Tiki culture is an American-originated art, music, and entertainment movement inspired by Polynesian, Melanesian, and Micronesian cultures, and by Oceanian art. Influential cultures to Tiki culture include Australasia, Melanesia, Micronesia, Polynesia, the Caribbean Islands, and Hawaii. The name comes from Tiki, the Māori name for the first human, often represented in the form of hei-tiki, a pendant and important taonga. The hei-tiki was often appropriated by Europeans as a commercialised good luck charm, hence the name of Tiki culture. Despite spanning over 10,000 miles and including many different unrelated cultures, religions, and languages, Tiki aesthetic is considered by some to be amalgamated into one "fantasia of trans-Pacific cultures" and "colonial nostalgia". Because of this, and the simplistic view of the Pacific taken by the aesthetic, Tiki culture has often proved controversial.
Leslie Thompson Baxter was an American musician, composer and conductor. After working as an arranger and composer for swing bands, he developed his own style of easy listening music, known as exotica and scored over 250 radio, television and motion pictures numbers.
Martin Denny was an American pianist, composer, and arranger. Known as the "father of exotica," he was a multi-instrumentalist and could play a number of percussion instruments. In a long career that saw him performing up to 3 weeks prior to his death, he toured the world popularizing his brand of lounge music which included exotic percussion, imaginative rearrangements of popular songs, and original songs that celebrated Tiki culture.
Arthur Hunt Lyman was a Hawaiian jazz vibraphone and marimba player. His group popularized a style of faux-Polynesian music during the 1950s and 1960s which later became known as exotica. His albums became favorite stereo-effect demonstration discs during the early days of the stereophonic LP album for their elaborate and colorful percussion, deep bass and 3-dimensional recording soundstage. Lyman was known as "the King of Lounge music."
Lounge music is a type of easy listening music popular in the 1950s and 1960s. It may be meant to evoke in the listeners the feeling of being in a place, usually with a tranquil theme, such as a jungle, an island paradise or outer space. The range of lounge music encompasses beautiful music–influenced instrumentals, modern electronica, while remaining thematically focused on its retro–space age cultural elements. The earliest type of lounge music appeared during the 1920s and 1930s, and was known as light music.
Exotica is the first album by Martin Denny, released in 1957. It contained Les Baxter's most famous piece, "Quiet Village", and spawned an entire genre bearing its name. It was recorded December 1956 in Webley Edwards' studio in Waikiki. The album topped Billboard's charts in 1959.
Space age pop or bachelor pad music is a subgenre of easy listening or lounge music associated with American and Mexican composers, songwriters, and bandleaders in the Space Age of the 1950s and 1960s. It drew on contemporary fascination with technology, outer space, and "exotic" locations, exploiting new audio technology such as stereophonic sound, multitrack recording, and early electronic instruments. Irwin Chusid identifies the heyday of the genre as "roughly 1954 to 1963—from the dawn of high-fidelity (hi-fi) to the arrival of the Beatles." Major artists in the genre include Juan García Esquivel, Les Baxter, Enoch Light, Henry Mancini, Dick Hyman, and Jean-Jacques Perrey.
Robert Jackson Drasnin was an American composer and clarinet player.
Roger Roger was a French composer of light orchestral music and film scores, as well as a conductor and bandleader. His aliases included Eric Swan and Cecil Leuter, the last being a pseudonym he used for his electronic music productions, of which he was somewhat of a pioneer. He is best known for his intricately composed and arranged orchestral contributions to commercial production music during the 1950s and 1960s, many of which have more recently achieved wider recognition. He helped revive the musical exotica genre with his album Jungle Obsession in 1971.
Gene Rains is a vibraphonist and leader of the Gene Rains Group, a jazz quartet from Hawaii that played a musical style known as Exotica. Rains' short career spanned the early to the mid-1960s and consisted of 4 LP recordings released on Decca Records and the Vocalion label. These LPs were released during the golden era of Hawaiian and Exotica music and the Tiki culture in the United States. The Gene Rains Group repertoire featured popular Hawaiian and Polynesian Island melodies as well as popular American tunes of the era.
"Quiet Village" is an orchestral pop instrumental that was written and originally performed by Les Baxter in 1951 and an instrumental album from 1959 by Martin Denny. In the liner notes to his album, Ritual of the Savage , Baxter described the themes he was conveying in the work:
[t]he jungle grows more dense as the river boat slowly makes its way into the deep interior. A snake slithers into the water, flushing a brilliantly plumaged bird who soars into the clearing above a quiet village. Here is a musical portrait of a tropical village deserted in the mid-day heat.
Ultra-Lounge is a series of compilation CDs released by Capitol Records, featuring music predominantly from the 1950s and 1960s in genres such as exotica, space age pop, mambo, television theme songs, and lounge. Many of the volumes have since been made available for purchase via digital download.
Voice of the Xtabay is the first studio album by Peruvian soprano Yma Sumac. It was released in 1950 by Capitol Records. It was produced and composed by Les Baxter, along with Moisés Vivanco and John Rose. Sumac sings on the album, accompanied by ethnic percussion and musical variations influenced by the music of Peru. Sumac had a notable vocal range, of about five octaves.
Takeshi "Tak" Shindo was an American musician, composer and arranger. He was one of the prominent artists in the exotica music genre during the late 1950s and early 1960s. Shindo also founded a dance band in 1947 and was a frequent lecturer and writer on Japanese music. He first gained prominence for his work on the 1957 motion picture Sayonara, served as the musical director for the television series Gunsmoke, and composed theme music for The Ed Sullivan Show and Wagon Train. He is most remembered for the exotica albums he released from 1958 to 1962, including Mganga! The Primitive Sounds of Tak Shindo (1958), Brass and Bamboo (1959) and Accent on Bamboo (1960). He also released several albums in Japan during the mid-1960s that blended American and Japanese musical traditions. During the 1950s and 1960s, Shindo was a columnist for the Rafu Shimpo covering classical and popular music. In 1980, Shindo made a documentary film, Encounter with the Past, about the Manzanar relocation camp where he was relocated in 1942 as part of the Japanese American internment policy.
Leon "Chaino" Johnson, the self-styled "percussion genius of Africa," was an American bongo player. After touring for several years on the Chitlin' Circuit, he released several albums and became popular with listeners of exotica music in the late 1950s and early 1960s. In the promotion of his albums, a fictional biography was developed, depicting Chaino as an orphan from a lost tribe in central Africa who had been rescued by a missionary after his tribe had been massacred. Chaino was actually born in Philadelphia and raised in Chicago.
Orienta is an album by The Markko Polo Adventurers released in 1959. The album was produced by Simon Rady, arranged and conducted by Gerald Fried and recorded in stereo in Hollywood, California. The album uses a combination of sound effects and Asian-inspired music to tell humorous vignettes. Its suggestive cover art features a photograph by Murray Laden.
Kirby Allan was an American record producer who is best remembered for his work with Chaino, in the musical genre of Exotica, and the Jungle variant of Tiki culture music. Their collaboration and unusual marketing strategy began with a series of albums in the late 1950s. Those albums continue to be released as recently as 2016.
Quiet Village: The Exotic Sounds of Martin Denny is the eighth studio album by Martin Denny. Released in the summer of 1959, the monophonic version of the album reached No. 21 on the Billboard monophonic album chart in November 1959, and the stereophonic version reached No. 12 on the magazine's stereophonic album chart in January 1960.
Forbidden Island was the third album by Martin Denny. The album was produced in March 1958 at the Liberty Studios in Hollywood, following the group's nine-month gig performing at Don the Beachcomber's Bora Bora Lounge in Hawaii. Forbidden Island was Denny's first album to be recorded and released after vibraphonist Arthur Lyman left the group to pursue his own solo career. The album includes four original compositions by Denny: "Cobra", "Exotica", "Primitiva", and "Forbidden Island".
Technicolor Paradise: Rhum Rhapsodies & Other Exotic Delights is a 2018 compilation album of exotica music released by music label The Numero Group.
