Cowboy pop | |
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Stylistic origins | |
Cultural origins | 1970s and 1980s in Nashville, Tennessee |
Typical instruments | |
Other topics | |
Alternative country |
Cowboy pop is a term that American music journalist J. D. Considine first coined in his review of Rubber Rodeo's 1984 album Scenic Views . [1] Although the term was coined in the 1980s, its usage since that time has been varied. [2] In the late 2010s, the term began to be used to describe country-influenced indie rock and indie pop bands. [3] [4] [5] [6]
Following Considine's coining of the term "cowboy pop" in the 1980s, the term was used retrospectively to describe a broad range of music recorded throughout the 20th century. In the early 2000s, music journalists such as Barry Mazor, John T. Davis, and Richard Carlin began to describe pop ballads used in western films as cowboy pop. Barry Mazor called Jimmy Wakely a "cowboy pop singer" and argued that "when singing cowboy movies ruled, Hollywood hardly made a distinction between the sounds of cowboy pop balladeers and another sound entirely, born in Texas, in which Jimmie Rodgers had a formative role." [7] [8] As an actor and cowboy pop balladeer, Wakely sang in many of the western films in which he appeared, such as Riders of the Dawn and Silver Trails . [9] [10] [11] Similarly, John T. Davis called Marty Robbins a "cowboy pop balladeer," who would later act and provide music for western films such as Gun of a Stranger . [12] [13] Marty Robbins' 1959 song "El Paso" was featured on Cowboy Pop, a 2011 compilation released by Ling Music Group. [14] Similar to Jimmy Wakely and Marty Robbins, Wilf Carter's 1949 recording "Bluebird on Your Windowsill" was described by Richard Carlin as "the kind of cowboy pop that is treasured as a kitsch classic." [15] Wilf Carter's songs were also used to score cowboy films, such as John Ford's 1939 Stagecoach . [16] Though these popular cowboy singers preceded the coining of the term cowboy pop by music journalist J. D. Considine, they have been identified in retrospect for their singing of pop ballads in the context of western films.
Beyond the early pop balladry of cowboy singers like Jimmy Wakely, Marty Robbins, and Wilf Carter, the term cowboy pop has also been used to describe soft rock performers from the 1970s and 1980s who embodied cowboy aesthetics in their music, such as Michael Martin Murphey and Alex Harvey. Stereo Review referred to Michael Martin Murphey as a cowboy pop singer and JazzTimes similarly referred to Alex Harvey's 1971 song "Rings" as cowboy pop. [17] [18] In December 1974, soft rock singer Paul Davis released the song "Ride 'Em Cowboy," which peaked at #4 on Billboard's Pop-Standard Singles and #27 on the Hot 100. [19] [20] In the context of baroque pop music, Van Dyke Parks' employed cowboy aesthetics in his 1989 song "Cowboy," which The Wire described as "a complex narrative about Hawaii and the Japanese attack on Pearl Harbour." [21] Parks went on to produce Utah Carol's "Cowboy Pop Song" in 2001. [22]
In the late 2010s, the term cowboy pop began to be used to describe several country-influenced indie rock and indie pop bands in New York City. [3] [4] [5] [23] Some associated groups include Babies' Babies, Baby Jey, Cut Worms, Dark Tea, Dougie Poole, New Love Crowd, Sam Evian, Widowspeak, and Wilder Maker, several of whom have performed together. [24] In 2015, Stereogum described Wilder Maker's music as "cowboy pop that’s got one eye wandering toward outlaw territory and one fixed on catchy melodies." [3] The influence of outlaw country was similarly noted by New Commute, which described Dougie Poole's music as an "intersection of experimental pop and outlaw country." [25] London in Stereo called Widowspeak's 2017 release Expect the Best an "accomplished album that would fit snugly in a cowboy pop genre." [4] In a 2018 interview, Baby Jey cited influences such as Prince and 1980s country singers Tanya Tucker, Keith Whitley, and Johnny Lee, giving further context to the development of contemporary cowboy pop. [26]
As of 2018, the music blog aggregator Hype Machine employs the term cowboy pop as a music genre. [27]
Screamo is a subgenre of emo that emerged in the early 1990s and emphasizes "willfully experimental dissonance and dynamics". San Diego–based bands Heroin and Antioch Arrow pioneered the genre in the early 1990s, and it was developed in the late 1990s mainly by bands from the East Coast of the United States such as Pg. 99, Orchid, Saetia, and I Hate Myself. Screamo is strongly influenced by hardcore punk and characterized by the use of screamed vocals. Lyrical themes usually include emotional pain, death, romance, and human rights. The term "screamo" has frequently been mistaken as referring to any music with screaming.
Western music is a form of music composed by and about the people who settled and worked throughout the Western United States and Western Canada. Western music celebrates the lifestyle of the cowboy on the open range, along the Rocky Mountains, and among the prairies of Western North America. The genre grew from the mix of cultural influences in the American frontier and what became the Southwestern United States at the time, it came from the folk music traditions of those living the region, those being the hillbilly music from those that arrived from the Eastern U.S., the corrido and ranchera from Northern Mexico, and the New Mexico and Tejano endemic to the Southwest. The music industry of the mid-20th century grouped the western genre with that of similar folk origins, instrumentation and rural themes, to create the banner of country and western music, which was simplified in time to country music.
"Baby Got Back" is a song written, co-produced and recorded by American rapper and songwriter Sir Mix-a-Lot. Released in May 1992 by Def American and Reprise as the second single from his third album, Mack Daddy (1992), the song samples the 1986 Detroit techno single "Technicolor" by Channel One. At the time of its original release, the song caused controversy because of its outspoken and blatantly sexual lyrics objectifying women, as well as specific references to the buttocks, which some people found objectionable. The song's accompanying music video was briefly banned by MTV. Mix-a-Lot defended the song as being empowering to curvaceous women who were being shown skinny models as an ideal for beauty.
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"(Ghost) Riders in the Sky: A Cowboy Legend" is a cowboy-styled country/western song written in 1948 by American songwriter Stan Jones.
Meet the Supremes is the debut studio album by The Supremes, released in late 1962 on Motown.
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Plants and Birds and Rocks and Things was the 1993 debut album by the Loud Family, a band formed by singer, songwriter and guitarist Scott Miller after the dissolution of his 1980s band Game Theory. It was Miller's fifth album to be produced by Mitch Easter.
J. D. Considine is an American music critic who has been writing about music professionally since 1977.
"Wish You Were Here" is a song by Swedish band Rednex from their first album, Sex & Violins (1995). Written by Teijo Agélii-Leskelä and produced by Denniz Pop and Max Martin, the ballad is performed by lead singer Annika Ljungberg and was released as the third single of the album in April 1995. It became a number-one hit in Austria, Germany, Norway, and Switzerland. In Austria, it was the most successful single of 1995. Additionally, the song reached number two in Iceland, number three in Sweden, and number six in Finland. On the Eurochart Hot 100, it peaked at number five.
"Big Iron" is a country ballad song written and performed by Marty Robbins. Originally released as an album track on Gunfighter Ballads and Trail Songs in September 1959, it was released as a single in February 1960 with the song "Saddle Tramp" as the B-side single. In 2010, members of the Western Writers of America chose it as the 11th best Western song of all time.
Widowspeak is an American indie rock band from Brooklyn, New York City, United States. The band consists of guitarist and vocalist Molly Hamilton and guitarist Robert Earl Thomas.
Baby Jey is a Brooklyn-based indie rock band originally from Edmonton, Alberta, founded in 2015 by core members Jeremy Witten, and Dean Kheroufi. In 2017, Baby Jey started performing as a four-piece band with the addition of Trevor McNeely and Connor Ellinger (drums).
Maintenance Records is an independent record label and concert promotion company founded by Brandon Kirshner in Brooklyn, New York. Acting as both a label and booking company, Maintenance is involved in artist development, management, and concert promotion for its roster.
Someday Cowboy is the second studio album by Canadian indie rock band Baby Jey, released in September 2018 by Maintenance Records.
Dark Tea is an American, Brooklyn-based music project, founded in 2016 by singer-songwriter Gary Canino. Dark Tea has released two full length albums and an EP.
Dougie Poole is a singer-songwriter from Brooklyn, New York now based in Maine.
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