Coleman Hawkins with the Red Garland Trio | ||||
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Studio album by Coleman Hawkins with the Red Garland Trio | ||||
Released | 1959 | |||
Recorded | August 12, 1959 | |||
Studio | Van Gelder, Englewood Cliffs, New Jersey | |||
Genre | Jazz | |||
Label | Swingville SVLP 2001 | |||
Coleman Hawkins chronology | ||||
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Red Garland chronology | ||||
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Coleman Hawkins with the Red Garland Trio (also referred to as Swingville 2001) is an album by saxophonist Coleman Hawkins with pianist Red Garland's trio recorded August 12, 1959 and released on the Swingville label. [1] [2]
Review scores | |
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Source | Rating |
Allmusic | [3] |
The Penguin Guide to Jazz Recordings | [4] |
The Allmusic review by Scott Yanow stated: "One of Hawkins's better Prestige sessions (originally on its Swingville subsidiary) finds him fronting a then-modern rhythm section for a variety of basic originals." [3]
Coleman Randolph Hawkins, nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches". Hawkins denied being first and noted his contemporaries Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of improvisation to the saxophone rather than imitate the techniques of the clarinet. Hawkins' virtuosic, arpeggiated approach to improvisation, with his characteristic rich, emotional, and vibrato-laden tonal style, was the main influence on a generation of tenor players that included Chu Berry, Charlie Barnet, Tex Beneke, Ben Webster, Vido Musso, Herschel Evans, Buddy Tate, and Don Byas, and through them the later tenormen, Arnett Cobb, Illinois Jacquet, Flip Phillips, Ike Quebec, Al Sears, Paul Gonsalves, and Lucky Thompson. While Hawkins became known with swing music during the big band era, he had a role in the development of bebop in the 1940s.
Arthur S. Taylor Jr. was an American jazz drummer, who "helped define the sound of modern jazz drumming".
Douglas Watkins was an American jazz double bassist. He was best known for being an accompanist to various hard bop artists in the Detroit area, including Donald Byrd and Jackie McLean.
Charles "Specs" Wright was an American jazz drummer born in Philadelphia.
Wendell Marshall was an American jazz double-bassist.
6 Pieces of Silver is a studio album by jazz pianist Horace Silver released on the Blue Note label in 1957 featuring performances by Silver with Donald Byrd, Hank Mobley, Doug Watkins and Louis Hayes. The Allmusic review by Scott Yanow awarded the album 4½ stars and states "The early Silver quintet was essentially The Jazz Messengers of the year before but already the band was starting to develop a sound of its own. "Señor Blues" officially put Horace Silver on the map". The front cover photograph was taken at Central Park West, Upper West Side.
This is the discography for jazz record label Prestige Records. Not all original releases are included. Others are listed by the Jazz Discography Project. The earlier New Jazz/Prestige 78rpm releases and the 100/200 series, are omitted. Prestige also released albums on several subsidiary labels including the New Jazz, Bluesville, Moodsville and Swingsville labels.
Bean Bags is an album by vibraphonist Milt Jackson and saxophonist Coleman Hawkins featuring performances recorded in 1958 and released on the Atlantic label.
Soul Burnin' is an album by jazz pianist Red Garland, recorded in 1960 and 1961, but not released on Prestige Records until 1964. The CD reissue features a bonus track, recorded in 1959, which originally appeared on Garland's album Satin Doll, first released in 1971.
Very Saxy is an album by saxophonist Eddie "Lockjaw" Davis with Buddy Tate, Coleman Hawkins and Arnett Cobb recorded in 1959 for the Prestige label.
Satin Doll is an album by American pianist, composer and bandleader Red Garland which was recorded in 1959 but not released on the Prestige label until 1971.
Red Garland at the Prelude is a live album by American pianist, composer and bandleader Red Garland which was recorded in 1959 and released on the Prestige label. The album was recorded at the Prelude Club at the same concert that produced Lil' Darlin' and Red Garland Live!.
The Red Garland Trio + Eddie "Lockjaw" Davis is an album by pianist Red Garland featuring saxophonist Eddie "Lockjaw" Davis recorded in 1959 and released on the Moodsville label in 1960.
Jammin' with Gene is an album by saxophonist Gene Ammons recorded in 1956 and released on the Prestige label.
Blue Gene is an album by saxophonist Gene Ammons recorded in 1958 and released on the Prestige label.
Hawk Eyes is an album by saxophonist Coleman Hawkins which was recorded in 1959 and released on the Prestige label.
Night Hawk is an album by saxophonists Coleman Hawkins with Eddie "Lockjaw" Davis, recorded at the end of 1960 and released on the Swingville label.
Coleman Hawkins All Stars is an album by saxophonist Coleman Hawkins featuring trumpeter Joe Thomas and trombonist Vic Dickenson which was recorded in 1960 and released on the Swingville label.
On the Sunny Side is an album by American jazz tenor saxophonist Paul Quinichette featuring tracks recorded in May 1957 and released on the Prestige label.
Everybody Likes Hampton Hawes is the third album by pianist Hampton Hawes recorded in 1956 and released on the Contemporary label.