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References
- ↑ Library of Congress. Copyright Office. (1940). Catalog of Copyright Entries 1940 Musical Compositions New Series Vol 35 Pt 3 For the Year 1940. United States Copyright Office. U.S. Govt. Print. Off.
- ↑ 78 Record: Bob Wills And His Texas Playboys - San Antonio Rose (1939) , retrieved July 20, 2021
- 1 2 "The Online Discographical Project". 78discography.com. Retrieved August 5, 2017.
- ↑ 78 Record: Bob Wills And His Texas Playboys - New San Antonio Rose (1940) , retrieved July 20, 2021
- 1 2 "The Online Discographical Project". 78discography.com. Retrieved August 6, 2017.
- ↑ Western Writers of America (2010). "The Top 100 Western Songs". American Cowboy. Archived from the original on October 19, 2010.
- ↑ Gilliland, John (1994). Pop Chronicles the 40s: The Lively Story of Pop Music in the 40s (audiobook). ISBN 978-1-55935-147-8. OCLC 31611854. Tape 2, side A.
- ↑ "A Bing Crosby Discography". BING magazine. Retrieved April 1, 2017.
- ↑ Whitburn, Joel (1986). Joel Whitburn's Pop Memories 1890–1954. Wisconsin, USA: Record Research Inc. p. 558. ISBN 0-89820-083-0.
- ↑ La Chapelle, Proud to Be an Okie, p. 94: "Influenced by his early exposure to Mexican fiddle practices, Bob Wills introduced a mariachi chorus into his signature 'New San Antonio Rose' performing it and a few Spanish-language songs to spillover crowds while in Los Angeles."
- ↑ McWhorter, Cowboy Fiddler, p. 60: "The Colonel [Art Sutherland] went back in the control room and the boys asked Bob what they were going to do. Bob [Wills] said, "I don't have any idea. I'm going to play the bridge of 'The Spanish Two-Step' backwards, and Leon [McAuliffe], when I get through, you do anything you want to do and let's get out of here'. The played it through for a time and the Colonel came running out of there with his eyes wide open, said, 'Bob, what do you call that tune?' Bob said, 'You know, we haven't named it. We were going to let you name it. This tune's especially for you and you can name it anything you want to.' He said, 'I'm going to call it 'San Antonio Rose'.'"
- ↑ Kienzle, Southwest Shuffle, p. 256: "'He [Uncle Dave Macon] about flipped his dipper,' Mountjoy explained. 'We were breaking' tradition and all that. He went by a couple of time mumblin' about 'God-damn young upstarts'; and 'What they doin' with those drums here?'"
- ↑ Kienzle, Southwest Shuffle, p. 257: "When Acuff finished the introduction, the Playboys snapped into 'New San Antonio Rose,' Montjoy's drums and Brashear's trumpet clearly visible to the audience. ... 'They couldn't get the people to quit applauding; they just kept on and on and on. They kept tryin' to quiet the crowd down, and they wouldn't quiet down.' That kind of response usually justifies an encore. But Wills had remorselessly flouted Opry tradition, first by the act of bringing a drummer, then by defying their request that Mountjoy stay concealed. ... There would be no encore. But no one forgot, either."
