Pop rock

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Pop rock (also typeset as pop/rock [4] ) is rock music with a greater emphasis on professional songwriting and recording craft, and less emphasis on attitude. [5] [1] Originating in the 1950s as an alternative to normal rock and roll, early pop rock was influenced by the beat, arrangements, and original style of rock and roll (and sometimes doo-wop). [1] It may be viewed as a distinct genre field, rather than music that overlaps with pop and rock. [4] The detractors of pop rock often deride it as a slick, commercial product, less authentic than rock music. [6]

Rock music is a broad genre of popular music that originated as "rock and roll" in the United States in the early 1950s, and developed into a range of different styles in the 1960s and later, particularly in the United Kingdom and in the United States. It has its roots in 1940s and 1950s rock and roll, a style which drew heavily on the genres of blues, rhythm and blues, and from country music. Rock music also drew strongly on a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical and other musical styles. Musically, rock has centered on the electric guitar, usually as part of a rock group with electric bass, drums, and one or more singers. Usually, rock is song-based music usually with a 4/4 time signature using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political.

Rock and roll is a genre of popular music that originated and evolved in the United States during the late 1940s and early 1950s from musical styles such as gospel, jump blues, jazz, boogie woogie, and rhythm and blues, along with country music. While elements of what was to become rock and roll can be heard in blues records from the 1920s and in country records of the 1930s, the genre did not acquire its name until 1954.

Beat music, British beat, or Merseybeat is a popular music genre of rock and roll that developed in the United Kingdom in the early 1960s.

Contents

Characteristics and etymology

Much pop and rock music has been very similar in sound, instrumentation and even lyrical content. The terms "pop rock" and "power pop" have been used to describe more commercially successful music that uses elements from, or the form of, rock music. [7] Writer Johan Fornas views pop/rock as "one single, continuous genre field", rather than distinct categories. [4] To the authors Larry Starr and Christopher Waterman, it is defined as an "upbeat variety of rock music" represented by artists and bands such as: Andy Kim, the Bells, Paul McCartney, Lighthouse, and Peter Frampton. [8]

Power pop is a form of pop rock based on the early music of bands such as the Who, the Beatles, the Beach Boys, and the Byrds. It originated in the late 1960s as young music fans began to rebel against the emerging pretensions of rock music, and developed mainly among American musicians who came of age during the British Invasion. The genre typically incorporates melodic hooks, vocal harmonies, an energetic performance, and "happy"-sounding music underpinned by a sense of yearning, longing, or despair.

Andy Kim singer

Andrew Youakim, performing as Andy Kim, is a Canadian pop rock singer and songwriter. He grew up in Montreal, Quebec. He is known for hits that he released in the late 1960s and 1970s: the international hit "Baby, I Love You" in 1969, and "Rock Me Gently", which topped the US singles chart in 1974. He co-wrote "Sugar, Sugar" in 1968 and sang on the recording as part of The Archies; it was #1 for four weeks and was "Record of the Year" for 1969.

The Bells (band) Canadian rock band

The Bells were a Canadian rock band from Montreal, Quebec. The band had two hit singles in the early 1970s.

The term pop has been used since the early twentieth century to refer to popular music in general, but from the mid-1950s it began to be used for a distinct genre, aimed at a youth market, often characterized as a softer alternative to rock and roll. [9] [1] In the aftermath of the British Invasion, from about 1967, it was increasingly used in opposition to the term rock music, to describe a form that was more commercial, ephemeral and accessible. [10]

British Invasion phenomenon when rock and pop music acts from the United Kingdom became popular in the United States

The British Invasion was a cultural phenomenon of the mid-1960s, when rock and pop music acts from the United Kingdom and other aspects of British culture, became popular in the United States and significant to the rising "counterculture" on both sides of the Atlantic. Pop and rock groups such as the Beatles, the Rolling Stones, the Who, the Kinks, the Dave Clark Five, Herman's Hermits, the Zombies, the Yardbirds, the Hollies, and the Animals were at the forefront of the "Invasion."

As of the 2010s, "guitar pop rock" and "indie rock" are roughly synonymous terms. [11] "Jangle" is a noun-adjective that music critics often use in reference to guitar pop with a bright mood. [12]

Indie rock is a genre of rock music that originated in the United States and United Kingdom in the 1970s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock. As grunge and punk revival bands in the US and Britpop bands in the UK broke into the mainstream in the 1990s, it came to be used to identify those acts that retained an outsider and underground perspective. In the 2000s, as a result of changes in the music industry and the growing importance of the Internet, some indie rock acts began to enjoy commercial success, leading to questions about its meaningfulness as a term.

Jangle music genre

Jangle or jingle-jangle is a sound characterized by undistorted, treble-heavy electric guitars played in a droning chordal style. The sound has featured mainly in pop music and is often associated with 1960s guitar bands, folk rock, and 1980s indie rock. It is sometimes classed as its own music subgenre, jangle pop. Music critics usually deploy the term to suggest brightly-evocative guitar pop.

Debates

Critic Philip Auslander argues that the distinction between pop and rock is more pronounced in the US than in the UK. He claims in the US, pop has roots in white crooners such as Perry Como, whereas rock is rooted in African-American music influenced by forms such as rock and roll. Auslander points out that the concept of pop rock, which blends pop and rock is at odds with the typical conception of pop and rock as opposites. Auslander and several other scholars such as Simon Frith and Grossberg argue that pop music is often depicted as an inauthentic, cynical, "slickly commercial" and formulaic form of entertainment. In contrast, rock music is often heralded as an authentic, sincere, and anti-commercial form of music, which emphasizes song writing by the singers and bands, instrumental virtuosity, and a "real connection with the audience". [13]

Perry Como American singer, actor, television personality

Pierino Ronald "Perry" Como was an American singer, actor and television personality. During a career spanning more than half a century he recorded exclusively for RCA Victor for 44 years, after signing with the label in 1943. "Mr. C.", as he was nicknamed, sold millions of records and pioneered a weekly musical variety television show. His weekly television shows and seasonal specials were broadcast throughout the world. In the official RCA Records Billboard magazine memorial, his life was summed up in these few words: "50 years of music and a life well lived. An example to all."

African-American music musical traditions of African American people

African-American music is an umbrella term covering a diverse range of music and musical genres largely developed by African Americans. Their origins are in musical forms that arose out of the historical condition of slavery that characterized the lives of African Americans prior to the American Civil War.

Simon Webster Frith OBE is a British sociomusicologist, and former rock critic, who specializes in popular music culture. He is Tovey Chair of Music at University of Edinburgh.

Simon Frith's analysis of the history of popular music from the 1950s to the 1980s has been criticized by B. J. Moore-Gilbert, who argues that Frith and other scholars have over-emphasized the role of "rock" in the history of popular music by naming every new genre using the "rock" suffix. Thus when a folk-oriented style of music developed in the 1960s, Frith terms it "folk rock", and the pop-infused styles of the 1970s were called "pop rock". Moore-Gilbert claims that this approach unfairly puts rock at the apex, and makes every other influence become an add-on to the central core of rock. [14]

In Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau discussed the term "pop-rock" in the context of popular music's fragmentation along stylistic lines in the 1970s; he regarded "pop-rock" as a "monolith" that "straddled" all burgeoning movements and subgenres in the popular and semipopular music marketplace at the time, including singer-songwriter music, art rock, heavy metal, boogie, country rock, jazz fusion, funk, disco, black pop, and new wave, but not punk rock. [15]

See also

Other guitar-based pop genres

Related Research Articles

Progressive music type of music that emphasizes form and stylistic variety

Progressive music is music that attempts to expand existing stylistic boundaries associated with specific genres of music. The word comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in the context of distinct genres such as progressive country, progressive folk, progressive jazz, and progressive rock. Music that is deemed "progressive" usually synthesizes influences from various cultural domains, such as European art music, Celtic folk, West Indian, or African. It is rooted in the idea of a cultural alternative and may also be associated with auteur-stars and concept albums, considered traditional structures of the music industry.

Pop music is a genre of popular music that originated in its modern form in the United States and United Kingdom during the mid-1950s. The terms "popular music" and "pop music" are often used interchangeably, although the former describes all music that is popular and includes many diverse styles. "Pop" and "rock" were roughly synonymous terms until the late 1960s, when they became increasingly differentiated from each other.

Glam rock is a style of rock music that developed in the United Kingdom in the early 1970s performed by musicians who wore outrageous costumes, makeup, and hairstyles, particularly platform shoes and glitter. Glam artists drew on diverse sources across music and throwaway pop culture, ranging from bubblegum pop and 1950s rock and roll to cabaret, science fiction, and complex art rock. The flamboyant clothing and visual styles of performers were often camp or androgynous, and have been described as playing with nontraditional gender roles. "Glitter rock" was another term used to refer to a more extreme version of glam.

Art rock is a subgenre of rock music that generally reflects a challenging or avant-garde approach to rock, or which makes use of modernist, experimental, or unconventional elements. Art rock aspires to elevate rock from entertainment to an artistic statement, opting for a more experimental and conceptual outlook on music. Influences may be drawn from genres such as experimental rock, avant-garde music, classical music, and jazz.

Alternative rock is a style of rock music that emerged from the independent music underground of the 1970s and became widely popular in the 1980s. In this instance, the word "alternative" refers to the genre's distinction from mainstream rock music. The term's original meaning was broader, referring to a generation of musicians unified by their collective debt to either the musical style or simply the independent, DIY ethos of punk rock, which in the late 1970s laid the groundwork for alternative music. At times, "alternative" has been used as a catch-all description for music from underground rock artists that receives mainstream recognition, or for any music, whether rock or not, that is seen to be descended from punk rock. Although the genre evolved in the late 1970s and 1980s, music anticipating the sound of the genre can be found as early as the 1960s, with bands such as The Velvet Underground.

British popular music

British popular music and popular music in general, can be defined in a number of ways, but is used here to describe music which is not part of the art/classical music or Church music traditions, including folk music, jazz, pop and rock music. These forms of music have particularly flourished in Britain, which, it has been argued, has influenced popular music disproportionately to its size, partly due to its linguistic and cultural links with many countries, particularly the former areas of British control such as United States, Canada, and Australia, but also a capacity for invention, innovation and fusion, which has led to the development of, or participation in, many of the major trends in popular music. This is particularly true since the early 1960s when the British Invasion led by The Beatles, helped to secure British performers a major place in development of pop and rock music, which has been revisited at various times, with genres originating in or being radically developed by British musicians, including: blues rock, heavy metal music, progressive rock, punk rock, British folk rock, folk punk, acid jazz, drum and bass, grime, dubstep and Britpop.

Popular music of the United Kingdom in the 1980s built on the post-punk and new wave movements, incorporating different sources of inspiration from subgenres and what is now classed as world music in the shape of Jamaican and Indian music. It also explored the consequences of new technology and social change in the electronic music of synthpop. In the early years of the decade, while subgenres like heavy metal music continued to develop separately, there was a considerable crossover between rock and more commercial popular music, with a large number of more "serious" bands, like The Police and UB40, enjoying considerable single chart success. The advent of MTV and cable video helped spur what has been seen as a Second British Invasion in the early years of the decade, with British bands enjoying more success in America than they had since the height of the Beatles' popularity in the 1960s. However, by the end of the decade a fragmentation has been observed, with many new forms of music and sub-cultures, including Hip Hop and House music, while the single charts were once again dominated by pop artists, now often associated with the Hi-NRG hit factory of Stock Aitken Waterman. The rise of the Indie rock scene was partly a response to this, and marked a shift away from the major music labels and towards the importance of local scenes like Madchester and subgenres, like gothic rock.

Cock rock Wikimedia list article

Cock rock is a genre of rock music that emphasizes a form of male sexuality. The style, developed in the later 1960s, came to prominence in the 1970s and 1980s, and it continues into the 21st century.

American rock

American rock has its roots in 1940s and 1950s rock and roll, rhythm and blues, and country music, and also drew on folk music, jazz, blues, and classical music. American rock music was further influenced by the British Invasion of the American pop charts from 1964 and resulted in the development of garage rock.

Indie pop is a music genre and subculture that combines guitar pop with DIY ethic in opposition to the style and tone of mainstream pop music. It originated from British post-punk in the late 1970s and subsequently generated a thriving fanzine, label, and club and gig circuit. Compared to its counterpart, indie rock, the genre is more melodic, less abrasive, and relatively angst-free. In later years, the definition of indie pop has bifurcated to also mean bands from unrelated DIY scenes/movements with pop leanings. Subgenres include chamber pop and twee pop.

Heartland rock is a genre of rock music characterized by a straightforward, often roots musical style, a concern with middle class and/or blue-collar American life, and a conviction that rock music has a social or communal purpose beyond just entertainment.

Art pop is a loosely defined style of pop music influenced by pop art's integration of high and low culture, and which emphasizes the manipulation of signs, style, and gesture over personal expression. Art pop artists may be inspired by postmodern approaches or art theories as well as other forms of art, such as fashion, fine art, cinema, and avant-garde literature. They may deviate from traditional pop audiences and rock music conventions, instead exploring ideas such as pop's status as commercial art, notions of artifice and the self, and questions of historical authenticity.

Women in rock

Women in rock describes the role of women singers, instrumentalists, record producers and other music professionals in rock music and popular music and the many subgenres and hybrid genres that have emerged from these genres. Women have a high prominence in many popular music styles as singers. However, professional women instrumentalists are uncommon in popular music, especially in rock genres such as heavy metal. "[P]laying in a band is largely a male homosocial activity, that is, learning to play in a band is largely a peer-based... experience, shaped by existing sex-segregated friendship networks. As well, rock music "...is often defined as a form of male rebellion vis-à-vis female bedroom culture."

Band (rock and pop) small musical ensemble which performs rock music, pop music or a related genre

A rock band or pop band is a small musical ensemble which performs rock music, pop music or a related genre. The four-piece band is the most common configuration in rock and pop music. Before the development of the electronic keyboard, the configuration was typically two guitarists, a bassist, and a drummer. Another common formation is a vocalist who does not play an instrument, electric guitarist, bass guitarist, and a drummer. Instrumentally, these bands can be considered as trios.

Brill Building (genre) pop genre that originated in New York in the 1960s

Brill Building is a subgenre of pop music originating from the Brill Building in New York City, where numerous teams of professional songwriters penned material for girl groups and teen idols in the early 1960s. The term has also become a catch-all for the period in which those songwriting teams flourished. In actuality, most hits of the mid 1950s and early 1960s were written elsewhere.

References

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  2. Peake, Steve (February 21, 2017). "Jangle Pop - Profile of '80s Underground Genre Jangle Pop". About.com. Retrieved February 28, 2017.
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  5. "Pop/Rock". AllMusic .
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  7. R. Shuker, Popular Music: the Key Concepts (Abingdon: Routledge, 2nd edn., 2005), ISBN   0-415-34770-X, p. 207.
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  10. T. Warner, Pop Music: Technology and Creativity: Trevor Horn and the Digital Revolution (Aldershot: Ashgate, 2003), ISBN   0-7546-3132-X, p. 3.
  11. Plemenitas, Katja (2014). "The Complexity of Lyrics in Indie Music: The Example of Mumford & Sons". In Kennedy, Victor; Gadpaille, Michelle (eds.). Words and Music. Cambridge Scholars Publishing. p. 79. ISBN   978-1-4438-6438-1.
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  15. Christgau, Robert (1981). "The Decade". Christgau's Record Guide: Rock Albums of the Seventies . Ticknor & Fields. ISBN   0899190251 . Retrieved April 6, 2019 via robertchristgau.com.