The Bridge | ||||
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Studio album by | ||||
Released | July 25, 1986 | |||
Recorded | 1985–1986 | |||
Studio |
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Genre | Rock [1] | |||
Length | 40:06 | |||
Label | Family Productions/Columbia | |||
Producer | Phil Ramone | |||
Billy Joel chronology | ||||
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Singles from The Bridge | ||||
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Review scores | |
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Source | Rating |
AllMusic | [3] |
Chicago Tribune | (Mixed) [4] |
Christgau's Record Guide | B [5] |
Los Angeles Times | (Not favorable) [6] |
Rolling Stone | (Favorable) [1] |
The Bridge is the tenth studio album by American singer-songwriter Billy Joel, released on July 25, 1986. [7] It was Joel's last studio album produced by Phil Ramone as well as the last to feature Joel's long-time bassist Doug Stegmeyer and rhythm guitarist Russell Javors. The album yielded several successful singles, including "A Matter of Trust" (peaking at No. 10), "Modern Woman" (which also appeared on the Ruthless People soundtrack, peaking at No. 10), and "This Is the Time" (peaking at No. 18).
Joel began work on the album—on which two of his major influences (Ray Charles and Steve Winwood) made guest appearances—in 1985. Charles sang a duet with Joel on the song "Baby Grand", and Winwood played Hammond organ on the song "Getting Closer"; Charles and Winwood later covered "Baby Grand" and "Getting Closer" respectively in concert. Other notable musicians who made guest appearances on the album include jazz musicians Ron Carter and Michael Brecker, who both played on the jazzy track "Big Man on Mulberry Street".
The album also had some new wave influences. For instance, the first song, "Running on Ice", is heavily influenced by the music of the Police. Another song particularly influenced by the music of another band, "Modern Woman" borrows heavily from the styles of Huey Lewis and the News. The final song recorded for the album, "Code of Silence", featured Cyndi Lauper who contributed backing vocals and received co-writing credit for the lyrics; she later covered that song herself in concert. Joel would return the favor by contributing backing vocals on Lauper's song "Maybe He'll Know" for her 1986 album True Colors .
The Bridge was Joel's last album to carry the "Family Productions" logo which had appeared on all of Joel's albums up to that time as part of a deal that Columbia Records made to get Joel out of his first recording contract with Artie Ripp's Family Productions. In the closing song of the album—"Getting Closer"—Joel makes several of what are clearly attacks and observations on the iron-clad contract with Ripp, with references to "my stolen youth", "all the conmen and their acrobats who stomped me in the ground", and "I must live up to contracts".
Reviewing in Christgau's Record Guide: The '80s (1990), Robert Christgau said: "Maybe [Joel's] youthful lyricism, meaning his knack for the tearjerker, is abandoning him. … Here he's best when he's brassy and literal: failed wise guy in 'Big Man on Mulberry Street,' Ray Charles's coequal on 'Baby Grand.' And even at his most rockin' he's seventy-five years retro whether he likes it or not—whenever he doesn't hit it just right you want to quarantine him for life in Atlantic City." [5]
In a retrospective interview, Joel said: "Not a happy album. I wasn't simpatico with the musicians, some of whom I'd been working with a long time. I don't think the material was good; I was pressured by management to put it out too fast. By the end, I sort of gave up caring, which for me was unusual. I remember reading bad reviews and agreeing with them." [8]
Billy later admitted to Rolling Stone that at the time of the album's writing and recording, he was in no mood to be in the studio, saying "Christie and I had just had Alexa, and I'd have much rather have been home with the baby..." This angst over leaving his wife and daughter at home was poured into the album track "Temptation".
Year | Single | Country | Chart | Position |
---|---|---|---|---|
1986 | "Modern Woman" | United States | Billboard AC [9] | 7 |
Billboard Hot 100 [10] | 10 | |||
Billboard Mainstream Rock [11] | 34 | |||
"A Matter of Trust" | Australia | Kent Music Report | 3 | |
United States | Billboard Hot 100 [10] | 10 | ||
Billboard Mainstream Rock [11] | 14 | |||
Billboard AC [9] | 17 | |||
United Kingdom | UK Singles Chart [12] | 52 | ||
1987 | "This Is the Time" | United States | Billboard AC [9] | 1 |
Billboard Hot 100 [10] | 18 | |||
Billboard Mainstream Rock [11] | 32 | |||
"Baby Grand" | Billboard AC [9] | 3 | ||
Billboard Hot 100 [10] | 75 |
All songs composed by Billy Joel, except "Code of Silence" written by Joel and Cyndi Lauper.
Side one
Side two
Additional personnel
Production
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Canada (Music Canada) [34] | 2× Platinum | 200,000^ |
Japan (Oricon Charts) | — | 250,000 [21] |
New Zealand (RMNZ) [35] | Gold | 7,500^ |
United Kingdom (BPI) [36] | Silver | 60,000^ |
United States (RIAA) [37] | 2× Platinum | 2,000,000^ |
^ Shipments figures based on certification alone. |
True Colors is the second studio album by American singer Cyndi Lauper, released on September 15, 1986, by Portrait Records. The album spawned several commercially successful singles as "True Colors", "Change of Heart", and "What's Going On" reached the top 20 of the Billboard Hot 100, with the first two charting within the top five. The album was produced by Lauper herself together with Lennie Petze.
A Night to Remember is the third studio album by American singer Cyndi Lauper, released on May 9, 1989, by Epic Records. The album was originally set to be released in 1988, under the name Kindred Spirit, but was delayed until 1989 and the songs from the initial project were reworked. Although the album managed to score a top-10 single, it did not enjoy the commercial success of her previous two albums, and was met with mixed-to-poor reviews and in interviews, Lauper refers to it as A Night to Forget. Worldwide, the album has sold more than 1.5 million copies.
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