Jazz royalty is a term encompassing the many jazz musicians who have been termed as exceptionally musically gifted and informally granted honorific, "aristocratic" or "royal" titles as nicknames. [1] The practice of affixing honorific titles to the names of jazz musicians goes back to New Orleans at the start of the 20th century, before the genre was commonly known as "jazz".
In New York City in the 1920s, Paul Whiteman was billed as the "King of Jazz". His popular band with many hit records arguably played more jazz-influenced popular music than jazz per se, but to the dismay of many later jazz fans, Whiteman's self-conferred moniker stuck, and a film The King of Jazz starring Whiteman and his band appeared in 1930. The "King of Jazz" title was a publicity stunt in 1923 by an instrument manufacturer that Whiteman endorsed. [2]
Charles Joseph "Buddy" Bolden was an American cornetist who was regarded by contemporaries as a key figure in the development of a New Orleans style of ragtime music, or "jass", which later came to be known as jazz.
Harry "Sweets" Edison was an American jazz trumpeter and a member of the Count Basie Orchestra. His most important contribution was as a Hollywood studio musician, whose muted trumpet can be heard backing singers, most notably Frank Sinatra.
The Count Basie Orchestra is a 16- to 18-piece big band, one of the most prominent jazz performing groups of the swing era, founded by Count Basie in 1935 and recording regularly from 1936. Despite a brief disbandment at the beginning of the 1950s, the band survived long past the big band era itself and the death of Basie in 1984. It continues under the direction of trumpeter Scotty Barnhart.
Jazz at Santa Monica '72 is a 1972 live album by the American jazz singer Ella Fitzgerald, recorded at the Santa Monica Civic Auditorium accompanied by a jazz trio led by the pianist Tommy Flanagan, and the Count Basie Orchestra.
Discography for jazz double-bassist and cellist Ray Brown.
"Satin Doll" is a jazz standard written by Duke Ellington and Billy Strayhorn with lyrics by Johnny Mercer. Written in 1953, the song has been recorded by Ella Fitzgerald, Carmen McRae, Billy Eckstine, Nancy Wilson, Bobby Short, and many other vocalists. As an instrumental, it has been recorded by hundreds of jazz artists. Its chord progression is well known for its unusual use of chords and opening with a ii-V-I turnaround.
"Somebody Loves Me" is a popular song, with music written by George Gershwin, and lyrics by Ballard MacDonald and Buddy DeSylva. The song was published in 1924 and featured in George White's Scandals of 1924.
Alvin Stoller was an American jazz drummer. Though he seems to have been largely forgotten, he was held in high regard in the 1940s and 1950s. He was best known for playing drums on both Mitch Miller's recording of "The Yellow Rose of Texas" and Stan Freberg's parody of Miller's recording.
Bobby Durham was an American jazz drummer.
Joseph Christopher Columbus Morris, better known as Crazy Chris Columbo or just Chris Columbo, was an American jazz drummer. He was sometimes credited as Joe Morris on record, though he is no relation to free jazz guitarist Joe Morris or trumpeter Joe Morris.
Chronological Classics was a French compact disc reissue label. Gilles Pétard, the original owner, intended to release the complete master takes of all jazz and swing recordings that were issued on 78 rpm. By the time the label suspended operations in July 2008, its scope had extended to LPs.
"Just You, Just Me" is a song from the 1929 musical film Marianne, composed by Jesse Greer with lyrics by Raymond Klages. It was introduced by Marion Davies and Lawrence Gray. The song has had many revisions after its first appearance and has become a jazz standard, having been recorded instrumentally by Red Norvo, Stan Tracey, Oscar Peterson and Lester Young, Buddy Rich, Artie Shaw, Les Paul, Benny Carter, Buddy Bregman, Tex Beneke, Coleman Hawkins, Harry James, Erroll Garner, Benny Goodman, Earl Hines, Joe Pass, Buddy Tate and Abdullah Ibrahim, Les Brown, Bill Evans, Bill Coleman and Duke Ellington.
JAZZ: The Smithsonian Anthology is a six-CD, box-set released by Smithsonian Folkways that covers the history of jazz. The set includes 111 tracks with representative works from many styles, including big band, dixieland, free jazz, fusion, Latin jazz, swing, and smooth jazz. An accompanying 200-page book includes essays, analysis, and photographs.
The Greatest Jazz Concert in the World is a 1967 live album featuring Duke Ellington and his orchestra, Ella Fitzgerald, Oscar Peterson, T-Bone Walker, Coleman Hawkins, Clark Terry and Zoot Sims. It was released in 1975.
The collaborations between Ella Fitzgerald and Louis Armstrong have attracted much attention over the years. The artists were both widely known icons not just in the areas of big band, jazz, and swing music but across 20th century popular music in general. The two African-American musicians produced three official releases together in Ella and Louis (1956), Ella and Louis Again (1957), and Porgy and Bess (1959). Each release earned both commercial and critical success. As well, tracks related to those albums have also appeared in various forms in multi-artist collections and other such records.
The Drum Battle – Gene Krupa and Buddy Rich at JATP is a 1960 live album by drummers Gene Krupa and Buddy Rich, recorded at a Jazz at the Philharmonic concert at Carnegie Hall in 1952.
The Big Band and Jazz Hall of Fame is part of a US-based non-profit organization that began operations in 1978 and continues to the present (2022) in San Diego County, California. David Larkin is current president.
The well-tended Prince of Darkness persona is gone this way
Duke Ellington referred to him as 'Maharajah of the keyboard'
{{cite book}}: CS1 maint: date and year (link)| General topics | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Genres |
| ||||||||||||||||
| Musicians | |||||||||||||||||
| Musicians by genre | |||||||||||||||||
| Standards | |||||||||||||||||
| Discographies | |||||||||||||||||
| Festivals | |||||||||||||||||
| Culture | |||||||||||||||||
| Regional scenes |
| ||||||||||||||||
| History | |||||||||||||||||
| Related | |||||||||||||||||
| Media | |||||||||||||||||
