Ron Carter | |
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Background information | |
Birth name | Ronald Levin Carter |
Born | Ferndale, Michigan, U.S. | May 4, 1937
Genres | Jazz |
Occupations |
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Instruments | |
Years active | 1959–present |
Labels | |
Formerly of | |
Website | roncarterjazz |
Ronald Levin Carter (born May 4, 1937) [1] is an American jazz double bassist. His appearances on 2,221 recording sessions make him the most-recorded jazz bassist in history. [2] He has won three Grammy Awards, [3] and is also a cellist who has recorded numerous times on that instrument. [4] In addition to a solo career of more than 60 years, Carter is well-known for playing on numerous iconic Blue Note albums in the 1960s, as well as being the anchor of trumpeter Miles Davis's "Second Great Quintet" from 1963-1968. [5]
Beginning with Where? in 1961, Carter's studio albums as leader also include Uptown Conversation (1969), Blues Farm (1973), All Blues (1973), Spanish Blue (1974), Anything Goes (1975), Yellow & Green (1976), Pastels (1976), Piccolo (1977), Third Plane (1977), Peg Leg (1978), A Song for You (1978), Etudes (1982), The Golden Striker (2003), Dear Miles (2006), and Ron Carter's Great Big Band (2011).
Carter was born in Ferndale, Michigan. [1] At the age of 10, he started playing the cello, switching to bass while at Cass Technical High School. [4] He earned a B.A. in music from the Eastman School of Music (1959) and a master's degree in music from the Manhattan School of Music (1961). [1] While at Eastman, Carter began the shift from classical to jazz when he, Pee Wee Ellis and other friends put together a house band to play at the Pythodd Room, a club on Clarissa Street in segregated Rochester, where he met players on the Chitlin Circuit who encouraged him to go to New York City. [6] [7] [8]
Carter's first jobs as a jazz musician were playing bass with Chico Hamilton in 1959, followed by freelance work with Jaki Byard, Cannonball Adderley, Randy Weston, Bobby Timmons, and Thelonious Monk. [1] One of his first recorded appearances was on Hamilton alumnus Eric Dolphy's Out There , recorded on August 15, 1960, and featuring George Duvivier on bass, Roy Haynes on drums, and Carter on cello. The album's advanced harmonies and concepts were in step with the third stream movement. [9] In early October 1960, Carter recorded How Time Passes with Don Ellis, and on June 20, 1961, he recorded Where? , his first album as a leader, featuring Dolphy on alto sax, flute, and bass clarinet; Mal Waldron on piano; Charlie Persip on drums; and Duvivier playing basslines on tracks where Carter played cello.
Carter was a member of the second Miles Davis Quintet in the mid 1960s, which also included Herbie Hancock, Wayne Shorter and drummer Tony Williams. [10] Carter joined Davis's group in 1963, appearing on the album Seven Steps to Heaven , [10] and the follow-up E.S.P. , the latter being the first album to feature only the full quintet. It also featured three of Carter's compositions (the only time he contributed compositions to Davis's group). He stayed with Davis until 1968 [10] (when he was replaced by Dave Holland), and participated in a couple of studio sessions with Davis in 1969 and 1970. Although he played electric bass occasionally during this era of early jazz-rock fusion, he has subsequently stopped playing that instrument, and in the 2000s plays only double bass.
Carter also performed on some of Hancock, Williams and Shorter's recordings during the 1960s for Blue Note. [10] He was a sideman on many Blue Note recordings of the era, playing with Sam Rivers, Freddie Hubbard, Duke Pearson, Lee Morgan, McCoy Tyner, Andrew Hill, Horace Silver, and others. He also played on soul-pop star Roberta Flack's album First Take and Gil Scott Heron's Pieces of a Man , including the iconic bass-line on "The Revolution Will Not Be Televised". [11]
After leaving Davis, Carter was for several years a mainstay of CTI Records, making albums under his own name and also appearing on many of the label's records with a diverse range of other musicians. Notable musical partnerships in the 1970s and 1980s included Joe Henderson, Houston Person, Hank Jones, Gabor Szabo and Cedar Walton. During the 1970s he was a member of the New York Jazz Quartet. [12] In 1986, Carter played double bass on "Big Man on Mulberry Street" on Billy Joel's album The Bridge . [13] In 1987, Carter won a Grammy for "an instrumental composition for the film" Round Midnight . [3]
In 1994, he won his second Grammy Award for Best Jazz Instrumental Group for a tribute album to Miles Davis. [14] He appeared on the alternative hip hop group A Tribe Called Quest's influential album The Low End Theory on a track called "Verses from the Abstract". [15] Carter also recorded as a member of the jazz combo the Classical Jazz Quartet. [16] In 1994, Carter appeared on the Red Hot Organization's compilation album, Stolen Moments: Red Hot + Cool . [17] The album, meant to raise awareness and funds in support of the AIDS epidemic in relation to the African-American community, was heralded as "Album of the Year" by TIME . [18] In 2001, Carter collaborated with Black Star and John Patton to record "Money Jungle" for the Red Hot Organization's compilation album, Red Hot + Indigo , a tribute to Duke Ellington. [19]
Beginning in the 1990s, Carter became a Distinguished Professor Emeritus of the music department of City College of New York, having taught there for 20 years, [20] and received an honorary doctorate from the Berklee College of Music in spring 2005. [21] He joined the faculty of the Juilliard School in New York City in 2008, teaching bass in the school's Jazz Studies program. [22] Carter made an appearance in Robert Altman's 1996 film, Kansas City , at the center of which is a jazz club called the Hey Hey Club. [23] The film's end credits feature Carter and fellow bassist Christian McBride duetting on "Solitude" [24] at the club, owned by a black gangster called Seldom Seen, who was played by a "show-stealing" Harry Belafonte. [25] (In a 2023 tribute, Carter would reveal how it came about that Belafonte had been his landlord. [26] )
Carter sits on the advisory committee of the board of directors of The Jazz Foundation of America and on the Honorary Founder's Committee. [27] Carter has worked with the Jazz Foundation since its inception to save the homes and the lives of America's elderly jazz and blues musicians including musicians that survived Hurricane Katrina. [28]
Carter appeared as himself in an episode of the HBO series Treme entitled "What Is New Orleans". [15] His authorized biography, Ron Carter: Finding the Right Notes ( ISBN 978-0989982511), by Dan Ouellette, was published by ArtistShare in 2008. [29]
In 2010, Carter was honored with France's premier cultural award, the medallion and title of Commander of the Ordre des Arts et des Lettres. [30] Carter was elected to the DownBeat Jazz Hall of Fame in 2012. [31]
In August 2021, Carter was the featured guest in a 47-minute video interview with YouTuber and musician Rick Beato. [32] [33] In November 2021, the Japanese government honored Carter with The Order of the Rising Sun, Gold Rays with Rosette. Japanese officials credited Carter with helping to popularize jazz in Japan and facilitating cultural exchange. [34] In April 2022 Carter sat in with Bob Weir at Radio City Music Hall. [35] In May 2022, Carter celebrated his birthday by releasing a Tiny Desk Concert recorded at the Blue Note Jazz Club featuring Russell Malone and Donald Vega. [36]
Carter continues to record as a sideman, most recently appearing on Daniele Cordisco's 2023 album "Bitter Head." [37] In August 2024 he was inducted into the Alabama Jazz Hall of Fame [38]
Ron Carter: Finding the Right Notes is a documentary film about Carter's career, [39] produced and directed by Peter Schnall. [40] It was released in November of 2022 on PBS.
Herbert Jeffrey Hancock is an American jazz musician, bandleader, and composer. Hancock started his career with trumpeter Donald Byrd's group. He shortly thereafter joined the Miles Davis Quintet, where he helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. In the 1970s, Hancock experimented with jazz fusion, funk, and electro styles, using a wide array of synthesizers and electronics. It was during this period that he released one of his best-known and most influential albums, Head Hunters.
Frederick Dewayne Hubbard was an American jazz trumpeter. He played bebop, hard bop, and post-bop styles from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop.
Wayne Shorter was an American jazz saxophonist, composer and bandleader. Shorter came to mainstream prominence in 1959 upon joining Art Blakey's Jazz Messengers, for whom he eventually became the primary composer. In 1964 he joined Miles Davis' Second Great Quintet, and then co-founded the jazz fusion band Weather Report in 1970. He recorded more than 20 albums as a bandleader.
Somethin' Else is an album by American jazz saxophonist Julian "Cannonball" Adderley, recorded on March 9, 1958 and released on Blue Note in August later that year—his only album for the label. Also on the session is trumpeter Miles Davis in one of his handful of recording dates for Blue Note. Adderley was a member of Davis' group at the time, and the album was recorded shortly after Davis' own landmark album Milestones.
David Holland is an English double bassist, bass guitarist, cellist, composer and bandleader who has been performing and recording for five decades. He has lived in the United States since the early 1970s.
Maiden Voyage is the fifth album led by jazz musician Herbie Hancock, and was recorded by Rudy Van Gelder on March 17, 1965, for Blue Note Records. It was issued as BLP 4195 and BST 84195. Featuring Hancock with tenor saxophonist George Coleman, trumpeter Freddie Hubbard, bassist Ron Carter and drummer Tony Williams, it is a concept album aimed at creating an oceanic atmosphere. As such, many of the track titles refer to marine biology or the sea, and the musicians develop the concept through their use of space. The album was presented with the Grammy Hall of Fame Award in 1999.
Miles Smiles is an album by the jazz musician Miles Davis. It was released on February 16, 1967 through Columbia Records. It was recorded by Davis and his second quintet at Columbia 30th Street Studio in New York City on October 24 and October 25, 1966. It is the second of six albums recorded by Davis' second great quintet, which featured tenor saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams.
Miles in the Sky is a studio album by the jazz trumpeter and composer Miles Davis. It was released on July 22, 1968, through Columbia Records. It was the last full album recorded by Davis' "Second Great Quintet" and marked the beginning of his foray into jazz fusion, with Herbie Hancock playing electric piano and Ron Carter playing electric bass guitar on opening track "Stuff". Additionally, electric guitarist George Benson features on "Paraphernalia".
George Edward Coleman is an American jazz saxophonist known for his work with Miles Davis and Herbie Hancock in the 1960s. In 2015, he was named an NEA Jazz Master.
Charles Anthony "Buster" Williams is an American jazz bassist. Williams is known for his membership in pianist Herbie Hancock's early 1970s group, as well as working with guitarist Larry Coryell, the Thelonious Monk repertory band Sphere and as the accompanist of choice for many singers, including Nancy Wilson.
Chick Corea (1941–2021) was an American jazz pianist and composer born on June 12, 1941, in Chelsea, Massachusetts. Corea started learning piano at age four. He recorded his first album, Tones for Joan's Bones, in 1966. Corea performed with Blue Mitchell, Willie Bobo, Cal Tjader and Herbie Mann in the mid-1960s. In the late 1960s he performed with Stan Getz and Miles Davis. The National Endowment for the Arts states, "He ranked with Herbie Hancock and Keith Jarrett as one of the leading piano stylists to emerge after Bill Evans and McCoy Tyner, and he composed such notable jazz standards as 'Spain', 'La Fiesta', and 'Windows'."
Freddie Hubbard/Stanley Turrentine In Concert Volume One is a live album recorded in 1973 by jazz trumpeter Freddie Hubbard and tenor saxophonist Stanley Turrentine. It was recorded in Chicago and Detroit for Creed Taylor's CTI label and features performances by Hubbard, Turrentine, guitarist Eric Gale, bassist Ron Carter, drummer Jack DeJohnette and pianist Herbie Hancock.
Stephen Scott is an American jazz pianist. Scott played piano from the age of five. While attending New York’s High School of the Performing Arts he was introduced to jazz by alto saxophonist Justin Robinson, in particular the music of Wynton Kelly and Red Garland. Later, he took private lessons at the Juilliard School of Music.
Beyond the Blue Horizon is a 1971 studio album by American jazz guitarist George Benson. It was his first album released by CTI and included organist Clarence Palmer, drummer Jack DeJohnette, bassist Ron Carter, and percussionists Michael Cameron and Albert Nicholson.
Third Plane is an album by jazz bassist Ron Carter, released on the Milestone label in 1977. It features performances by Carter, Herbie Hancock and Tony Williams.
The Bass and I is an album by the bassist Ron Carter, recorded in 1997 and originally released on the Japanese Somethin' Else label with a US release on Blue Note Records.
So What? is an album by bassist Ron Carter recorded in 1998 and originally released on the Japanese Somethin' Else label with a US release on Blue Note Records.
Orfeu is an album by bassist Ron Carter recorded in 1999 and originally released on the Japanese Somethin' Else label with a US release on Blue Note Records.
Stardust is an album by bassist Ron Carter recorded in 2000 and originally released on the Japanese Somethin' Else label with a US release on Blue Note Records.
Dear Miles is an album by American bassist Ron Carter recorded in 2006 and originally released on the Japanese Somethin' Else label with a US release on Blue Note Records.
"In my senior year, a couple of friends of mine put together a little band to play in the club in the Black part of Rochester. In playing in the house band opposite these groups–Dizzy's band, Carmen McCrae's band, J.J. Johnson's band–they assured me that if I came to New York that New York's always looking for a good bass player."
Ron Carter (bass), Pee Wee Ellis (saxophone), Richard (Dickie) Boddie
Ron Carter (bass), Pee Wee Ellis (saxophone)
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