"Moon Over Naples" | ||||
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Single by Bert Kaempfert | ||||
from the album The Magic Music of Far Away Places | ||||
B-side | "The Moon is Making Eyes" | |||
Released | 1965 | |||
Recorded | 1965 | |||
Length | 2:35 | |||
Label | Polydor | |||
Songwriter(s) | Bert Kaempfert | |||
Bert Kaempfert singles chronology | ||||
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"Moon Over Naples" is a 1965 instrumental composed and recorded by German bandleader Bert Kaempfert. The instrumental version reached No. 6 on Billboard's Adult Contemporary chart. It won a BMI Award in 1968.
Vocal versions of the song have been recorded as "Spanish Eyes" with lyrics by Eddie Snyder and Charles Singleton. The most notable of these was released by Al Martino, which topped Billboard's Easy Listening chart for 4 weeks in 1966. [1] [2] It is one of the most recorded songs with over 500 versions released in various languages. [3]
"Moon Over Naples" was composed by Bert Kaempfert. It was the first track on his album, The Magic Music of Far Away Places, for Decca Records and released as a single in 1965. In 1968, "Moon Over Naples" earned Kaempfert one of five BMI Awards that year; the other awards were for his compositions "Lady", "Sweet Maria", "Strangers in the Night" and "The World We Knew (Over and Over)" with a posthumous BMI Award given September 16, 2003. [4]
Two different sets of lyrics were added to the tune by Charles Singleton and Eddie Snyder. In one, "Moon Over Naples" was written as a Neapolitan song, and this vocal version was recorded by Sergio Franchi in 1965, but the song did not chart. In another set of lyrics, the composition became a song about a Mexican woman, and the song title was changed to "Spanish Eyes". [5] Both lyricists are credited in these two versions. [6] [7]
Chart (1965–1966) | Peak position |
---|---|
Austria (Ö3 Austria Top 40) [8] | 2 |
Belgium (Ultratop 50 Flanders) [9] | 4 |
Belgium (Ultratop 50 Wallonia) [10] | 15 |
Netherlands (Dutch Top 40) [11] | 18 |
US Billboard Hot 100 [12] | 59 |
US Adult Contemporary (Billboard) [13] | 6 |
West Germany (GfK) [14] | 18 |
The Austrian singer Freddy Quinn was the first artist who recorded "Spanish Eyes" in 1965 with English lyrics written by Eddie Snyder and Charles Singleton. Quinn was a friend of Kaempfert who was involved in the production of Quinn's hit song "Die Gitarre und das Meer". Quinn's recording of "Spanish Eyes" was released in the United States in 1965 by Polydor. However, as the single by Quinn was rising in Billboard's regional charts, it was pulled from the market due to a dispute over the rights to the song between Polydor and Kaempfert's label Decca. [15] [3]
"Spanish Eyes" | ||||
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Single by Al Martino | ||||
from the album Spanish Eyes | ||||
B-side | "Melody Of Love" | |||
Released | 1965 | |||
Recorded | 1965 | |||
Venue | New York | |||
Genre | Easy listening | |||
Length | 2:45 | |||
Label | Capitol Records | |||
Songwriter(s) | ||||
Producer(s) | Tom Morgan | |||
Al Martino singles chronology | ||||
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According to Al Martino, Kaempfert was interested for him to record the song, and sent him a copy of the instrumental version of "Moon Over Naples", which Martino thought had the potential to be a hit. However, Martino did not like the lyrics of a vocal version he later heard, and told Kaempfert's publisher so. [16] Singleton and Snyder, the original lyricists, were employed to rewrite the lyrics. Martino, satisfied with the new lyrics, contacted Kaempfert to request that he come and help with the recording in New York because he liked the sound of Kaempfert's recording. Martino recorded the song as "Spanish Eyes", with Kaempfert also playing on the record. [17]
"Spanish Eyes" was released in the late 1965 in the United States, and it reached number 15 on the Billboard Hot 100 [2] and spent four weeks atop the Billboard Easy Listening chart in early 1966. [17] This vocal version was also a hit in Europe, where it sold an estimated 800,000 copies in Germany. [17]
It appeared on the UK Singles Chart twice, first peaking at number 49 in 1970. Later in 1973, a deejay decided to play the song, and it received a strong response from the audience, and the song was re-released. It reached number five in August 1973. [16] [18]
Chart (1965–66) | Peak position |
---|---|
Austria (Ö3 Austria Top 40) [19] | 3 |
Belgium (Ultratop 50 Flanders) [20] | 1 |
Belgium (Ultratop 50 Wallonia) [21] | 47 |
Netherlands (Single Top 100) [22] | 13 |
UK Singles (OCC) [23] | 49 |
US Billboard Hot 100 [24] | 15 |
US Adult Contemporary ( Billboard ) [25] | 1 |
West Germany (GfK) [26] | 3 |
Chart (1973) | Peak position |
UK Singles (OCC) [23] | 5 |
Bert Kaempfert was a German orchestra leader, multi-instrumentalist, music producer, arranger, and composer. He made easy listening and jazz-oriented records and wrote the music for a number of well-known songs, including "Strangers in the Night", “Danke Schoen” and "Moon Over Naples".
Jasper Cini, known professionally as Al Martino, was an American traditional pop and jazz singer. He had his greatest success as a singer between the early 1950s and mid-1970s, being described as "one of the great Italian American pop crooners", and became known as an actor, particularly for his role as singer Johnny Fontane in The Godfather.
"Strangers in the Night" is a song composed by Bert Kaempfert with English lyrics by Charles Singleton and Eddie Snyder. Kaempfert originally used it under the title "Beddy Bye" as part of the instrumental score for the movie A Man Could Get Killed. The song was made famous in 1966 by Frank Sinatra.
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Johnny Mathis Sings the Music of Bacharach & Kaempfert is an album by American pop singer Johnny Mathis that was released in the fall of 1970 by Columbia Records. While one half of the two-record set was a compilation of tracks from his previous albums that were composed by Burt Bacharach, the other consisted of new recordings of songs composed by Bert Kaempfert, including a new version of "Strangers in the Night", which Mathis had already recorded in 1966 for his LP Johnny Mathis Sings. Although the Kaempfert tribute was similar to recent Mathis albums in that he was mainly covering songs made popular by other singers, it was absent of hits from the 12 months previous to its release that had become the pattern of his output at this point. The latest US chartings of any of the Kaempfert compositions as of this album's debut came from 1967 recordings of "Lady" by Jack Jones and "The Lady Smiles" by Matt Monro.
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