Swamp rock | |
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Stylistic origins | |
Cultural origins | Mid-1960s, [1] Louisiana, United States [2] |
Swamp rock is a genre of rock music that originated in the mid-1960s as a fusion of rockabilly and soul music with swamp blues, country music and funk. [1] The genre originated in Louisiana by artists such as Tony Joe White, but was subsequently popularized by California band Creedence Clearwater Revival. [2]
Swamp rock fuses rockabilly and soul music with swamp blues, country music and funk. [1] Swamp blues provided swamp rock with its defining guitar sound, which was low toned and often reverberated. [1] The sound also frequently uses horns, due to its soul influence, although solos are more commonly performed on guitars. [1] Also contributing influence to the sound of swamp rock was the hard, guitar-driven sound of British Invasion bands, as well as country blues, Cajun music and New Orleans rhythm and blues. [2] The genre's lyrics are often "dark and menacing", [1] drawing from young Americans' dissatisfaction with the political establishment, as well as environmentalist concerns. [2]
Dale Hawkins' single "Oh! Suzy Q", credited as being solely written by Hawkins, but predominantly lifted from a song of the same name by Sonny Boy Williamson I, was recorded in 1957. [3] It is often cited as the first swamp rock single; although Hawkins' recording was considered swamp pop at the time, it had the hard edge and more powerful guitar sound associated with swamp rock. [2] Swamp rock would not become recognized as a musical trend until the late 1960s and early 1970s. [2]
Tony Joe White has been credited as having "invented" swamp rock. [4] Hailing from Louisiana's bayou, White's songs were subsequently recorded by Brook Benton and Dusty Springfield, among other performers, to popular success, most notably with the song "Polk Salad Annie", which has been recorded by a number of other singers. [5]
Dr. John (Malcolm John Rebennack Jr.), hailing from New Orleans, also contributed to the swamp rock scene with a distinctive style that fused New Orleans R&B, New Orleans blues, jazz, rock and boogie woogie. [6] Rebennack originally created Dr. John as a stage persona drawing from New Orleans voodoo culture for his friend Ronnie Barron, but when his friend declined the persona, Rebennack ended up adopting the Dr. John persona himself. [2]
Creedence Clearwater Revival have been described as pioneers of swamp rock. The band often utilized lyrics about bayous, catfish, the Mississippi River and other elements of Southern United States iconography, [7] although the band was actually from California. Little Feat, formed by musician and songwriter Lowell George and also despite hailing from California, helped popularize Southern music in the wider United States with their swamp rock sound which drew from country, folk, blues, soul, swamp pop and R&B. [2] Another California act, Redbone, adopted their name from a Cajun term for a Native American of mixed race, reflecting the band's ancestral heritage, as the members were of Yaqui, Shoshone, Southern Cheyenne, Chippewa and Mexican ancestry. [2]
Also part of the early swamp rock scene were Delaney & Bonnie, [2] the Meters, [8] Elvis Presley, [1] Jerry Reed [9] and Leon Russell. [2] [10]
Swamp rock declined in popularity during the disco era. [1] However, the Radiators, who released their first album in 1981, developed a following who they identify as "fish heads", with a swamp rock sound drawing from blues, R&B, funk and soul. [11] In the same decade, the Batfish Boys fused gothic rock [12] and post-punk [13] with swamp rock to create their sound, which also owed influence to swamp blues. [12] In the 1990s, swamp rock was subjected to a revival in the jam band scene. [1] Artists that contributed to the revival of swamp rock include Beasts of Bourbon, [14] Deadboy & the Elephantmen, [15] Eagles of Death Metal, [16] [17] [18] the Eighties Matchbox B-Line Disaster, [19] Ray Wylie Hubbard, [2] JJ Grey & Mofro, [2] Shooter Jennings, [20] Kid Rock, [21] Legendary Shack Shakers, [22] [23] [24] and Lucinda Williams. [2]
Creedence Clearwater Revival, commonly abbreviated as CCR or simply Creedence, was an American rock band formed in El Cerrito, California. The band consisted of lead vocalist, lead guitarist, and primary songwriter John Fogerty, his brother, rhythm guitarist Tom Fogerty, bassist Stu Cook, and drummer Doug Clifford. These members had played together since 1959, first as the Blue Velvets and later as the Golliwogs, before settling on Creedence Clearwater Revival in 1967. The band's most prolific and successful period between 1969 and 1971 produced fourteen consecutive Top 10 singles and five consecutive Top 10 albums in the United States – two of which, Green River (1969) and Cosmo's Factory (1970), reached number one. The band performed at the 1969 Woodstock festival in Upstate New York, and was the first major act signed to appear there.
Southern rock is a subgenre of rock music and a genre of Americana. It developed in the Southern United States from rock and roll, country music, and blues and is focused generally on electric guitars and vocals. Author Scott B. Bomar speculates the term "Southern rock" may have been coined in 1972 by Mo Slotin, writing for Atlanta's underground paper, The Great Speckled Bird, in a review of an Allman Brothers Band concert.
The music of Louisiana can be divided into three general regions: rural south Louisiana, home to Creole Zydeco and Old French, New Orleans, and north Louisiana. The region in and around Greater New Orleans has a unique musical heritage tied to Dixieland jazz, blues, and Afro-Caribbean rhythms. The music of the northern portion of the state starting at Baton Rouge and reaching Shreveport has similarities to that of the rest of the US South.
Malcolm John Rebennack Jr., better known by his stage name Dr. John, was an American singer and songwriter. His music combined New Orleans blues, jazz, funk, and R&B.
Roots rock is a genre of rock music that looks back to rock's origins in folk, blues and country music. It is seen as responses to the perceived excesses of the dominant psychedelic and the developing progressive rock. Because roots music (Americana) is often used to mean folk and world musical forms, roots rock is sometimes used in a broad sense to describe any rock music that incorporates elements of this music. In the 1980s, roots rock enjoyed a revival in response to trends in punk rock, new wave, and heavy metal music.
Swamp pop is a music genre indigenous to the Acadiana region of south Louisiana and an adjoining section of southeast Texas. Created in the 1950s by young Cajuns and Creoles, it combines New Orleans–style rhythm and blues, country and western, and traditional French Louisiana musical influences. Although a fairly obscure genre, swamp pop maintains a large audience in its south Louisiana and southeast Texas homeland, and it has acquired a small but passionate cult following in the United Kingdom, and Northern Europe
Creedence Clearwater Revival is the debut studio album by American rock band Creedence Clearwater Revival, released in July 1968, by Fantasy Records in the US. Featuring the band's first hit single, "Susie Q", which reached number 11 in the US charts, it was recorded shortly after the band changed its name from the Golliwogs and began developing a signature swamp rock sound.
Bayou Country is the second studio album by American rock band Creedence Clearwater Revival, released by Fantasy Records on January 15, 1969, and was the first of three albums CCR released in that year. Bayou Country reached number 7 on the Billboard 200 chart and produced the band's first No. 2 hit single, "Proud Mary".
Green River is the third studio album by American rock band Creedence Clearwater Revival, released on August 7, 1969 by Fantasy Records. It was the second of three albums they released in that year, preceded by Bayou Country in January and followed by Willy and the Poor Boys in November.
Willy and the Poor Boys is the fourth studio album by American rock band Creedence Clearwater Revival, released by Fantasy Records on October 29, 1969. It was the last of three studio albums the band released that year, arriving just three months after Green River. In 2020, Rolling Stone ranked the album number 193 on its list of the "500 Greatest Albums of All Time".
"Born on the Bayou" (1969) is the first track on Creedence Clearwater Revival's second album, Bayou Country, released in 1969. It was released as the B-side of the single "Proud Mary" that reached No. 2 on the Billboard charts.
Cockadoodledon't is the third studio album by American rock band Legendary Shack Shakers. Released on April 22, 2003, the album established the band's presence on the alternative country scene.
Swampblood is the sixth studio album by American rock band Legendary Shack Shakers. It is the third and final entry in the band's "Tentshow Trilogy" of albums, after Believe (2004) and Pandelirium (2006).
The Batfish Boys were an English rock band from York and Leeds, England, active between 1984 and 1990. They released three albums.
Country Ghetto is the third album from the band JJ Grey & Mofro. It was their first to be released by the band's new label, Alligator Records, after JJ Grey & Mofro had left Fog City Records. The Gadsden flag is represented on the cover of the album with the words "Don't Tread on Me" on the rear of the booklet.
Live at Woodstock is a live album released on August 2, 2019 via Fantasy Records. The set documents swamp rock band Creedence Clearwater Revival's set at the Woodstock music festival on August 17, 1969. The release has received positive reviews and moderate chart success.
At the Royal Albert Hall is a 2022 live album recorded in 1970 with American swamp rock band Creedence Clearwater Revival. The performance was released as an album to coincide with the documentary film Travelin’ Band: Creedence Clearwater Revival at the Royal Albert Hall, directed by Bob Smeaton. The recordings document the band's first European tour and feature footage that has never been released; the album includes the entire set recorded on April 14, 1970. An earlier live album, The Concert, released in 1980, was initially erroneously titled The Royal Albert Hall Concert, but actually documented a completely different CCR show in Oakland, California, three months before their UK tour.
Denbigh fell into The Batfish Boys, a goth swamp-rock band [...] 'a kind of swamp blues meets rock'