Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes tunes written in or after the 1950s that are considered standards by at least one major fake book publication or reference work.
The jazz fusion movement fused jazz with other musical styles, most famously funk and rock. Its golden age was from the late 1960s to the mid-1970s. Top fusion artists, such as Weather Report, Return to Forever, Herbie Hancock and the Mahavishnu Orchestra, achieved cross-over popularity, although public interest in the genre faded at the turn of the 1980s. Fusion's biggest hits, Hancock's "Chameleon" (1973) and Joe Zawinul's "Birdland" (1977), have been covered numerous times thereafter and are sometimes considered modern jazz standards.
1965 – "The Gift!" (a.k.a. "Recado Bossa Nova").[2][158] Composed by Djalma Ferreira, with lyrics by Luiz Antônio (Portuguese) Paul Francis Webster (English).
↑ See page 20 of the Fall 1993 issue of Letter from Evans (http://www2.selu.edu/orgs/34skid/html/23.pdf) where Earl Zindars says "I know that it is [100-percent Bill's] because he wrote it over at my pad where I was staying in East Harlem, 5th floor walkup, and he stayed until 3 o'clock in the morning playing these six bars over and over."
↑ https://www.npr.org/2010/10/08/92185496/bill-evans-on-piano-jazz 35m30s, On being asked about the issue by the interviewer (Marian McPartland), Evans said "The truth is I did [write the music]... I don't want to make a federal case out of it, the music exists, and Miles is getting the royalties"
↑ Desafinado at jazzstandards.com, retrieved on February 20, 2009
Bossa nova is a relaxed style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a calm syncopated rhythm with chords and fingerstyle mimicking the beat of a samba groove, as if it was a simplification and stylization on the guitar of the rhythm produced by a samba school band. Another defining characteristic of the style is the use of unconventional chords in some cases with complex progressions and "ambiguous" harmonies. A common misconception is that these complex chords and harmonies were derived from jazz, but samba guitar players have been using similar arrangement structures since the early 1920s, indicating a case of parallel evolution of styles rather than a simple transference from jazz to bossa nova. Nevertheless bossa nova was influenced by jazz, both in the harmonies used and also by the instrumentation of songs, today many bossa nova songs are considered jazz standards. The increase in popularity of bossa nova has helped to renew samba and contributed to the modernization of Brazilian music in general.
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications and jazz reference works offer a rough guide to which songs are considered standards.
Antônio Carlos Brasileiro de Almeida Jobim, also known as Tom Jobim, was a Brazilian composer, pianist, guitarist, songwriter, arranger, and singer. Considered as one of the great exponents of Brazilian music, Jobim merged Samba with Cool jazz in the 1960s to create Bossa nova, with worldwide success. As a result, he is widely regarded as the "father of bossa nova".
Getz/Gilberto is an album by American saxophonist Stan Getz and Brazilian guitarist João Gilberto, featuring pianist and composer Antônio Carlos Jobim, who also composed many of the tracks. It was released in March 1964 by Verve Records. The album features the vocals of Astrud Gilberto on two tracks, "Garota de Ipanema" and "Corcovado". The artwork was done by artist Olga Albizu. Getz/Gilberto is a jazz and bossa nova album and includes tracks such as "Desafinado", "Corcovado", and "Garota de Ipanema". The last received a Grammy Award for Record of the Year and started Astrud Gilberto's career. "Doralice" and "Para Machucar Meu Coração" strengthened Gilberto's and Jobim's respect for the tradition of pre-bossa nova samba.
Ella Abraça Jobim or Ella Fitzgerald Sings the Antonio Carlos Jobim Songbook is a 1981 studio album by Ella Fitzgerald, devoted to the songs of Antônio Carlos Jobim.
Norman Gimbel was an American lyricist and songwriter of popular songs and themes to television shows and films. He wrote the lyrics for songs including "Ready to Take a Chance Again" and "Canadian Sunset". He also co-wrote "Killing Me Softly With His Song". He wrote English-language lyrics for many international hits, including "Sway", "Summer Samba", "The Girl from Ipanema", "How Insensitive", "Drinking-Water", "Meditation", "I Will Wait for You" and "Watch What Happens". Of the movie themes he co-wrote, five were nominated for Academy Awards and/or Golden Globe Awards, including "It Goes Like It Goes", from the film Norma Rae, which won the Academy Award for Best Original Song for 1979. Gimbel was inducted into the Songwriters Hall of Fame in 1984.
The Composer of Desafinado, Plays is the first album by Antônio Carlos Jobim. Released in 1963, the album features a dozen instrumentals arranged by Claus Ogerman, whose work would mark the beginning of a lifelong musical relationship with Jobim. Of these twelve songs, nearly all of them are jazz standards. The opening track "The Girl from Ipanema" is believed to be the second most recorded song in history behind The Beatles' "Yesterday," and a recording of the song by Astrud Gilberto and Stan Getz became a worldwide hit in 1964.
"Desafinado" is a 1959 bossa nova song and jazz standard composed by Antônio Carlos Jobim with lyrics by Newton Mendonça.
"How Insensitive" is a bossa nova and jazz standard song composed by Brazilian musician Antônio Carlos Jobim. The original lyrics are by Vinícius de Moraes ; an English version was written by Norman Gimbel. Jobim recorded the song in 1994 with Sting on lead vocals for his album Antônio Brasileiro.
"Meditation" is a bossa nova and jazz standard song composed by Antônio Carlos Jobim and Newton Mendonça. The English version has lyrics by Norman Gimbel. In Finland, the song was recorded in 1963 by Olavi Virta with lyrics by Sauki under the title "Hymy, flower and love". Erkki Liikanen recorded the song in 1967 with lyrics by Aarno Raninen under the title "Taas on hiljaisuus".
"Samba de uma Nota Só", known in English as "One Note Samba", is a bossa nova and jazz standard song composed by Antônio Carlos Jobim with Portuguese lyrics by Newton Mendonça. The English lyrics were written by Jon Hendricks. It was first recorded by João Gilberto in 1960 for his album O Amor, o Sorriso e a Flor.
Double Rainbow: The Music of Antonio Carlos Jobim is a 1995 album by jazz saxophonist Joe Henderson, released on Verve Records. It contains Henderson's arrangements of music by Brazilian composer Antonio Carlos Jobim.
In the late 1960s, Latin jazz, combining rhythms from African and Latin American countries, often played on instruments such as conga, timbale, güiro, and claves, with jazz and classical harmonies played on typical jazz instruments broke through. There are two main varieties: Afro-Cuban jazz was played in the US right after the bebop period, while Brazilian jazz became more popular in the 1960s. Afro-Cuban jazz began as a movement in the mid-1950s as bebop musicians such as Dizzy Gillespie and Billy Taylor started Afro-Cuban bands influenced by such Cuban and Puerto Rican musicians as Xavier Cugat, Tito Puente, and Arturo Sandoval. Brazilian jazz such as bossa nova is derived from samba, with influences from jazz and other 20th-century classical and popular music styles. Bossa is generally moderately paced, with melodies sung in Portuguese or English. The style was pioneered by Brazilians João Gilberto and Antônio Carlos Jobim. The related term jazz-samba describes an adaptation of bossa nova compositions to the jazz idiom by American performers such as Stan Getz and Charlie Byrd.
By the end of the 1940s, the nervous energy and tension of bebop was replaced with a tendency towards calm and smoothness, with the sounds of cool jazz, which favoured long, linear melodic lines. It emerged in New York City, as a result of the mixture of the styles of predominantly white swing jazz musicians and predominantly black bebop musicians, and it dominated jazz in the first half of the 1950s. The starting point were a series of singles on Capitol Records in 1949 and 1950 of a nonet led by trumpeter Miles Davis, collected and released first on a ten-inch and later a twelve-inch as the Birth of the Cool. Cool jazz recordings by Chet Baker, Dave Brubeck, Bill Evans, Gil Evans, Stan Getz and the Modern Jazz Quartet usually have a "lighter" sound which avoided the aggressive tempos and harmonic abstraction of bebop. Cool jazz later became strongly identified with the West Coast jazz scene, but also had a particular resonance in Europe, especially Scandinavia, with emergence of such major figures as baritone saxophonist Lars Gullin and pianist Bengt Hallberg. The theoretical underpinnings of cool jazz were set out by the blind Chicago pianist Lennie Tristano, and its influence stretches into such later developments as Bossa nova, modal jazz, and even free jazz. See also the list of cool jazz and West Coast musicians for further detail.
This is a list of published recordings of Antônio Carlos Jobim.
"Once I Loved" is a bossa nova and jazz standard song composed in 1960 by Antônio Carlos Jobim, with lyrics by Vinícius de Moraes. Words in English were later added by Ray Gilbert. In a few early cases, the song was also known as, a translation into English of the original Portuguese title.
"Só Danço Samba" is a bossa nova song composed in 1962 by Antônio Carlos Jobim, with lyrics by Vinicius de Moraes. English lyrics were later written by Norman Gimbel. On occasion, it has also been known as "Jazz Samba" and "I Only Dance Samba", an English translation of the original Portuguese title.
"Ela é Carioca" is a bossa nova song composed in 1963 by Antônio Carlos Jobim, with Portuguese lyrics by Vinícius de Moraes. English lyrics were written by Ray Gilbert. The song is sometimes titled "Ele é Carioca ."
"O Morro Não Tem Vez", also known as "Favela", "O Morro", and "Somewhere in the Hills", is a bossa nova jazz standard composed by Antônio Carlos Jobim with lyrics written by Vinicius de Moraes. The English lyrics were written by Ray Gilbert.
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