This article may contain excessive or inappropriate references to self-published sources .(June 2015) |
Established | 1978 |
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Location | Birmingham's historic Carver Theatre |
Type | Jazz |
Collections | Paintings, quilts, instruments, and personal effects |
Website | http://www.jazzhall.com/ |
The Alabama Jazz Hall of Fame (AJHF) is an organization and museum in Birmingham, Alabama, United States. It was founded in 1978, and opened as museum on September 18, 1993, with a mission "to foster, encourage, educate, and cultivate a general appreciation of the medium of jazz music as a legitimate, original and distinctive art form indigenous to America. Its mission is also to preserve a continued and sustained program of illuminating the contribution of the State of Alabama through its citizens, environment, demographics and lore, and perpetuating the heritage of jazz music." [1]
The museum is located in Birmingham's historic Carver Theatre, which is part of the Birmingham Civil Rights District, along with the Birmingham Civil Rights Institute, 16th Street Baptist Church and Kelly Ingram Park. The museum contains more than 2,200 square feet (200 m2) of exhibits. The Jazz Hall of Fame also sponsors jazz performances around the city and brings jazz to many local students with school visits from musicians. It contains memorabilia such as paintings, quilts, instruments, and personal effects of such artists as Ella Fitzgerald and W.C. Handy, and offers a tour guided by Frank Adams.
Every Saturday morning since 1999, the Alabama Jazz Hall of Fame has offered free jazz classes to any resident of the state of Alabama. Founded by Dr. Frank Adams, the classes are taught by local jazz band directors from area schools. In these classes, students learn to read and improvise jazz. Graduates of the AJHF classes have received scholarships to prestigious jazz studies programs, such as the ones offered by the University of New Orleans, the Manhattan School of Music and New School University in New York City.
Every year, the Alabama Jazz Hall of Fame invites middle school, high school and college jazz bands to perform in this annual three-day event. Bands are adjudicated by notable jazz authorities and awards for "Band of Distinction" and "Outstanding Soloist" are made in each of the categories: Middle School, High School, Junior College and College.
Past award recipients at the AJHF Student Jazz Band Festival
There are a number of "spin-off" groups spawned by the educational programs at the Alabama Jazz Hall of Fame. Among these is a group called the "Neo Jazz Collective." A group of young students, exhibiting the skills they learned at the Alabama Jazz Hall of Fame, created this ensemble, with the intention of becoming a professional entity. The group is directed by Lud Yisrael. The group started their own school in Fairfield, Alabama, and is fast becoming a popular "Nu-Jazz" ensemble in the Birmingham area.
During the fall of each year, the "Taste of 4th Avenue Jazz Festival" takes place, jointly sponsored by the Alabama Jazz Hall of Fame and Urban Impact of Birmingham.
AJHF offers free jazz workshops, clinics and masterclasses. Past guest clinicians include Lou Marini (saxophonist), Eric Marienthal (saxophonist), Bill Goodwin (drummer), T. S. Monk (drummer), and Gregg Karukas (keyboardist), Joey Alexander (pianist), and Esperanza Spalding.
Every year, the Alabama Jazz Hall of Fame accepts contributions of used, but repairable, instruments. Numerous instruments have been donated, many by famous musicians such as Lou Marini, Erskine Hawkins, Sammy Lowe and Haywood Henry. These recycled instruments are put to use by students of the AJHF educational programs.
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Pennsbury High School is a four-year public high school located in Fairless Hills, Pennsylvania, United States. It is part of Pennsbury School District.
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The Count Basie Orchestra is a 16- to 18-piece big band, one of the most prominent jazz performing groups of the swing era, founded by Count Basie in 1935 and recording regularly from 1936. Despite a brief disbandment at the beginning of the 1950s, the band survived long past the big band era itself and the death of Basie in 1984. It continues under the direction of trumpeter Scotty Barnhart.
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The Magic City Jazz Orchestra (MCJO) is an American jazz ensemble which was founded in 1999 as a spin-off of the SuperJazz Big Band by Birmingham, Alabama jazz pianist and vocalist Ray Reach. The mission of the group is to "...perform and record big band jazz music written by well known but under-recorded jazz artists."
Steve Sample Sr. was a bandleader, arranger, composer and jazz educator. For more than 30 years, Sample was a professor in the Music Department of the University of Alabama, where he directed the Jazz Ensembles and taught music theory, arranging and jazz related courses. Sample trained many notable jazz musicians during his long tenure at Alabama, including Gary Wheat, Birch Johnson, Kelley O'Neal, Chris Gordon, Mervyn Warren, Cedric Dent, Beth Gottlieb, Mart Avant, Dick Aven and Ray Reach. He was respected by his peers as one of the finest jazz educators in the United States. On September 26, 2008, Sample was inducted into the Alabama Jazz Hall of Fame for his contributions to jazz education.
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Leonard Candelaria is an American trumpeter and educator residing in Birmingham, Alabama. Until Fall 2009, he served as Professor of Trumpet and Artist in Residence at the University of Alabama at Birmingham (UAB). Prior to his appointment at UAB, Leonard was, for 28 years, professor of trumpet at the University of North Texas College of Music, where he was eventually named Regents Professor of Music in the College of Music. He is recognized internationally as a teacher and performer, and has been a featured soloist in numerous concerts all over the world. He has often been praised for his high level of musicianship and artistry.
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Daniel F. Desdunes was a civil rights activist and musician in New Orleans and Omaha, Nebraska. In 1892 he volunteered to board a train car designated for whites in violation of the Louisiana 1890 Separate Car Act. This would be a test case to enable the New Orleans Comité des Citoyens to challenge the law in the courts. The train he boarded was an interstate train, and the court found that the law did not apply to such cases, which were bound by federal law and regulation. Shortly thereafter, another member of the Comité des Citoyens, Homer Plessy, was selected to board an intrastate train. He was arrested for refusing to leave the white car, and what became known as Plessy vs Ferguson (1896) was litigated to the US Supreme Court.