Quiet Kenny | ||||
---|---|---|---|---|
Studio album by | ||||
Released | February 1960 [1] | |||
Recorded | November 13, 1959 Van Gelder Studio, Englewood Cliffs | |||
Genre | Jazz, hard bop | |||
Length | 42:13 | |||
Label | New Jazz | |||
Producer | Esmond Edwards | |||
Kenny Dorham chronology | ||||
|
Quiet Kenny is an album by the American jazz trumpeter Kenny Dorham of performances recorded in 1959 and released on the New Jazz label. [2] The album features Dorham's own composition "Lotus Blossom", which was earlier recorded by Sonny Rollins under the title "Asiatic Raes". The tune has been recorded under both titles subsequently. ("Lotus Blossom" is not to be confused with either "Lotus Blossom" by Strayhorn or "Sweet Lotus Blossom" by Coslow and Johnston.)
Review scores | |
---|---|
Source | Rating |
Allmusic | [3] |
DownBeat | [4] |
The Penguin Guide to Jazz Recordings | [5] |
The Allmusic review by Michael G. Nastos awarded the album 4½ stars and stated: "Cool and understated might be better watchwords for what the ultra-melodic Dorham achieves on this undeniably well crafted set of standards and originals that is close to containing his best work overall during a far too brief career... Never known as a boisterous or brash player, but also not a troubadour of romanticism... Dorham's music is also far from complacent, and this recording established him as a Top Five performer in jazz on his instrument. It comes recommended to all." [3] The Penguin Guide to Jazz Recordings describes the album as “a minor masterpiece.” [5]
At the Cafe Bohemia, Vols. 1 & 2 are a pair of separate but related live albums by the Jazz Messengers recorded at the Café Bohemia jazz club in Greenwich Village on November 23, 1955 and released on Blue Note in April 1956.
Page One is the debut album by American jazz tenor saxophonist Joe Henderson, recorded and released by Blue Note Records in 1963. Henderson is featured in a group with trumpeter Kenny Dorham, pianist McCoy Tyner, bassist Butch Warren and drummer Pete La Roca. The pieces on the album were written by either Henderson or Dorham, and include two pieces that went on to become jazz standards: Henderson’s "Recorda Me" and Dorham’s "Blue Bossa". All of the musicians are listed on the album's front cover with the exception of Tyner, who is credited as "ETC." due to his being signed to rival Impulse! Records.
Newk's Time is an album by jazz saxophonist Sonny Rollins recorded on September 22, 1957 and released on Blue Note in 1959—his third album for the label.
Goin' Up is an album by trumpeter Freddie Hubbard released on the Blue Note label in 1961. It features performances by Hubbard, Hank Mobley, McCoy Tyner, Paul Chambers and Philly Joe Jones.
Double Take is an album by trumpeters Freddie Hubbard and Woody Shaw recorded in November 1985 and released on the Blue Note label. It features performances by Hubbard, Cecil McBee, Carl Allen, Mulgrew Miller and Kenny Garrett. The album was Hubbard's first for Blue Note since recording The Night of the Cookers (1965) twenty years previously.
Moving Out is an album by jazz saxophonist Sonny Rollins. This was his second for Prestige Records, featuring Kenny Dorham, Elmo Hope, Percy Heath, and Art Blakey, and one track with Thelonious Monk, Tommy Potter, and Art Taylor. The first 4 tracks had originally appeared on as the 10-inch LP Sonny Rollins Quintet Featuring Kenny Dorham, and the final track had appeared on the 10-inch LP Sonny Rollins and Thelonious Monk.
Rollins Plays for Bird is a 1957 album by jazz saxophonist Sonny Rollins, recorded for the Prestige label, featuring performances by Rollins with Kenny Dorham, Wade Legge, George Morrow and Max Roach on material associated with Charlie Parker.
Blue Spring is a 1959 album by jazz trumpeter Kenny Dorham and saxophonist Cannonball Adderley released on the Riverside label, featuring performances by Dorham and Adderley with Dave Amram, Cecil Payne, Cedar Walton, Paul Chambers, and Philly Joe Jones or Jimmy Cobb.
My Conception is an album by jazz pianist Sonny Clark, recorded for the Blue Note label and performed by Clark with Donald Byrd, Hank Mobley, Paul Chambers, and Art Blakey. It was originally released in 1979 in Japan, as GXF 3056, featuring six tracks recorded in 1959 including an alternate take of "Royal Flush", a track that had appeared on the album Cool Struttin'. The 2000 limited CD reissue also comprised the three additional tracks originally recorded for Sonny Clark Quintets, an album which never saw the light of the day until being released later only in Japan.
Afro-Cuban is an album by American jazz trumpeter Kenny Dorham, recorded for Blue Note on March 29, 1955 and released later that year on the Blue Note Modern Jazz Series, shortly before the label discontinued the format. It was soon reissued on the new 1500 series, recompiled with a session by an early incarnation of the ensemble, with new cover art.
This Is the Moment! is an album by American jazz trumpeter Kenny Dorham featuring performances recorded in 1958 and released on the Riverside label. Dorham sings on the album, for the first and only time in his discography. The album marks the recording debut of pianist Cedar Walton.
Jazz Contemporary is an album by American jazz trumpeter Kenny Dorham featuring performances recorded in 1960 and released on the Time label. The album features the recording debut of pianist Steve Kuhn.
Showboat is an album by American jazz trumpeter Kenny Dorham featuring performances of tunes from the Jerome Kern-Oscar Hammerstein II musical Show Boat recorded in 1960 and released on the Time label.
Blue Soul is an album led by American trumpeter Blue Mitchell recorded and released in 1959 on the Riverside label.
Undercurrent is an album by American pianist Kenny Drew that was recorded in 1960 and released by Blue Note in 1961. It was Drew's last album for the label and his last album recorded in the U.S. before moving to Copenhagen, Denmark, in 1961.
Dexter Calling... is an album by American jazz saxophonist Dexter Gordon recorded in 1961 and released on the Blue Note label in 1962. "Soul Sister", "I Want More" and "Ernie's Tune" were written for the Los Angeles production of the play The Connection by Jack Gelber in 1960. Dexter Calling was Gordon's second album for Blue Note, and was recorded three days after Doin' Allright, his first album for the label.
One Flight Up is an album by American jazz saxophonist Dexter Gordon recorded on June 2, 1964 in Paris and released on Blue Note the following year. The session featured Donald Byrd on trumpet, pianist Kenny Drew, bassist Niels-Henning Ørsted Pedersen, and drummer Art Taylor.
The Arrival of Kenny Dorham is a jazz studio album by Kenny Dorham, recorded and release in 1960. Initially released by Jaro Records, it would be reissued on the Xanadu label in 1975 as The Kenny Dorham Memorial Album with a different artwork.
Quiet as It's Kept is an album by American jazz drummer Max Roach featuring tracks recorded in 1959 and released on the Mercury label.
Modern Windows is an album by saxophonist Bill Barron which was recorded in 1961 and first released on the Savoy label. The album was reissued on CD combined with The Tenor Stylings of Bill Barron in 2000.