"The Letter" | ||||
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Single by the Box Tops | ||||
B-side | "Happy Times" | |||
Released | August 1967 | |||
Studio | American Sound (Memphis, Tennessee) | |||
Genre | Pop rock, blue-eyed soul | |||
Length | 1:58 | |||
Label | Mala | |||
Songwriter(s) | Wayne Carson | |||
Producer(s) | Dan Penn | |||
The Box Tops singles chronology | ||||
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Audio sample | ||||
"The Letter" is a song written by Wayne Carson that was first recorded by the American rock band the Box Tops in 1967. It was the group's first and most successful single, reaching number one on the record charts in the United States and Canada. It was also an international success and placed in the top ten in several other countries.
The Box Tops lead vocalist Alex Chilton sang "The Letter" in a gruff blue-eyed soul style. The song launched Chilton's career and inspired numerous cover versions. English rock and soul singer Joe Cocker's 1970 rendition became his first top ten single in the U.S.; several other artists have recorded versions which also reached the record charts.
Rolling Stone magazine included the Box Tops original at number 372 on its list of the "500 Greatest Songs of All Time", [1] and the Rock and Roll Hall of Fame added it to the list of the "500 Songs That Shaped Rock and Roll". [2] In 2011, the single was inducted into the Grammy Hall of Fame. [3]
Wayne Carson wrote "The Letter", built on an opening line suggested by his father: "Give me a ticket for an aeroplane". [4] Carson included the song on a demo tape he gave to Chips Moman, owner of American Sound Studio in Memphis, Tennessee. When studio associate Dan Penn was looking for an opportunity to produce more, Moman suggested a local group, the DeVilles, who had a new lead singer, sixteen-year-old Alex Chilton. [4] The other four members of the group that played on the session were Danny Smythe on drums, Richard Malone on electric guitar, John Evans on electric piano, and Russ Caccamisi on bass. [5] Penn gave the group Carson's demo tape for some songs to work up. [4] With little or no rehearsal, the group arrived at American Sound to record "The Letter". [5] Chilton recalled:
We set up and started running the tune down ... [Dan] adjusted a few things on the organ sound, told the drummer not to do anything at all except the basic rhythm that was called for. No rolls, no nothin'. The bass player was playing pretty hot stuff, so he didn't mess with what the bass player was doing. [5]
Penn added: "The guitar player had the lick right—we copied Wayne's demo. Then I asked the keyboard player to play an 'I'm a Believer' type of thing". [5] Chilton sang the vocal live while the group was performing; [5] Penn noted: "I coached him [Chilton] a little ... told him to say 'aer-o-plane,' told him to get a little gruff, and I didn't have to say anything else to him, he was hookin 'em, a natural singer." [6] He later explained, "[Chilton] picked it up exactly as I had in mind, maybe even better. I hadn't even paid any attention to how good he sang because I was busy trying to put the band together ... I had a bunch of greenhorns who'd never cut a record, including me". [7]
About thirty takes were required for the basic track. Then Penn had Mike Leech prepare a string and horn arrangement to give it a fuller sound. [4] Leech recalled: "My very first string arrangement was 'The Letter', and the only reason I did that was because I knew how to write music notation ... Nobody else in the group did or I'm sure someone else would have gotten the call." [4] Penn also overdubbed the sound of an airplane taking off to the track from a special effects record that had been checked out from the local library. [5] He explained:
That was a big part of the record ... When I finished it up, I played it for Chips [Moman], and he said, "That's a pretty good little rock & roll record, but you've got to take that airplane off it." I said, "If the record's going out, it's going out with the airplane on it". He said, "Okay, it's your record." [5]
Edwin Pouncey of The Wire described the "sampling" of the overhead jet plane as one of the more notable "pop and rock musique concrète flirtations" of the period. [8]
The DeVilles were renamed the Box Tops and "The Letter", at only 1 minute, 58 seconds, was released by Mala Records, a subsidiary of Bell Records.
"The Letter" reached number one on the Hot 100 singles chart published by Billboard magazine on September 23, 1967. [9] It remained at the top position for four weeks and Billboard ranked the record the number two song for 1967. [10] The single sold more than one million copies [11] and the RIAA certified it as gold. [12]
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"The Letter" | ||||
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Single by Joe Cocker | ||||
B-side | "Space Captain" | |||
Released | April 1970 | |||
Recorded | March 17, 1970 | |||
Studio | A&M soundstage, Hollywood, California | |||
Genre | Rock | |||
Length | 4:10 | |||
Label | A&M | |||
Songwriter(s) | Wayne Carson | |||
Producer(s) | Denny Cordell, Leon Russell | |||
Joe Cocker singles chronology | ||||
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Audio sample | ||||
English singer Joe Cocker recorded "The Letter" during the rehearsals for his upcoming Mad Dogs and Englishmen tour on March 17, 1970. [25] Leon Russell and the Shelter People provided the back up; Russell and Denny Cordell produced the recording. [25] A&M Records released it as a single, with "Space Captain" as the B-side. It appeared in Billboard's Hot 100 in April 1970 and eventually reached number seven. [26] "The Letter" became Cocker's first top ten single in the US. In the UK, the single reached number 39. [27]
Cocker performed it (and "Space Captain") during his 1970 performance at the Fillmore East auditorium in New York City. [25] Recordings of both songs are included on the live Mad Dogs & Englishmen album, which was released in August 1970 and was a best seller. [28] The concert was also filmed in its entirety and released in theaters. In 2003, it was released on DVD. [28]
Chart | Peak |
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Australia Go-Set [29] | 27 |
Canada RPM Top Singles [30] | 7 |
UK Singles Chart [27] | 39 |
US Billboard Hot 100 [26] | 7 |
Chart | Rank |
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Canada [31] | 91 |
In 1979, a version by country singer Sammi Smith reached number 27 on the Billboard Hot Country Singles chart. [32] A year later in the UK, Amii Stewart's version reached number 39 on the UK Singles Chart. [33]
The Box Tops is an American rock band formed in Memphis, Tennessee in 1967. They are best known for the hits "The Letter", "Cry Like a Baby", "Choo Choo Train," and "Soul Deep" and are considered a major blue-eyed soul group of the period. They performed a mixture of current soul music songs by artists such as James & Bobby Purify and Clifford Curry; pop tunes like "A Whiter Shade of Pale" by Procol Harum; and songs written by their producers, Dan Penn, Spooner Oldham, and Chips Moman. Vocalist Alex Chilton later fronted the power pop band Big Star and launched a career as a solo artist. During that time he occasionally performed songs he had sung with the Box Tops.
"Suspicious Minds" is a 1968 song written and first recorded by the American songwriter Mark James. After this recording failed commercially, it was recorded by Elvis Presley with the producer Chips Moman. Presley's version reached No.1 on the US Billboard Hot 100, his 18th and final no. 1 single on that chart. In 1999, Presley's RCA Victor Records version was inducted into the Grammy Hall of Fame.
"I Can't Help Myself" is a 1965 song recorded by the Four Tops for the Motown label.
"Baby I Need Your Loving" is a 1964 hit single recorded by the Four Tops for the Motown label. Written and produced by Motown's main production team Holland–Dozier–Holland, the song was the group's first Motown single and their first pop Top 20 hit, making it to number 11 on the US Billboard Hot 100 and number four in Canada in the fall of 1964. It was also their first million-selling hit single.
"Reach Out I'll Be There" (also formatted as "Reach Out (I'll Be There)") is a song recorded by American vocal quartet Four Tops from their fourth studio album, Reach Out (1967). Written and produced by Motown's main production team, Holland–Dozier–Holland, the song is one of the most widely-known Motown hits of the 1960s and is today considered the Four Tops' signature song.
"(I Know) I'm Losing You" is a 1966 hit single recorded by the Temptations for the Gordy (Motown) label, written by Cornelius Grant, Eddie Holland and Norman Whitfield, and produced by Norman Whitfield.
"River Deep – Mountain High" is a song by Ike & Tina Turner released on Philles Records as the title track to their 1966 studio album. Produced by Phil Spector and written by Spector, Jeff Barry and Ellie Greenwich. Rolling Stone ranked "River Deep – Mountain High" No. 33 on their list of the 500 Greatest Songs of All Time. NME ranked it No. 37 on their list of the 500 Greatest Songs of All Time. The Rock and Roll Hall of Fame added it to the list of the 500 Songs That Shaped Rock and Roll. The song was inducted into the Grammy Hall of Fame in 1999.
Mad Dogs & Englishmen is a live album by Joe Cocker, released in 1970. The album's title is drawn from the 1931 Noël Coward song of the same name and Leon Russell's "Ballad of Mad Dogs and Englishmen". Only four songs of the 16 on the original album were drawn from his first two studio albums. Besides the contributions of bandmate and musical director Leon Russell, it draws equally from rock and soul. Accompanying Cocker is a choir, a three-piece horn section and several drummers.
"Since I Don't Have You" is a song written and composed by Jackie Taylor, James Beaumont, Janet Vogel, Joseph Rock, Joe Verscharen, Lennie Martin, and Wally Lester. It was first a 1958 hit single for the doo-wop group the Skyliners on the Billboard Hot 100. Country music singer Ronnie Milsap had a hit with the song in 1991. American hard rock band Guns N' Roses also had some success in 1994 with their version of the song which reached the top 10 on the UK Singles Chart.
"To Sir with Love" is the theme from James Clavell's 1967 film To Sir, with Love. The song was performed by British singer and actress Lulu, and written by Don Black and Mark London. Mickie Most produced the record, with Mike Leander arranging and conducting. The song peaked at the top of the Billboard Hot 100, and became the best-selling single of 1967 in the United States.
"If I Were a Carpenter" is a folk song written by Tim Hardin in the 1960s, and re-recorded with commercial success by various artists including Bobby Darin, The Four Tops and Johnny Cash. Hardin's own recording of the piece appeared on his 1967 album Tim Hardin 2. It was one of two songs from that release performed by Hardin at Woodstock in 1969. The song, believed by some to be about male romantic insecurity, is rumored to have been inspired by his love for actress Susan Morss, as well as the construction of Hardin's recording studio.
"Don't Let Me Be Misunderstood" is a song written by Bennie Benjamin, Horace Ott and Sol Marcus for American singer-songwriter and pianist Nina Simone, who recorded the first version in 1964. "Don't Let Me Be Misunderstood" has been covered by many artists. Two of the covers were transatlantic hits, the first in 1965 by the Animals, which was a blues rock version; and in 1977 by the disco group Santa Esmeralda, which was a four-on-the-floor rearrangement. A 1986 cover by new wave musician Elvis Costello found success in Britain and Ireland.
"Take Me in Your Arms (Rock Me a Little While)" is a song written by the premier Motown songwriting/production team of the 1960s Holland–Dozier–Holland. The first hit recording was sung by Kim Weston in 1965. It was most popular in 1975 when it was recorded by the Doobie Brothers.
"I'd Really Love to See You Tonight" is a song written by Parker McGee and recorded by England Dan & John Ford Coley from their 1976 album Nights Are Forever. It eventually peaked at No. 2 on the Billboard Hot 100 chart for two weeks, behind Wild Cherry's "Play That Funky Music" and No. 1 on the Easy Listening chart. Billboard ranked it as the No. 21 song for 1976. It also reached No. 26 on the UK Singles Chart.
"Never My Love" is a pop standard written by American siblings Don and Dick Addrisi, and best known from a hit 1967 recording by the Association. The Addrisi Brothers had two Top 40 hits as recording artists, but their biggest success as songwriters was "Never My Love". Recorded by dozens of notable artists in the decades since, in 1999 the music publishing rights organization Broadcast Music, Inc. (BMI) announced it was the second most-played song on radio and television of the 20th century in the U.S.
The American Sound Studio was a recording studio located in Memphis, Tennessee which operated from 1964 to 1972. Founded by Chips Moman, the studio at 827 Thomas Street came to be known as American North, and the studio at 2272 Deadrick Street came to be known as American East or the Annex.
"Neon Rainbow" is a song written by Wayne Carson Thompson and made famous by Memphis blue-eyed soul band The Box Tops.
"Daddy's Home" is a famous song by American doo-wop group Shep and the Limelites. The song was written by the three members of the band, James "Shep" Sheppard (1935–1970), Clarence Bassett (1936–2005) and Charles Baskerville. The group recorded the original version of "Daddy's Home" on February 1, 1961, and it was released on Hull Records in March 1961 with the B-side being "This I Know".
"Cry Like a Baby" is a 1968 song written by Dan Penn and Spooner Oldham, and performed by The Box Tops. The song reached No.2 in April 1968 on the Billboard Hot 100 chart, a position it held for two weeks. It was kept out of the top spot by Bobby Goldsboro's "Honey", which stayed at No.1 for five weeks. "Cry Like a Baby" also reached No.2 on Cashbox for one week. It stayed on the Hot 100 for 15 weeks and Cashbox for 14 weeks. It was awarded a gold disc for selling over one million copies in the United States.
"Soul Deep" is a song originally recorded by Robbie Lane and the Disciples in 1966, but best known by a recorded version by The Box Tops. It was the third of three singles released from their 1969 Dimensions LP. Lead vocals were provided by Alex Chilton.
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