the former's debut studio album Excuse My French (2013), it was produced by Lee on the Beats.
Drill is a subgenre of hip hop music that originated in Chicago in the early 2010s. It is sonically similar to the trap music subgenre and lyrically similar to the gangsta rap subgenre. Early drill artists are noted for their explicit, confrontational style of lyricism and association with crime in Chicago, especially the Black Disciples and Gangster Disciples. The genre progressed into the American mainstream in 2012 following the success of pioneering rappers like Chief Keef, Lil Reese, Lil Durk, Fredo Santana, G Herbo, Lil Bibby and King Louie, who had many local fans and a significant internet presence alongside producer Young Chop. Other rappers, such as Lil JoJo, FBG Duck, S. Dot, Edai, L'A Capone, RondoNumbaNine, SD and producer Leek-E-Leek also contributed to the early drill scene. Chief Keef, in particular, is considered the primary progenitor and popularizer of drill music, responsible for bringing it to the mainstream. The growing fanbase sparked major label interest, leading to deal negotiations and signings.
Jewish hip hop is a genre of hip hop music with thematic, stylistic, or cultural ties to Judaism and its musical traditions.
H-Kayne is a Moroccan rap group that was created in the city of Meknes in 1996.
Emo rap is a subgenre of hip hop with influence from emo. Originating from the SoundCloud rap scene in the mid-2010s, the genre fuses characteristics of hip hop music, such as trap-style beats with vocals that are usually sung. The most prominent artists in the genre were Lil Peep, XXXTentacion, and Juice Wrld.
EDM trap is a fusion genre of hip hop, rave music and EDM, that originated in the early 2010s on peaking popularity of big room house and hip hop trap genres. It blends elements of hip hop trap, which is an offshoot of Southern hip hop, with elements of EDM like build-ups, drops, dense production with rave music synthesizers, and breakdowns. As it was popularized, it increasingly began incorporating more pop elements.
Issam Harris, known by his stage name Issam, is a Moroccan rapper, songwriter and trap artist. He was born in Derb Sultan, Casablanca and became known in 2018 with his song and music video, "Trap Beldi". This track allowed him to gain popularity being one of the first Moroccan trap songs to reach over 10 million views on YouTube.
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