"Midnight Rider" | ||||
---|---|---|---|---|
Single by The Allman Brothers Band | ||||
from the album Idlewild South | ||||
B-side | "Whipping Post" | |||
Released | March 26, 1971 | |||
Genre | ||||
Length | 2:57 | |||
Label | ||||
Songwriter(s) |
| |||
Producer(s) | ||||
The Allman Brothers Band singles chronology | ||||
| ||||
Official Audio | ||||
"Midnight Rider" on YouTube | ||||
Audio sample | ||||
"Midnight Rider" is a song by the American rock band the Allman Brothers Band. It was the second single from their second studio album, Idlewild South (1970),released on Capricorn Records. The song was primarily written by vocalist Gregg Allman,who first began composing it at a rented cabin outside Macon,Georgia. He enlisted the help of roadie Robert Kim Payne to complete the song's lyrics. He and Payne broke into Capricorn Sound Studios to complete a demo of the song.
While the original Allman Brothers release of the song did not chart,"Midnight Rider" was much more successful in cover versions. Gregg Allman's solo version of the song,released in 1973,was its biggest chart success;it was a top 20 hit in the U.S. and Canada. A cover by Jamaican singer Paul Davidson represented its biggest peak in the United Kingdom,where it hit number ten. Country artist Willie Nelson also recorded a version of the song that peaked at number six on U.S. country charts.
"Midnight Rider" originated during the group's time spent at Idlewild South,a $165-a-month farmhouse they rented on a lake outside Macon,Georgia. [1] Allman felt free to smoke marijuana with no police around,which contributed to his writing at the cabin. [2] Its genesis was quick:the song came to him out of nowhere,and he completed a rough draft in just over an hour of writing. [3] He found himself stuck on the song's third verse,which he regarded as an especially important component of the song:"it's kind of the epilogue to the whole thing," he later wrote. [2] In the middle of the night,he went to roadie Kim Payne,who was keeping watch over the band's warehouse,where they kept their equipment. [3] Payne helped him write the first two lines of the third verse:"We were getting high and,honestly,he was starting to irritate me—because he was singing this song over and over and I got sick of hearing the band play the same shit over and over again until they got it right," Payne later recalled. "So I just threw out the line,'I've gone past the point of caring / some old bed I’ll soon be sharing.'" [3] [4]
Thankful for Payne's help,Allman told him he would give him a percentage of its royalties should it become a success. [5] Payne was not originally listed as a songwriter on the song,so he later had Allman contact Phil Walden to produce a contract that allowed him five percent of its future royalties. [6]
Allman wanted to record it immediately,but had no keys to Capricorn Sound Studios,which was adjacent to the warehouse. They phoned both producer Johnny Sandlin and Paul Hornsby who "told us to go to hell,come back in the morning," according to Payne. [5] Intent on recording the song,Allman and Payne broke into the building,with Payne smashing a window on a door to allow him to unlock it. [4] After managing to turn on the recording console and microphones,Allman recorded a demo by himself on acoustic guitar. [5] Unable to find the band members,he enlisted friend Twiggs Lyndon to perform bass guitar on a rough demo,though Lyndon did not know how to play the instrument. Allman instructed him to play the bassline he had envisioned and Lyndon practiced it multiple times to prepare. [3] He later found Allman Brothers drummer Jaimoe and had him perform congas on the demo. In the final studio recording,Duane Allman plays acoustic guitar,as he had enough studio experience to produce a nice acoustic sound. [7]
Gregg Allman called it "the song I’m most proud of in my career." [2]
"Midnight Rider" uses traditional folk and blues themes of desperation,determination,and a man on the run:
The verses arrangement features Duane Allman's acoustic guitar carrying the song's changes,underpinned by a congas-led rhythm section and soft,swirling organ. [8] [9] Dickey Betts' lead guitar phrases ornament the choruses and the instrumental break,while Gregg Allman's powerful,soulful singing,featuring harmony-producing reverb,has led to the song becoming known by some as Allman's signature piece. [8] Music writer Jean-Charles Costa stated in 1973 that,"'Midnight Rider' has been recorded by other bands and it's easy to see why. The verse construction,the desperate lyrics,and the taut arrangement make it standout material," [9] while musician and writer Bill Janovitz said that the recording successfully blended elements of blues,country music,soul music,and Southern rock. [8]
"Midnight Rider" has been a concert staple for the band in decades since;it is usually played fairly closely to the original template,and was not used as the basis for long jams until the Allman Brothers' annual New York City run in 2010.
The original version of "Midnight Rider" by the Allman Brothers Band never charted,but the song later became a hit for four other artists:
Many other versions have been recorded as well,starting in 1971 with Drummer Buddy Miles on his "A Message to the People" LP on Mercury Record.- when jazz guitarist Maynard Parker released a 1973 version on an album named for the song. [14] Since that time,the song has gone on to be The Allman Brothers Band's most covered song, [8] performed by artists ranging from country legend Waylon Jennings to punk rock legend Patti Smith;from bluegrass fiddler/singer Alison Krauss to ska revivalists Bad Manners to doo-wop vocalists The Drifters. O.A.R. also covers Midnight Rider frequently at live shows, [15] as well as Bon Jovi guitarist Richie Sambora,who sometimes uses it as an intro to Wanted Dead or Alive;during his solo shows but also with his main band,he had also sung "Midnight Rider" before the mentioned. Buckcherry has also played "Midnight Rider" before live,Michael McDonald does a rendition of "Midnight Rider",and it has also appeared on a Hank Williams,Jr. album. Bob Seger covered the song on his long out of print Back in '72 album. An edited and remastered version of his version,which eliminates the breakdown and Seger's scatting towards the end of the track,appears on his 2009 Early Seger Vol. 1 album. Stephen Stills included the song on his 1978 Thoroughfare Gap album,and later played "Midnight Rider" in 2009 on The Howard Stern Show ,saying that he and Gregg Allman used to sing it together. In summer 2010,he and his bandmates in Crosby,Stills and Nash performed the song on their European tour,during a covers section in their set.
Gregg Allman's solo version is featured during the opening scenes of the 2004 remake of Walking Tall .
Fury in the Slaughterhouse covered this song on their 2002 album The Color Fury.
Theory of a Deadman covered the song on the 2003 special edition of their 2002 self-titled debut album.
UB40 also covered the song on their 2013 Getting Over the Storm album.
Sharon Jones &the Dap-Kings recorded a Soul/Funk version in 2016 for Lincoln Motor Company to use in a commercial. [16]
In 2017 Lydia Lunch &Cypress Grove covered the song on their album Under the Covers. [17]
Christian singer Zach Williams covered the song on his 2017 deluxe version of his album Chain Breaker. [18]
|
|
The Allman Brothers Band was an American rock band formed in Jacksonville, Florida, in 1969. Its founding members were brothers Duane Allman and Gregg Allman, as well as Dickey Betts, Berry Oakley (bass), Butch Trucks (drums), and Jai Johanny "Jaimoe" Johanson (drums). Subsequently based in Macon, Georgia, they incorporated elements of blues, jazz and country music and their live shows featured jam band-style improvisation and instrumentals.
At Fillmore East is the first live album by American rock band the Allman Brothers Band, and their third release overall. Produced by Tom Dowd, the album was released on July 6, 1971 in the United States, by Capricorn Records. As the title indicates, the recording took place at the New York City music venue Fillmore East, which was run by concert promoter Bill Graham. It was recorded over the course of three nights in March 1971 and features the band performing extended jam versions of songs such as "Whipping Post", "You Don't Love Me" and "In Memory of Elizabeth Reed". When first commercially released, it was issued as a double LP with just seven songs across four vinyl sides.
Eat a Peach is the third studio album and the first double album by American rock band the Allman Brothers Band. Produced by Tom Dowd, the album was released on February 12, 1972, in the United States by Capricorn Records. It was the band's fourth album since their debut The Allman Brothers Band in 1969; released as a double album, it constitutes both their third studio album and second live album, containing a mix of live and studio recordings released in 1972. Following their artistic and commercial breakthrough with the July 1971 release of the live album At Fillmore East, the Allman Brothers Band got to work on their third studio album. Drug use among the band became an increasing problem, and at least one member underwent rehab for heroin addiction. On October 29, 1971, lead and slide guitarist Duane Allman, group leader and founder, was killed in a motorcycle accident in the band's adopted hometown of Macon, Georgia, making it the final album to feature him.
Gregory LeNoir Allman was an American musician, singer and songwriter. He was known for performing in the Allman Brothers Band. Allman grew up with an interest in rhythm and blues music, and the Allman Brothers Band fused it with rock music, jazz, and country. He wrote several of the band's most popular songs, including "Whipping Post", "Melissa", and "Midnight Rider". Allman also had a successful solo career, releasing seven studio albums. He was born and spent much of his childhood in Nashville, Tennessee, before relocating to Daytona Beach, Florida and then Macon, Georgia.
The Allman Brothers Band is the debut studio album by American rock band the Allman Brothers Band. Produced by Adrian Barber, it was released in the United States on November 4, 1969, by Atco Records subsidiary Capricorn. Formed in 1969, the Allman Brothers Band came together following various musical pursuits by each individual member. Guitarist and bandleader Duane Allman moved to Jacksonville, Florida where he led large jam sessions with his new band, one he had envisioned as having two guitarists and two drummers. After rounding out the lineup with the addition of his brother, Gregg Allman, the band moved to Macon, Georgia, where they were to be one of the premiere acts on Capricorn.
Idlewild South is the second studio album by American rock band the Allman Brothers Band. With the exception of one song, the album was produced by Tom Dowd and was released on September 23, 1970 in the United States, by Atco Records and Capricorn Records. Following the release of their 1969 debut, the Allman Brothers Band toured the United States extensively to promote the album, which had little commercial success. Their performances, however, did create positive word of mouth exposure that extended to more famous musicians, such as Eric Clapton, who invited group leader Duane Allman to contribute to his 1970 album Layla and Other Assorted Love Songs.
Brothers and Sisters is the fourth studio album by American rock band The Allman Brothers Band. Co-produced by Johnny Sandlin and the band, the album was released in August 1973 in the United States, by Capricorn Records. Following the death of group leader Duane Allman in 1971, the Allman Brothers Band released Eat a Peach (1972), a hybrid studio/live album that became their biggest-selling album to date. Afterwards, the group purchased a farm in Juliette, Georgia, to become a "group hangout". However, bassist Berry Oakley was visibly suffering from the death of Duane, excessively drinking and consuming drugs. In November 1972, after nearly a year of severe depression, Oakley was killed in a motorcycle accident, making it the last album on which he played.
Win, Lose or Draw is the fifth studio album and sixth overall by American rock group the Allman Brothers Band. Produced by Johnny Sandlin and the band themselves, it was released on August 22, 1975 in the United States by Capricorn Records. It was the last studio album to feature bassist Lamar Williams and pianist Chuck Leavell.
"Jessica" is an instrumental piece by American rock band the Allman Brothers Band, released in December 1973 as the second single from the group's fourth studio album, Brothers and Sisters (1973). Written by guitarist Dickey Betts, the song is a tribute to gypsy jazz guitarist Django Reinhardt, in that it was designed to be played using only two fingers on the left hand.
"Ramblin' Man" is a song by American rock band the Allman Brothers Band, released in August 1973 as the lead single from the group's fourth studio album, Brothers and Sisters (1973). Written and sung by the band's guitarist, Dickey Betts, it was inspired by a 1951 song of the same name by Hank Williams. It is much more grounded in country music than other Allman Brothers Band compositions, which made the group reluctant to record it. Guitarist Les Dudek provides guitar harmonies, and it was one of bassist Berry Oakley's last contributions to the band.
Enlightened Rogues is the sixth studio album by American rock band the Allman Brothers Band. Produced by Tom Dowd, the album was released in February 1979 in the United States by Capricorn Records and PolyGram Records elsewhere. The Allman Brothers Band had broken up in 1976 following internal turmoil, amplified by escalating drug use. The band members splintered into different acts — among those Great Southern, Sea Level, and the Gregg Allman Band. Guitarist Dickey Betts approached his bandmates in 1978 with the prospects of a reunion. It is the first to feature guitarist Dan Toler and bassist David Goldflies. Living together in Sarasota, Florida, they rehearsed and wrote the material for their next album in fall 1978.
The Road Goes On Forever was The Allman Brothers Band's first compilation album, a two-LP set released in 1975. It featured songs from the Allmans' first five albums. In 2001, an expanded edition was released featuring 13 more tracks. The album's title is a line from "Midnight Rider."
"Blue Sky" is a song by the American rock band The Allman Brothers Band from their third studio album, Eat a Peach (1972), released on Capricorn Records. The song was written and sung by guitarist Dickey Betts, who penned it about his girlfriend, Sandy "Bluesky" Wabegijig. The track is also notable as one of guitarist Duane Allman's final recorded performances with the group. The band's two guitarists, Duane Allman and Dickey Betts, alternate playing the song's lead: Allman's solo beginning 1:07 in, Betts joining in a shared melody line at 2:28, followed by Betts's solo at 2:37. The song is notably more country-inspired than many songs in the band's catalogue.
Joe Cocker is the third studio album by Joe Cocker, released in 1972 in Europe as Something to Say on Cube Records, and in the USA as Joe Cocker on A&M Records. It contains the hit single "High Time We Went", that was released in the summer of 1971. Joe Cocker signalled Cocker's change of direction into a more jazzy, blues style. The album reached no. 30 in the US album charts. However, although it received a positive response from the press, it made no impression on the British and European charts.
Laid Back is the debut solo studio album by American singer-songwriter Gregg Allman, released in October 1973 by Capricorn Records. Allman, best known as the vocalist/lyricist/organist of the Allman Brothers Band, first began considering a solo career after internal disagreements with that group. He developed the album as a small creative outlet wherein he would assume full control, and he co-produced the album alongside Johnny Sandlin. Laid Back was largely recorded in March 1973 at Capricorn Sound Studios in Macon, Georgia, with additional recording and mixing taking place at the Record Plant by Manhattan Recording Engineer, Jim Reeves in New York City.
It Always Will Be is the 52nd studio album by country singer Willie Nelson. It includes a cover of the Allman Brothers Band's "Midnight Rider," recorded here as a duet with Toby Keith. The cover was released as a single, but did not chart.
Jesse Willard "Pete" Carr was an American guitarist. Carr contributed session work to recordings by Joan Baez, Luther Ingram, Bob Seger, Paul Simon, Willie Nelson, Joe Cocker, Boz Scaggs, Percy Sledge, The Staple Singers, Rod Stewart, Barbra Streisand, Wilson Pickett, Hank Williams, Jr., and many others, from the 1970s onward.
"Straight from the Heart" is a song by American rock band the Allman Brothers Band, released in July 1981 as the lead single from the group's eighth studio album, Brothers of the Road (1981). Written by guitarist Dickey Betts and Nashville songwriter Johnny Cobb, the song was a conscious effort to produce a hit single. The Allman Brothers Band had signed to Arista Records in 1980, and founder Clive Davis pushed them to modernize their sound. "Straight from the Heart" was later regarded as an "embarrassing" experiment by members of the band.
"Revival", sometimes listed as "Revival (Love Is Everywhere)", is a song by the American rock band the Allman Brothers Band. It was the lead single from their second studio album, Idlewild South (1970), released on Capricorn Records. The song was written by guitarist Dickey Betts, his first songwriting credit for the group.
"Ain't Wastin' Time No More" is a song by the American rock band the Allman Brothers Band. It was the lead single from their third studio album, Eat a Peach (1972), released on Capricorn Records. The song, written by Gregg Allman, largely concerns the death of his brother, Duane Allman, who was killed in a motorcycle crash in 1971.