Jay Jay Johnson with Clifford Brown | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1953 | |||
Recorded | 1953 June 22 | |||
Genre | Jazz | |||
Length | 25:32 | |||
Label | Blue Note | |||
J. J. Johnson chronology | ||||
| ||||
CD re-issue | ||||
Jay Jay Johnson with Clifford Brown (aka Jay Jay Johnson aka Jay Jay Johnson with Clifford Brown, Jimmy Heath, John Lewis, Percy Heath, Kenny Clarke aka Jay Jay Johnson Sextet) is a 1953 Blue Note Records album by American jazz trombonist J. J. Johnson, recorded on June 22, 1953. [1] The album was re-issued on CD in 1989 as The Eminent Jay Jay Johnson, Volume 1 , with three alternate take 'bonus tacks' from the same 1953 recording session. Five of the six original tracks were included also in a 1955 12 inch LP re-issue/compilation (also) titled, The Eminent Jay Jay Johnson, Volume 1.
Review scores | |
---|---|
Source | Rating |
Allmusic | [2] |
The Penguin Guide to Jazz | (Crown award) [3] |
The Penguin Guide to Jazz stated the recording is, "one of the central documents of post-war jazz." [3] Scott Yanow (Allmusic) commented that, "Although Johnson has a couple of features, Clifford Brown largely steals the show". [2]
LP Side 'A'
LP Side 'B'
3 alternate take bonus tracks added to 1989+ CD re-issues, The Eminent Jay Jay Johnson, Volume 1
Clifford Benjamin Brown was an American jazz trumpeter and composer. He died at the age of 25 in a car crash, leaving behind four years' worth of recordings. His compositions "Sandu", "Joy Spring", and "Daahoud" have become jazz standards. Brown won the DownBeat magazine Critics' Poll for New Star of the Year in 1954; he was inducted into the DownBeat Hall of Fame in 1972.
Percy Heath was an American jazz bassist, brother of saxophonist Jimmy Heath and drummer Albert Heath, with whom he formed the Heath Brothers in 1975. Heath played with the Modern Jazz Quartet throughout their long history and also worked with Miles Davis, Dizzy Gillespie, Charlie Parker, Wes Montgomery, Thelonious Monk and Lee Konitz.
Miles Davis Volume 2 is the fifth studio album by musician Miles Davis. It refers to two separate but related entities. The first is a Miles Davis studio album released by Blue Note Records as a 10-inch LP, as BLP 5022 in 1953. The six tracks from this LP plus five alternate takes were released on CD in 1990 and remastered with restored artwork in 2001.
Miles Davis Volume 1 refers to two separate but related entities. The title was originally used for the first time in a pair of compilation albums of recordings made by Miles Davis in 1952, 1953 and 1954, released in 1956 as BLP 1501 on the Blue Note Records label.
A Night at Birdland Vol. 1 is a 1954 release by jazz artist Art Blakey, and a quintet which featured Clifford Brown, Lou Donaldson, Horace Silver and Curly Russell. One of the earliest hard bop recordings, it was first released by Blue Note Records as a 10" LP and then as a 12" LP containing material from the second 10" album. It was reissued for the first time on CD in 1987 with two additional tracks, previously released on a 2 LP Compilation in 1975 called Live Messengers (BN-LA473-J2). The CD was reissued again in 2001 as an "RVG Edition" remastered by Rudy Van Gelder with the tracks in a different order. The 1987 CD used the second 12" LP cover, the 2001 CD revived the original 10" LP cover.
A Night at Birdland Vol. 2 is a 1954 release by jazz drummer Art Blakey, and a quintet which featured Clifford Brown, Lou Donaldson, Horace Silver and Curley Russell. It was first released by Blue Note Records as a 10" LP. Two years later, the three 10" LPs in the set were reissued as 2 12" LPs; the 12" Vol. 2 is BLP 1521. Two of the three tracks of the original 10" Vol. 2 were included in the 12" Vol. 1. The 12" Vol. 2 incorporates all three tracks from the 10" A Night at Birdland Vol. 3 plus a previously unreleased alternate take of "Quicksilver."
Hub-Tones is an album by trumpeter Freddie Hubbard recorded on October 10, 1962, and released on the Blue Note label as BLP 4115 and BST 84115. It contains performances by Hubbard, James Spaulding, Herbie Hancock, Reggie Workman and Clifford Jarvis. The cover artwork was designed by Reid Miles with photography by Francis Wolff.
The Amazing Bud Powell, also called The Amazing Bud Powell, Vol. 1, is an album by jazz pianist Bud Powell, first released on Blue Note in April 1952, as a 10" vinyl. It is part of a loosely connected series with the 1954 companion The Amazing Bud Powell, Vol. 2 and the 1957 Bud! The Amazing Bud Powell , all released on Blue Note. The album details two recording sessions. In the first, recorded on August 9, 1949, Powell performed in quintet with Fats Navarro, Sonny Rollins, Tommy Potter and Roy Haynes, and in trio with Potter and Haynes. In the second, on May 1, 1951, Powell performed in trio with Curley Russell and Max Roach, and solo.
The Amazing Bud Powell, Vol. 2 is a studio album by jazz pianist Bud Powell, released on Blue Note Records in 1954, featuring a session Powell recorded with George Duvivier on bass and Art Taylor on drums at the WOR Studios in New York, on August 14, 1953. It was remastered in 2001 by Rudy Van Gelder and reissued as part of Blue Note's RVG Edition series. Prior to this, on all releases bar the first, the album also contained a number of tracks from sessions originally on The Amazing Bud Powell, Vol. 1. The version of the album included on the second disc of The Complete Blue Note and Roost Recordings, a 4 disc box set, is that from the first CD release in 1989.
The Complete Bud Powell on Verve is a five-disc box set, released on September 27, 1994, by Verve Records, containing all of jazz pianist Bud Powell's recordings as leader for producer Norman Granz.
At the Half Note Cafe is a live album by American trumpeter Donald Byrd recorded in 1960 at the Half Note in Manhattan and released on the Blue Note label originally as two single LP issues and reissued as a double CD set.
The Eminent Jay Jay Johnson Volume 1 is the name used for two different but related albums by American jazz trombonist J. J. Johnson.
The Eminent Jay Jay Johnson, Vol. 2 is the title of a 1954 Blue Note Records recording by American jazz trombonist J. J. Johnson. It is also the title used by Blue Note for two different-but-related compilation/re-issues from 1955 and 1989 (CD).
Afro-Cuban is an album by American jazz trumpeter Kenny Dorham. The first release of the album dates back to 1955 on 10" Vinyl, featuring only four tracks and having a different cover artwork. Some time later, Blue Note decided to add three tracks and issue a more complete LP toward the end of May 1957. After publishing a 2003 RVG edition which featured two additional pieces and a different track listing, Blue Note remastered and recompiled Afro-Cuban in 2007, restoring the original track order.
Memorial Album is an album by American jazz trumpeter Clifford Brown composed of tracks recorded at two sessions in 1953 and originally released as a 12" LP on the Blue Note label in September 1956. Apart from a few obscure recordings, the album represents the first tracks recorded under Brown's leadership.
When Farmer Met Gryce is an album by trumpeter Art Farmer and saxophonist Gigi Gryce, featuring performances recorded in 1954 and 1955 and released on the Prestige label.
The Art Farmer Septet is an album by trumpeter Art Farmer, featuring performances recorded in 1953 and 1954, arranged by Quincy Jones and Gigi Gryce, and released by Prestige Records in 1956. It is his earliest recorded full-length album, but was his third issued. The cover art was by cartoonist Don Martin.
Horace Silver Trio and Art Blakey - Sabu is a 1955 compilation album, featuring, primarily the Horace Silver Trio, but also includes two percussion-centric tracks featuring drummer Art Blakey and conga player Sabu. The tracks on this album are compiled from three sessions which were Silver's first as a leader. Originally released as an LP, it has subsequently been reissued on CD several times, including additional tracks not present on the original LP.
The Eminent Jay Jay Johnson, Vol. 3 is a 1955 Blue Note 10" LP of a small group led by American jazz trombonist J. J. Johnson.