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Funk rock | |
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Stylistic origins | |
Cultural origins | Late 1960s – early 1970s, United States |
Typical instruments | |
Derivative forms | New wave |
Subgenres | |
Regional scenes | |
Minneapolis sound | |
Other topics | |
Funk rock is a fusion genre that mixes elements of funk and rock. [1] James Brown and others declared that Little Richard and his mid-1950s road band, the Upsetters, were the first to put the funk in the rock and roll beat, with a biographer stating that their music "spark[ed] the musical transition from fifties rock and roll to sixties funk". [2] [3]
Funk rock's earliest incarnation on record was heard in the late 1960s through the mid-1970s by acts such as Sly and the Family Stone, [4] Parliament-Funkadelic, The Isley Brothers, [5] Redbone, Rick Derringer, David Bowie, The Chambers Brothers, Cold Blood, Shuggie Otis, Aerosmith, Wild Cherry, the Average White Band, Gary Wright, Black Merda, Bar-Kays, Edwin Birdsong, Betty Davis, Trapeze and Mother's Finest. During the 1980s and 1990s funk rock music experienced a surge in popularity, with bands such as Prince & The Revolution, Tom Tom Club, Pigbag, INXS, Talking Heads, Devo, the Fine Young Cannibals and Cameo dabbling in the sound. Groups including Red Hot Chili Peppers, Rage Against the Machine, Incubus, Mr. Bungle, Primus and Faith No More also notably combined funk rock with metal, punk, hip hop and experimental music, leading to the emergence of the genre known as funk metal or "punk-funk". [6]
Funk rock is a fusion of funk music and rock music also from the point of view of instrumentation, in fact it incorporates that of both genres into itself, and the overall sound is shaped by a definitive bass or drum beat and by electric guitars.
Sly and the Family Stone gained funk rock hits such as "Sing a Simple Song" and "Thank You". [7] The Jimi Hendrix Experience album Electric Ladyland also included a couple of funk rock songs, such as "Gypsy Eyes" and "Still Raining, Still Dreaming".
George Clinton has been considered the godfather of this genre since 1970. Clinton created the name "P-Funk" include Funkadelic and Parliament for the innovative new concepts of funk that he culled from former members of James Brown's band (such as Maceo Parker, Bootsy Collins and Fred Wesley) and new young players such as Eddie Hazel. [8] His groups, Funkadelic and Parliament, practically defined funk since the release of the influential funk rock Funkadelic classic Maggot Brain (1971). Later funk rock albums by the group include Cosmic Slop , Standing on the Verge of Getting It On , Hardcore Jollies and Let's Take It to the Stage . Later albums such as One Nation Under a Groove and Electric Spanking of War Babies had a bit more radio-friendly sound but still preserved much of group's funk rock approach.
Grand Funk Railroad pioneered the bass driven hard rock funk style in 1970 so well portrayed in their cover of The Animals song Inside-Looking Out and later picked up by Rage Against the Machine. Also singer-model Betty Davis recorded funk rock albums. Composer and guitarist Frank Zappa demonstrated the merge of styles in albums like Overnite Sensation, in themes such as "I'm the Slime", covered in concert decades later by Funkadelic.
Other pioneers evolved in the 1970s are American artists Rick Derringer, Redbone, The Bar-Kays, and Mother's Finest. "We called ourselves funk rock", recalled Mother's Finest singer Glenn "Doc" Murdock. "I think we invented that. We even had a house where we all lived and we named it 'Funk Rock, Georgia'. We felt that we were headlining that whole genre. We played with Lynyrd Skynyrd and AC/DC. Those bands had a lot of funk in their music. The real problem for us was when we played in black clubs. They told us we were too loud." [9]
Funk rock acts were not favored by R&B recording companies. For example, Nile Rogers, guitarists of Chic, wanted to be a rock band like Roxy Music, but they eventually became a disco act after being turned down by recording companies. Despite its considerable influence on later popular music, funk rock was not a very visible phenomenon during the 1970s. Only a few funk rock acts could be seen on record charts, notably David Bowie ("Fame", 1975), Aerosmith ("Last Child", 1976), The Rolling Stones ("Hot Stuff", 1975), Gary Wright ("Love Is Alive", 1976) and Steve Winwood ("I'm A Man"). [10]
When Glenn Hughes left Trapeze and joined Deep Purple along with David Coverdale, Deep Purple's next two albums contained elements of funk and soul. When Ritchie Blackmore left Deep Purple in 1975, the band's next album Come Taste the Band with Tommy Bolin was even more funky than its predecessor Stormbringer . However, Deep Purple broke up in 1976 and Tommy Bolin died from a drug overdose.
The funk rock genre's representatives from the 1980s to present day include INXS, Tom Tom Club, Pigbag, Cameo, the Fine Young Cannibals, Fishbone, Billy Squier and Living Colour. From the start of the 1980s, funk musicians Ricky Sander, Ottenheim James, and Cameo as well as new wave band Blondie and post-punk band Talking Heads each created their own brand of funk rock. British rock group Queen had a major funk rock hit song of the period with "Another One Bites the Dust" (the beat was inspired by Chic's hit "Good Times"). [11] Also in the 1980s, some synth-funk and synth-pop bands such as Thomas Dolby, Scritti Politti, Howard Jones (hit with Things Can Only Get Better) made the basic funk beats along with elements of new wave which makes this a basic synth-funk song.
Prince, The Time, Morris Day, Jesse Johnson, Alexander O'Neal, Andre Cymone, The Family (USA), St. Paul Peterson, Apollonia 6, Vanity 6, Sheila E., and Jimmy Jam and Terry Lewis recorded soul, R&B, funk, rock and Minneapolis sound. [12]
Red Hot Chili Peppers's second and third albums (which were released 1985 and 1987). UK Planet Radio called Red Hot Chili Peppers "funk rock legends". [13]
Keziah Jones, Seal, and Stevie Salas released funk rock albums. And in the early 1990s, several bands combined funky rhythms with heavy metal guitar sounds, resulting in "funk metal", where the emphasis is in using much heavier distorted guitar sounds in the mix. Funk rock employs more of a lighter, "crunchier" distorted guitar sound, and the musical emphasis tends to be more beat-driven with prominent bass lines; more rhythmic in the R&B sense.
Lenny Kravitz is one of the most prominent musicians today in the fusion of rock riffs and funk rhythms, as exampled in tracks such as "Tunnel Vision", "Always on the Run", and "American Woman". Rock band Incubus's early sound was rooted in funk music, heavily influenced by earlier funk/metal fusion artists such as Faith No More and Primus. [14] [15] During the making of his acclaimed studio album Voodoo (2000), neo soul musician D'Angelo was influenced by the funk rock sound of P-Funk, Jimi Hendrix and other such artists, while his hit single "Untitled (How Does It Feel)" has been noted by critics for containing elements of and similarity to the Maggot Brain sound of Funkadelic. [16] Jane's Addiction have included many funk based routines in tracks. Irish band Republic of Loose are also noted for their funk rock sound which has earned them several awards and critical acclaim.
In the late 1990s, Vermont-based jam band Phish began incorporating funk influences into their sound, creating a style dubbed "cow funk". [17] This style can be heard prominently on their 1998 release, The Story of the Ghost . [18]
Some Britpop bands also experimented with funk, mainly in terms of bass lines, including Blur's song "Girls & Boys", from the album Parklife (1994).
During the 2000s, Red Hot Chili Peppers, N.E.R.D. Electric Six, and Lenny Kravitz released funk rock albums. In 2005 Defiance Douglass, a vocalist, musician, songwriter and producer, formed Exiles of the Nation (also known as EOTN) in Atlanta, Georgia, with a new brand of art/psychedelic Funk/Rock titled "ExileMusik", which incorporates elements of other genres as well. Their 2021 album, "Liquidation", also made the Top 10 of several "Best of 2021 Funk Albums" lists. The wave of Britpop/baggy revival bands in the 2010s, such as Peace, also experimented with funk. Peace's second album Happy People features numerous elements of funk, mainly in terms of bass lines. In 2010, a group called I Set The Sea On Fire formed in Sheffield, incorporating elements of funk and other genres into their music.
In 2014, Prince formed a new backing band, 3rdeyegirl. [19] Their brand of funk rock was featured on their 2014 release, Plectrumelectrum . [20]
Funk is a music genre that originated in African-American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century. It deemphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. It uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, and dominant seventh chords with altered ninths and thirteenths.
The Red Hot Chili Peppers are an American rock band formed in Los Angeles in 1982, comprising vocalist Anthony Kiedis, bassist Flea, drummer Chad Smith, and guitarist John Frusciante. Their music incorporates elements of alternative rock, funk, punk rock, hard rock, hip hop, and psychedelic rock. Their eclectic range has influenced genres such as funk metal, rap metal, rap rock, and nu metal. With over 120 million records sold worldwide, the Red Hot Chili Peppers are one of the top-selling bands of all time. They hold the records for most number-one singles (15), most cumulative weeks at number one (91) and most top-ten songs (28) on the Billboard Alternative Songs chart. They have won three Grammy Awards, were inducted into the Rock and Roll Hall of Fame in 2012, and in 2022 received a star on the Hollywood Walk of Fame.
Incubus is an American rock band from Calabasas, California. The band was formed in 1991 by vocalist Brandon Boyd, lead guitarist Mike Einziger, and drummer José Pasillas while enrolled in Calabasas High School and later expanded to include bassist Alex "Dirk Lance" Katunich, and Gavin "DJ Lyfe" Koppel; the latter two were eventually replaced by bassist Ben Kenney and DJ Kilmore, respectively. Nicole Row replaced Kenney in 2024.
Larry Graham Jr. is an American bassist and baritone singer, with the psychedelic soul/funk band Sly and the Family Stone and as the founder and frontman of Graham Central Station. In 1980, he released the single "One in a Million You", which reached the top ten on the US Billboard Hot 100. He is credited with the invention of the slapping technique on the electric bass guitar, which radically expanded the tonal palette of the bass, although he himself refers to the technique as "thumpin' and pluckin'".
George Edward Clinton is an American singer, songwriter, record producer and bandleader. His Parliament-Funkadelic collective developed an influential and eclectic form of funk music during the 1970s that drew on Afrofuturism, outlandish fashion, psychedelia, and surreal humor. He launched his solo career with the 1982 album Computer Games and would go on to influence 1990s hip-hop and G-funk.
Parliament-Funkadelic is an American music collective of rotating musicians headed by George Clinton, primarily consisting of the funk bands Parliament and Funkadelic, both active since the 1960s. Their eclectic style has drawn on psychedelia, outlandish fashion, and surreal humor. They have released albums such as Maggot Brain (1971), Mothership Connection (1975), and One Nation Under a Groove (1978) to critical praise, and scored charting hits with singles such as "Tear the Roof Off the Sucker" (1975) and "Flash Light" (1978). Overall, the collective achieved thirteen top ten hits in the American R&B music charts between 1967 and 1983, including six number one hits. Their work has had an influential effect on subsequent funk, post-punk, hip-hop, and techno artists of the 1980s and 1990s, while their collective mythology has helped pioneer Afrofuturism.
Funkadelic was an American funk rock band formed in Plainfield, New Jersey in 1968 and active until 1982. As one of the two flagship groups of George Clinton's P-Funk collective, they helped pioneer the funk music culture of the 1970s. Funkadelic initially formed as a backing band for Clinton's vocal group the Parliaments, but eventually pursued a heavier, psychedelic rock-oriented sound in their own recordings. They released acclaimed albums such as Maggot Brain (1971) and One Nation Under a Groove (1978).
Maggot Brain is the third studio album by the American funk rock band Funkadelic, released by Westbound Records in July 1971. It was produced by bandleader George Clinton and recorded at United Sound Systems in Detroit during late 1970 and early 1971. The album was the final LP recorded by the original Funkadelic lineup; after its release, founding members Tawl Ross (guitar), Billy Nelson (bass), and Tiki Fulwood (drums) left the band for various reasons.
Funkadelic is the debut album by the American funk rock band Funkadelic, released in 1970 on Westbound Records.
S.C.I.E.N.C.E. is the second studio album by American rock band Incubus. It was released on September 9, 1997, by Epic and Immortal Records. The album was certified gold by the RIAA, and is the second and final release to feature Gavin Koppel, who first appeared on the 1997 Enjoy Incubus EP. It has been occasionally considered the band's proper debut album, due to the nature of their independent release Fungus Amongus.
Funk metal is a subgenre of funk rock and alternative metal that infuses heavy metal music with elements of funk and punk rock. Funk metal was part of the alternative metal movement, and has been described as a "brief but extremely media-hyped stylistic fad".
Mother's Milk is the fourth studio album by American rock band Red Hot Chili Peppers, released on August 16, 1989 by EMI Records. After the death of founding guitarist Hillel Slovak and the subsequent departure of drummer Jack Irons, vocalist Anthony Kiedis and bassist Flea regrouped with the addition of guitarist John Frusciante and drummer Chad Smith. Frusciante's influence altered the band's sound by placing more emphasis on melody than rhythm, which had dominated the band's previous material. Returning producer Michael Beinhorn favored heavy metal guitar riffs as well as overdubbing. Frusciante perceived Beinhorn's taste as excessive, and as a result, the two constantly fought over the album's guitar sound.
Fungus Amongus is the debut studio album by American rock band Incubus, released on November 1, 1995, by Chillum Records, Incubus' own independent label. It was later re-released under Epic and Immortal Records on November 7, 2000, after popular demand.
Freaky Styley is the second studio album by American rock band Red Hot Chili Peppers, released on August 16, 1985, through EMI America Records. Freaky Styley marks founding guitarist Hillel Slovak's studio album debut, following his return to the band earlier in the year. The album is the last to feature drummer Cliff Martinez. Freaky Styley was produced by George Clinton, of Parliament-Funkadelic, and the sessions benefitted from Clinton's chemistry during recording.
Introduce Yourself is the second studio album by American rock band Faith No More, released in 1987. Due to the limited availability of the first album, We Care a Lot, many, including the band, once considered this Faith No More's true debut album. Being the group's major label debut, this album features better production than its predecessor, which is most evident on this album's version of the song "We Care a Lot," which also features updated, more topical, lyrics. It is the final album to feature vocalist Chuck Mosley before he was fired from Faith No More in 1988.
The Uplift Mofo Party Tour was a concert tour by Red Hot Chili Peppers to support their third studio album The Uplift Mofo Party Plan. Founding drummer, Jack Irons returned to the band the previous year to finish out the band's tour and record the next album, The Uplift Mofo Party Plan, which ended up being the only album and full tour to feature the four founding band members: Anthony Kiedis, Flea, Hillel Slovak and Irons. It was the band's biggest tour at the time and featured their first trip to Europe. Kiedis, who started to develop a major drug problem on the previous tour, started to fall deeper into his addiction and Slovak's addiction to heroin only grew stronger as well. Slovak died of a heroin overdose a few weeks after the end of the tour on June 25, 1988. The surviving three members regrouped for a small boat trip with then manager, Lindy Goetz. It was there that Irons decided he could no longer deal with being in the band and Slovak's death was too hard for him to handle so he decided to quit the band again, this time for good.
Donna Grantis is a Canadian guitarist, best known for performing and recording with Prince & 3rdeyegirl. On September 30, 2014, Prince and 3rdeyegirl released their debut album, Plectrumelectrum, which reached #1 on the Billboard Rock chart. The album's title track, "Plectrumelectrum", was originally written by Grantis and later arranged by Prince. Since 2013, Grantis has been a member of Prince's funk supergroup, The New Power Generation. On November 16, 2018, Grantis released two new songs, “Trashformer” and “Violetta,” featuring Hall of Fame Pearl Jam guitarist Mike McCready, as a limited edition 7” via his vinyl label HockeyTalkter Records. The tracks appear on Grantis’ debut album, Diamonds & Dynamite, released March 22, 2019, via eOne Music. The album and lead track reached #1 on iTunes Canada for top jazz album and top jazz song.
Psychedelic funk is a music genre that combines funk music with elements of psychedelic rock. It was pioneered in the late 1960s and early 1970s by American acts like Sly and the Family Stone, Jimi Hendrix, and the Parliament-Funkadelic collective. It would influence subsequent styles including '70s jazz fusion and the '90s West Coast hip hop style G-funk.
Progressive soul is a type of African-American music that uses a progressive approach, particularly in the context of the soul and funk genres. It developed in the late 1960s and early 1970s through the recordings of innovative black musicians who pushed the structural and stylistic boundaries of those genres. Among their influences were musical forms that arose from rhythm and blues music's transformation into rock, such as Motown, progressive rock, psychedelic soul, and jazz fusion.