The Boswell Sisters were an American close harmony singing trio of the jazz and swing eras, consisting of three sisters: Martha Boswell, Connie Boswell, and Helvetia "Vet" Boswell. Hailing from uptown New Orleans, the group blended intricate harmonies and song arrangements featuring effects such as scat, instrumental imitation, ‘Boswellese’ gibberish, tempo and meter changes, major/minor juxtaposition, key changes, and incorporation of sections from other songs. They attained national prominence in the United States in the 1930s during the twilight of the Jazz Age and the onset of the Great Depression.
Lucius Venable "Lucky" Millinder was an American swing and rhythm-and-blues bandleader. Although he could not read or write music, did not play an instrument and rarely sang, his showmanship and musical taste made his bands successful. His group was said to have been the greatest big band to play rhythm and blues, and gave work to a number of musicians who later became influential at the dawn of the rock and roll era. He was inducted into the Alabama Jazz Hall of Fame in 1986.
Luis Russell was a pioneering Panamanian jazz pianist, orchestra leader, composer, and arranger.
Mississippi is best known as the home of the blues which developed among the freed African Americans in the latter half of the 19th century and beginning 20th century. The Delta blues is the style most closely associated with the state, and includes performers like Charley Patton, Robert Johnson, David "Honeyboy" Edwards, Willie Brown, Tommy Johnson, Ishmon Bracey, Bo Carter, Sam Chatmon, Mississippi John Hurt, Furry Lewis, Son House, Skip James, Muddy Waters, Howlin' Wolf, John Lee Hooker, Pinetop Perkins, and B.B. King. The hip hop scene of Mississippi is rare but includes performers such as David Banner, Dear Silas, and more.
Ruth Lowe was a Canadian pianist and songwriter. She composed the first Billboard top 80 song "I'll Never Smile Again".
Frederick Alfred Martin was an American bandleader and tenor saxophonist.
Theodore Salvatore Fiorito, known professionally as Ted Fio Rito, was an American composer, orchestra leader, and keyboardist, on both the piano and the Hammond organ, who was popular on national radio broadcasts in the 1920s and 1930s. His name is sometimes given as Ted Fiorito or Ted FioRito.
South African jazz is the jazz of South Africa.
Dutch jazz refers to the jazz music of the Netherlands. The Dutch traditionally have a vibrant jazz scene as shown by the North Sea Jazz Festival as well as other venues.
Harry Barris was an American popular singer and songwriter. He was one of the earliest singers to use "scat singing" in recordings. Barris, one of Paul Whiteman's Rhythm Boys, along with Bing Crosby and Al Rinker, scatted on several songs, including "Mississippi Mud," which Barris wrote in 1927.
Gus Arnheim was an American pianist and an early popular band leader. He is noted for writing several songs with his first hit being "I Cried for You" from 1923. He was most popular in the 1920s and 1930s. He also had a few small acting roles.
Ina Ray Hutton was an American singer, bandleader, and the elder sister of June Hutton. She led one of the first all-female big bands.
The International Sweethearts of Rhythm was the first integrated all-women's band in the United States. During the 1940s the band featured some of the best female musicians of the day. They played swing and jazz on a national circuit that included the Apollo Theater in New York City, the Regal Theater in Chicago, and the Howard Theater in Washington, D.C. After a performance in Chicago in 1943, the Chicago Defender announced the band was "one of the hottest stage shows that ever raised the roof of the theater!" They have been labeled "the most prominent and probably best female aggregation of the Big Band era". During feminist movements of the 1960s and 1970s in America, the International Sweethearts of Rhythm became popular with feminist writers and musicologists who made it their goal to change the discourse on the history of jazz to include both men and women musicians. Flutist Antoinette Handy was one scholar who documented the story of these female musicians of color.
Lorez Alexandria was an American jazz singer, described as "one of the most gifted and underrated jazz singers of the twentieth century". She became established in the midwest before moving to Los Angeles in the mid-1960s. Jazz critics have compared her to Dinah Washington, Sarah Vaughan, Carmen McRae, and Ella Fitzgerald.
This is a timeline documenting events of Jazz in the year 1959.
The Darlings of Rhythm was an African American, all-female swing band from the 1940s.
In the early 1940s in jazz, bebop emerged, led by Charlie Parker, Dizzy Gillespie, Thelonious Monk and others. It helped to shift jazz from danceable popular music towards a more challenging "musician's music." Differing greatly from swing, early bebop divorced itself from dance music, establishing itself more as an art form but lessening its potential popular and commercial value. Since bebop was meant to be listened to, not danced to, it used faster tempos. Beboppers introduced new forms of chromaticism and dissonance into jazz; the dissonant tritone interval became the "most important interval of bebop" and players engaged in a more abstracted form of chord-based improvisation which used "passing" chords, substitute chords, and altered chords. The style of drumming shifted as well to a more elusive and explosive style, in which the ride cymbal was used to keep time, while the snare and bass drum were used for accents. This appealed to a more specialized audiences than earlier forms of jazz, with sophisticated harmonies, fast tempos and often virtuoso musicianship. Bebop musicians often used 1930s standards, especially those from Broadway musicals, as part of their repertoire. Among standards written by bebop musicians are Gillespie's "Salt Peanuts" (1941) and "A Night in Tunisia" (1942), Parker's "Anthropology" (1946), "Yardbird Suite" (1946) and "Scrapple from the Apple" (1947), and Monk's "'Round Midnight" (1944), which is currently the most recorded jazz standard composed by a jazz musician. An early 1940s style known as "jumping the blues" or jump blues used small combos, uptempo music, and blues chord progressions. Jump blues drew on boogie-woogie from the 1930s. Kansas City Jazz in the 1930s as exemplified by tenor saxophonist Lester Young marked the transition from big bands to the bebop influence of the 1940s. These divergences from the jazz mainstream of the time initially met with a divided, sometimes hostile response among fans and fellow musicians, especially established swing players, who bristled at the new harmonic sounds. To hostile critics, bebop seemed to be filled with "racing, nervous phrases". Despite the initial friction, by the 1950s bebop had become an accepted part of the jazz vocabulary. The most influential bebop musicians included saxophonist Charlie Parker, pianists Bud Powell and Thelonious Monk, trumpeters Dizzy Gillespie and Clifford Brown, and drummer Max Roach.
The Harlem Playgirls was an African American swing band active in the Midwest and throughout the United States from the mid-1930s to the early 1940s.
A rock band or pop band is a small musical ensemble that performs rock music, pop music, or a related genre. A four-piece band is the most common configuration in rock and pop music. In the early years, the configuration was typically two guitarists, a bassist, and a drummer. Another common formation is a vocalist who does not play an instrument, electric guitarist, bass guitarist, and a drummer. Instrumentally, these bands can be considered as trios. Sometimes, in addition to electric guitars, electric bass, and drums, also a keyboardist plays.
