The Incredible Jazz Guitar of Wes Montgomery | ||||
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Studio album by | ||||
Released | April 1960 [1] | |||
Recorded | January 26 & 28, 1960 | |||
Studio | Reeves Sound Studios, New York City | |||
Genre | Jazz | |||
Length | 44:04 | |||
Label | Riverside/OJC | |||
Producer | Orrin Keepnews | |||
Wes Montgomery chronology | ||||
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The Incredible Jazz Guitar of Wes Montgomery is an album by the American jazz guitarist Wes Montgomery. Most of its tracks exemplify two of Montgomery's distinguishing techniques: "thumb picking" and the use of octaves.
In 2017, the album was selected for the National Recording Registry by the Library of Congress as "culturally, historically, or artistically significant." [2] [3]
Review scores | |
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Source | Rating |
All About Jazz | [4] |
AllMusic | [5] |
The Penguin Guide to Jazz | [6] |
The album is considered by many fans and critics to be the pinnacle of Montgomery's recorded studio work. The Penguin Guide to Jazz selected it as part of its suggested "Core Collection". [6]
AllMusic critic Michael G. Nastos praised the album, writing: "Setting him apart from the rest, this recording established Montgomery as the most formidable modern guitarist of the era, and eventually its most influential...Montgomery is clearly talented beyond convention, consistently brilliant, and indeed incredible in the company of his sidemen, and this recording—an essential addition to every jazz guitarist fan's collection—put him on the map." [5]
Of the CD reissue, critic Chris May of All About Jazz wrote: "The Incredible Jazz Guitar burst onto the US scene in 1960 like a benign hurricane, and it still sounds like a gale almost 50 years later... Montgomery—empathetically accompanied by pianist Tommy Flanagan, bassist Percy Heath (then riding high with the Modern Jazz Quartet), and drummer Albert Heath—makes the guitar sound like it never had before. It has sounded similar since, of course, thanks to the legion of Montgomery-influenced players, but rarely so close to perfection.... The Incredible Jazz Guitar endures, and will continue to do so." [4]
Riverside RLP 12-320, RLP 1169; Fantasy OJC 036, OJCCD 036-2
Musicians
Production
John Leslie "Wes" Montgomery was an American jazz guitarist. Montgomery was known for his unusual technique of plucking the strings with the side of his thumb, and for his extensive use of octaves, which gave him a distinctive sound.
Percy Heath was an American jazz bassist, brother of saxophonist Jimmy Heath and drummer Albert Heath, with whom he formed the Heath Brothers in 1975. Heath played with the Modern Jazz Quartet throughout their long history and also worked with Miles Davis, Dizzy Gillespie, Charlie Parker, Wes Montgomery, Thelonious Monk and Lee Konitz.
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The Cats is an album by jazz pianist Tommy Flanagan recorded on April 18, 1957 and released in December 1959 on New Jazz, a subsidiary label of Prestige Records. It is credited to Flanagan, saxophonist John Coltrane, guitarist Kenny Burrell, and trumpeter Idrees Sulieman. It was issued after Coltrane's Prestige contract had ended.
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The Complete Riverside Recordings is a box set of American jazz guitarist Wes Montgomery's early recordings on the Riverside label. It is a twelve-CD box set and was released in 1992. It contains 157 songs and includes 15 previously unissued performances, six re-edited versions of previously issued numbers and 29 alternate takes. The extensive liner notes by producer Orrin Keepnews and Jim Ferguson, session notes, and photographs. Keepnews and Ferguson received a Grammy Award nomination for Best Album Notes.
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Guitar on the Go is an album by American jazz guitarist Wes Montgomery that released in 1966. It includes tracks recorded in 1959 and October and November 1963. The album was Montgomery's last for Riverside before signing with Verve.
Fingerpickin' is an album by the American jazz guitarist Wes Montgomery.
Work Song is an album by jazz cornetist Nat Adderley, recorded in January 1960 and released on the Riverside label. It features Adderley with Bobby Timmons, Wes Montgomery, Sam Jones, Percy Heath, Keter Betts and Louis Hayes in various combinations from a trio to a sextet, with the unusual sound of pizzicato cello to the fore on some tracks.
Far Wes is a reissue of Montgomeryland, a 1958 album by the American jazz group the Montgomery Brothers, including guitarist Wes Montgomery.
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Bags & Flutes is an album by American jazz vibraphonist Milt Jackson featuring performances recorded in 1957 and released on the Atlantic label.
East to Wes is a studio album by the jazz guitarist Emily Remler. She was accompanied by the pianist Hank Jones, who had played on Firefly (1981), her first record, the double bass player Buster Williams and the drummer Marvin "Smitty" Smith.
Gemini is an album by American jazz guitarist and flutist Les Spann released in 1961. It is Spann's only studio album as a leader, recorded when he was playing as a sideman with Dizzy Gillespie's quintet and Quincy Jones' big band. The title of the album corresponds to Spann's zodiac sign, born on May 23, 1932. For this work Spann led a quintet formed by Julius Watkins, Tommy Flanagan (piano), Sam Jones and two drummers sharing the two recording dates, Albert "Tootie" Heath and Louis Hayes.