"On the Atchison, Topeka and the Santa Fe" is a popular song written by Harry Warren with lyrics by Johnny Mercer. The song was published in 1944, spanned the hit chart in mid-1945, and won the 1946 Academy Award for Best Original Song, the first win for Mercer.
"Buttons and Bows" is a popular song with music written by Jay Livingston and lyrics by Ray Evans. The song was published on February 25, 1948 by Famous Music Corp., New York. The song was written for and appeared in the Bob Hope and Jane Russell film The Paleface and won the Academy Award for Best Original Song. It was originally written with an Indian theme, but was changed when the director said that would not work in the movie. It was a vocal selection on many radio programs in late 1948. It was reprised in the sequel, Son of Paleface, by Roy Rogers, Jane Russell and Bob Hope. In 2004 it finished #87 in AFI's 100 Years...100 Songs survey of the top tunes in American cinema.
"You'll Never Know", sometimes referred to as "You'll Never Know " in later years, is a popular song with music written by Harry Warren and the lyrics by Mack Gordon. The song is based on a poem written by a young Oklahoma war bride named Dorothy Fern Norris.
"Long Ago (and Far Away)" is a popular song with music by Jerome Kern, and lyrics about nostalgia by Ira Gershwin from the 1944 Technicolor film musical Cover Girl starring Rita Hayworth and Gene Kelly and released by Columbia Pictures. The song was nominated for the Academy Award for Best Original Song in 1944 but lost out to “Swinging on a Star”, from Going My Way. The song was published in 1944 and sold over 600,000 copies in sheet music in a year. In 2004 it finished #92 in AFI's 100 Years...100 Songs survey of top tunes in American cinema.
"Ac-Cent-Tchu-Ate the Positive" is a popular song which was published in 1944. The music was written by Harold Arlen and the lyrics by Johnny Mercer. The song was nominated for the Academy Award for Best Original Song at the 18th Academy Awards in 1945 after being used in the film Here Come the Waves.
"My Dreams Are Getting Better All the Time" is a 1945 popular song.
"Do Nothing till You Hear from Me" is a song with music by Duke Ellington and lyrics by Bob Russell. It originated as a 1940 instrumental that was designed to highlight the playing of Ellington's lead trumpeter, Cootie Williams. Russell's words were added later. In 1944, Ellington's own recording of the song was a number one hit R&B chart for eight non-consecutive weeks and number six on the pop chart.
"Amapola" is a 1920 song by Spanish American composer José María Lacalle García, who also wrote the original lyrics in Spanish. Alternative Spanish lyrics were written by Argentine lyricist Luis Roldán in 1924. French lyrics were written by Louis Sauvat and Robert Champfleury. After the death of Lacalle in 1937, English language lyrics were written by Albert Gamse. In the 1930s, the song became a standard of the rhumba repertoire, later crossing over into pop music charts.
"I Get Ideas" is a popular song which has been recorded by various musicians and used in a number of films and television episodes.
"Swinging on a Star" is an American pop standard with music composed by Jimmy Van Heusen and lyrics by Johnny Burke. It was introduced by Bing Crosby in the 1944 film Going My Way, winning an Academy Award for Best Original Song that year, and has been recorded by numerous artists since then. In 2004, it finished at No. 37 in AFI's 100 Years...100 Songs survey of top tunes in American cinema.
"Imagination" is a popular song with music written by Jimmy Van Heusen and the lyrics by Johnny Burke. The song was first published in 1940. The two best-selling versions were recorded by the orchestras of Glenn Miller and Tommy Dorsey in 1940.
"I'll Get By (As Long as I Have You)" is a popular song with music by Fred E. Ahlert and lyrics by Roy Turk. The song was published in 1928. Versions by Nick Lucas, Aileen Stanley and, most successfully, Ruth Etting, all charted in America in 1929.
"You Belong to My Heart" is the name of an English-language version of the Mexican Bolero song "Solamente una vez". This song was composed by Mexican songwriter Agustín Lara and originally performed by singer Ana María González and tenor José Mojica in the 1941 film Melodías de América.
"Sunday, Monday or Always" is a 1943 popular song with music by Jimmy Van Heusen and lyrics by Johnny Burke.
"What a Diff'rence a Day Made", also recorded as "What a Difference a Day Makes", is a popular song originally written in Spanish by María Grever, a Mexican songwriter, in 1934 with the title "Cuando vuelva a tu lado" and first recorded by Orquesta Pedro Vía that same year. A popular version in Spanish was later recorded by trio Los Panchos with Eydie Gormé in 1964.
"I Can't Begin to Tell You" is a popular song with music written by James V. Monaco and lyrics by Mack Gordon. The song was published in 1945.
"How Deep Is the Ocean?" is a popular song written by Irving Berlin in 1932. The song was developed from an earlier Berlin song "To My Mammy" which was sung by Al Jolson in his film Mammy (1930). In the earlier song, the lyrics include the questions "How deep is the ocean? / How high is the sky?" and this was the genesis of "How Deep Is the Ocean?".
"Say It Isn't So" is a popular torch song by Irving Berlin, published in 1932. The song was written when Berlin was suffering a loss of confidence following several setbacks, and he initially placed the song in a drawer, feeling that it would not be successful. However, one of Berlin's employees, Max Winslow, heard it, and on his own initiative, took it to Rudy Vallée, who was then a major star on radio. Vallee sang it on his radio show and it became an immediate hit.
"Moon Over Naples" is a 1965 instrumental composed and recorded by German bandleader Bert Kaempfert. The instrumental version reached No. 6 on Billboard's Adult Contemporary chart. It won a BMI Award in 1968.
"Sioux City Sue" is a 1945 song and a 1946 movie. Lyricist Ray Freedman and composer Dick Thomas wrote the song. Thomas recorded the song in February 1945 for National Records and it was a number one Country charts hit for him. The song was Thomas' first chart entry on the Juke Box Folk Records chart and was also his most successful release: "Sioux City Sue" spent four weeks at number one on the Country charts during a stay of twenty-three weeks. The Dick Thomas version also reached Billboard's Best-selling Record charts attaining the No. 16 position.
