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"Airegin" is a jazz standard [1] composed by American jazz saxophonist Sonny Rollins in 1954. Rollins chose the name "Airegin", as it is an anadrome of "Nigeria".
| | This article needs additional citations for verification .(April 2013) |
"Airegin" is a jazz standard [1] composed by American jazz saxophonist Sonny Rollins in 1954. Rollins chose the name "Airegin", as it is an anadrome of "Nigeria".
"Airegin" was first recorded in 1954 by the Miles Davis Quintet [1] [2] and released in the US on the 10" LP Miles Davis with Sonny Rollins . The personnel on that recording was Davis (trumpet), Sonny Rollins (tenor saxophone), Horace Silver (piano), Percy Heath (bass), and Kenny Clarke (drums). [3]
It was recorded again by Davis' quintet in 1956 on their album Cookin' with The Miles Davis Quintet . Guitarist Wes Montgomery released a version in 1960 on his album The Incredible Jazz Guitar of Wes Montgomery (also with Percy Heath on bass). [2] Jazz guitarist Grant Green released a version on his album Nigeria , which was recorded in 1962 but not released until 1980.
A version with lyrics composed by Jon Hendricks appeared on the 1958 Lambert, Hendricks & Ross album The Swingers! and the 1985 Manhattan Transfer album Vocalese . It was also covered by Hubert Laws, featuring session drummer Steve Gadd playing a very fast samba pattern behind Laws' piccolo. Maynard Ferguson recorded this composition twice: first, a version where he played an overdubbed three-way solo with himself on his 1964 album Color Him Wild, and second, on his 1977 release, New Vintage. [2] An organ-driven hard bop version was recorded by Sonny Stitt and Don Patterson on their 1969 Prestige album Funk You!
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Clifford Benjamin Brown was an American jazz trumpeter and composer. He died at the age of 25 in a car accident, leaving behind four years' worth of recordings. His compositions "Sandu", "Joy Spring", and "Daahoud" have become jazz standards. Brown won the DownBeat magazine Critics' Poll for New Star of the Year in 1954; he was inducted into the DownBeat Hall of Fame in 1972.
Walter Theodore "Sonny" Rollins is an American jazz tenor saxophonist who is widely recognized as one of the most important and influential jazz musicians. In a seven-decade career, he has recorded over sixty albums as a leader. A number of his compositions, including "St. Thomas", "Oleo", "Doxy", "Pent-Up House", and "Airegin", have become jazz standards. Rollins has been called "the greatest living improviser" and the "Saxophone Colossus".
Percy Heath was an American jazz bassist, brother of saxophonist Jimmy Heath and drummer Albert Heath, with whom he formed the Heath Brothers in 1975. Heath played with the Modern Jazz Quartet throughout their long history and also worked with Miles Davis, Dizzy Gillespie, Charlie Parker, Wes Montgomery, and Thelonious Monk.
The Incredible Jazz Guitar of Wes Montgomery is an album by the American jazz guitarist Wes Montgomery. Most of its tracks exemplify two of Montgomery's distinguishing techniques: "thumb picking" and the use of octaves.
Bags' Groove is a jazz album by Miles Davis, released in 1957 by Prestige Records, compiling material from two 10" LPs recorded in 1954, plus two alternative takes.
Miles Davis and Milt Jackson Quintet/Sextet, also known as Quintet/Sextet is a studio album by trumpeter Miles Davis and vibraphonist Milt Jackson released by Prestige Records in August of 1956. It was recorded on August 5, 1955. Credited to "Miles Davis and Milt Jackson", this was an "all-star" session, and did not feature any of the members of Davis's working group of that time. Alto saxophonist Jackie McLean appears on his own compositions “Dr. Jackle” and “Minor Apprehension”.
"Doxy" is an early composition by jazz saxophonist Sonny Rollins. It was originally recorded by Rollins with Miles Davis in 1954, and appeared on the 10-inch LP Miles Davis with Sonny Rollins. It was also included on the 1957 Davis album Bags' Groove. The original recording features Davis on trumpet, Rollins on tenor saxophone, Horace Silver on piano, Percy Heath on bass, and Kenny Clarke on drums. When Rollins eventually established his own record label, he named it Doxy Records. The chords are from Bob Carleton's 16-bar song "Ja-Da".
The Miles Davis Quintet was an American jazz band from 1955 to early 1969 led by Miles Davis. The quintet underwent frequent personnel changes toward its metamorphosis into a different ensemble in 1969. Most references pertain to two distinct and relatively stable bands: the First Great Quintet from 1955 to 1959; and the Second Great Quintet from late 1964 to early 1969, Davis being the only constant throughout.
Blue Period is the third studio album by jazz musician Miles Davis. It was released in 1953 as a 10" LP, his second released by Prestige Records, recorded over the course of two 1951 recording sessions at New York's Apex Studio.
Collectors' Items is a 1956 studio album by Miles Davis. There are two sessions collected on the album with largely different musicians. The first 1953 session is "Compulsion", "The Serpent's Tooth" and "'Round About Midnight". The second 1956 session is "In Your Own Sweet Way", "Vierd Blues" and "No Line". The personnel for the first session were Davis, Sonny Rollins and Charlie Parker on tenor sax, Walter Bishop on piano, Percy Heath on bass and Philly Joe Jones on drums. For the second session, the tenor sax was Rollins alone, the piano was Tommy Flanagan, the bass Paul Chambers and Art Taylor on drums.
"Bags' Groove" is a jazz composition by Milt Jackson. It was first recorded by the Milt Jackson Quintet on April 7, 1952 for Blue Note Records, later released on Wizard of the Vibes. Lou Donaldson, John Lewis, Percy Heath and Kenny Clarke were on that date. Next was the Mat Mathews quintet with Herbie Mann, Bud Powell, Mat Mathews again, a bootleg version by the MJQ, the Lighthouse All-Stars, bassist Buddy Banks' quartet and then Jay Jay Johnson and Kai Winding. Other important recordings include those by Ray Bryant, Oscar Peterson, Al Haig, George Russell, Mal Waldron.
Sonny Rollins with the Modern Jazz Quartet is a 1956 compilation album by jazz saxophonist Sonny Rollins, featuring his earliest recordings for the Prestige label under his leadership, including four tracks performed by Rollins with the Modern Jazz Quartet, eight tracks where Kenny Drew and Art Blakey replace Lewis, Jackson, and Clarke, and one track with Miles Davis on piano.
Moving Out is an album by jazz saxophonist Sonny Rollins. This was his second for Prestige Records, featuring Kenny Dorham, Elmo Hope, Percy Heath, and Art Blakey, and one track with Thelonious Monk, Tommy Potter, and Art Taylor. The first 4 tracks had originally appeared on as the 10-inch LP Sonny Rollins Quintet Featuring Kenny Dorham, and the final track had appeared on the 10-inch LP Sonny Rollins and Thelonious Monk.
Monk is a 1956 compilation album by jazz pianist and composer Thelonious Monk, featuring material recorded from 1953 to 1954 for the Prestige label and performed by Monk with two quintets, one featuring Julius Watkins, Sonny Rollins, Percy Heath, and Willie Jones and one featuring Ray Copeland, Frank Foster, Curly Russell, and Art Blakey. It was originally titled both Thelonious Monk [on its 1956 cover] and Thelonious Monk Quintets [on its labels]. Over the following decade, it was also re-released as Wee See and The Golden Monk The most common cover art, is 1958 revision, designed by Reid Miles.
Thelonious Monk and Sonny Rollins is a compilation album by jazz pianist and composer Thelonious Monk and saxophonist Sonny Rollins released in 1956 by Prestige Records. The tracks on it was recorded in three sessions between 1953 and 1954. While this is its original title, and its most consistent title in its digital re-releases, it was also released on Prestige as Work! and The Genius Of Thelonious Monk, with alternate covers.
By the end of the 1940s, the nervous energy and tension of bebop was replaced with a tendency towards calm and smoothness, with the sounds of cool jazz, which favoured long, linear melodic lines. It emerged in New York City, as a result of the mixture of the styles of predominantly white swing jazz musicians and predominantly black bebop musicians, and it dominated jazz in the first half of the 1950s. The starting point were a series of singles on Capitol Records in 1949 and 1950 of a nonet led by trumpeter Miles Davis, collected and released first on a ten-inch and later a twelve-inch as the Birth of the Cool. Cool jazz recordings by Chet Baker, Dave Brubeck, Bill Evans, Gil Evans, Stan Getz and the Modern Jazz Quartet usually have a "lighter" sound which avoided the aggressive tempos and harmonic abstraction of bebop. Cool jazz later became strongly identified with the West Coast jazz scene, but also had a particular resonance in Europe, especially Scandinavia, with emergence of such major figures as baritone saxophonist Lars Gullin and pianist Bengt Hallberg. The theoretical underpinnings of cool jazz were set out by the blind Chicago pianist Lennie Tristano, and its influence stretches into such later developments as Bossa nova, modal jazz, and even free jazz. See also the list of cool jazz and West Coast musicians for further detail.
The Complete Quartets With Sonny Clark is a 1997 compilation album by jazz guitarist Grant Green, collecting together all the tracks from a series of albums he recorded with pianist Sonny Clark in 1961 and '62.
"Four" is a 1954 jazz standard. It was first recorded in 1954 by jazz trumpeter Miles Davis and released on his album Miles Davis Quartet. It is a 32-bar ABAC form.
"In Your Own Sweet Way" is a 1955 jazz standard, and one of the most famous compositions by Dave Brubeck. It was written around 1952, but its copyright notice was dated 1955. Brubeck's wife Iola, for whom the song was written, later wrote a lyric for the song, which led to singers such as Carmen McRae recording it. Although an earlier live recording is known, "In Your Own Sweet Way" was first released on Brubeck's 1956 studio album Brubeck Plays Brubeck.
Miles Davis with Sonny Rollins is a 1954 10 inch LP album by Miles Davis, released by Prestige Records. The four tracks on this LP, along with a second take of "But Not For Me", were recorded at Rudy Van Gelder's Studio, Hackensack, New Jersey, on June 29, 1954.
