"Say Goodbye to Hollywood" | ||||
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Single by Billy Joel | ||||
from the album Turnstiles | ||||
B-side | "Stop In Nevada" | |||
Released | November 1976 (UK) [1] | |||
Recorded | 1976 at Ultrasonic Recording Studios, Hempstead, NY | |||
Genre | Pop rock | |||
Length | 4:38 (Album version) 3:53 (Single version) | |||
Label | Columbia | |||
Songwriter(s) | Billy Joel | |||
Producer(s) | Billy Joel | |||
Billy Joel singles chronology | ||||
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"Say Goodbye to Hollywood" | ||||
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Single by Billy Joel | ||||
from the album Songs in the Attic | ||||
B-side | "Summer, Highland Falls" | |||
Released | 1981 | |||
Recorded | June 1980 at Milwaukee Arena, Milwaukee, WI | |||
Genre | Pop rock | |||
Length | 4:25 | |||
Label | Columbia | |||
Songwriter(s) | Billy Joel | |||
Producer(s) | Phil Ramone | |||
Billy Joel singles chronology | ||||
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"Say Goodbye to Hollywood" is a song written and performed by Billy Joel, first released in 1976 on his album Turnstiles as its opening track. It was originally released in the United States as the B-side to "I've Loved These Days" before being released as A-side in various countries like the UK, Germany and Australia in November 1976, with "Stop in Nevada" as the B-side. [2] However, the song achieved greater recognition in 1981 when a live version from Songs in the Attic was released as a US single, with the live version of "Summer, Highland Falls" as a B-side. Joel wrote the song after moving back to New York City in 1975; he had previously relocated to Los Angeles in 1972 in an attempt to get out of an onerous record deal. The man who represents this song on the Turnstiles album is the man wearing sunglasses and holding a suitcase.
Joel has stated in his university lectures that he wrote the song with Ronnie Spector and The Ronettes song "Be My Baby" in mind. [2] [3] Indeed, Joel notes that the two songs share a very similar beat, recycling the iconic drum intro of "Be My Baby". [4] The song's production was also specifically modeled on the "Wall of Sound" production method of her ex-husband Phil Spector, who produced "Be My Baby" in that manner. The song utilized a backing band throughout the track, with new instrumental layers appearing throughout the song, such as backup singers in the refrain and strings starting from the second verse. However, whether this effect had been achieved was in dispute, with biographer Mark Bego claiming it was successful in this regard, while music critic Stephen Holden disagreed. [5] Billboard said that it "has the intensity and flair of Phil Spector's early '60s classics." [6] Record World said that the live version "sounds better than the original," with "a perfect blend of concert spontaneity and studio clarity." [7]
Chart (1976) | Peak position |
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Australia (Kent Music Report) [9] | 45 |
Chart (1981) | Peak position |
Canadian Singles Chart [10] | 27 |
U.S. Billboard Hot 100 [11] | 17 |
U.S. Billboard Adult Contemporary [12] | 35 |
The Ronettes were an American girl group from Washington Heights, Manhattan, New York City. The group consisted of lead singer Veronica Bennett, her older sister Estelle Bennett, and their cousin Nedra Talley. They had sung together since they were teenagers, then known as "The Darling Sisters". Signed first by Colpix Records in 1961, they moved to Phil Spector's Philles Records in March 1963 and changed their name to "The Ronettes".
Turnstiles is the fourth studio album by American singer-songwriter Billy Joel, released May 19, 1976.
Billy Vera is an American singer, songwriter, actor, author, and music historian. He has been a singer and songwriter since the 1960s, his most successful record being "At This Moment", a US number 1 hit in 1987. He continues to perform with his group Billy Vera & The Beaters and won a Grammy Award in 2013.
Veronica Yvette Greenfield was an American singer who co-founded and fronted the girl group the Ronettes. She is sometimes referred to as the original "bad girl of rock and roll".
"Be My Baby" is a song by American girl group the Ronettes that was released as a single on Philles Records in August 1963. Written by Jeff Barry, Ellie Greenwich, and Phil Spector, the song was the Ronettes' biggest hit, reaching number 2 in the U.S. and number 4 in the UK. It is often ranked as among the best songs of the 1960s, and it is regarded by some as one of the greatest songs of all time.
"Baby, I Love You" is a song originally recorded by the Ronettes in 1963 and released on their debut album Presenting the Fabulous Ronettes (1964). The song was written by Jeff Barry, Ellie Greenwich, and Phil Spector, and produced by Spector.
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"Don't Worry Baby" is a song by American rock band the Beach Boys from their March 1964 album Shut Down Volume 2. Written by Brian Wilson and Roger Christian, Wilson's lead vocal on the track is considered one of his defining performances, and he later referred to "Don't Worry Baby" as perhaps the Beach Boys' finest record. It was issued in May 1964 as the B-side of "I Get Around", and charted separately at number 24.
"Zip-a-Dee-Doo-Dah" is a song composed by Allie Wrubel with lyrics by Ray Gilbert for the Disney 1946 live action and animated movie Song of the South, sung by James Baskett. For "Zip-a-Dee-Doo-Dah", the film won the Academy Award for Best Original Song and was the second Disney song to win this award, after "When You Wish upon a Star" from Pinocchio (1940). In 2004, it finished at number 47 in AFI's 100 Years...100 Songs, a survey of top tunes in American cinema.
"Ruby Baby" is a song written by Jerry Leiber and Mike Stoller. It was originally recorded by the Drifters. Their version was released as a single by Atlantic Records in 1956. It peaked at No. 10 on the US Hot R&B chart.
"Angel Baby" was a 1960 single by Rosie and the Originals. The group recorded the song independently on a two-track machine, located in a facility in the small farming community of San Marcos, California. At the time, lead singer Rosie Hamlin was only 15 years old. She had written the lyrics for "Angel Baby" as a poem for "[her] very first boyfriend" when she was a 14-year-old student at Mission Bay High School in San Diego, California.
"You May Be Right" is a song written and performed by rock singer Billy Joel, released as a single and the opening track from his 1980 album Glass Houses. The single reached No. 7 on the US charts and No. 6 in Canada. It failed to chart, however, in the UK unlike his preceding and succeeding singles "All for Leyna" and "It's Still Rock and Roll to Me". The Japanese single features "Close to the Borderline" as a B-side.
"Any Day Now" is a popular song written by Burt Bacharach and Bob Hilliard in 1962. It has been recorded by numerous artists over the years, including notable versions by Chuck Jackson in 1962, Alan Price in 1965, Elvis Presley in 1969, Scott Walker in 1973 and Ronnie Milsap in 1982. In the lyrics, the singer predicts the imminent demise of a romantic relationship and describes the sadness this will leave.
"Oh Me Oh My (I'm a Fool for You Baby)" is the title of a Top 30 hit single for Lulu which was recorded in September 1969 in the Muscle Shoals Sound Studio sessions for Lulu's Atco Records album debut New Routes. The song has been most notably remade by Aretha Franklin, The Raes, Buster Poindexter, Tina Arena, and Ronnie Spector on English Heart (2016).
Harvey Phillip Spector was an American record producer and songwriter best known for his innovative recording practices and entrepreneurship in the 1960s and his two trials and conviction for murder in the 2000s. Spector developed the Wall of Sound, a production style that is characterized for its diffusion of tone colors and dense orchestral sound, which he described as a "Wagnerian" approach to rock and roll. He is widely regarded as one of the most influential figures in pop music history and one of the most successful producers of the 1960s.
"Do It Baby" is a 1974 single recorded and released by the Motown R&B group The Miracles. The song was taken from the album of the same name, and written by Motown staff songwriters Freddie Perren and Christine Yarian and produced by Perren.
"(The Best Part of) Breakin' Up" is a song written by Phil Spector, Pete Andreoli and Vince Poncia. It was first recorded by the Ronettes, produced by Phil Spector and arranged by Jack Nitzsche with Ronnie Spector on lead vocals and with backing vocals by Nedra Talley and Estelle Bennett, ably abetted by Darlene Love and the Blossoms, Bobby Sheen, and Sonny & Cher. The song was released in April 1964, the year widely recognized as the group's most successful year, and proved to be the group's third consecutive top forty hit in the US. The single peaked at number 39 on the U.S. Billboard Hot 100 and number 43 on the UK Singles Chart.
"I Love How You Love Me" is a song written by Barry Mann and Larry Kolber. It was a 1961 Top Five hit for the pop girl group The Paris Sisters, which inaugurated a string of elaborately produced classic hits by Phil Spector. Bobby Vinton had a Top Ten hit in 1968 with a cover version. The song has been recorded by many other artists over the years.
We've Come Too Far to End It Now was a 1972 single by Motown Records R&B group The Miracles on its Tamla Label subsidiary (T54220F) and taken from their 1972 album, Flying High Together, the group's final studio album with original lead singer Smokey Robinson. This song charted at #46 on the Billboard Pop Chart, and reached the Top 10 of its R&B chart, peaking at #9.
"Why Don't They Let Us Fall in Love" is a song written by Phil Spector, Ellie Greenwich, and Jeff Barry. It was first recorded by American singer Ronnie Spector, who was credited as Veronica. In 1964, it was released as an A-sided single backed with "Chubby Danny D". It did not chart.