Exotica

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Exotica is a musical genre, named after the 1957 Martin Denny album of the same name that was popular during the 1950s to mid-1960s with Americans who came of age during World War II. [1] The term was coined by Simon "Si" Waronker, Liberty Records co-founder and board chairman. [2] The musical colloquialism exotica means tropical ersatz, the non-native, pseudo experience of insular Oceania, Southeast Asia, Hawaii, the Amazon basin, the Andes, the Caribbean and tribal Africa. [3] Denny described the musical style as "a combination of the South Pacific and the Orient...what a lot of people imagined the islands to be like...it's pure fantasy though." [4] While the South Seas forms the core region, exotica reflects the "musical impressions" of every place from standard travel destinations to the mythical "shangri-las" dreamt of by armchair safari-ers. [3]

Contents

History

Les Baxter's Ritual of the Savage (Le Sacre du Sauvage) is one of the definitive albums of the exotica genre. Ritualofthesavage.jpg
Les Baxter's Ritual of the Savage (Le Sacre du Sauvage) is one of the definitive albums of the exotica genre.

Les Baxter's album Ritual of the Savage (Le Sacre du Sauvage) was released in 1952 and would become a cornerstone of exotica. [5] This album featured lush orchestral arrangements along with tribal rhythms and offered such classics as "Quiet Village", "Jungle River Boat", "Love Dance", and "Stone God." Ritual is the seminal exotica record, influencing all that came after it. [6] As the 1950s progressed, Baxter carved out a niche in this area, producing a number of titles in this style including Tamboo! (1956), Caribbean Moonlight (1956), Ports of Pleasure (1957), The Sacred Idol (1960) and Jewels of the Sea (1961). [7] Baxter claimed Ravel and Stravinsky as influences on his work. [8]

In 1957, Martin Denny covered Les Baxter's "Quiet Village", with exotic bird calls and a vibraphone instead of strings, which established the sound of the Polynesian styled music. The song reached #2 on Billboard's charts in 1959 with Denny's Exotica album reaching #1. [9] Soon the new technology of stereo further opened up the musical palettes of Denny and other prominent exotica artists such as Arthur Lyman and Juan García Esquivel.

The distinctive sound of exotica relies on a variety of instruments: conga, bongos, vibes, Indonesian and Burmese gongs, boo bams (bamboo sticks), Tahitian log, Chinese bell tree, and Japanese kotos. Additionally intrinsic to the sound of exotica are bird calls, big-cat roars, and even primate shrieks, which invoke the dangers of the jungle. Though there are some standards which contain lyrics, singing is rare. Abstract, siren-like ululations, chants, vocalized animal calls, and guttural growls are common. [3] [9]

The music of American composer Raymond Scott is sometimes recognized as a precursor to exotica, as several of his songs were written with the intent of transporting the listener to exotic locations via novelty instruments and sound effects.

As a result of the popularity of exotica during the late 1950s, a large number of records were released that featured covers of recently released exotica songs (mainly by Les Baxter) and Hawaiian and easy-listening standards. These recordings include "Exotica" by Ted Auletta, "Exotic Percussion" by Stanley Black and his Orchestra, "Orienta" by Gerald Fried, "Taboo" and "Taboo 2" by Arthur Lyman and "The Sounds of Exotic Island" by The Surfmen. Some composers pushed the bounds of the genre by producing albums of original content, often with unusual instrumentation. These recordings include Voodoo by Robert Drasnin, Africana by Chaino, Pagan Festival by Dominic Frontiere And His Orchestra, and White Goddess by Frank Hunter. By 1959, the majority of American record labels had released at least one exotica-themed album, usually utilizing composers and musicians that produced jazz, classical or easy listening recordings.

After several years of rising excitement leading up to Hawaii becoming a state in 1959, the Hawaiiana fad waned in the United States and so did exotica's commercial appeal. CD re-issues ignited a revival in the early 1990s.

Revival

In 1971 Roger Roger and Nino Nardini released the album Jungle Obsession on the French Neuilly record label. [10] [11] Intended as a sound library recording, it soon took on a life of its own. Although clearly influenced by the exotica arrangements of Baxter, Martin Denny, Frank Hunter and Dick Hyman, it went beyond the simpler themes used by those composers to employ "a series of motifs, leitmotifs, and modes that were out of the musical sphere at the time: they took rock and classical and bossa and jazz and easy listening, wove them together with polyrhythmic invention and a boatload of sound effects". [12]

In the 1990s exotica resurfaced more generally, along with a new category in which to place the genre: lounge. Dozens of long out-of-print LPs were reissued on CD. The revival accompanied a related swing revival and general appreciation for tiki culture. A new crop of bands, such as Pink Martini, were influenced by the classic albums, and Combustible Edison for one featured songs like "Breakfast at Denny's", a tongue-in-cheek title for a song styled on the music of Martin Denny.

The early 2000s saw additional exotica revival efforts, such as Hawaii-based Don Tiki, the comeback of 1960s composer Robert Drasnin, Waitiki, The Martini Kings, Kava Kon, and Hawaii Music Award winning Tiki Joe's Ocean, formed by multi-instrumentalist/composer Andy Nazzal. Several podcasts broadcast classic and new exotica and tiki revival music.[ citation needed ]

See also

Related Research Articles

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Tiki culture is an American-originated art, music, and entertainment movement inspired by Polynesian, Melanesian, and Micronesian cultures, and by Oceanian art. Influential cultures to Tiki culture include Australasia, Melanesia, Micronesia, Polynesia, the Caribbean Islands, and Hawaii. The name comes from Tiki, the Māori name for the first human, often represented in the form of hei-tiki, a pendant and important taonga. The hei-tiki was often appropriated by Europeans as a commercialised good luck charm, hence the name of Tiki culture. Despite spanning over 10,000 miles and including many different unrelated cultures, religions, and languages, Tiki aesthetic is considered by some to be amalgamated into one "fantasia of trans-Pacific cultures" and "colonial nostalgia". Because of this, and the simplistic view of the Pacific taken by the aesthetic, Tiki culture has often proved controversial.

<span class="mw-page-title-main">Les Baxter</span> American composer and conductor (1922–1996)

Leslie Thompson Baxter was an American musician, composer and conductor. After working as an arranger and composer for swing bands, he developed his own style of easy listening music, known as exotica and scored over 250 radio, television and motion pictures numbers.

Martin Denny was an American pianist, composer, and arranger. Known as the "father of exotica," he was a multi-instrumentalist and could play a number of percussion instruments. In a long career that saw him performing up to 3 weeks prior to his death, he toured the world popularizing his brand of lounge music which included exotic percussion, imaginative rearrangements of popular songs, and original songs that celebrated Tiki culture.

<span class="mw-page-title-main">Arthur Lyman</span> Hawaiian jazz vibraphone and marimba player (1932–2002)

Arthur Hunt Lyman was a Hawaiian jazz vibraphone and marimba player. His group popularized a style of faux-Polynesian music during the 1950s and 1960s which later became known as exotica. His albums became favorite stereo-effect demonstration discs during the early days of the stereophonic LP album for their elaborate and colorful percussion, deep bass and 3-dimensional recording soundstage. Lyman was known as "the King of Lounge music."

Lounge music is a type of easy listening music popular in the 1950s and 1960s. It may be meant to evoke in the listeners the feeling of being in a place, usually with a tranquil theme, such as a jungle, an island paradise or outer space. The range of lounge music encompasses beautiful music–influenced instrumentals, modern electronica, while remaining thematically focused on its retro–space age cultural elements. The earliest type of lounge music appeared during the 1920s and 1930s, and was known as light music.

<span class="mw-page-title-main">Yma Sumac</span> Peruvian-born vocalist (1922–2008)

Zoila Augusta Emperatriz Chávarri del Castillo, known as Yma Sumac, was a Peruvian-born vocalist, composer, producer, actress and model. She won a Guinness World Record for the Greatest Range of Musical Value in 1956. "Ima sumaq" means "how beautiful" in Quechua. She has also been called Queen of Exotica and is considered a pioneer of world music. Her debut album, Voice of the Xtabay (1950), peaked at number one in the Billboard 200, selling a million of copies in the United States, and its single, "Virgin of the Sun God ", reached number one on the UK Singles Chart, becoming an international success in the 1950s. Albums like Legend of the Sun Virgin (1952), Fuego del Ande (1959) and Mambo! (1955), were other successes.

<i>Exotica</i> (Martin Denny album) Album by Martin Denny

Exotica is the first album by Martin Denny, released in 1957. It contained Les Baxter's most famous piece, "Quiet Village", and spawned an entire genre bearing its name. It was recorded December 1956 in Webley Edwards' studio in Waikiki. The album topped Billboard's charts in 1959.

Space age pop or bachelor pad music is a subgenre of easy listening or lounge music associated with American and Mexican composers, songwriters, and bandleaders in the Space Age of the 1950s and 1960s. It drew on contemporary fascination with technology, outer space, and "exotic" locations, exploiting new audio technology such as stereophonic sound, multitrack recording, and early electronic instruments. Irwin Chusid identifies the heyday of the genre as "roughly 1954 to 1963—from the dawn of high-fidelity (hi-fi) to the arrival of the Beatles." Major artists in the genre include Juan García Esquivel, Les Baxter, Enoch Light, Henry Mancini, Dick Hyman, and Jean-Jacques Perrey.

Robert Jackson Drasnin was an American composer and clarinet player.

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Gene Rains is a vibraphonist and leader of the Gene Rains Group, a jazz quartet from Hawaii that played a musical style known as Exotica. Rains' short career spanned the early to the mid-1960s and consisted of 4 LP recordings released on Decca Records and the Vocalion label. These LPs were released during the golden era of Hawaiian and Exotica music and the Tiki culture in the United States. The Gene Rains Group repertoire featured popular Hawaiian and Polynesian Island melodies as well as popular American tunes of the era.

"Quiet Village" is an orchestral pop instrumental that was written and originally performed by Les Baxter in 1951 and an instrumental album from 1959 by Martin Denny. In the liner notes to his album, Ritual of the Savage , Baxter described the themes he was conveying in the work:

[t]he jungle grows more dense as the river boat slowly makes its way into the deep interior. A snake slithers into the water, flushing a brilliantly plumaged bird who soars into the clearing above a quiet village. Here is a musical portrait of a tropical village deserted in the mid-day heat.

<i>Ultra-Lounge</i> 1996 compilation album series by various artists

Ultra-Lounge is a series of compilation CDs released by Capitol Records, featuring music predominantly from the 1950s and 1960s in genres such as exotica, space age pop, mambo, television theme songs, and lounge. Many of the volumes have since been made available for purchase via digital download.

<i>Voice of the Xtabay</i> 1950 studio album by Yma Sumac

Voice of the Xtabay is the first studio album by Peruvian soprano Yma Sumac. It was released in 1950 by Capitol Records. It was produced and composed by Les Baxter, along with Moisés Vivanco and John Rose. Sumac sings on the album, accompanied by ethnic percussion and musical variations influenced by the music of Peru. Sumac had a notable vocal range, of about five octaves.

<span class="mw-page-title-main">Tak Shindo</span> American musician, composer, arranger, and bandleader (1922–2002)

Takeshi "Tak" Shindo was an American musician, composer and arranger. He was one of the prominent artists in the exotica music genre during the late 1950s and early 1960s. Shindo also founded a dance band in 1947 and was a frequent lecturer and writer on Japanese music. He first gained prominence for his work on the 1957 motion picture Sayonara, served as the musical director for the television series Gunsmoke, and composed theme music for The Ed Sullivan Show and Wagon Train. He is most remembered for the exotica albums he released from 1958 to 1962, including Mganga! The Primitive Sounds of Tak Shindo (1958), Brass and Bamboo (1959) and Accent on Bamboo (1960). He also released several albums in Japan during the mid-1960s that blended American and Japanese musical traditions. During the 1950s and 1960s, Shindo was a columnist for the Rafu Shimpo covering classical and popular music. In 1980, Shindo made a documentary film, Encounter with the Past, about the Manzanar relocation camp where he was relocated in 1942 as part of the Japanese American internment policy.

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Kirby Allan was an American record producer who is best remembered for his work with Chaino, in the musical genre of Exotica, and the Jungle variant of Tiki culture music. Their collaboration and unusual marketing strategy began with a series of albums in the late 1950s. Those albums continue to be released as recently as 2016.

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<i>Forbidden Island</i> (album) Album

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References

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