In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in Western classical music, art music, and pop music.
Tonality or key: Music which uses the notes of a particular scale is said to be "in the key of" that scale or in the tonality of that scale.
The 36th Annual Grammy Awards were held on March 1, 1994. They recognized accomplishments by musicians from the previous year. Whitney Houston was the Big Winner winning 3 awards including Record of the Year and Album of the Year while opening the show with "I Will Always Love You".
"Good Vibrations" is a song by the American rock band the Beach Boys that was composed by Brian Wilson with lyrics by Mike Love. It was released as a single on October 10, 1966 and was an immediate critical and commercial hit, topping record charts in several countries including the United States and the United Kingdom. Characterized by its complex soundscapes, episodic structure and subversions of pop music formula, it was at the time the most expensive single ever recorded. "Good Vibrations" later became widely acclaimed as one of the finest and most important works of the rock era.
"A Hard Day's Night" is a song by the English rock band the Beatles. Credited to Lennon–McCartney, it was primarily written by John Lennon, with some minor collaboration from Paul McCartney. It was released on the film soundtrack of the same name in 1964. It was also released as a single in the UK, and in the US
"God Only Knows" is a song by American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson and Tony Asher, it is a baroque-style love song distinguished for its harmonic innovation and complexity, its unusual instrumentation, and its subversion of typical popular music conventions, both lyrically and musically. It is often praised as one of the greatest songs of all time and as the Beach Boys' finest record.
"Everyday People" is a 1968 song composed by Sly Stone and first recorded by his band, Sly and the Family Stone. It was the first single by the band to go to number one on the Soul singles chart and the U.S. Billboard Hot 100 chart. It held that position on the Hot 100 for four weeks, from February 9 to March 8, 1969, and is remembered as one of the most popular songs of the 1960s. Billboard ranked it as the No. 5 song of 1969.
Song structure is the arrangement of a song, and is a part of the songwriting process. It is typically sectional, which uses repeating forms in songs. Common forms include bar form, 32-bar form, verse–chorus form, ternary form, strophic form, and the 12-bar blues. Popular music songs traditionally use the same music for each verse or stanza of lyrics. Pop and traditional forms can be used even with songs that have structural differences in melodies. The most common format in modern popular music is introduction (intro), verse, pre-chorus, chorus, verse, pre-chorus, chorus, bridge, and chorus. In rock music styles, notably heavy metal music, there is usually one or more guitar solos in the song, often found after the middle chorus part. In pop music, there may be a guitar solo, or a solo performed with another instrument such as a synthesizer or a saxophone.
"Piano Man" is a song written and performed by American singer-songwriter Billy Joel. First released as a single in the US on November 2, 1973, it was included on Joel's 1973 album Piano Man. The song is sung from the point of view of a piano player at a bar, describing the patrons. "Piano Man" is based on Joel's real-life experiences as a lounge musician in Los Angeles from 1972 to 1973, which he had decided to pursue in an effort to escape his contracted New York City–based record company at the time, Family Productions, following the poor commercial performance of the album Cold Spring Harbor.
The Andalusian cadence is a term adopted from flamenco music for a chord progression comprising four chords descending stepwise – a iv–III–II–I progression with respect to the Phrygian mode or i–VII–VI–V progression with respect to the Aeolian mode (minor). It is otherwise known as the minor descending tetrachord. Traceable back to the Renaissance, its effective sonorities made it one of the most popular progressions in classical music.
"Just the Way You Are" is a song by Billy Joel from his fifth studio album The Stranger (1977), released as the album's second single in early November 1977. It became both Joel's first US Top 10 and UK Top 20 single, as well as Joel's first Gold single in the US. The song also topped the Billboard Easy Listening Chart for the entire month of January 1978.
"Us and Them" is a song by English rock band Pink Floyd, from their 1973 album The Dark Side of the Moon. The music was written by Richard Wright and Roger Waters with lyrics also by Waters. It is sung by David Gilmour, with harmonies by Wright. The song is 7 minutes and 49 seconds, the longest on the album.
"Who Are You" is the title track on the Who's 1978 album, Who Are You, the last album released by the group before Keith Moon's death in September 1978. It was written by Pete Townshend and released as a double-A-sided single with the John Entwistle composition "Had Enough", also featured on the album. The song was one of the band's biggest hits in North America, peaking at number 7 in Canada and at number 14 in the United States, and has become one of the band's signature tunes at their live shows. The piano on the track is played by Rod Argent.
"Wendy" is a song written by Brian Wilson and Mike Love for the American rock band the Beach Boys. It was released on their 1964 album All Summer Long and was also featured on their EP, Four by The Beach Boys.
"Sweet Home Chicago" is a blues standard first recorded by Robert Johnson in 1936. Although he is often credited as the songwriter, several songs have been identified as precedents. The song has become a popular anthem for the city of Chicago despite ambiguity in Johnson's original lyrics. Numerous artists have interpreted the song in a variety of styles.
"She's Always a Woman" is a song by Billy Joel from his 1977 album, The Stranger. The single peaked at No. 17 in the U.S. in Oct. 1978, and at No. 53 in the UK in 1986, when it was released as a double A-side with "Just the Way You Are". Josh Groban sings it on his Bridges album. It re-entered the UK chart in 2010, reaching No. 29.
The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. Rotations include:
"Teenage Dream" is a song by American singer Katy Perry. It was released as the second single from her third studio album of the same name on July 23, 2010. This song was written by Perry, Bonnie McKee, Dr. Luke, Max Martin, and Benny Blanco. McKee describes "Teenage Dream" as a throwback song to the euphoric feelings of being in love as a teenager while Perry described the song as reminiscent of her youth. Musically, "Teenage Dream" is a mid-tempo pop song with a retro sound. It is styled in the genres of power pop and electropop, while taking influence from other genres such as disco and pop rock. Perry starts the song in a high-pitched voice while her vocals grow stronger as the song progresses. Lyrically, "Teenage Dream" discusses being with a lover who makes one feel young again.
"Twenty Four Hours from Tulsa" is a song written by Burt Bacharach and Hal David, and was originally a hit in 1963 for Gene Pitney.
Acoustic Volume 2 is the second split album by punk rock singers Joey Cape and Tony Sly, released on June 18, 2012, through Fat Wreck Chords, the sequel to their 2004 album Acoustic. Like the first album, the album features 12 songs, 10 of which are acoustic renditions of songs by the singers' respective bands - Lagwagon and No Use for a Name, with each member also contributing one previously unreleased song. This is Tony Sly's last release before his death on July 31, 2012.
"Shape of My Heart" is a song by British musician Sting, released in August 1993 as the fifth single from his fourth solo album, Ten Summoner's Tales (1993). The song was co-written by guitarist Dominic Miller and features harmonica played by Larry Adler. It was used for the end credits of the 1994 film Léon, starring Jean Reno, Gary Oldman and Natalie Portman, and within the 1993 film Three of Hearts. Despite failing to reach the top 50 in the UK upon its release, it has become a pop classic and one of Sting's works most closely associated with his solo career. It has since been sampled in many tracks since its release, including "Shape" (2003) by Sugababes and "Rise & Fall" (2003) by Craig David. Ann-Margret sang a cover over the opening credits of her 1996 movie Blue Rodeo.
