Women in rock

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Suzi Quatro is a singer, bassist and bandleader. When she launched her career in 1973, she was one of the few prominent women instrumentalists and bandleaders. Suzi Quatro plays a bass guitar while she sings at AIS Arena.jpg
Suzi Quatro is a singer, bassist and bandleader. When she launched her career in 1973, she was one of the few prominent women instrumentalists and bandleaders.

Women in rock describes the role of women singers, instrumentalists, record producers and other music professionals in rock music and popular music and the many subgenres and hybrid genres that have emerged from these genres. Women have a high prominence in many popular music styles as singers. However, professional women instrumentalists are uncommon in popular music, especially in rock genres such as heavy metal. "[P]laying in a band is largely a male homosocial activity, that is, learning to play in a band is largely a peer-based... experience, shaped by existing sex-segregated friendship networks. [1] As well, rock music "...is often defined as a form of male rebellion vis-à-vis female bedroom culture." [2]

Contents

Overview

According to the Rock Hall, Madonna became an early emblem of "'women in rock' helping dissolve gender boundaries in the music business. HungUpSticky3.jpg
According to the Rock Hall, Madonna became an early emblem of "'women in rock' helping dissolve gender boundaries in the music business.

In popular music, there has been a gendered "distinction between public (male) and private (female) participation" in music. [2] "[S]everal scholars have argued that men exclude women from bands or from the bands' rehearsals, recordings, performances, and other social activities." [4] "Women are mainly regarded as passive and private consumers of allegedly slick, prefabricated – hence, inferior – pop music..., excluding them from participating as high status rock musicians." [4] One of the reasons that there are rarely mixed gender bands is that "bands operate as tight-knit units in which homosocial solidarity – social bonds between people of the same sex... – plays a crucial role." [4] In the 1960s pop music scene, "[s]inging was sometimes an acceptable pastime for a girl, but playing an instrument...simply wasn't done." [5]

"The rebellion of rock music was largely a male rebellion; the women—often, in the 1950s and '60s, girls in their teens—in rock usually sang songs as personæ utterly dependent on their macho boyfriends...". [6] Philip Auslander says that "Although there were many women in rock by the late 1960s, most performed only as singers, a traditionally feminine position in popular music". Though some women played instruments in American all-female garage rock bands, none of these bands achieved more than regional success. So they "did not provide viable templates for women's on-going participation in rock". [7] : 2–3  In relation to the gender composition of heavy metal bands, it has been said that "[h]eavy metal performers are almost exclusively male" [8] "...[a]t least until the mid-1980s" [9] apart from "...exceptions such as Girlschool." [8] However, "...now [in the 2010s] maybe more than ever–strong metal women have put up their dukes and got down to it", [10] "carv[ing] out a considerable place for [them]selves." [11] When Suzi Quatro emerged in 1973, "no other prominent female musician worked in rock simultaneously as a singer, instrumentalist, songwriter, and bandleader". [7] : 2  According to Auslander, she was "kicking down the male door in rock and roll and proving that a female musician ... and this is a point I am extremely concerned about ... could play as well if not better than the boys". [7] : 3 

A number of these artists are also notable for singing and songwriting, but they are listed here for their instrumental skills:

All-female bands and girl groups

An all-female band is a musical group in popular music genres such as rock, blues, jazz and related genres which is exclusively composed of female musicians. This is distinct from a girl group, in which the female members are solely vocalists, though this terminology is not universally followed. [12] While all-male bands are common in many rock and pop bands, all-female bands are less common.

A girl group is a music act featuring several female singers who generally harmonize their vocals together. The term "girl group" is also used in a narrower sense within English-speaking countries to denote the wave of American female pop music singing groups which flourished in the late 1950s and early 1960s between the decline of early rock and roll and the British Invasion, many of whom were influenced by doo-wop style. [13] [14] All-female bands are sometimes also called girl groups. [15]

1930s–1960s

In the Jazz Age and during the 1930s, all-female bands such as The Blue Belles, the Parisian Redheads (later the Bricktops), Lil-Hardin's All-Girl Band, The Ingenues, The Harlem Playgirls, Phil Spitalny's Musical Sweethearts and "Helen Lewis and Her All-Girl Jazz Syncopators" were popular. Ina Ray Hutton led an all-girl band, the Melodears, from 1934 to 1939. Eunice Westmoreland, under the name Rita Rio, led an all-female band appearing on NBC Radio and for Vitaphone and RKO. Ivy Benson's "All Girls Band" was the BBC's resident dance band in 1943 and toured until the 1980s. A Polish group Filipinki was established in 1959. [16]

Groups composed solely of women began to emerge with the advent of rock and roll. Among the earliest all-female rock bands to be signed to a record label were Goldie & the Gingerbreads, to Atlantic Records in 1964, The Pleasure Seekers with Suzi Quatro to Hideout Records in 1964 and Mercury Records in 1968. There is also a band formed with 4 girls from Indonesia, Dara Puspita formed in 1964. The Feminine Complex to Athena Records in 1968, and Fanny (who pioneered the all-female band sound in the early to mid-1970s) in 1969 when Mo Ostin signed them to Warner Bros. Records. There were also others, such as The Liverbirds (1962–1967), the Ace of Cups (1967), The Heart Beats (1968), and Ariel (1968–1970).

1970s–1980s

In 1971 Fanny became the first all-female band to reach the Hot 100's top 40, with "Charity Ball" peaking at No. 40. [17] In 1975, the Canadian duo of sisters, Kate and Anna McGarrigle, recorded the first of a string of albums. The Runaways were an early commercially successful, hard-edged, all-female hard rock band, releasing their first album in 1976: band members Joan Jett, Cherie Currie and Lita Ford all went on to solo careers. The 1980s, for the first time, saw long-sought chart success from all-female bands and female-fronted rock bands. On the Billboard Hot 100-year-end chart for 1982 [18] Joan Jett's I Love Rock 'n' Roll at No. 3 and the Go-Go's We Got the Beat at No. 25 sent a message out to many industry heads that females who could play could bring in money.

Punk

Magnapop's Ruthie Morris combines fast and aggressive punk rock guitar playing with Linda Hopper's pop-influenced vocals Ruthie Morris guitar 2006.jpg
Magnapop's Ruthie Morris combines fast and aggressive punk rock guitar playing with Linda Hopper's pop-influenced vocals

In the United Kingdom, the advent of punk in the late 1970s with its "anyone can do it" ethos led to women making significant contributions. [19] [20] In contrast to the rock music and heavy metal scenes of the 1970s, which were dominated by men, the anarchic, counter-cultural mindset of the punk scene in mid- and late 1970s encouraged women to participate. "That was the beauty of the punk thing," Chrissie Hynde later said." [Sexual] discrimination didn't exist in that scene." [21] This participation played a role in the historical development of punk music, especially in the U.S. and U.K. at that time, and continues to influence and enable future generations. [22]

Rock historian Helen Reddington states that the popular image of young punk women musicians as focused on the fashion aspects of the scene (fishnet stockings, spiky blond hair, etc.) was stereotypical. She states that many, if not most women punks were more interested in the ideology and socio-political implications, rather than the fashion. [23] [24] Music historian Caroline Coon contends that before punk, women in rock music were virtually invisible; in contrast, in punk, she argues "[i]t would be possible to write the whole history of punk music without mentioning any male bands at all – and I think a lot of [people] would find that very surprising." [25] [26] Johnny Rotten wrote that 'During the Pistols era, women were out there playing with the men, taking us on in equal terms ... It wasn't combative, but compatible.' [27] Women were involved in bands such as The Slits, The Raincoats, Mo-dettes, Dolly Mixture, and The Innocents.

Others take issue with the notion of equal recognition, such as guitarist Viv Albertine, who stated that "the A&R men, the bouncers, the sound mixers, no one took us seriously.. So, no, we got no respect anywhere we went. People just didn't want us around." [28] [29] The anti-establishment stance of punk opened the space for women who were treated like outsiders in a male-dominated industry. Sonic Youth's Kim Gordon states, "I think women are natural anarchists, because you're always operating in a male framework." [30]

Heavy metal

Girlschool is a British all-women heavy metal band formed in the new wave of British heavy metal scene in 1978 and frequently associated with contemporaries Motorhead. They are the longest running all-female rock band, still active after more than 35 years. Girlschool live 2009-2.jpg
Girlschool is a British all-women heavy metal band formed in the new wave of British heavy metal scene in 1978 and frequently associated with contemporaries Motörhead. They are the longest running all-female rock band, still active after more than 35 years.

The all-female heavy metal band Girlschool, from South London, formed in 1978. While somewhat successful in the UK, they became better known in the early 1980s. One of the original members of the band, Kathy Valentine departed to join the all-female band The Go-Go's, switching from guitar to bass. Among Girlschool's early recordings was an EP titled "The St. Valentines Day Massacre" which they recorded with Bronze label-mates Motörhead under the name Headgirl. In 1974, The Deadly Nightshade, a rock/country band, was signed by Phantom.

1990s–2000s

In the 1990s, musician's magazines were starting to view female musicians more seriously, putting Bonnie Raitt [33] [34] and Tina Weymouth [35] on their covers. While The Go-Go's and The Bangles, both from the LA club scene, were the first all-female rock bands to find sustained success, individual musicians paved the way for the industry to seek out bands that had female musicians.

In the 1990s, bands such as Hole, Babes in Toyland, Super Heroines, The Lovedolls and L7 became popular, while demonstrating on stage, and in interviews, a self-confident and "bad" attitude at times, always willing to challenge assumptions about how an all-female band should behave. Courtney Love described the other women in Hole as using a more "lunar viewpoint" in their roles as musicians. [36] In the 1990s, the punk, female-led riot grrrl genre was associated with bands such as Bratmobile and Bikini Kill.

See also

Related Research Articles

Heavy metal is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. With roots in blues rock, psychedelic rock and acid rock, heavy metal bands developed a thick, monumental sound characterized by distorted guitars, extended guitar solos, emphatic beats and loudness.

<span class="mw-page-title-main">Musical ensemble</span> Instrumental and/or vocal music group

A musical ensemble, also known as a music group or musical group, is a group of people who perform instrumental and/or vocal music, with the ensemble typically known by a distinct name. Some music ensembles consist solely of instrumentalists, such as the jazz quartet or the orchestra. Other music ensembles consist solely of singers, such as choirs and doo-wop groups. In both popular music and classical music, there are ensembles in which both instrumentalists and singers perform, such as the rock band or the Baroque chamber group for basso continuo and one or more singers. In classical music, trios or quartets either blend the sounds of musical instrument families or group instruments from the same instrument family, such as string ensembles or wind ensembles. Some ensembles blend the sounds of a variety of instrument families, such as the orchestra, which uses a string section, brass instruments, woodwinds, and percussion instruments, or the concert band, which uses brass, woodwinds, and percussion. In jazz ensembles or combos, the instruments typically include wind instruments, one or two chordal "comping" instruments, a bass instrument, and a drummer or percussionist. Jazz ensembles may be solely instrumental, or they may consist of a group of instruments accompanying one or more singers. In rock and pop ensembles, usually called rock bands or pop bands, there are usually guitars and keyboards, one or more singers, and a rhythm section made up of a bass guitar and drum kit.

<span class="mw-page-title-main">Punk subculture</span> Anti-establishment subculture

The punk subculture includes a diverse and widely known array of music, ideologies, fashion, and other forms of expression, visual art, dance, literature, and film. Largely characterised by anti-establishment views, the promotion of individual freedom, and the DIY ethics, the culture originated from punk rock.

Rock is a broad genre of popular music that originated in the United States, but also in United Kingdom, in the late 1950s and early 1960s, developing a lot of subgenres, including heavy metal and punk rock. It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the genres of blues, rhythm and blues, and from country music. Rock also drew strongly from genres such as electric blues and folk, and incorporated influences from jazz and other musical styles. For instrumentation, rock is centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a 4
4 time signature using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s.

Glam rock is a style of rock music that developed in the United Kingdom in the early 1970s and was primarily defined by the flamboyant clothing, makeup, and hairstyles of its musicians, particularly platform shoes and glitter. Glam artists drew on diverse sources, ranging from bubblegum pop and 1950s rock and roll to cabaret, science fiction, and complex art rock. The flamboyant clothing and visual styles of performers were often camp or androgynous, and have been described as playing with other gender roles. Glitter rock was a more extreme version of glam rock.

The new wave of British heavy metal was a nationwide musical movement that started in England in the mid-1970s and achieved international attention by the early 1980s. Editor Alan Lewis coined the term for an article by Geoff Barton in a May 1979 issue of the British music newspaper Sounds to describe the emergence of new heavy metal bands in the mid to late 1970s, during the period of punk rock's decline and the dominance of new wave music.

<span class="mw-page-title-main">Suzi Quatro</span> American rock musician (born 1950)

Susan Kay Quatro is an American singer, bass guitarist, songwriter and actor. In the 1970s, she scored a string of singles that found success in Europe and Australia, with both "Can the Can" (1973) and "Devil Gate Drive" (1974) reaching No. 1 in several countries.

<span class="mw-page-title-main">Fanny (band)</span> American rock band

Fanny was an American rock band, active in the early to mid 1970s. They were one of the first all-female rock groups to achieve critical and commercial success, including two Billboard Hot 100 Top 40 singles.

An all-female band is a musical group in popular music that is exclusively composed of female musicians. This is distinct from a girl group, in which the female members are solely vocalists, though this terminology is not universally followed. While all-male bands are common in many rock and pop scenes, all-female bands are less common.

<span class="mw-page-title-main">Cock rock</span> Genre of rock music

Cock rock is a description of rock music that emphasizes an aggressive form of male sexuality. The style developed in the later 1950s, came to prominence in the 1960s and 1970s, and continues into the present day.

<span class="mw-page-title-main">American rock</span> Overview of rock music in the United States

American rock has its roots from 1940s and 1950s rock and roll, rhythm and blues, and country music, and also draws from folk music, jazz, blues, and classical music. American rock music was further influenced by the British Invasion of the American pop charts from 1964 and resulted in the development of psychedelic rock.

<span class="mw-page-title-main">Girlschool</span> British, all-female, heavy metal band

Girlschool are a British rock band that formed in the new wave of British heavy metal scene in 1978. Frequently associated with contemporaries Motörhead, they are the longest-running all-female rock band, still active after more than 40 years. Formed from a school band called Painted Lady, Girlschool enjoyed strong media exposure and commercial success in the UK in the early 1980s with three albums of "punk-tinged metal" and a few singles, but lost their momentum in the following years.

<span class="mw-page-title-main">Helen McCookerybook</span> British musician and singer-songwriter

Helen McCookerybook is a British musician and singer-songwriter, who was the bass player and co-singer with the Chefs, during the late 1970s and early 1980s. She went on to form Helen and the Horns in the mid 80s. Both bands were admired by John Peel, recording six BBC Radio 1 sessions between them. After a long break from her music career, Helen McCookerybook started again as a solo artist in 2005. She regularly plays live gigs, releases recordings, and promotes occasional revivals of Helen and the Horns.

<span class="mw-page-title-main">Women in music</span>

Women in music perform a variety of roles and make a wide range of contributions. Women shape music movements, events, and genres as composers, songwriters, instrumental performers, singers, conductors, and music educators. Women's music has been created by and for women in part to explore ideas of women's rights and feminism. The impact of women in music influences concepts of creativity, activism, and culture.

<span class="mw-page-title-main">Women in punk rock</span> Womens music history

Women have made significant contributions to punk rock music and its subculture since its inception in the 1970s. In contrast to the rock music and heavy metal scenes of the 1970s, which were dominated by men, the anarchic, counter-cultural mindset of the punk scene in mid-and-late 1970s encouraged women to participate. This participation played a role in the historical development of punk music, especially in the US and UK at that time, and continues to influence and enable future generations. Women have participated in the punk scene as lead singers, instrumentalists, as all-female bands, zine contributors and fashion designers.

<span class="mw-page-title-main">Heavy metal bass</span>

Heavy metal bass is the use of the bass guitar in the rock music genres of heavy metal and hard rock. The bassist is part of the rhythm section in a heavy metal band, along with the drummer, rhythm guitarist and, in some bands, a keyboard player. The prominent role of the bass is key to the metal sound, and the interplay of bass and distorted electric guitar is a central element of metal. The bass guitar provides the low-end sound crucial to making the music "heavy". The bass plays a crucial role in heavy metal and a more important role than in traditional rock."

<span class="mw-page-title-main">Heavy metal guitar</span>

Heavy metal guitar is the use of highly-amplified electric guitar in heavy metal. Heavy metal guitar playing is rooted in the guitar playing styles developed in 1960s-era blues rock and psychedelic rock, and folk harmonic traditions and it uses a massive sound, characterized by highly amplified distortion, extended guitar solos and overall loudness. The electric guitar and the sonic power that it projects through amplification has historically been the key element in heavy metal. The heavy metal guitar sound comes from a combined use of high volumes and heavy distortion.

<span class="mw-page-title-main">Band (rock and pop)</span> Musical ensemble which performs rock music, pop music, or a related genre

A rock band or pop band is a small musical ensemble that performs rock music, pop music, or a related genre. A four-piece band is the most common configuration in rock and pop music. In the early years, the configuration was typically two guitarists, a bassist, and a drummer. Another common formation is a vocalist who does not play an instrument, electric guitarist, bass guitarist, and a drummer. Sometimes, in addition to electric guitars, electric bass, and drums, also a keyboardist plays.

<span class="mw-page-title-main">Mixed-gender band</span> Musical group exclusively composed of both male and female musicians

A mixed-gender band is a musical group in popular music that is composed of both male and female musicians, including instrumentalists, and is not entirely limited to vocalists, the latter being a co-ed group. Historically, such arrangements have been rare, with a substantial majority of bands being all male. This has been attributed to both social pressures making males more likely to take up musical instruments typical of a band such as guitars and drums, and the history of forming bands as an exercise in male bonding. Most mixed-gender bands feature a lineup of male instrumentalists with one female member as lead vocalist. A smaller number of mixed-gender bands feature multiple female members, or female members performing primarily as instrumentalists.

References

  1. ↑ Julian Schaap and Pauwke Berkers. "Grunting Alone? Online Gender Inequality in Extreme Metal Music" in IASPM Journal. Vol.4, no.1 (2014) p. 101-102
  2. 1 2 Julian Schaap and Pauwke Berkers. "Grunting Alone? Online Gender Inequality in Extreme Metal Music" in IASPM Journal. Vol.4, no.1 (2014) p. 102
  3. ↑ "Madonna Biography". Rock and Roll Hall of Fame. Archived from the original on 15 April 2015. Retrieved 21 May 2022.
  4. 1 2 3 Julian Schaap and Pauwke Berkers. "Grunting Alone? Online Gender Inequality in Extreme Metal Music" in IASPM Journal. Vol. 4, no. 1 (2014) p. 104
  5. ↑ Erika White (28 January 2015). "Music History Primer: 3 Pioneering Female Songwriters of the '60s | REBEAT Magazine". Rebeatmag.com. Retrieved 20 January 2016.
  6. ↑ Oglesbee, Frank W. (June 1999). "Suzi Quatro: A prototype in the archsheology of rock". Popular Music and Society. 23 (2): 29. doi:10.1080/03007769908591731. ISSN   0300-7766.
  7. 1 2 3 Auslander, Philip (28 January 2004). "I Wanna Be Your Man: Suzi Quatro's musical androgyny" (PDF). Popular Music. 23 (1). United Kingdom: Cambridge University Press: 1–16. doi:10.1017/S0261143004000030 . Retrieved 25 April 2012.
  8. 1 2 Brake, Mike (1990). "Heavy Metal Culture, Masculinity and Iconography". In Frith, Simon; Goodwin, Andrew (eds.). On Record: Rock, Pop and the Written Word . Routledge. pp.  87–91.
  9. ↑ Walser, Robert (1993). Running with the Devil:Power, Gender and Madness in Heavy Metal Music. Wesleyan University Press. p. 76.
  10. ↑ Eddy, Chuck (1 July 2011). "Women of Metal". Spin. SpinMedia Group.
  11. ↑ Kelly, Kim (17 January 2013). "Queens of noise: heavy metal encourages heavy-hitting women". The Telegraph.
  12. ↑ For example, vocalists Girls Aloud are referred to as a "girl band" in OK magazine and the Guardian, while Girlschool are termed a "girl group" at the imdb and Belfast Telegraph.
  13. ↑ Rutledge, Meredith E. (15 April 2013). "The Fabulous Girl Groups | The Rock and Roll Hall of Fame and Museum". Rockhall.com. Retrieved 4 June 2014.
  14. ↑ "Girl Groups – A Short History". History-of-rock.com. Retrieved 4 June 2014.
  15. ↑ For example, vocalist groups Sugababes and Girls Aloud are referred to as "girl bands" Meet the duo dressing Girls Aloud OK magazine, 20 March 2009; The nation's new sweetheart The Observer, 9 November 2008; while instrumentalists Girlschool are termed a "girl group" Biography for Girlschool Internet Movie Database; The Hedrons The Belfast Telegraph, 19 January 2007
  16. ↑ "Filipinki. W USA przecierały szlaki, w ZSRR czerwone dywany". Gazeta Wyborcza. Szczecin.gazeta.pl. 1 January 1980. Retrieved 20 January 2016.
  17. ↑ "Fanny Chart History". Billboard. Retrieved 11 March 2019.
  18. ↑ "The Billboard Hot 100 1982", Billboard . Retrieved 30 October 2008.
  19. ↑ Coon, Caroline (1977). 1988: The New Wave Punk Rock Explosion. London: Omnibus/Hawthorne Books. ISBN   978-0801561290.
  20. ↑ Berman, Judy. "15 Essential Women Punk Rock Icons". Flavorwire. Retrieved 25 November 2015.
  21. ↑ "Women of Punk and Post-Punk Music". Biography.com. Retrieved 26 November 2015.
  22. ↑ "Why Women in Punk?". Women in Punk. Punk77.co.uk. Retrieved 26 November 2015.
  23. ↑ Reddington, Helen (2012). The Lost Women of Rock Music: Female Musicians of the Punk Era. Ashgate/Equinox Publishing. ISBN   978-1845539573 . Retrieved 26 November 2015.
  24. ↑ Woronzoff, Elizabeth. "The Lost Women of Rock Music' Is an Important Work, But a Replay of the Same Old Themes". Pop Matters. Retrieved 26 November 2015.
  25. ↑ Conference proceedings (September 2001). "No Future?". University of Wolverhampton.{{cite news}}: CS1 maint: numeric names: authors list (link)
  26. ↑ Reddington, Helen (1977). Introduction: The Lost Women of Rock Music (PDF). London: Ashgate. ISBN   9780754657736.
  27. ↑ Lydon, John (1995). Rotten: No Irish, No Blacks, No Dogs. London: Coronet. p. 378. ISBN   978-0312428136.
  28. ↑ Petridis, Alexis. "The Slits' Viv Albertine on punk, violence and doomed domesticity". The Guardian. Retrieved 27 November 2015.
  29. ↑ Andrews, Charlotte Richardson (3 July 2014). "Punk has a problem with women. Why?". The Guardian. Retrieved 27 November 2015.
  30. ↑ Hall, Rock. "Women Who Rock: 10 Essential Punk Songs". The Rock & Roll Hall of Fame Museum. Retrieved 27 November 2015.
  31. ↑ "Girlschool biography". Girlschool Official Website. Retrieved 27 January 2011.
  32. ↑ "Reviews". Classic Rock . Girlschool official website. December 2004. Retrieved 3 September 2010. ...apparently listed in The Guinness Book Of Records for being the world's longest-surviving all-female rock band
  33. ↑ Bonnie Raitt cover story, Guitar Player Magazine, May 1977
  34. ↑ Bonnie Raitt cover story, Guitar Player Magazine, July 1998
  35. ↑ "Tina Weymouth & David Byrne, The Talking Heads" (cover story), Guitar Player Magazine, March 1984
  36. ↑ Boder, Christopher. "The Hole Story", Buzz, Page 13, Vol VII, Issue 70. October 1991.Most women in rock are only repeating what men have done. The women in this band are not doing that. We're coming at things from a more feminine, lunar, viewpoint.
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