| Blues for Dracula | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1958 | |||
| Recorded | September 17, 1958 New York City | |||
| Genre | Jazz | |||
| Length | 42:31 | |||
| Label | Riverside RLP 12-282 | |||
| Producer | Orrin Keepnews | |||
| Philly Joe Jones chronology | ||||
| ||||
Blues for Dracula is the debut album by American jazz drummer Philly Joe Jones which was recorded in 1958 for the Riverside label. [1]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |    [2] |
| The Rolling Stone Jazz Record Guide | [3] |
| The Penguin Guide to Jazz Recordings | [4] |
The Allmusic review by Scott Yanow described it as a "worthwhile but not overly essential release". [2] It features Jones's vocal impersonation of Bela Lugosi. [5] The album "became an instant classic thanks to the title track." [6]
Virtuoso No. 2 is an album by jazz guitarist Joe Pass, released in 1976.
Live at Long Beach City College (reissued in 1998 as Blues Dues (Live at Long Beach City College)) is an album by jazz guitarist Joe Pass, recorded in 1984.
Chops is an album by the American jazz guitarist Joe Pass and double bassist Niels-Henning Ørsted Pedersen that was released in 1979.
Trouble in Mind is a studio album by American jazz saxophonist Archie Shepp and pianist Horace Parlan, featuring performances recorded in 1980 and released on the Danish-based SteepleChase label. The album consists mainly of early and traditional blues and follows up to their 1977 album of duets on spirituals Goin' Home.
Big 6 is the debut album by American trumpeter Blue Mitchell recorded in 1958 and released on the Riverside label. It contains the first recording of Benny Golson's jazz standard "Blues March".
More Blues and the Abstract Truth is an album by American jazz composer, conductor and arranger Oliver Nelson featuring performances recorded in 1964 for the Impulse! label.
Way Out! is an album by jazz saxophonist Johnny Griffin, released on the Riverside label in 1958.
The Tenor Scene is a live album by saxophonists Eddie "Lockjaw" Davis and Johnny Griffin recorded at Minton's Playhouse in 1961 and released on the Prestige label.
'Round Midnight is an album by guitarist Kenny Burrell recorded in 1972 and released on the Fantasy label.
Pairing Off is an album by saxophonist Phil Woods' Septet recorded in 1956 and released on the Prestige label.
Serenade to a Bus Seat is an album by American jazz trumpeter Clark Terry featuring tracks recorded in 1957 for the Riverside label.
The Right Combination is the debut album by American jazz pianist Joe Albany featuring saxophonist Warne Marsh which was recorded in 1957 for the Riverside label.
Kyoto is an album by Art Blakey's Jazz Messengers, recorded in 1964 and released on the Riverside label.
Showcase is the third album led by American jazz drummer Philly Joe Jones which was recorded in 1959 for the Riverside label.
That's How I Love the Blues! is an album by American jazz vocalist Mark Murphy featuring tracks recorded in late 1962 for the Riverside label.
Eastward Ho! Harold Land in New York is an album by American saxophonist Harold Land recorded in late 1960 and released on the Jazzland label.
Jammin' with Gene is an album by saxophonist Gene Ammons recorded in 1956 and released on the Prestige label.
Jug & Dodo is a 1972 double album featuring pianist Dodo Marmarosa and saxophonist Gene Ammons. It was recorded in 1962, but was not released until ten years later, on the Prestige label.
The Boss Is Back! is an album by saxophonist Gene Ammons recorded in 1969 and released on the Prestige label.
Tangerine is an album by saxophonist Dexter Gordon which was recorded in 1972 and released on the Prestige label.
