Vocal jazz

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Vocal jazz or jazz singing is an instrumental approach to jazz using the voice. Similar to a cappella, it utilizes vocal arrangements to create sounds forming music, rather than relying on traditional musical instruments.

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Vocal jazz emerged in the early twentieth century, with its roots in Blues. Popular blues singers such as Bessie Smith and Ma Rainey had a great deal of influence of jazz vocalists such as Billie Holiday. [1] Other characteristics of vocal jazz such as scat singing came out of the New Orleans jazz tradition. Louis Armstrong's 1926 recording of "Heebie Jeebies" is often cited as the first modern song to employ scatting. [2] This later evolved into the complex vocal improvisation of the bop era that was adopted by Anita O'Day, Sarah Vaughan, Betty Carter, and Dizzy Gillespie. [3] The Boswell Sisters were a vocal jazz trio originating from New Orleans that help popularize vocal jazz music among the general American public during the 1930s. [4]

Repertoire of vocal jazz typically includes the music of the Great American Songbook, however contemporary popular music is now often arranged for vocal jazz ensembles in addition to original music. Such arrangements/original music typically employ the harmonic language of jazz, improvisation, and rhythms derived from the syncretized music of West Africa, African-Americans, and European Art Music traditions. This includes swing music, as well as Latin jazz, jazz fusion, and rhythm and blues. [5]

Technical characteristics of vocal jazz include diction based on vernacular rather than formal speech patterns. Legato and vibrato are also not constants in the articulation of vocal jazz. [6] Vocal jazz often uses microphone amplification and singers are accompanied by a rhythm section (piano, bass, drums, and guitar) and sometimes vocal percussion. [4]

History

Early in the twentieth century, jazz began developing as a musical movement. [7] Jazz singing, or vocal jazz, was the last of four innately American musical conceptions to develop, along with instrumental jazz, the blues, and Tin Pan Alley songwriting. [7]

While vocal jazz emerged during the early twentieth century, it was the turn of the 21st century where jazz fans began to accept the broader definition of vocal jazz. [7]

See also

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Jazz improvisation

Jazz improvisation is the spontaneous invention of melodic solo lines or accompaniment parts in a performance of jazz music. It is one of the defining elements of jazz. Improvisation is composing on the spot, when a singer or instrumentalist invents melodies and lines over a chord progression played by rhythm section instruments and accompanied by drums. Although blues, rock, and other genres use improvisation, it is done over relatively simple chord progressions which often remain in one key.

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Non-lexical vocables, which may be mixed with meaningful text, are a form of nonsense syllable used in a wide variety of music. Common English examples would be "la la la", "na na na" or "da da da".

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This is a list of jazz and popular music terms that are likely to be encountered in printed popular music songbooks, fake books and vocal scores, big band scores, jazz, and rock concert reviews, and album liner notes. This glossary includes terms for musical instruments, playing or singing techniques, amplifiers, effects units, sound reinforcement equipment, and recording gear and techniques which are widely used in jazz and popular music. Most of the terms are in English, but in some cases, terms from other languages are encountered.

Outline of jazz Overview of and topical guide to jazz

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Early Jazz: Its Roots and Musical Development, by Gunther Schuller, is a seminal study of jazz from its origins through the early 1930s, first published in 1968. It has since been translated into five languages. When it was published, it was the first volume of a projected two volume history of jazz through the Swing era. The book takes an enthusiastic tone to its subject. A notable feature of the series is transcriptions of jazz performances, which increase its value for the musically literate.

References

  1. "Bessie Smith Biography: Controversy". SparkNotes. Retrieved 2022-04-16.
  2. Crowther, Bruce; Pinfold, Mike (1997). Singing Jazz. Miller Freeman Books. ISBN   0-87930-519-3.
  3. Robinson, J. Bradford (2007). Scat Singing. The New Grove Dictionary of Music and Musicians.
  4. 1 2 Moline, Lara Marie (2019). "Vocal Jazz in the Choral Classroom: A Pedagogical Study". Dissertations. University of Northern Colorado. 576 via Digital UNC.
  5. Amerind, Gregory (November 2013). "The Collegiate Vocal Jazz Ensemble: An Historical and Current Perspective on the Development, Current State, And Future Direction of the Genre" (PDF). Arizona State University.{{cite journal}}: Cite journal requires |journal= (help)
  6. Spradling, Diana; Binek, Justin (June 2015). "PEDAGOGY FOR THE JAZZ SINGER". The Choral Journal. American Choral Directors Association. 55 (11): 6–17 via JSTOR.
  7. 1 2 3 Jazz, All About (2015-04-21). "Vocal Jazz: 1917-1950 article @ All About Jazz". All About Jazz. Retrieved 2022-07-08.