| Hawkins! Eldridge! Hodges! Alive! At the Village Gate! | ||||
|---|---|---|---|---|
 | ||||
| Live album by | ||||
| Released | 1962 | |||
| Recorded | August 13 and 15, 1962 | |||
| Venue | Village Gate, NYC | |||
| Genre | Jazz | |||
| Length | 72:50 | |||
| Label | Verve V/V6 8504 | |||
| Producer | Creed Taylor | |||
| Coleman Hawkins chronology | ||||
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Hawkins! Eldridge! Hodges! Alive! At the Village Gate! is a live album by saxophonists Coleman Hawkins and Johnny Hodges with trumpeter Roy Eldridge which was recorded at the Village Gate in 1962 and released on the Verve label. [1] [2]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [3] |
AllMusic called it "Timeless music played by some of the top veteran stylists of the swing era". [3]
Johnny Hodges was an American alto saxophonist, best known for solo work with Duke Ellington's big band. He played lead alto in the saxophone section for many years. Hodges was also featured on soprano saxophone, but refused to play soprano after 1946. Along with Benny Carter, Hodges is considered to be one of the definitive alto saxophone players of the big band era.
David Roy Eldridge, nicknamed "Little Jazz", was an American jazz trumpeter. His sophisticated use of harmony, including the use of tritone substitutions, his virtuosic solos exhibiting a departure from the dominant style of jazz trumpet innovator Louis Armstrong, and his strong impact on Dizzy Gillespie mark him as one of the most influential musicians of the swing era and a precursor of bebop.
Coleman Randolph Hawkins, nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches". Hawkins denied being first and noted his contemporaries Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of improvisation to the saxophone rather than imitate the techniques of the clarinet. Hawkins' virtuosic, arpeggiated approach to improvisation, with his characteristic rich, emotional, and vibrato-laden tonal style, was the main influence on a generation of tenor players that included Chu Berry, Charlie Barnet, Tex Beneke, Ben Webster, Vido Musso, Herschel Evans, Buddy Tate, and Don Byas, and through them the later tenormen, Arnett Cobb, Illinois Jacquet, Flip Phillips, Ike Quebec, Al Sears, Paul Gonsalves, and Lucky Thompson. While Hawkins became known with swing music during the big band era, he had a role in the development of bebop in the 1940s.
Benjamin Francis Webster was an American jazz tenor saxophonist.
Ella Fitzgerald Sings the Duke Ellington Song Book is a 1957 studio album by the American jazz singer Ella Fitzgerald, accompanied by Duke Ellington and his orchestra, focusing on Ellington's songs.
Although it is billed as a Duke Ellington and Johnny Hodges album, Side by Side is a 1959 album mostly under the leadership of Johnny Hodges, Duke Ellington's alto saxophonist for many years. Ellington only appears on three of this album's tracks. The album places Hodges at the fore, backing him with piano by Ellington or Billy Strayhorn and providing other accompaniment by jazz figures like Ben Webster, Roy Eldridge, Harry "Sweets" Edison and Jo Jones. The album, a follow-up to Back to Back: Duke Ellington and Johnny Hodges Play the Blues, has remained perpetually in print.
Duke Ellington Meets Coleman Hawkins is a jazz album by Duke Ellington and Coleman Hawkins that was recorded on August 18, 1962, and released in February 1963 by Impulse! Records.
Eddie Locke was an American jazz drummer.
Soul Call is a 1967 live album by Duke Ellington and his orchestra, recorded live at the Juan-les-Pins/Antibes Jazz Festival on the Côte d'Azur. Ella Fitzgerald appeared with Ellington and his band at the same festival, and a more complete version of Ellington's appearance at the festival is documented on the 1998 album Ella and Duke at the Cote D'Azur.
Piano in the Background is an album by American pianist, composer and bandleader Duke Ellington recorded and released on the Columbia label in 1960.
Ellington Uptown is an album by American pianist, composer and bandleader Duke Ellington, recorded for the Columbia label in 1951 and 1952. The album was re-released on CD in 2004 with additional tracks recorded in 1947 and originally released as the Liberian Suite EP.
The Greatest Jazz Concert in the World is a 1967 live album featuring Duke Ellington and his orchestra, Ella Fitzgerald, Oscar Peterson, T-Bone Walker, Coleman Hawkins, Clark Terry and Zoot Sims. It was released in 1975.
Ben Webster and Associates is an album by American jazz saxophonist Ben Webster featuring tracks recorded in 1959 for the Verve label.
Blues A-Plenty is an album recorded by American jazz saxophonist Johnny Hodges featuring performances recorded in 1958 and released on the Verve label.
Not So Dukish is an album recorded by American jazz saxophonist Johnny Hodges featuring performances recorded in 1958 and released on the Verve label.
The Big Sound is an album recorded by American jazz saxophonist Johnny Hodges featuring performances with members of the Duke Ellington Orchestra recorded in 1957 and released on the Verve label.
The Coleman Hawkins, Roy Eldridge, Pete Brown, Jo Jones All Stars at Newport is a live album by Coleman Hawkins's All Stars with Roy Eldridge, Pete Brown and Jo Jones recorded at the Newport Jazz Festival in 1957 and released on the Verve label.
Coleman Hawkins and Confrères is an album by saxophonist Coleman Hawkins which was recorded in 1958 and released on the Verve label.
Hawkins! Alive! At the Village Gate is a live album by saxophonist Coleman Hawkins which was recorded at the Village Gate in 1962 and released on the Verve label.
Triple Play is an album by American jazz saxophonist Johnny Hodges recorded in 1967 and released on the RCA Victor label.