"Done Somebody Wrong" | |
---|---|
Single by Elmore James | |
B-side | "Fine Little Mama" |
Released | December 1960 |
Recorded | May 1960 |
Studio | Beltone, New York City |
Genre | Blues |
Length | 2:20 |
Label | Fire |
Songwriter(s) | Elmore James, Eddie Kirkland (uncredited) |
Producer(s) | Bobby Robinson |
"I Must Have Done Somebody Wrong" is a blues song written and recorded by Eddie Kirkland in 1959. Using the same lyrics but modifying aspects of the music, Elmore James recorded it as "Done Somebody Wrong" in 1960; he took sole writing credit for it and it came to be known as an Elmore James song. "Done Somebody Wrong" was interpreted by the Allman Brothers Band in 1971 and featured on their classic live album At Fillmore East . As Billboard magazine has stated, the song became "more associated with the Allmans than with James in the end." [1]
Kirkland moved around during his youth, but one classification of blues singers' heritages places him in the Alabama part of the "Eastern Piney Woods" region. [2] "I Must Have Done Somebody Wrong" was recorded for Fortune Records in Detroit, Michigan in 1959, [3] and issued later that year on a 45 rpm record with "I Need You Baby" on the other side. [4] Kirkland was listed as the sole songwriter. [4]
Unlike some blues songs based around boasts, [5] Kirkland's song was centered on the acceptance of blame for having betrayed his woman's trust: [6]
Yes, the whistle done blown, and the bell done tolled
My baby done caught that train, and now she's gone
I must have done somebody wrong
Yeah, I must have done some somebody wrong
It is an exemplar of the kind of blues where the singer knows they have made a bad mistake, but is unsure exactly what the mistake is or why they did it. [7] One book on mental health challenges uses the song as an example of rejection sensitivity, and suggests that a subsequent verse, in which the singer says "Gonna find me a new doctor, maybe my luck will change", indicates the value of psychotherapy. [8]
As recorded, "I Must Have Done Somebody Wrong" is an electric blues, and was credited on the 45 to Eddie Kirkland and His House Rockers. [4] Besides Kirkland on vocals and guitar, the lineup consisted of Joe Dooms on piano, Jimmy Parner on drums, and Johnny Hooks on tenor saxophone. [3]
In 1960, Eddie Kirkland ran into Elmore James in Cleveland, Ohio, and played James his record of "I Must Have Done Somebody Wrong"; James thought highly of the song and offered to record it jointly with Kirkland. [5] According to Kirkland's later account, he gave James the go-ahead to record it alone, but said, "Just give me the credit for it," which James said would be done. [5]
The Elmore James session that recorded the song was held at Beltone Studios in New York City, likely beginning the night of May 23, 1960, and running into the next day. [5] The producer for the session was Bobby Robinson. [5] James used Kirkland's lyrics, [5] with only a few slight changes, and the melody was substantially the same. However James rearranged the song into a stop-time rhythm that highlighted the slide guitar he was known for. [5] His version also benefitted from a rhythm guitar part by Jimmy Spruill. Other players likely included Homesick James on bass guitar, Belton Evans on drums, Johnny Acey on piano, and Paul "Hucklebuck" Williams on baritone saxophone. [5] As one writer later said, "the intensity of James' vocal and guitar," combined with the start-stop beat, "made it immediately unforgettable". [6]
The 45 rpm record "Done Somebody Wrong", backed with "Fine Little Mama", was issued on Fire Records in December 1960 [5] (the artist was given as Elmo James). [9] But it came out with E. James listed as the only songwriting credit. [5] [9] Unlike some other releases of James such as "The Sky Is Crying" and "It Hurts Me Too", it was not a hit. [5]
The work of Elmore James inspired a number of mid-1960s rock artists from Great Britain, and from North America as part of the "British Invasion", [10] including the Yardbirds. [10] One of the first tracks recorded by them with Jeff Beck on guitar, "I Ain't Done Wrong" appeared during the summer of 1965 on the For Your Love album in the United States and the Five Yardbirds EP in Britain. [11] Although the sole writing credit for this track was given to the group's lead singer and harmonica player, Keith Relf, [11] it was based on Kirkland's "I Must Have Done Somebody Wrong". [12] Yardbirds drummer Jim McCarty later stated that "I Ain't Done Wrong" was "little more than a mildly revised version of an Elmore James number", and suggested that the credit to Relf was motivated by the group desiring to be more involved in doing their own songwriting and thus less dependent upon outside writers like Graham Gouldman. [13] Beck plays slide guitar in a style somewhat akin to James's, and the track ended up in one of the Yardbirds' signature rave-ups. [14]
In 1966, David Clayton-Thomas was a blues singer working in the clubs of Toronto, Ontario in Canada. He recorded the album Sings Like It Is for Roman Records, which included "Done Somebody Wrong" with sole songwriting credit was given to "D. C. Thomas". [15] As AllMusic later commented, it was essentially a reworking of the Elmore James "Done Somebody Wrong". [16] In 1969, after Clayton-Thomas found fame with Blood, Sweat & Tears, the song was one of several reissued on an album by Decca Records with horns dubbed in to make it sound more like Blood, Sweat & Tears. [17] )
When they were still teenagers in the early 1960s, brothers Duane and Gregg Allman were exposed to the song by Hank Moore, [18] a local black musician who with his Orchestra had a record out and who had opened shows for Hank Ballard & The Midnighters. [19] Moore went to the Allmans' house in Daytona Beach, Florida, and used "Done Somebody Wrong" to illustrate how bass lines fit into the structure of music, [18] and the stop/start rhythms that Elmore James used became one of the foundations of the Southern Rock genre that the Allman Brothers pioneered. [20]
In March 1971, the Allman Brothers Band were recording shows at New York's famous Fillmore East venue for their upcoming third album, and "Done Somebody Wrong" appeared, [21] with the March 12 late show rendition of it included on the album. [22] The introduction by Duane Allman says this is a tune they have recently worked up, and characterizes it as "an old Elmore James song ... This is an old true story ..." [23] Unlike some white rockers capitalizing on old blues tunes, the Allman Brothers were known for shouting out the names of artists who preceded them. [1]
The interpretation is led by Duane Allman's slide guitar, described by one writer as a "tripwire-tight siren ". [1] This is set against a shuffle note rhythm, [23] powered by drummers Butch Trucks and Jaimoe and bassist Berry Oakley. Gregg Allman's vocal is remorseful per the lyrical content, [24] and he plays piano on this number, not his usual organ. The first solo is from Thom Doucette, [23] a blues harp player who frequently joined the Allman Brothers and played on several of the Fillmore East numbers. [25] That is followed by a lead guitar break by Dickey Betts. [24] After another verse, the band breaks out of the shuffle, and led by Duane Allman playing unusually high notes for a slide guitar, [24] the band breaks into a triplet-based crescendo, with the harp part still involved, before returning the final vocal part and end. [23] The Allmans' version of "Done Somebody Wrong" had not completely followed the Elmore James arrangement nor imitated his slide guitar playing. [23] Indeed, writer Scott Freeman has said that Duane Allman's slide playing on this performance illustrated that he had gone well beyond whatever Elmore James and other blues masters had ever envisioned for the instrument. [24]
The album At Fillmore East came out in July 1971 and received strong reviews, including for "Done Somebody Wrong". [26] The album gave the band its big commercial breakthrough, and is generally regarded as one of the best live albums of all time. [20] From the Fillmore shows on, "Done Somebody Wrong" became a part of the Allman Brothers' regular setlists, [23] and performances of it have appeared on several historical releases from later in 1971, culminating with The Final Note . [27]
Despite the deaths of band members Duane Allman and Berry Oakley, the band reached the height of their popular appeal during 1973. [20] During shows of that year, "Done Somebody Wrong" was often featured at the front of setlists. Dickey Betts took over the slide parts, Gregg Allman moved out front to play rhythm guitar, and Chuck Leavell's piano solo replaced the original Doucette and Betts solos. [28]
Later incarnations of the band continued to include the song in their repertoire, with for instance a rendition in 2004 being included on The Fox Box set release in 2017. [29]
The original vinyl double LP of At Fillmore East listed four writers for "Done Somebody Wrong": David C. Thomas, Clarence Lewis, Elmore James, and Morgan Robinson. [30] The first was David Clayton-Thomas, included despite his 1966 recording having little or nothing to do with the Allman Brothers' arrangement. The last was Morgan "Bobby" Robinson, James' producer – he had writer or co-writer credits on some of James' other early records, although not originally on this one [5] [lower-alpha 1] And Clarence "Fats" Lewis was a business associate of Robinson's [32] (and not to be confused with the singer Clarence Lewis from the same period).
In later years, the song credits being used for "Done Somebody Wrong" changed again: James and Lewis remained, but Clayton-Thomas was dropped and Robinson was replaced by record company mogul Morris Levy. [8] Levy had been another business associate of Robinson's, [32] and became notorious for getting himself added into songwriting credits. [33]
But none of these credits included the original writer of "I Must Have Done Somebody Wrong". Kirkland was one of many bluesman from the South who never quite found commercial success. [34] In particular, he lamented that he had been unrewarded for his songwriting. [35] As Kirkland would say in interviews, "[I wrote] 'Must Have Done Somebody Wrong,' which Elmore James stole from me and the Allman Brothers performed." [34] Another time he expanded on the matter: "I've had a few songs stole from me, took from me, that people cut, and were made very popular. Like Elmore James, which I let him do one of my tunes, he didn't give me credit for it. In 1970 [actually 1971] the Allman Brothers got their first gold record, they recorded that same tune ... 'I Must've Done Somebody Wrong'. That's my tune. I let Elmore James cut it. See, I did it on a little small label [Fortune 848]. I knew it was a good song." [35] As the Boston Globe wrote of one of these exchanges, "There's a twinge of bitterness in his voice, but no more so than most bluesmen of his era." [34]
In 1997, Kirkland re-recorded the song for the Telarc album Lonely Street. [36] Although "Done Somebody Wrong" is used as the title instead of his original, Kirkland is listed as the sole songwriter. [37] The recording features contributions from guest musicians, including guitarists G. E. Smith and Cub Koda (on slide). [37] Jaimoe, who played on the Allman Brothers Band's original rendition, contributes the drums. [37] In a review, their performance is described as a highlight of the album. [36]
Elmore James was an American blues guitarist, singer, songwriter, and bandleader. Noted for his use of loud amplification and his stirring voice, James was inducted into the Rock and Roll Hall of Fame in 1992. His slide guitar technique earned him the nickname "King of the Slide Guitar".
At Fillmore East is the first live album by American rock band the Allman Brothers Band, and their third release overall. Produced by Tom Dowd, the album was released on July 6, 1971 in the United States, by Capricorn Records. As the title indicates, the recording took place at the New York City music venue Fillmore East, which was run by concert promoter Bill Graham. It was recorded over the course of three nights in March 1971 and features the band performing extended jam versions of songs such as "Whipping Post", "You Don't Love Me" and "In Memory of Elizabeth Reed". When first commercially released, it was issued as a double LP with just seven songs across four vinyl sides.
Howard Duane Allman was an American rock and blues guitarist and the founder and original leader of the Allman Brothers Band, for which he was posthumously inducted into the Rock and Roll Hall of Fame in 1995.
"Beck's Bolero" is a rock instrumental recorded by English guitarist Jeff Beck in 1966. It is Beck's first solo recording and has been described as "one of the great rock instrumentals, epic in scope, harmonically and rhythmically ambitious yet infused with primal energy". "Beck's Bolero" features a prominent melody with multiple guitar parts propelled by a rhythm inspired by Ravel's Boléro.
For Your Love is the first American album by the English rock band the Yardbirds. Released in June 1965, it contains new studio recordings along with previously released singles. The album features some of the earliest recordings by guitarists Eric Clapton and his replacement Jeff Beck.
"Statesboro Blues" is a Piedmont blues song written by Blind Willie McTell, who recorded it in 1928. The title refers to the town of Statesboro, Georgia. In 1968, Taj Mahal recorded a popular blues rock adaptation of the song with a prominent slide guitar part by Jesse Ed Davis. His rendition inspired a recording by the Allman Brothers Band, which is ranked number nine on Rolling Stone magazine's list of the "100 Greatest Guitar Songs of All Time". In 2005, the Atlanta Journal-Constitution ranked "Statesboro Blues" number 57 on its list of "100 Songs of the South".
The Allman Brothers Band is the debut studio album by American rock band the Allman Brothers Band. Produced by Adrian Barber, it was released in the United States on November 4, 1969, by Atco Records subsidiary Capricorn. Formed in 1969, the Allman Brothers Band came together following various musical pursuits by each individual member. Guitarist and bandleader Duane Allman moved to Jacksonville, Florida where he led large jam sessions with his new band, one he had envisioned as having two guitarists and two drummers. After rounding out the lineup with the addition of his brother, Gregg Allman, the band moved to Macon, Georgia, where they were to be one of the premiere acts on Capricorn.
Thom "Ace" Doucette is an American blues harmonica player from the Sarasota, Florida region. He is best known for having played with The Allman Brothers Band in the 1970s and later, although he was never an official member.
S.U.N.Y. at Stonybrook: Stonybrook, NY 9/19/71 is a two-CD live album by the Allman Brothers Band. The second of a series of archival concert albums from the Allman Brothers Band Recording Company, it features the original lineup of the group. It was released in 2003.
Macon City Auditorium: Macon, GA 2/11/72 is a two-CD live album by the Allman Brothers Band. It was recorded at the Macon City Auditorium in Macon, Georgia on February 11, 1972. The third archival concert album from the Allman Brothers Band Recording Company, it was released in 2004.
Nassau Coliseum: Uniondale, NY: 5/1/73 is a two-CD live album by the Allman Brothers Band. It was recorded at Nassau Coliseum in Uniondale, New York on May 1, 1973. The fourth archival concert release from the Allman Brothers Band Recording Company, it features the 1972 to 1976 lineup of the band – Gregg Allman, Dickey Betts, Chuck Leavell (piano), Lamar Williams (bass), Jaimoe (drums), and Butch Trucks (drums). It was released in 2005.
"Call It Stormy Monday (But Tuesday Is Just as Bad)" (commonly referred to as "Stormy Monday") is a song written and recorded by American blues electric guitar pioneer T-Bone Walker. It is a slow twelve-bar blues performed in the West Coast blues-style that features Walker's smooth, plaintive vocal and distinctive guitar work. As well as becoming a record chart hit in 1948, it inspired B.B. King and others to take up the electric guitar. "Stormy Monday" became Walker's best-known and most-recorded song.
"Whipping Post" is a song by The Allman Brothers Band. Written by Gregg Allman, the five-minute studio version first appeared on their 1969 debut album The Allman Brothers Band. The song was regularly played live and was the basis for much longer and more intense performances. This was captured in the Allman Brothers' 1971 double live album At Fillmore East, where a 22-minute, 40-second rendition of the song takes up the entire final side. It was this recording that garnered "Whipping Post" spots on both the Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll list and Rolling Stone's list of "The 500 Greatest Songs of All Time", which wrote, "the song is best appreciated in the twenty-three-minute incarnation on At Fillmore East."
"One Way Out" is a blues song that was recorded in the early 1960s by both Sonny Boy Williamson II and Elmore James. A reworking of the song by G. L. Crockett, titled "It's a Man Down Here", appeared on the Billboard record charts in 1965. In 1971, the Allman Brothers Band recorded an updated live version of the song, which was included on their popular Eat a Peach album (1972).
Eddie Kirkland was an American electric blues guitarist, harmonicist, singer, and songwriter.
Live from A&R Studios is an album by the Allman Brothers Band. It was recorded on August 26, 1971, at A&R Studios in New York City for a live radio broadcast. It was released on April 1, 2016.
Down in Texas '71 is a live album by the Allman Brothers Band. It was recorded on September 28, 1971 at the Austin Municipal Auditorium in Austin, Texas. It was released on March 26, 2021.
The Final Note is a live album by the Allman Brothers Band. It was recorded on October 17, 1971 at the Painters Mill Music Fair in Owings Mills, Maryland. It was released on October 16, 2020.
Cream of the Crop 2003 is a four-CD live album by the Allman Brothers Band. It was recorded from July 25 to August 10, 2003 at six different concert venues. It was released on June 15, 2018.
The Fox Box is an eight-CD live album by the Allman Brothers Band. It contains the complete three-concert run recorded on September 24, 25, and 26, 2004 at the Fox Theatre in Atlanta. It was released on March 24, 2017.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)