Coleman Randolph Hawkins, nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches". Hawkins denied being first and noted his contemporaries Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of improvisation to the saxophone rather than imitate the techniques of the clarinet. Hawkins' virtuosic, arpeggiated approach to improvisation, with his characteristic rich, emotional, and vibrato-laden tonal style, was the main influence on a generation of tenor players that included Chu Berry, Charlie Barnet, Tex Beneke, Ben Webster, Vido Musso, Herschel Evans, Buddy Tate, and Don Byas, and through them the later tenormen, Arnett Cobb, Illinois Jacquet, Flip Phillips, Ike Quebec, Al Sears, Paul Gonsalves, and Lucky Thompson. While Hawkins became known with swing music during the big band era, he had a role in the development of bebop in the 1940s.
Idrees Sulieman was an American bop and hard bop trumpeter.
With Respect to Nat is a 1965 studio album by jazz pianist Oscar Peterson, recorded in tribute to Nat King Cole, who had died earlier that year. Peterson sings on all tracks except "Easy Listening Blues".
Ernest Andrew Royal was a jazz trumpeter. His older brother was clarinetist and alto saxophonist Marshal Royal, with whom he appears on the classic Ray Charles big band recording The Genius of Ray Charles (1959).
The Cats is a jazz album released in December 1959 on New Jazz, a subsidiary label of Prestige Records. It is credited to pianist Tommy Flanagan, saxophonist John Coltrane, guitarist Kenny Burrell, and trumpeter Idrees Sulieman. It was issued after Coltrane's Prestige contract had ended. The record was the first to feature Coltrane, Burrell, and Flanagan playing together in a small group. Eleven months later, the three recorded Kenny Burrell & John Coltrane, which was first released in April of 1963 on the New Jazz label.
Big Band is a 1997 album by the jazz saxophonist Joe Henderson, the fourth of the five albums he recorded with Verve Records at the end of his career. As the title suggests, it contains arrangements for a full big band.
A Tribute to Cannonball is a studio album by jazz pianist Bud Powell and tenor saxophonist Don Byas, released on Columbia in March 1979, featuring a session recorded at the Studio Charlot in Paris on 15 December 1961, with Pierre Michelot on bass and Kenny Clarke on drums, and trumpeter Idrees Sulieman guesting on four tracks. The session was produced by Cannonball Adderley, who would also produce Powell's follow-up A Portrait of Thelonious recorded two days later.
Memorial is a 1956 jazz album by trumpeter Clifford Brown issued posthumously. It was originally released on the Prestige label as PRLP 7055. It principally includes fast bop pieces, also arranged for a brass section. Ira Gitler, who was supervising session for Prestige label at the time, confessed he was greatly impressed by Brown: "When Brownie stood up and took his first solo on "Philly J J", I nearly fell off my seat in the control room. The power, range and brilliance together with the warmth and invention was something that I hadn't heard since Fats Navarro" Tracks 1-4 were recorded abroad with a Swedish All Star Group. Tracks 5-9 were recorded in New York as a Tadd Dameron led 10 inch LP minus the alternate take. Clifford and Benny Golson were the only horn soloists.
Afro-Cuban is an album by American jazz trumpeter Kenny Dorham, recorded for Blue Note on March 29, 1955 and released later that year on the Blue Note Modern Jazz Series, shortly before the label discontinued the format. It was soon reissued on the new 1500 series, recompiled with a session by an early incarnation of the ensemble, with new cover art.
Jazz Contrasts is an album by American jazz trumpeter Kenny Dorham, recorded in 1957 and released on the Riverside label.
Wrapped Tight is an album by the American jazz saxophonist Coleman Hawkins of performances recorded in 1965 for the Impulse! label.
Chris Connor is an album by jazz singer Chris Connor. Atlantic Records released the album, Connor's first for the label, in 1956. The recording was Atlantic's first jazz vocal LP record.
The Greatest Jazz Concert in the World is a 1967 live album featuring Duke Ellington and his orchestra, Ella Fitzgerald, Oscar Peterson, T-Bone Walker, Coleman Hawkins, Clark Terry and Zoot Sims. It was released in 1975.
The Max Roach Quartet featuring Hank Mobley was the debut album by American jazz drummer Max Roach featuring tracks recorded in 1953 and first released on the Debut label as a 10-inch LP.
Groovin' is an album by the trumpeter Idrees Sulieman recorded in 1985 and released on the SteepleChase label.
Coleman Hawkins and Confrères is an album by saxophonist Coleman Hawkins which was recorded in 1958 and released on the Verve label.
The Hawk in Paris is an album by saxophonist Coleman Hawkins featuring compositions related to Paris performed with an orchestra arranged and conducted by Manny Albam which was recorded in 1956 for the RCA Records subsidiary Vik label.
The Hawk in Hi Fi is an album by saxophonist Coleman Hawkins with an orchestra arranged and conducted by Billy Byers. It was recorded in early 1956 and released on the RCA Victor label.
Rainbow Mist is an album by the American jazz saxophonist Coleman Hawkins compiling recordings from 1944 originally released by Apollo Records that was released by the Delmark label in 1992.
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