Jazz-funk | |
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Stylistic origins | |
Cultural origins | Late 1960s – 1970s, United States |
Subgenres | |
Free funk | |
Other topics | |
Jazz fusion, rare groove |
Jazz-funk is a subgenre of jazz music characterized by a strong back beat, electrified sounds, [1] and analog synthesizers. The integration of funk, soul, and R&B music and styles into jazz resulted in the creation of a genre that ranges from pure jazz improvisation to soul, funk or disco with jazz arrangements, jazz riffs, jazz solos, and sometimes soul vocals. [2] Jazz-funk was popular in United States and United Kingdom. Similar genres include soul jazz, jazz fusion and acid jazz.
Jazz-funk exhibits several distinctive characteristics. A first characteristic of jazz funk has simple structure based around one or two riffs, and second characteristic of jazz funk has a harmonic structure that allows musicians to improvise. [3] Modern jazz funk music was influenced by Herbie Hancock. [4] The Mizell Brothers were producers for many jazz and soul artists. Examples of early jazz funk albums include Miles Davis' On the Corner (1972) [5] and Jimmy Smith's Root Down (1972). [6] The Last Poets, Gil Scott-Heron, Lightnin' Rod, T.S. Monk, Pleasure, Boogaloo Joe Jones, Lenny White, Don Blackman, Monk Higgins, Wilbur Bascomb, [7] the Blackbyrds, Donald Byrd and Les DeMerle [8] and Michael Henderson [9] released jazz funk albums.
Jazz funk musicians used electric instruments, such as the Rhodes Piano or electric guitar, bass guitar, organ, particularly in jazz fusion. [10] Herbie Hancock played ARP Odyssey synthesizer and clavinet on album Head Hunters (1973). [11] Jennifer Lopez popularized "jazz funk dance" in the sketch comedy In Living Color . [12]
The controversy may have helped jazz find a larger audience. [13] By contrast, pop audiences found it "too jazzy" and, therefore, too complex. [14]
Some mainstream artists in jazz used specialist producers to commercial success. Larry and Fonce Mizell [15] produced jazz-funk artists such as Johnny "Hammond" Smith, Gary Bartz, Roger Glenn, the Blackbyrds, and Donald Byrd. [16]
In the UK's nightclubs of the mid-late 1970s, DJs including Colin Curtis in Manchester, Birmingham's Graham Warr and Shaun Williams, and Leeds-based Ian Dewhirst and Paul Schofield championed the genre, along with Chris Hill and Bob Jones in the South. [17]
London-based jazz funk pioneers drew a new audience to jazz: notably pirate radio stations Invicta 92.4 and JFM. In the late 1980s, rare groove crate diggers–DJs in England who were interested in looking back into the past and re-discovering old tunes–Norman Jay and Gilles Peterson achieved prominence. [18]
While the majority of jazz-funk bands are American, British jazz-funk artists and bands emerged in the late 1970s and early 1980s. [19] They were encouraged by club DJs such as Chris Hill and Robbie Vincent, who was then on BBC Radio London, and Greg Edwards, who had a show on London's first commercial radio station, Capital Radio. They launched a jazz festival in 1980, where the jazz-funk band Light of the World performed. [20] Jazz-funk was also played on Europe's first soul station, Radio Invicta, and pirate radio stations such as Solar Radio, Horizon, and Kiss FM. [21] The first of these bands to establish a UK identity was Light of the World, formed by Kenny Wellington, [22] Jean-Paul 'Bluey' Maunick and other musicians.
Acid jazz is jazz genre, but its emphasis on groove just like funk, hip hop, and club dance music. [23] Incognito, The Brand New Heavies, Jamiroquai, and the James Taylor Quartet helped the acid jazz movement surge in popularity. UK group US3 signed to Acid Jazz Records, founded by Peterson and Eddie Piller. US3 covered "Cantaloupe Island", originally recorded by Herbie Hancock. [24]
Herbert Jeffrey Hancock is an American jazz musician, bandleader, and composer. Hancock started his career with trumpeter Donald Byrd's group. He shortly thereafter joined the Miles Davis Quintet, where he helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. In the 1970s, Hancock experimented with jazz fusion, funk, and electro styles, using a wide array of synthesizers and electronics. It was during this period that he released perhaps his best-known and most influential album, Head Hunters.
Jazz rap is a fusion of jazz and hip hop music, as well as an alternative hip hop subgenre, that developed in the late 1980s and early 1990s. AllMusic writes that the genre "was an attempt to fuse African-American music of the past with a newly dominant form of the present, paying tribute to and reinvigorating the former while expanding the horizons of the latter." The rhythm was rooted in hip hop over which were placed repetitive phrases of jazz instrumentation: trumpet, double bass, etc. Groups involved in the formation of jazz rap included A Tribe Called Quest, Digable Planets, De La Soul, Gang Starr, and Jungle Brothers.
Donaldson Toussaint L'Ouverture Byrd II was an American jazz and rhythm & blues trumpeter and vocalist. A sideman for many other jazz musicians of his generation, Byrd was one of the few hard bop musicians who successfully explored funk and soul while remaining a jazz artist. As a bandleader, Byrd was an influence on the early career of Herbie Hancock and many others.
Acid jazz is a music genre that combines elements of funk, soul, and hip hop, as well as jazz and disco. Acid jazz originated in clubs in London during the 1980s with the rare groove movement and spread to the United States, Western Europe, Latin America and Japan. Acts included The Brand New Heavies, Incognito, James Taylor Quartet, Us3, and Jamiroquai from the UK, and Guru, Buckshot LeFonque and Digable Planets from the U.S. The rise of electronic club music in the middle to late 1990s led to a decline in interest, and in the twenty-first century, acid jazz became indistinct as a genre. Many acts that might have been defined as acid jazz are seen as jazz-funk, or nu jazz.
Soul jazz or funky jazz is a subgenre of jazz that incorporates strong influences from hard bop, blues, soul, gospel and rhythm and blues. Soul jazz is often characterized by organ trios featuring the Hammond organ and small combos including saxophone, brass instruments, electric guitar, bass, drums, piano, vocals and electric organ. Its origins were in the 1950s and early 1960s, with its heyday with popular audiences preceding the rise of jazz fusion in the late 1960s and 1970s. Prominent names in fusion ranged from bop pianists including Bobby Timmons and Junior Mance to a wide range of organists, saxophonists, pianists, drummers and electric guitarists including Jack McDuff, Eddie "Lockjaw" Davis, and Grant Green.
Nu jazz is a genre of jazz and electronic music. The music blends jazz elements with other musical styles, such as funk, electronic music, and free improvisation.
Head Hunters is the twelfth studio album by American pianist, keyboardist and composer Herbie Hancock, released October 26, 1973, on Columbia Records. Recording sessions for the album took place in the evening at Wally Heider Studios and Different Fur Trading Co. in San Francisco, California.
Broken beat is an electronic dance music genre characterized by syncopated beats and tense rhythms, including staggered or punctuated snare beats and/or hand claps. It has been heavily influenced by styles such as jazz-funk and R&B. Artists in this area typically emerged from the drum and bass, house, hip hop, techno or acid jazz scenes.
Gilles Jérôme Moehrle MBE, better known as Gilles Peterson, is a French broadcaster, DJ, and record label owner. He founded the influential labels Acid Jazz and Talkin' Loud, and started his current label Brownswood Recordings in 2006. He was awarded an honorary MBE in 2004, the AIM Award for Indie Champion and the Mixmag Award for Outstanding Contribution To Dance Music in 2013, the PRS for Music Award for Outstanding Contribution to Music Radio in 2014, and The A&R Award from the Music Producers Guild in 2019.
Hand on the Torch is the debut studio album by British jazz rap group Us3. It received widespread attention due to its mixture of jazz with hip-hop music, with material from popular jazz musicians of the 20th century being reimagined. The samples used on the album are from old Blue Note Records classics: the most famous was Herbie Hancock's "Cantaloupe Island", which Us3 used on the track "Cantaloop ". It came out as a single having two different music videos.
"Cantaloop (Flip Fantasia)" is a song by British jazz-rap group Us3, originally released in October 1992 by Blue Note Records as the lead single from the group's debut album, Hand On the Torch (1993). The song was recorded as a demo a year before the group's first release and features a sample of Herbie Hancock's song "Cantaloupe Island". Another sample, the announcement by Pee Wee Marquette, is taken from the Blue Note album A Night at Birdland, Vol. 1 by The Art Blakey Quintet. "Cantaloop (Flip Fantasia)" did not chart in the group's native UK, but in the US, it reached No. 9 and 7 on the Billboard Hot 100 and Cash Box Top 100, becoming the group's only top 40 single. It was subsequently re-released in UK where it peaked at No. 23. The song was certified gold by the Recording Industry Association of America (RIAA) on March 25, 1994 for selling over 500,000 copies.
Kevin Kraig Toney was an American jazz pianist and composer who was a member of The Blackbyrds.
The Mizell Brothers were an American record producing team in the 1970s, consisting of Larry Mizell and Alphonso "Fonce" Mizell. They worked together on a string of jazz fusion, crossover jazz, soul, R&B and disco records.
Radio Invicta was a pirate radio station that broadcast to London, and was the first of its kind to specialise in playing soul music. It broadcast from December 1970 to July 1984, and was known by its slogan Soul over London and considered itself "Europe's first and only all soul station".
Boogie is a rhythm and blues genre of electronic dance music with close ties to the post-disco style, that first emerged in the United States during the late 1970s to mid-1980s. The sound of boogie is defined by bridging acoustic and electronic musical instruments with emphasis on vocals and miscellaneous effects. It later evolved into electro and house music.
Neil Rushton is a British journalist, DJ, record dealer, record label entrepreneur, event promoter and author who is closely associated with the Northern soul scene.
Colin Curtis is a British DJ whose career spans several decades and musical developments.
The Blackbyrds is the debut album by the American rhythm and blues and jazz-funk fusion group the Blackbyrds. It was produced by Larry Mizell and Donald Byrd with production supervision by Orrin Keepnews.
City Life is the third studio album by the American rhythm and blues and jazz-funk fusion group the Blackbyrds. It was produced by Donald Byrd and includes the popular singles "Happy Music" and "Rock Creek Park." "Happy Music" was first given a limited released as a six-minute remix on 12-inch vinyl for club deejays, then in early 1976 was released on standard 7-inch vinyl. "Rock Creek Park" has been sampled repeatedly by hip hop musicians.
Shaun Williams is a DJ and jazz dancer from Birmingham, United Kingdom, notable for his pioneering role in the UK's jazz fusion and electro music scenes. He achieved success with the early electro club track, released with DSM, "Warrior Groove".