Joe Cocker | ||||
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Studio album by | ||||
Released | November 1972 | |||
Recorded | 1971–1972 | |||
Genre | Blues rock, Southern rock | |||
Length | 42:28 | |||
Label | A&M SP 4368 | |||
Producer | Denny Cordell and Nigel Thomas | |||
Joe Cocker chronology | ||||
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Singles from Joe Cocker | ||||
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Review scores | |
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Christgau's Record Guide | B+ [2] |
Joe Cocker is the third studio album by Joe Cocker, released in 1972 in Europe as Something to Say on Cube Records, and in the USA as Joe Cocker on A&M Records. It contains the hit single "High Time We Went", that was released in the summer of 1971. Joe Cocker signalled Cocker's change of direction into a more jazzy, blues style. The album reached no. 30 in the US album charts. However, although it received a positive response from the press, it made no impression on the British and European charts.
It is an unusual LP among Joe Cocker albums, in that he wrote the lyrics to six songs. Five of them were co-written with Chris Stainton between 1969 and 1972. "Something To Say" was written with Nichols. However, the album's main claim to fame might be that one of its tracks, "Woman to Woman", was the basis for Tupac Shakur's successful hit single "California Love".
The album, re-titled as Something to Say, was originally released on CD in 1990 by Castle Communications and in 1998 a remastered edition of the album was released worldwide on A&M Records. Alan White, soon to be Yes' drummer, played on this album alongside Jim Keltner, after he was featured on George Harrison's All Things Must Pass and John Lennon's Live Peace in Toronto , Imagine and Sometime in New-York City albums. Conrad Isidore played with Steve Stills and Hummingbird, among others. Percussionist Rebop Kwaku Baah was known for his work with Traffic and the German band Can.
All tracks composed by Joe Cocker and Chris Stainton, except where indicated.
On the album's release, the tracks that received the most attention on radio were "Black-Eyed Blues", "Woman to Woman", and the cover version of Gregg Allman's "Midnight Rider", which charted on the Billboard Hot 100, peaking at number 27.
In 1996, the horn-and-piano riff from "Woman to Woman" was sampled by Tupac Shakur in his song "California Love"; it was a smash hit for Tupac, reaching No. 1 on the Billboard Hot 100. "Woman to Woman" was also featured in the soundtrack for the 2004 video game Grand Theft Auto: San Andreas , on the fictional classic rock radio station K-DST.
(A sticker placed on original issue albums read "Featuring the Chris Stainton Band and the Sanctified Sisters")
"Special thanks to Marvin Bornstein and Bart Chiate without whose special assistance this album could not have been completed. Thanks as well to Bob Potter and Chris Kimsey and to Gail Stainton, Charis Mitchell and Eileen Weaver who provided constant support to their old men."
When A&M placed an advertisement for the album in Creem magazine, the ad copy read: "There is only one man in the world who can release an album named 'Joe Cocker'"
Year | Chart | Position |
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1972 | UK | 29 |
US Billboard | 30 | |
1973 | Germany | 50 |
John Robert "Joe" Cocker was an English singer known for his gritty, bluesy voice and dynamic stage performances that featured expressive body movements. Most of his best known singles, such as "Feelin' Alright?" and "Unchain My Heart", were recordings of songs written by other song writers, though he composed a number of songs for most of his albums as well, often in conjunction with songwriting partner Chris Stainton.
Traffic were an English rock band formed in Birmingham in April 1967 by Steve Winwood, Jim Capaldi, Chris Wood and Dave Mason. They began as a psychedelic rock group and diversified their sound through the use of instruments such as keyboards, sitar, and various reed instruments, and by incorporating jazz and improvisational techniques in their music.
The Grease Band was a British rock band that originally formed as Joe Cocker's backing group. They appeared with Cocker during the 1960s, including his performance at the Woodstock Festival in August 1969. The band's name derived from an interview Cocker had read with the American jazz organist Jimmy Smith, who had approvingly described another performer as having "a lot of grease", with "grease" referring to soul. After Cocker formed the Mad Dogs & Englishmen album band line-up, the group released two albums without him in the 1970s.
The Low Spark of High Heeled Boys is the fifth studio album by English rock band Traffic, released in 1971. The album was Traffic's most successful in the United States, reaching number 7 on the Billboard Top LPs chart and becoming their only platinum-certified album there, indicating sales in excess of one million. However, it failed to chart in the United Kingdom. The album features the minor hit "Rock & Roll Stew" and the title track, which received heavy FM airplay.
When the Eagle Flies is the seventh studio album released by English rock band Traffic, in 1974. The album featured Jim Capaldi, Steve Winwood and Chris Wood, with Rosko Gee on bass guitar. Percussionist Rebop Kwaku Baah was fired prior to the album's completion, but two tracks feature his playing. Winwood plays a broader variety of keyboard instruments than most previous Traffic albums, adding Moog to their repertoire. This was the last Traffic album for 20 years, when Winwood and Capaldi reunited for Far from Home in 1994.
Mad Dogs & Englishmen is a live album by Joe Cocker, released in 1970. The album's title is drawn from the 1931 Noël Coward song of the same name and Leon Russell's "Ballad of Mad Dogs and Englishmen". Only four songs of the 16 on the original album were drawn from his first two studio albums. Besides the contributions of bandmate and musical director Leon Russell, it draws equally from rock and soul. Accompanying Cocker is a choir, a three-piece horn section and several drummers.
Mick Weaver is an English session musician, best known for his playing of the Hammond B3 organ, and as an exponent of the blues and funk.
Welcome to the Canteen is the first live album by English rock band Traffic. It was recorded live at Fairfield Halls, Croydon and the Oz Benefit Concert in the canteen of the Polytechnic of Central London London, on 3 July 1971 and released in September of that year. It was recorded during Dave Mason's third stint with the band, which lasted only six performances.
On The Road is the second live album by English rock band Traffic, released in 1973. Recorded live in Germany, it features the Shoot Out at the Fantasy Factory band, with the Muscle Shoals Rhythm Section of keyboardist Barry Beckett, bassist David Hood, and drummer Roger Hawkins.
Joe Cocker! is the second studio album by English singer Joe Cocker, released in November 1969. Following the template of his first LP, the album features numerous covers of songs originally performed by Bob Dylan, the Beatles, Leonard Cohen, and future touring partner Leon Russell. Cocker also co-wrote one song, "That's Your Business Now", with Chris Stainton, who was a frequent songwriting partner.
Steve Winwood is the debut solo studio album by blue-eyed soulster Steve Winwood. It was released in 1977, three years after the break-up of his former band, Traffic. Though the album sold moderately well in the US, it was a commercial disappointment compared to Traffic's recent albums, peaking at number 22 on the Billboard 200 album chart. In the UK, however, while Traffic's recent albums had only been moderately successful, Steve Winwood reached number 12 on The Official Charts. Island Records launched two singles from the album, "Hold On" and "Time Is Running Out", both of which failed to make the charts.
Motel Shot is a studio album by Delaney & Bonnie and Friends, released in 1971. The album, their third for Atco/Atlantic and fifth overall, is a mostly acoustic set. The album's title refers to the impromptu, sometimes late-night, jam sessions pursued by touring musicians when on the road.
Jamaica Say You Will is the fifth studio album by Joe Cocker, released in April 1975. The songs from the album come from the same sessions that produced the highly acclaimed LP I Can Stand A Little Rain (1974). Jamaica Say You Will wasn't, however, as successful as its predecessor. It reached number 42 on the US album charts.
Hanson were a British-based rock band formed by Junior Hanson in 1973 and were signed to Emerson, Lake and Palmer's record label Manticore. Their debut album Now Hear This, was released in 1973 and featured Bobby Tench. At the beginning of 1974, Junior Marvin disbanded the existing line-up and reformed the band for the recording of a funk rock album Magic Dragon, which was released later that year.
Give Thankx is an album by the Jamaican musician Jimmy Cliff, released in 1978. Many of its songs were influenced by Cliff's travels in Africa. The album was produced by Bob Johnston.
Joe Cocker's Greatest Hits is a greatest hits album by Joe Cocker. It was released in 1977.
Organic is the fifteenth studio album by Joe Cocker, released on 14 October 1996 in the UK.
The Last Puff is an album by British rock band Spooky Tooth, released in 1970.
Short Cut Draw Blood is the third studio album by the British musician Jim Capaldi, released by Island Records in 1975. It marked a major turning point in Capaldi's career: it was his first album recorded after the breakup of Traffic, and more importantly it was his commercial breakthrough. While Capaldi's first two solo albums had been moderately successful in the United States, Short Cut Draw Blood entered the charts in several other countries for the first time. This was particularly evident in his native United Kingdom; the single "It's All Up to You" at number 27, released a year before the album, became his first top 40 hit there, only to be overshadowed the following year by his cover of "Love Hurts", which went all the way to number 4.
Mad Dogs & Englishmen: The Complete Fillmore East Concerts is a live album by Joe Cocker, recorded in New York City in 1970.
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ignored (help)All song and personnel information gathered from the liner notes of the album Joe Cocker (Copyright © 1972 by A&M Records), as issued by A&M Records in the U.S.