"Rapper's Delight" is a 1979 hip hop track that serves as the debut single of American hip-hip trio the Sugarhill Gang, produced by Sylvia Robinson. Although it was shortly preceded by the Fatback Band's "King Tim III ", "Rapper's Delight" is credited for introducing hip hop music to a wide audience, reaching the top 40 in the United States, as well as the top three in the United Kingdom and number one in Canada. It was a prototype for various types of rap music. The track interpolates Chic's "Good Times", resulting in Chic's Nile Rodgers and Bernard Edwards threatening to sue Sugar Hill Records for copyright infringement; a settlement was reached that gave the two songwriting credits. The track was recorded in a single take. There are five mixes of the song.
The Weather Girls are an American female duo whose best-known line-up comprised Martha Wash and Izora Armstead. Formed in 1976 in San Francisco, California, Wash and Armstead began their musical careers as Two Tons O' Fun, the female backup duo for disco singer Sylvester. After several years of singing background for Sylvester, the duo was signed in 1979 to Fantasy Records as Two Tons O' Fun. The duo changed their name to The Weather Girls and were launched into somewhat more mainstream recognition following the release of the single, "It's Raining Men" (1982), which became their first number-one song on the US Dance Chart and their biggest hit. Despite having several hit songs on the Dance Chart as Two Tons O' Fun and The Weather Girls, the duo never achieved a top 40 hit on the main US Hot 100 and ultimately disbanded in 1988 after the release of their self-titled fifth album The Weather Girls.
"I Will Survive" is a song by American singer Gloria Gaynor, released in October 1978 as the second single from her sixth album, Love Tracks (1978). It was written by Freddie Perren and Dino Fekaris. The song's lyrics describe the narrator's discovery of personal strength following an initially devastating breakup. The song is also frequently recalled as a symbol of female empowerment, as well as a disco staple.
"Wanna Be Startin' Somethin'" is a song by American singer Michael Jackson recorded for his sixth studio album Thriller (1982). It is the opening track of the album and was released as its fourth single on May 9, 1983, by Epic Records. It was written and co-produced by Jackson and produced by Quincy Jones. The lyrics pertain to strangers spreading rumors to start an argument for no good reason. "Wanna Be Startin' Somethin'" evokes the disco sound of Jackson's previous studio album, Off the Wall, released in 1979. The song is characterized by a complex rhythm arrangement and a distinctive horn arrangement.
"Don't Stop 'Til You Get Enough" is a single written, recorded and sung by American singer Michael Jackson. Released under Epic Records on July 10, 1979, the song is the first track on Jackson's fifth studio album Off the Wall (1979). It was the first solo recording over which Jackson had creative control.
Destiny is the thirteenth studio album released by American band the Jacksons, recorded in part at Dawnbreaker Studios in San Fernando, California. It was released in November 1978 on Epic Records and CBS Records. The album marked the first time in the band's career in which they had complete artistic control, producing it themselves after previously working under the supervision of Philadelphia soul architects Gamble and Huff.
Big Fun were a British boy band that was active between 1988 and 1994. The band consisted of Phil Creswick, Mark Gillespie and Jason John. Their album was produced by Stock Aitken Waterman, though many tracks on the album were produced by other PWL members.
"Rock with You" is a song by American singer Michael Jackson, written by Rod Temperton and produced by Quincy Jones. It was first offered to Karen Carpenter, while she was working on her first solo album, but she turned it down. It was released in October 1979, by Epic Records as the second single from Jackson's fifth solo studio album Off the Wall (1979). It was also the third number-one hit of the 1980s, a decade in which the pop singles chart would quickly be dominated by Jackson.
"Da Ya Think I'm Sexy?", also written "Da' Ya' Think I'm Sexy", is a song by British singer Rod Stewart from his ninth studio album, Blondes Have More Fun (1978). It was written by Stewart, Carmine Appice, and Duane Hitchings, though it incorporates the melody from the song "Taj Mahal" by Jorge Ben Jor and the string arrangement from the song "(If You Want My Love) Put Something Down On It" by Bobby Womack.
"Put the Needle on It" is a song performed by Australian singer Dannii Minogue, which was written by Minogue, Mathias Johansson, Henrik Korpi and Karen Poole for Minogue's fourth album Neon Nights (2003). It is the opening track, and was released as its lead single on 4 November 2002. It reached the top twenty on the Australian, Irish and United Kingdom Singles Charts. In the UK it also topped the club charts. In 2003, it was certified gold by the Australian Recording Industry Association indicating shipment of 35,000 units.
"Jump to the Beat" is a song written by Narada Michael Walden and Lisa Walden. It was originally released by American singer Stacy Lattisaw in 1980 when it became a big hit in the UK, peaking at No. 3. It was later covered by Australian singer Dannii Minogue on her debut album, Love and Kisses, in 1991.
"This Is It" is a 1976 disco song written by Van McCoy, and performed by American singer and actress Melba Moore for her fifth album of the same name (1976).
"If I Can't Have You" is a disco song written by the Bee Gees in 1977. The song initially appeared on the Saturday Night Fever soundtrack in a version by Yvonne Elliman, released in November 1977. The Bee Gees' own version appeared a month later as the B-side of "Stayin' Alive".
"I Love the Nightlife (Disco 'Round)" is a popular disco song recorded by American singer-songwriter Alicia Bridges in 1978. It was released as the first single from her debut album, Alicia Bridges (1978), and went to number two on the US Billboard National Disco Action Top 30 (now the Dance Club Songs chart) for two weeks. It became a crossover hit, peaking at number five on the Billboard Hot 100, and found worldwide success, reaching the top 10 in Australia, Belgium, Canada, the Netherlands and South Africa, as well as making the reaching the top 30 in the UK. A re-release in 1994 allowed the song to reach number four in New Zealand and number five in Iceland.
"He's the Greatest Dancer" is a 1979 song by the American vocal group Sister Sledge. Released on February 3, 1979, the song was written and composed by Bernard Edwards and Nile Rodgers, and recorded for the group's successful 1979 album We Are Family. Billboard named the song No. 66 on its list of "100 Greatest Girl Group Songs of All Time."
"Yes Sir, I Can Boogie" is a 1977 hit single by the Spanish vocal duo Baccara. Written by Frank Dostal and Rolf Soja, and produced by Soja, this song was a hit across Europe and became the duo's sole number one single in the United Kingdom, spending a single week at the top of the UK Singles Chart in October 1977.
"Boogie Oogie Oogie" is a song by the American band A Taste of Honey from their 1978 self-titled debut album. Released as their debut single in the summer of 1978, the song became an extremely popular "crossover" disco song. It topped the American pop, soul and disco charts, and it became the first certified platinum single in the history of Capitol Records for selling over two million copies. It also became one of the most recognizable songs from the disco era. The lyrics call out to listeners to "boogie oogie oogie, till you just can't boogie no more".
"Antmusic" is a song by English rock band Adam and the Ants, released as the third single in the UK from the album Kings of the Wild Frontier.
Michael George Jackson is an English singer-songwriter and the co-writer of the song, "Blame It on the Boogie". The song was co-authored by Mick's brother David Jackson and Elmar Krohn, and produced by Sylvester Levay.
"Let's All Chant" is a song written by American record producer and composer Michael Zager and Alvin Fields, and performed by the Michael Zager Band. It was based on an idea originally suggested by former A&M Records head of A&R Jerry Love after he visited clubs in New York and saw people endlessly chanting "Ooh-ah, Ooh-ah". Although Zager was first embarrassed when Love asked him to write a song using these chants, he accepted the proposal and later co-wrote "Let's All Chant" with Fields.
