"Be My Baby" | ||||
---|---|---|---|---|
Single by the Ronettes | ||||
from the album Presenting the Fabulous Ronettes | ||||
B-side | "Tedesco and Pitman" | |||
Released | August 1963 | |||
Recorded | July 29, 1963 | |||
Studio | Gold Star, Hollywood | |||
Genre | ||||
Length | 2:41 | |||
Label | Philles | |||
Songwriter(s) | ||||
Producer(s) | Phil Spector | |||
The Ronettes singles chronology | ||||
| ||||
Phil Spector productionssingles chronology | ||||
| ||||
Official audio | ||||
"Be My Baby" on YouTube | ||||
Audio sample | ||||
"Be My Baby" is a song by the American girl group The Ronettes that was released as a single on Philles Records in August 1963. Written by Jeff Barry,Ellie Greenwich,and Phil Spector,the song was the Ronettes' biggest hit,reaching number 2 in the U.S. and Canada (4 weeks),and number 4 in the UK. [1] It was kept out of number 1 in Canada by Sugar Shack's 6 week run at number 1. It is often ranked as among the best songs of the 1960s, [2] [3] [4] and has been regarded by various publications as one of the greatest songs of all time. [5] [6]
Spector produced "Be My Baby" at Gold Star Studios with his de facto house band,later known as "the Wrecking Crew". It marked the first time that he recorded with a full orchestra,and the song is regarded as the quintessential example of his Wall of Sound recording technique. Ronnie Spector (then known as Veronica Bennett) is the only Ronette that appears on the track. In 1964,it appeared on the album Presenting the Fabulous Ronettes .
In the decades since its release,"Be My Baby" has been played on radio and television over 3 million times. The song has influenced many artists,most notably the Beach Boys' Brian Wilson,who wrote the 1964 hit "Don't Worry Baby" as a response to "Be My Baby". Many others have replicated or recreated the drum phrase—one of the most recognizable in pop music. The song has returned to the U.S. top 40 via cover versions by Andy Kim and Jody Miller. In 2006,the Library of Congress inducted the Ronettes' recording into the United States National Recording Registry. [7]
"Be My Baby" was written by Phil Spector,Jeff Barry,and Ellie Greenwich at Spector's office in Los Angeles. [8] Early in 1963,Spector auditioned a vocal group trio –composed of sisters Veronica (also known as "Ronnie") and Estelle Bennett with their cousin Nedra Talley –who were performing under the names "Ronnie and the Relatives" and "the Ronettes". [9] Impressed by Ronnie's lead on an impromptu performance of the 1956 hit "Why Do Fools Fall in Love",Spector offered an original song for the group to record,"Why Don't They Let Us Fall in Love". [10] They recorded the song at Gold Star Studios,but Spector withheld its release,as he had felt that the group needed more time to refine their stage act. [11]
Spector,who had been struggling with marital issues,developed a romantic fixation on Ronnie at this time. [12] Biographer Mick Brown surmised that Spector may have "intended 'Be My Baby' as an explicit declaration of his growing feelings for Ronnie",and that the song,in retrospect,served as a foreshadowing of their marriage,which lasted from the late 1960s through the early 1970s. [8] [nb 1] Singer Darlene Love,who had recorded with Spector,said that "Be My Baby" was effectively a means for Spector to declare his love to Ronnie. [14]
"Be My Baby" is in the key of E major. The verse chord progression runs through an E–F♯m–B change twice,followed by G♯7–C♯7–F#–B7. The chorus is a standard I–vi–IV–V doo-wop progression. [15]
Music journalist Marc Spitz wrote of the song's subject matter,"At its heart,'Be My Baby' is as much about power and control as it is about romance. Lyrically it also marks a bold moment in pop music,when a woman makes a play for a man while infantilizing him. Usually the reverse was the norm." [16]
On July 29,1963,Spector produced "Be My Baby" at Gold Star Studios in Los Angeles with his de facto house band,later known as "the Wrecking Crew". [8] It was the first time Spector recorded with a full orchestra at Gold Star. [17] According to Brown,Spector was "determined to make his most towering production yet" and summoned "the full complement of his troops in Gold Star —battalions of pianos and guitars,brass,strings,the full regiment of backing singers". [8] The song was arranged by Spector regular Jack Nitzsche and engineered by Larry Levine. [18]
The instrumentation on "Be My Baby" features piano,guitars,brass,shakers,castanets,bass,handclaps,strings and drums. [15] Levine remarked,"I love those strings,particularly at the end. They made me cry when I was mixing." [17] Guitars on the session were played by Tommy Tedesco and Bill Pitman,after whom the instrumental "Tedesco and Pitman" on the B-side of the single was named. [19] [ better source needed ]
According to Brown,the opening drum beat,played by Hal Blaine,was suggested by Nitzsche. [8] However,Blaine stated,"That famous drum intro was an accident. I was supposed to play the snare on the second beat as well as the fourth,but I dropped a stick. Being the faker I was in those days,I left the mistake in and it became:'Bum-ba-bum-BOOM!' And soon everyone wanted that beat." [20]
Owing to Spector's perfectionism,the band rehearsed the song for four hours in the studio before the tape recorders were turned on. [21] One of the four keyboard players,Michael Spencer,recalled,"That session took three and a half hours. There's this pause towards the end of the song where the drums go boom-ba-boom-boom before the song picks up again. I remember that by the fortieth or forty-first take I was so punchy,I played right through it,and we had to do it again. And that subsequent take was the one Phil used." [8]
Ronnie –the only Ronette who appears on the record [15] –overdubbed her lead vocal within a day after the backing track had been completed. [17] She spent the previous three days preparing for the session. [8] Ronnie remembered,"I was so shy that I'd do all my vocal rehearsals in the studio's ladies' room,because I loved the sound I got in there. People talk about how great the echo chamber was at Gold Star,but they never heard the sound in that ladies' room ... That's where all the little 'whoa-ohs' and 'oh-oh-oh-ohs' you hear on my records were born." [17] She said that when she sang the song at the session,"the band went nuts. I was 18 years old,3,000 miles from home,and had all these guys saying I was the next Billie Holiday." [20]
Nitzsche praised Ronnie's vibrato,saying,"That was her strong point. When that tune was finished,the speakers were turned up so high in the booth that people had to leave the room." [22] Levine said,"We didn't have to work hard to get Ronnie's performance,but we had to work hard to satisfy Phil. He'd spend an inordinate amount of time working on each section and playing it back before moving on to the next one,and that was very hard for the singers." [17] In his book Classic Tracks,author Rikky Rooksby writes,"Notice Ronnie Spector's voice is kept quite dry and upfront;her vocal,and those carefully rehearsed wha-ah-oh-ohs,along with the vast sound,make the record what it is." [15]
Sonny Bono and Cher were among the backing vocalists. [23] Cher stated in a television interview,"I was just hanging out with Son [Bono],and one night Darlene [Love] didn't show up,and Philip looked at me and he was getting really cranky,y'know. Philip was not one to be kept waiting. And he said,'Sonny said you can sing?' And so,as I was trying to qualify what I felt my ... 'expertise' was,he said,'Look I just need noise –get out there!' I started as noise,and that was 'Be My Baby'." [24]
I was like the happiest 17, 18-year-old girl you'd ever want to know, to have a No. 1 [ sic ] record all over the world, I loved it so much, the sweat and the tears and the sex appeal, everything.
"Be My Baby" (backed with "Tedesco and Pitman") was released by Philles Records in August 1963 and reached number 2 on the Billboard Pop Singles Chart by the end of the summer. [26] [22] [27] In the UK, it was issued by London Recordings in October and peaked at number 4 on Record Retailer . [28] By the end of the year, the single had sold more than two million copies.[ citation needed ]
The Ronettes' first royalty cheque for the song totaled $14,000 (equivalent to $139,000 in 2023). In her 1991 memoir, Ronnie wrote that the group subsequently had dinner with Spector to celebrate their success; at the end of the meal, however, he asked them to cover the bill. Ronnie remarked, "For a millionaire, he sure could be cheap." [22]
In her autobiography, Ronnie relates that she was on tour with Joey Dee and the Starlighters when "Be My Baby" was introduced by Dick Clark on American Bandstand as the "Record of the Century."[ full citation needed ] It remains the Ronettes' most successful song; although the group enjoyed several more top 40 hits, they sold at underwhelming volumes compared to "Be My Baby". [29] In a 1999 interview, Ronnie cited "Be My Baby" as one of her top five favorite songs in her catalog. [25]
A live rendition of "Be My Baby" was performed by the Ronettes on the 1966 rock concert film The Big TNT Show , for which Spector was the musical director and associate producer. [30]
"Be My Baby" was a major influence on artists such as the Beatles and the Beach Boys, who went on to innovate with their own studio productions. [31] Producer Steve Levine compared the track's groundbreaking quality to the Beach Boys' "Good Vibrations" (1966), 10cc's "I'm Not in Love" (1975), and Queen's "Bohemian Rhapsody" (1975). [32] Many subsequent popular songs have replicated or recreated the drum phrase—one of the most recognizable in popular music. [33] Producer Rick Nowels, who lifted the drum beat for a Lana Del Rey song, said, "'Be My Baby,' for me, is Ground Zero for the modern pop era. it was a line in the sand that left everything that came before in the rear view mirror. It was the beginning of pop music being a serious American art form." [33]
AllMusic's Jason Ankeny noted in his review of the song, "No less an authority than Brian Wilson has declared 'Be My Baby' the greatest pop record ever made—no arguments here." [34] In his 2004 book Sonic Alchemy: Visionary Music Producers and Their Maverick Recordings, David Howard writes that many regard ""Be My Baby" as "Spector's greatest achievement—two and a half sweaty minutes of sexual pop perfection." [35]
In 2016, Barbara Cane, vice president and general manager of writer-publisher relations for the songwriters' agency BMI, estimated that the song has been played in 3.9 million feature presentations on radio and television since 1963. "That means it's been played for the equivalent of 17 years back to back." [16]
"Be My Baby" had a profound lifelong impact on the Beach Boys' founder Brian Wilson. [36] [37] His biographer Peter Ames Carlin describes the song as becoming "a spiritual touchstone" for Wilson, [38] while music historian Luis Sanchez states that it formed an enduring part of Wilson's mythology, being the Spector record that "etched itself the deepest into Brian's mind ... it comes up again and again in interviews and biographies, variably calling up themes of deep admiration, a source of consolation, and a baleful haunting of the spirit." [39]
I really did flip out. Balls-out totally freaked out when I heard ["Be My Baby"]. [...] it was like having your mind revamped. It's like, once you've heard that record, you're a fan forever.
Wilson first heard "Be My Baby" while driving and listening to the radio; he became so enthralled by the song that he felt compelled to pull over to the side of the road and analyze the chorus. [41] [nb 2] Wilson immediately concluded that it was the greatest record he had ever heard. [37] He bought the single and kept it on his living room jukebox, listening to it whenever the mood struck him. [43] [37] Copies of the record were located in his car and virtually everywhere inside his home. [44]
Wilson conceived the Beach Boys' 1964 hit "Don't Worry Baby" as an answer song. [45] He had originally submitted "Don't Worry Baby" for the Ronettes' consideration, but this motion was halted by Spector, who had a policy against producing records that he himself did not write. [46] Spector was aware of Wilson's obsession with "Be My Baby" and joked that he would have enjoyed "a nickel for every joint" Wilson had smoked in an effort to understand the record's sound. [47]
Among the many documented anecdotes related to Wilson's obsession with "Be My Baby", music journalist David Dalton, who had visited Wilson's home in 1967, reportedly discovered a box of tapes in Wilson's bedroom, the contents of which consisted of Wilson, under the influence of marijuana, monologuing for multiple hours "on the meaning of life, color vibrations, fate, death, vegetarianism and Phil Spector." [48] [49] Wilson had spoken at length about "Be My Baby" to the journalist, analyzing the song "like an adept memorizing the Koran." [49] [nb 3] Wilson's daughter Carnie, born in 1968, stated that "every day" of her childhood began with her awaking to a playback of "Be My Baby". [51] Sanchez characterizes the accumulation of stories such as these as effectively depicting "an image of wretchedness: Brian locked in the bedroom of his Bel Air house in the early '70s, alone, curtains drawn shut, catatonic, listening to 'Be My Baby' over and over at aggressive volumes, for hours, as the rest of The Beach Boys record something in the home studio downstairs." [39] [nb 4]
The Beach Boys' 1977 song "Mona", written by Wilson, ends with the lines "Listen to 'Be My Baby' / I know you're going to love Phil Spector". [52] During a 1980 appearance on Good Morning America , host Joan Lunden inquired Wilson for his musical tastes, to which Wilson replied simply with "I listen to a song called 'Be My Baby' by the Ronettes." [53] [nb 5] Wilson told The New York Times in 2013 that he had listened to the song at least 1,000 times. [16] Beach Boy Bruce Johnston gave a higher estimation: "Brian must have played 'Be My Baby' ten million times. He never seemed to get tired of it." [54] In Wilson's 2016 memoir, I Am Brian Wilson , he recalled once playing the song's drum intro "ten times until everyone in the room told me to stop, and then I played it ten more times." [41]
|
|
Region | Certification | Certified units/sales |
---|---|---|
Denmark (IFPI Danmark) [109] | Gold | 45,000‡ |
Italy (FIMI) [110] | Gold | 50,000‡ |
Spain (PROMUSICAE) [111] | Platinum | 60,000‡ |
United Kingdom (BPI) [112] | Platinum | 600,000‡ |
‡ Sales+streaming figures based on certification alone. |
The Ronettes were an American girl group from Washington Heights, Manhattan, New York City. The group consisted of the lead singer Veronica Bennett, her older sister Estelle Bennett, and their cousin Nedra Talley. They had sung together since they were teenagers, then known as "The Darling Sisters". Signed first by Colpix Records in 1961, they moved to Phil Spector's Philles Records in March 1963 and changed their name to "The Ronettes".
Darlene Wright ,[a] also known by the stage name Darlene Love, is an American R&B and soul singer and actress. She was the lead singer of the girl group the Blossoms and also a solo recording artist.
The Wall of Sound is a music production formula developed by American record producer Phil Spector at Gold Star Studios, in the 1960s, with assistance from engineer Larry Levine and the conglomerate of session musicians later known as "the Wrecking Crew". The intention was to exploit the possibilities of studio recording to create an unusually dense orchestral aesthetic that came across well through radios and jukeboxes of the era. Spector explained in 1964: "I was looking for a sound, a sound so strong that if the material was not the greatest, the sound would carry the record. It was a case of augmenting, augmenting. It all fit together like a jigsaw."
Veronica Yvette Greenfield was an American singer who co-founded and fronted the girl group The Ronettes. She is sometimes referred to as the original "bad girl of rock and roll".
"River Deep – Mountain High" is a song by Ike & Tina Turner released on Philles Records as the title track to their 1966 studio album. Produced by Phil Spector and written by Spector, Jeff Barry and Ellie Greenwich. Rolling Stone ranked "River Deep – Mountain High" No. 33 on their list of the 500 Greatest Songs of All Time. NME ranked it No. 37 on their list of the 500 Greatest Songs of All Time. The Rock and Roll Hall of Fame added it to the list of the 500 Songs That Shaped Rock and Roll. The song was inducted into the Grammy Hall of Fame in 1999.
"Baby, I Love You" is a song originally recorded by the Ronettes in 1963 and released on their debut album Presenting the Fabulous Ronettes (1964). The song was written by Jeff Barry, Ellie Greenwich, and Phil Spector, and produced by Spector.
A Christmas Gift for You from Philles Records is an album of Christmas songs, produced by Phil Spector, and originally released as Philles 4005 in November 1963. Spector treated a series of mostly secular Christmas standards to his "Wall of Sound" production style, and the selections feature the vocal performances of Spector's regular artists during this period. One month after its release, the album peaked at No. 13 on Billboard magazine's special, year-end, weekly Christmas Albums sales chart.
Back to Mono (1958–1969) is a box set that compiles tracks produced by the American record producer Phil Spector between 1958 and 1969. It was released in 1991 by ABKCO. Initially a vinyl album-sized package, the box contained a booklet with photographs, complete song lyrics, discographical information, and a reproduction of the essay on Spector by Tom Wolfe, "The First Tycoon of Teen." The package also contained a small, round, red "Back to Mono" pin. In 2003, it was ranked number 64 on Rolling Stone's 500 Greatest Albums of All Time.
"Don't Worry Baby" is a song by American rock band the Beach Boys from their March 1964 album Shut Down Volume 2. Written by Brian Wilson and Roger Christian, Wilson's lead vocal on the track is considered one of his defining performances, and he later referred to "Don't Worry Baby" as perhaps the Beach Boys' finest record. It was issued in May 1964 as the B-side of "I Get Around", and charted separately at number 24.
"I Can Hear Music" is a song written by Jeff Barry, Ellie Greenwich and Phil Spector for American girl group the Ronettes in 1966. This version spent one week on the Billboard Pop chart at number 100. In early 1969, the Beach Boys released a cover version as a single from their album 20/20 (1969), peaking at number 24 in the US.
"Chapel of Love" is a song written by Jeff Barry, Ellie Greenwich and Phil Spector, and made famous by The Dixie Cups in 1964, spending three weeks at number one on the Billboard Hot 100. The song tells of the happiness and excitement the narrator feels on her wedding day, for she and her love are going to the "chapel of love", and "[they'll] never be lonely anymore." Many other artists have recorded the song.
"Da Doo Ron Ron (When He Walked Me Home)" is a song written by Jeff Barry, Ellie Greenwich and Phil Spector. It first became a popular top five hit single for the American girl group the Crystals in 1963. American teen idol Shaun Cassidy recorded the song in 1977 and his version hit number one on the Billboard Hot 100 chart. There have also been many other cover versions of this song, including one by the songwriters Jeff Barry and Ellie Greenwich themselves, performing as the Raindrops.
"Then He Kissed Me" is a song written by Phil Spector, Ellie Greenwich and Jeff Barry. The song, produced by Spector, was initially released as a single on Philles Records (#115) in July 1963 by The Crystals. The lyrics are a narrative of a young woman's encounter, romance, and eventual engagement with a young man.
"Take Me Home Tonight" is a song by American rock singer Eddie Money. It was released in August 1986 as the lead single from his album Can't Hold Back. The song's chorus interpolates the Ronettes' 1963 hit "Be My Baby", with original vocalist Ronnie Spector providing uncredited vocals and reprising her role. Songwriting credit was given to Mike Leeson, Peter Vale, Ellie Greenwich, Phil Spector and Jeff Barry.
"Make Me Lose Control" is a song written and performed by singer-songwriter Eric Carmen and co-written with Dean Pitchford. It is one of two major hits written by the duo, the other being the 1984 song "Almost Paradise" by Mike Reno and Ann Wilson. "Make Me Lose Control" reached No. 3 on the Billboard Hot 100 in 1988.
Harvey Phillip Spector was an American record producer, songwriter, and convicted murderer. He is best known for his innovative recording practices and entrepreneurship in the 1960s along with his two trials and conviction for the murder of Lana Clarkson in the 2000s. Spector developed the Wall of Sound, a production style that is characterized for its diffusion of tone colors and dense orchestral sound, which he described as a "Wagnerian" approach to rock and roll. He is widely regarded as one of the most influential figures in pop music history and one of the most successful producers of the 1960s.
"Say Goodbye to Hollywood" is a song written and performed by Billy Joel, first released in 1976 on his album Turnstiles as its opening track. It was originally released in the United States as the B-side to "I've Loved These Days" before being released as A-side in various countries like the UK, Germany and Australia in November 1976, with "Stop in Nevada" as the B-side. However, the song achieved greater recognition in 1981 when a live version from Songs in the Attic was released as a US single, with the live version of "Summer, Highland Falls" as a B-side. Joel wrote the song after moving back to New York City in 1975; he had previously relocated to Los Angeles in 1972 in an attempt to get out of an onerous record deal. The man who represents this song on the Turnstiles album is the man wearing sunglasses and holding a suitcase.
"(The Best Part of) Breakin' Up" is a song written by Phil Spector, Pete Andreoli and Vince Poncia. It was first recorded by the Ronettes, produced by Phil Spector and arranged by Jack Nitzsche with Ronnie Spector on lead vocals and with backing vocals by Nedra Talley and Estelle Bennett, ably abetted by Darlene Love and the Blossoms, Bobby Sheen, and Sonny & Cher. The song was released in April 1964, the year widely recognized as the group's most successful year, and proved to be the group's third consecutive top forty hit in the US. The single peaked at number 39 on the U.S. Billboard Hot 100 and number 43 on the UK Singles Chart.
"Is This What I Get for Loving You?" is a pop song written by Phil Spector, Carole King and Gerry Goffin and recorded by 1960s girl group the Ronettes. The song featured Ronettes lead singer Ronnie Spector on lead vocals, and Ronettes Nedra Talley and Estelle Bennett on backing vocals. Released on Philles Records, reaching No. 75 on the Billboard Hot 100 in 1965.
This article is a discography for American singing group The Ronettes. The Ronettes began recording with Colpix Records in 1961 and recorded eleven songs for Colpix. In March 1963, the group moved to Phil Spector's Philles Records, where they achieved their biggest success.
{{cite web}}
: CS1 maint: numeric names: authors list (link){{cite web}}
: CS1 maint: url-status (link)