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"I Feel the Earth Move" | ||||
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Single by Carole King | ||||
from the album Tapestry | ||||
A-side | "It's Too Late" | |||
Released | April 16, 1971 | |||
Genre | Pop rock | |||
Length | 3:00 | |||
Label | Ode | |||
Songwriter(s) | Carole King | |||
Producer(s) | Lou Adler | |||
Carole King singles chronology | ||||
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"I Feel the Earth Move" is a song written and recorded by American singer-songwriter Carole King, for her second studio album Tapestry . Additionally, the song is one half of the double A-sided single, the flip side of which was "It's Too Late". Together, both "I Feel the Earth Move" and "It's Too Late" became among the biggest mainstream pop hits of 1971.
Jon Landau's review of the Tapestry for Rolling Stone praised King's voice on this track, saying it negotiates turns from "raunchy" to "bluesy" to "harsh" to "soothing", with the last echoing the development of the song's melody into its chorus. [1] Landau describes the melody of the refrain as "a pretty pop line". [1] Forty years later, Rolling Stone stated that King's "warm, earnest singing" brought "earthy joy" to the song. [2] Music journalist Harvey Kubernik wrote that "I Feel the Earth Move" was "probably the most sexually aggressive song on the Tapestry album" and a "brave" opening to an album whose mood is mostly "mellow confessionality". [3] AllMusic critic Stewart Mason describes the song as "the ultimate in hippie-chick eroticism" and writes that it "sounds like the unleashing of an entire generation of soft-spoken college girls' collective libidos". [4] Cash Box described the song as being a "forceful 'earthquake song'" and considered its pairing with "It's Too Late" as a single to be "double dynamite." [5] Record World said that it is "quality contemporary pop." [6]
Author James Perone praised the way the lyrics and music work together. [7] As a prime example, he notes the syncopated rhythm to the melody on which King sings "tumbling down". [7] This rhythm, putting the accent at the end of the word "tumbling" rather than at the beginning, produces a "musical equivalent of a tumble." [7] Perone also notes that the fast tempo allows the listener to feel the singer's excitement over being near her lover, and that the lyrics also express sexual tension even though that tension is left implicit. [7] Perone attributes some of the song's success to producer Lou Adler's decision to highlight King's piano playing in the mix, giving it a different feel from the guitar-based singer-songwriter approach King took in her prior album. [7] Mason also attributes the song's success to the "piano-led groove" and to King's vocal delivery. [4]
King's version of "I Feel the Earth Move" peaked at number 1 on the Billboard Hot 100 chart dated June 19, 1971. It remained there for five consecutive weeks. [8] It also peaked at number 6 in the United Kingdom.
Given its upbeat nature, Ode Records selected "I Feel the Earth Move" as the A-side to Tapestry's first single. It achieved airplay, but then disc jockeys and listeners began to prefer the slower, lamenting B-side "It's Too Late". Both sides received airplay for a while, but eventually "It's Too Late" dominated. In fact, on the concurrent Cash Box singles chart, which still tracked the progress of both sides of a single separately, "It's Too Late" spent four weeks at number 1 while "I Feel the Earth Move" did not chart at all. Regardless, since Billboard had declared the record a double A-side and their chart gradually became seen by many as the "official" singles chart, it is generally listed in books and articles that both "I Feel the Earth Move" and "It's Too Late" reached number 1.
Together with "It's Too Late", "I Feel the Earth Move" was named by the RIAA as number 213 of 365 Songs of the Century.
All entries charted with "It's Too Late".
Weekly charts
| Year-end charts
|
"I Feel the Earth Move" | ||||
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Single by Martika | ||||
from the album Martika | ||||
B-side | "Quiero Entregarte Mi Amor" | |||
Released | August 1989 | |||
Genre | Dance-pop [13] | |||
Length | 4:12 | |||
Label | Columbia | |||
Songwriter(s) | Carole King | |||
Producer(s) | ||||
Martika singles chronology | ||||
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Music video | ||||
"I Feel the Earth Move" on YouTube |
Released in mid-1989, "I Feel the Earth Move" is the third single from American singer-songwriter and actress Martika's self-titled debut album, Martika (1988). It reached number seven in the United Kingdom and number two in Australia. The single also reached number 25 on the US Billboard Hot 100 but quickly fell down the chart after radio stations pulled it from their playlists in the wake of the 1989 San Francisco earthquake. The music video was shot during the promotional tour for this album.
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [31] | Platinum | 70,000^ |
United States (RIAA) [32] | Gold | 500,000‡ |
^ Shipments figures based on certification alone. |
In 1989, British boy band Big Fun recorded their version of the song, which was intended to be released as a single, but was eventually only one of the songs on the B-side of their single "Can't Shake the Feeling", and was included on their 1990 album A Pocketful of Dreams , produced by the Stock Aitken Waterman team, on which it appears as a bonus track on the CD and cassette formats. Brix Smith of Record Mirror panned this version he called a "massacre", adding that the fact of "discofy[ing]" the track shows "a lack of imagination, avarice, and insensivity to music". [33]
Marta Marrero, better known by her stage name Martika, is an American pop singer and actress. She released two internationally successful albums in the late 1980s and early 1990s, which sold over four million copies worldwide. Her biggest hit was "Toy Soldiers", which peaked at #1 for two weeks on the American chart in mid-1989. She is also known for her role as Gloria on Kids Incorporated.
Carole King Klein is an American singer-songwriter and musician who has been active since 1958. One of the most successful female songwriters of the latter half of the 20th century in the US, she wrote or co-wrote 118 pop hits on the Billboard Hot 100. She also wrote 61 hits that charted in the UK, making her the most successful female songwriter on the UK singles charts between 1962 and 2005.
Soft rock is a form of pop rock that originated in the late 1960s in Southern California and the United Kingdom which smoothed over the edges of singer-songwriter and pop rock, relying on simple, melodic songs with big, lush productions. Soft rock was prevalent on the radio throughout the 1970s and eventually metamorphosed into a form of the synthesized music of adult contemporary in the 1980s.
Tapestry is the second studio album by American singer-songwriter Carole King, released on February 10, 1971 on Ode Records and produced by Lou Adler. The album's lead singles, "It's Too Late" and "I Feel the Earth Move", spent five weeks at number one on both the Billboard Hot 100 and Easy Listening charts.
"You've Got a Friend" is a 1971 song written by American singer-songwriter Carole King. It was first recorded by King and included on her second studio album, Tapestry (1971). Another well-known version is by James Taylor from his album Mud Slide Slim and the Blue Horizon. His was released as a single in 1971, reaching number one on the Billboard Hot 100 and number four on the UK Singles Chart. The two versions were recorded simultaneously in 1971 with shared musicians.
Martika is the debut studio album by singer-songwriter Martika, released on October 18, 1988, through CBS Records.
"Toy Soldiers" is a song by American singer-songwriter Martika, appearing on her self-titled debut album (1988) and released in the United States as the second single from the album on April 26, 1989. It was her only song to top the charts in the United States, reaching the number-one on Billboard Hot 100 for two weeks in mid-1989. An edited version of the song is included in the imported version of the album Toy Soldiers: The Best of Martika. Its music video was directed by Jim Shea.
The Living Room Tour is a live album by Carole King released in 2005. It consists of live recordings of most of the songs from Tapestry. Her daughters Louise and Sherry and background singer and guitarist Gary Burr joined her on several songs. This album debuted at #17 in the US, becoming King's highest-charting album since 1977. That was largely due to television advertisements and that it was available in Starbucks retailers.
"It's Too Late" is a song from American singer-songwriter Carole King's second studio album, Tapestry (1971). Toni Stern wrote the lyrics and King wrote the music. It was released as a single in April 1971 and reached number 1 on the Billboard Hot 100 and Adult Contemporary charts. Sales were later platinum-certified by the RIAA. Billboard ranked "It's Too Late" and its fellow A-side, "I Feel the Earth Move", as the No. 3 record for 1971.
"(You Make Me Feel Like) A Natural Woman" is a 1967 song by American soul singer Aretha Franklin released as a single by the Atlantic label. The words were written by Gerry Goffin from an idea by Atlantic producer Jerry Wexler, and the music was composed by Carole King. Written for Franklin, the record reached number 8 on the Billboard Hot 100, and became one of her signature songs. It made history on the UK Singles Chart a week after her death, finally becoming a hit almost 51 years after it was first released, entering at No. 79. Franklin also included a live recording on the album Aretha in Paris in 1968.
"Hand in My Pocket" is a song by Canadian recording artist and songwriter Alanis Morissette from her third studio album, Jagged Little Pill (1995). The song was written by Morissette and Glen Ballard and was released as the second single from the album on October 16, 1995 by Maverick and Reprise, five months after the album release. The song received generally favorable reviews from music critics, who applauded Morissette's songwriting.
"Will You Love Me Tomorrow", sometimes known as "Will You Still Love Me Tomorrow", is a song with words by Gerry Goffin and music composed by Carole King. It was recorded in 1960 by the Shirelles at Bell Sound Studios in New York City, and hit number one on the Billboard Hot 100 chart. The song was the first by an African-American all-girl group to reach number one in the United States. It has since been recorded by many other artists, including a version by co-writer King released on her 1971 album Tapestry.
"I Can't Hear You No More" is a composition written by Gerry Goffin and Carole King. It was originally recorded as "I Can't Hear You" in 1964 by Betty Everett. The most successful version was the 1976 top 40 single by Helen Reddy.
Barbra Joan Streisand is the thirteenth studio album by American singer Barbra Streisand, released in August 1971 on Columbia Records. It was her second consecutive album produced by Richard Perry and features backing work by members of the female band Fanny. Like the two previous studio albums, the singer continued to opt for a more contemporary repertoire, this time choosing three songs by Carole King, two by John Lennon, two by Burt Bacharach and Hal David in medley form, one each by Laura Nyro and the trio Michel LeGrand, Marilyn Bergman and Alan Bergman, and one by Donald Fagen and Walter Becker, who would go on to form Steely Dan.
"Rainy Days and Mondays" is a song by the Carpenters from their self-titled third album, with instrumental backing by the Wrecking Crew. It was written by Paul Williams (lyrics) and Roger Nichols (music), who had previously written "We've Only Just Begun," another hit for the duo. The B-side on the single is "Saturday," a song written and sung by Richard Carpenter.
“So Far Away” is a song written by Carole King, which appeared on her 1971 album Tapestry. The recording features James Taylor on acoustic guitar. In addition to Taylor, and King on piano, instruments include Russ Kunkel on drums, Charles Larkey on bass guitar and Curtis Amy on flute.
"Where You Lead" is a song written in 1970 by Carole King with lyricist Toni Stern, introduced on King's iconic 1971 album Tapestry. A Top 40 hit for Barbra Streisand in both a studio and a live version — the latter in a medley entitled "Sweet Inspiration/ Where You Lead'" — the song has also served as the main theme song for The WB dramedy series Gilmore Girls in a lyrically revised version recorded by King and Louise Goffin.
“Sweet Seasons” is a song written by Carole King and Toni Stern which appeared on King's 1971 album Music. It was the only charting single from the album, and was her second of four Top 10 hits in the US.
"Long Ago and Far Away" is a song written by James Taylor and first released on his 1971 album Mud Slide Slim and the Blue Horizon. It was the follow-up single to "You've Got a Friend" and became a Top 40 hit in the U.S. and a Top 20 hit in Canada, and made the Top 10 on the Adult Contemporary chart in the U.S. It has also been covered by New York Voices and Johnny Mathis.
"Smackwater Jack" is a song written by Gerry Goffin and Carole King. It was first released on King's 1971 album Tapestry and then on the second single from that album, along with "So Far Away", charting at number 14 on the Billboard Hot 100. It was subsequently covered by many artists, most famously by Quincy Jones as the title song of his 1971 album Smackwater Jack.
Her next single, an OK dance-pop cover of Carole King's 'I Feel The Earth Move'...