 | This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these template messages)
|
Malaysian underground music and idealism is popular locally and overseas. Malaysian youth are typically into the punk culture (including hardcore and its other subgenre). This reflect in the music that they write (band/musician). Most of the Malaysian rock music scene started in Terengganu which has a thriving punk/hardcore scene.
Some early Malaysian punk bands called Mallaria; around year 1986 in the city of Kuala Terengganu on 1987 released a four-song demo mix, of which the genre has been described as crossover thrash. The band never released an album on a major label but their drummer went on to form another side-project band called The Stone Crows, and their guitarist participating (without ever recording anything) in various bands such as PROV, DPSA, and Zink. Bands from this early period had a considerable impact on the local punk scene... Their existence rely on a very limited mainstream success.
During early 1990, the underground punk rock scene in Malaysia was first encountered in Kuala Lumpur. Bands which are currently popular in the meantime such as The Pilgrims, Carburetor Dung, The Bollocks, Formation Bee, Stoink, The United Color Of Frustration, Marlinspike, Mechanical-Baby and A.R.T were playing in the underground gig circuit during this period, along with the other bands from different musical genres. The Oi! scene made a popular trend including the streetpunk bands such as A.C.A.B., The Official and Roots 'n' Boots They adopted the style of mods and skinheads subcultures. This time period was a blend of different music genres and diverse cultures (often reviewed in Joe Kidd's of Carburetor Dung reviews column 'Blasting Concept').
However, since the mid 1990 and onwards, plenty of punk rock music have emerged. Music showcase and events were held frequently. Though most Malaysian rock bands have a tendency to sing in English, lately more bands have begun singing in their native language, Bahasa Malaysia. Contemporary bands such as OAG, Butterfingers, MARIONEXXES, Estranged, Pop Shuvit, Bunkface, and Paku have all become popular not only in Malaysia, but also in Indonesia (since Indonesian rock bands and their sound of music had previously greatly influenced the Malaysian market), Singapore, and Japan, due to their frequent collaboration with internationally renowned artists. Pop Shuvit in particular had achieved tremendous success in Japan with three successful headlining tours as well as a Top 20 album sales charting at Tower Records. [1] Another genre to emerge in Malaysia was "sambarock"; pioneered by Darkkey Nagaraja and his band The Keys, it combines hard rock with elements of folkloric Tamil music and a stage presence inspired by Michael Jackson. Other bands that played during this era included post-rock outfit Damn Dirty Apes, progressive rockers Samarkand and reggae combo Pure Vibracion.
Notable hardcore bands nowadays including Devilica, Kias Fansuri, and Second Combat has been verified as a potential provoke in the underground music industry. Since the early millennium, Metalcore became popular in Malaysia as well with renowned underground bands such as Forsaken, Foreground Division, Groundless Victim, Beyond Sight, Groundrule, Amarah, Dewata, Furion Escalada, Dominator (early), Tyrant (screamo), Dead Eyes Glow, Mad Monsters Attack, Restraint and LoveMeButch (post-hardcore) supporting the local scene.
Notable rock groups include Crossing Boundaries (rock), Hujan (indie rock), Moi Last Von (post-rock), Meet Uncle Hussain (alternative rock), Grey Sky Morning (newly formed), The Endleaves (rock), Deepset (post-rock) and Maxim Smirnov (post-rock) emerged in the scenes. Among all the possibility, many names are not being exposed due to the majority of indie label in the centuries.
The punk subculture includes a diverse and widely known array of ideologies, fashion, and other forms of expression, visual art, dance, literature, and film. Largely characterised by anti-establishment views, the promotion of individual freedom, and the DIY ethics, the culture originated from punk rock.
Rock is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, particularly in the United States and the United Kingdom. It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from genres such as electric blues and folk, and incorporated influences from jazz and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a 4
4 time signature using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s.
Hardcore punk is a punk rock music genre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Southern California which arose as a reaction against the still predominant hippie cultural climate of the time. It was also inspired by Washington, D.C., and New York punk rock and early proto-punk. Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of mainstream rock" and often addresses social and political topics with "confrontational, politically charged lyrics".
Emo is a music genre characterized by emotional, often confessional lyrics. It emerged as a style of hardcore punk and post-hardcore from the mid-1980s Washington, D.C. hardcore scene, where it was known as emotional hardcore or emocore. The bands Rites of Spring and Embrace, among others, pioneered the genre. In the early-to-mid 1990s, emo was adopted and reinvented by alternative rock, indie rock, punk rock, and pop-punk bands, including Sunny Day Real Estate, Jawbreaker, Cap'n Jazz, and Jimmy Eat World. By the mid-1990s, Braid, the Promise Ring, and the Get Up Kids emerged from Midwest emo, and several independent record labels began to specialize in the genre. Meanwhile, screamo, a more aggressive style of emo using screamed vocals, also emerged, pioneered by the San Diego bands Heroin and Antioch Arrow. Screamo achieved mainstream success in the 2000s with bands like Hawthorne Heights, Silverstein, Story of the Year, Thursday, the Used, and Underoath.
Indie rock is a subgenre of rock music that originated in the United Kingdom, United States and New Zealand in the early to mid-1980s. Although the term was originally used to describe rock music released through independent record labels, by the 1990s it became more widely associated with the music such bands produced.
Alternative rock is a category of rock music that evolved from the independent music underground of the 1970s. Alternative rock acts achieved mainstream success in the 1990s with the likes of the grunge, shoegaze, and Britpop subgenres in the United States and United Kingdom, respectively. During this period, many record labels were looking for "alternatives", as many corporate rock, hard rock, and glam metal acts from the 1980s were beginning to grow stale throughout the music industry. The emergence of Generation X as a cultural force in the 1990s also contributed greatly to the rise of alternative rock.
Popular music of the United Kingdom in the 1980s built on the post-punk and new wave movements, incorporating different sources of inspiration from subgenres and what is now classed as world music in the shape of Jamaican and Indian music. It also explored the consequences of new technology and social change in the electronic music of synthpop. In the early years of the decade, while subgenres like heavy metal music continued to develop separately, there was a considerable crossover between rock and more commercial popular music, with a large number of more "serious" bands, like The Police and UB40, enjoying considerable single chart success.
Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. Like the term "post-punk", the term "post-hardcore" has been applied to a broad constellation of groups. Initially taking inspiration from post-punk and noise rock, post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black, Jawbox, Quicksand, and Shellac that stuck closer to post-hardcore's noise rock roots. Dischord Records became a major nexus of post-hardcore during this period.
American rock has its roots from 1940s and 1950s rock and roll, rhythm and blues, and country music, and also draws from folk music, jazz, blues, and classical music. American rock music was further influenced by the British Invasion of the American pop charts from 1964 and resulted in the development of psychedelic rock.
British rock describes a wide variety of forms of music made in the United Kingdom. Since around 1964, with the "British Invasion" of the United States spearheaded by the Beatles, British rock music has had a considerable impact on the development of American music and rock music across the world.
Pinoy rock, or Filipino rock, is the brand of rock music produced in the Philippines or by Filipinos. It has become as diverse as the rock music genre itself, and bands adopting this style are now further classified under more specific genres or combinations of genres like alternative rock, post-grunge, ethnic, new wave, pop rock, punk rock, funk, reggae, heavy metal, ska, and recently, indie. Because these genres are generally considered to fall under the broad rock music category, Pinoy rock may be more specifically defined as rock music with Filipino cultural sensibilities.
Popular music of the United Kingdom in the 1990s continued to develop and diversify. While the singles charts were dominated by boy bands and girl groups, British soul and Indian-based music also enjoyed their greatest level of mainstream success to date, and the rise of World music helped revitalise the popularity of folk music. Electronic rock bands like The Prodigy and Chemical Brothers began to achieve a high profile. Alternative rock reached the mainstream, emerging from the Madchester scene to produce dream pop, shoegazing, post rock and indie pop, which led to the commercial success of Britpop bands like Blur and Oasis; followed by a stream of post-Britpop bands like Radiohead and The Verve.
Indonesian rock is rock music from Indonesia, a product of the culture and globalizing outlook of the country, similar to this genre's music globally. Indonesian-specific ideas about individualism, interdependency, modernism, and the supernatural have also been observed in the rock videos and music of the nation.
The history of the punk subculture involves the history of punk rock, the history of various punk ideologies, punk fashion, punk visual art, punk literature, dance, and punk film. Since emerging in the United States, the United Kingdom and Australia in the mid-1970s, the punk subculture has spread around the globe and evolved into a number of different forms. The history of punk plays an important part in the history of subcultures in the 20th century.
Korean rock is rock music from South Korea. It has roots in American rock, which was imported to South Korea by U.S. soldiers fighting in the Korean War and stationing in U.S. military bases in South Korea after the war. Around the U.S. military bases, local musicians could have opportunities to learn American rock music and perform it on stage for U.S. soldiers. As a result, many Korean rock bands, called Vocal Bands or Group Sound, started their musical careers in the 1960s. Under the military administration in the 1970s, rock music and its subculture were classified as a depraved youth culture and restricted. After the Korean Fifth Republic, the censorship policies under the military government were abolished and rock music became a mainstream genre in South Korea until the end of the 1980s. Today, rock music is not the main genre in the music market in South Korea, but it still occupies a big portion of music consumption in the nation.
Carburetor Dung is a Malaysian punk rock band formed in 1991 in Kuala Lumpur. Formed by bassist Fendi as a band called Stormfish but later changed its name to Carburetor Dung when guitarist Joe Kidd joined the fold. The name came from Lester Bangs' book Psychotic Reactions and Carburetor Dung.
Garage punk is a rock music fusion genre combining the influences of garage rock, punk rock, and often other genres, that took shape in the indie rock underground between the late 1980s and early 1990s. Bands drew heavily from 1960s garage rock, stripped-down 1970s punk rock, and Detroit proto-punk, and often incorporated numerous other styles into their approach, such as power pop, 1960s girl groups, hardcore punk, blues, early R&B and surf rock.
A number of overlapping punk rock subgenres have developed since the emergence of punk rock in the mid-1970s. Even though punk genres at times are difficult to segregate, they usually show differing characteristics in overall structures, instrumental and vocal styles, and tempo. However, sometimes a particular trait is common in several genres, and thus punk genres are normally grouped by a combination of traits.
Punk rock and hardcore punk in Brazil originated in the late 1970s, influenced by bands such as Sex Pistols, The Clash, Stiff Little Fingers and The Ramones. The first known Brazilian punk rock band was Restos de Nada, which appeared in mid-1978 and set the stage for the emergence of many other bands that formed the Brazilian punk scene.
| Africa | |
|---|---|
| Americas | |
| Asia | |
| Europe | |
| Oceania | |
| Components | |||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Genres by decade of origin (sub-subgenres not included) | |||||||||||||
| Regional scenes |
| ||||||||||||
| Radio formats | |||||||||||||
| |||||||||||||
| Related | |||||||||||||
